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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 150 29 it is the complementary color RGB 208 105 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 150 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 150 29 shade: RGB 52 150 24, RGB 69 168 43, RGB 86 186 62, RGB 103 204 81 and RGB 120 222 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 150 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 150 29 shade: RGB 47 150 29, RGB 30 132 10, RGB 13 114 0, RGB 0 96 0 and RGB 0 78 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 150 29 shade: RGB 46 149 28, RGB 79 149 28, RGB 112 149 28, RGB 144 149 28 and RGB 149 122 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 150 29 shade: RGB 46 149 28, RGB 28 149 43, RGB 28 149 75, RGB 28 149 108 and RGB 28 149 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 150 29 shade matches the following richer shades: RGB 46 149 28 and RGB 36 164 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 150 29 shade: RGB 46 149 28, RGB 56 135 43, RGB 66 121 57, RGB 77 106 71 and RGB 87 92 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 150 29 shade: RGB 111 149 28, RGB 79 149 28, RGB 46 149 28, RGB 28 149 42 and RGB 28 149 75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 150 29 shade: RGB 25 80 15, RGB 35 115 21, RGB 46 149 28, RGB 57 184 35 and RGB 71 215 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 150 29 shade: RGB 47 150 29, RGB 28 143 149 and RGB 149 28 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 150 29 shade: RGB 47 150 29, RGB 28 46 149 and RGB 149 28 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 150 29 shade: RGB 47 150 29, RGB 28 143 149, RGB 131 28 149 and RGB 149 34 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 150 29 shade: RGB 47 150 29, RGB 28 107 149, RGB 131 28 149 and RGB 149 71 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 81 / 41

HEX #2F961D

RGB 47 150 29

HSL 111.07, 0.68%, 0.35%

LAB 54.56, -51.23, 50.72

 

Complementary color

CMYK 8 / 54 / 0 / 11

HEX #D069E2

RGB 208 105 226

HSL 291.07, 0.68%, 0.65%

LAB 60.79, 58.12, -44.39

 

CMYK 65 / 0 / 84 / 41

HEX #349618

RGB 52 150 24

HSL 106.67, 0.72%, 0.34%

LAB 54.67, -50.42, 52.34

 

CMYK 59 / 0 / 74 / 34

HEX #45A82B

RGB 69 168 43

HSL 107.52, 0.59%, 0.41%

LAB 61.17, -51.52, 52.64

 

CMYK 54 / 0 / 67 / 27

HEX #56BA3E

RGB 86 186 62

HSL 108.39, 0.5%, 0.49%

LAB 67.61, -52.15, 52.12

 

CMYK 50 / 0 / 60 / 20

HEX #67CC51

RGB 103 204 81

HSL 109.27, 0.55%, 0.56%

LAB 73.97, -52.49, 51.19

 

CMYK 46 / 0 / 55 / 13

HEX #78DE64

RGB 120 222 100

HSL 110.16, 0.65%, 0.63%

LAB 80.27, -52.62, 50.09

 

CMYK 69 / 0 / 81 / 41

HEX #2F961D

RGB 47 150 29

HSL 111.07, 0.68%, 0.35%

LAB 54.56, -51.23, 50.72

 

CMYK 77 / 0 / 92 / 48

HEX #1E840A

RGB 30 132 10

HSL 110.16, 0.86%, 0.28%

LAB 48.01, -49.34, 49.53

 

CMYK 89 / 0 / 100 / 55

HEX #0D7200

RGB 13 114 0

HSL 113.16, 1%, 0.22%

LAB 41.41, -46.35, 46.09

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 69 / 0 / 81 / 42

HEX #2E951C

RGB 46 149 28

HSL 111.07, 0.68%, 0.35%

LAB 54.2, -51.15, 50.68

 

CMYK 47 / 0 / 81 / 42

HEX #4F951C

RGB 79 149 28

HSL 94.71, 0.68%, 0.35%

LAB 55.32, -42.22, 52.13

 

CMYK 25 / 0 / 81 / 42

HEX #70951C

RGB 112 149 28

HSL 78.35, 0.68%, 0.35%

LAB 57.1, -29.88, 54.42

 

CMYK 3 / 0 / 81 / 42

HEX #90951C

RGB 144 149 28

HSL 62.48, 0.68%, 0.35%

LAB 59.44, -16.07, 57.4

 

CMYK 0 / 18 / 81 / 42

HEX #957A1C

RGB 149 122 28

HSL 46.61, 0.68%, 0.35%

LAB 52.28, 0.91, 51.21

 

CMYK 69 / 0 / 81 / 42

HEX #2E951C

RGB 46 149 28

HSL 111.07, 0.68%, 0.35%

LAB 54.2, -51.15, 50.68

 

CMYK 81 / 0 / 71 / 42

HEX #1C952B

RGB 28 149 43

HSL 127.44, 0.68%, 0.35%

LAB 53.94, -53, 44.9

 

CMYK 81 / 0 / 50 / 42

HEX #1C954B

RGB 28 149 75

HSL 143.31, 0.68%, 0.35%

LAB 54.29, -48.73, 30.08

 

CMYK 81 / 0 / 28 / 42

HEX #1C956C

RGB 28 149 108

HSL 159.67, 0.68%, 0.35%

LAB 54.89, -41.93, 12.75

 

CMYK 81 / 0 / 5 / 42

HEX #1C958D

RGB 28 149 141

HSL 176.03, 0.68%, 0.35%

LAB 55.75, -33, -4.86

 

CMYK 69 / 0 / 81 / 42

HEX #2E951C

RGB 46 149 28

HSL 111.07, 0.68%, 0.35%

LAB 54.2, -51.15, 50.68

 

CMYK 78 / 0 / 91 / 36

HEX #24A40E

RGB 36 164 14

HSL 111.2, 0.84%, 0.35%

LAB 58.94, -58.42, 58.17

 

CMYK 69 / 0 / 81 / 42

HEX #2E951C

RGB 46 149 28

HSL 111.07, 0.68%, 0.35%

LAB 54.2, -51.15, 50.68

 

CMYK 59 / 0 / 68 / 47

HEX #38872B

RGB 56 135 43

HSL 111.52, 0.52%, 0.35%

LAB 49.91, -42.43, 40.79

 

CMYK 45 / 0 / 53 / 53

HEX #427939

RGB 66 121 57

HSL 111.56, 0.36%, 0.35%

LAB 45.81, -31.78, 29.32

 

CMYK 27 / 0 / 33 / 58

HEX #4D6A47

RGB 77 106 71

HSL 109.71, 0.2%, 0.35%

LAB 41.75, -18.1, 16.33

 

CMYK 5 / 0 / 7 / 64

HEX #575C56

RGB 87 92 86

HSL 110, 0.03%, 0.35%

LAB 38.47, -3.24, 2.77

 

CMYK 26 / 0 / 81 / 42

HEX #6F951C

RGB 111 149 28

HSL 78.84, 0.68%, 0.35%

LAB 57.03, -30.29, 54.34

 

CMYK 47 / 0 / 81 / 42

HEX #4F951C

RGB 79 149 28

HSL 94.71, 0.68%, 0.35%

LAB 55.32, -42.22, 52.13

 

CMYK 69 / 0 / 81 / 42

HEX #2E951C

RGB 46 149 28

HSL 111.07, 0.68%, 0.35%

LAB 54.2, -51.15, 50.68

 

CMYK 81 / 0 / 72 / 42

HEX #1C952A

RGB 28 149 42

HSL 126.94, 0.68%, 0.35%

LAB 53.93, -53.09, 45.29

 

CMYK 81 / 0 / 50 / 42

HEX #1C954B

RGB 28 149 75

HSL 143.31, 0.68%, 0.35%

LAB 54.29, -48.73, 30.08

 

CMYK 69 / 0 / 81 / 69

HEX #19500F

RGB 25 80 15

HSL 110.77, 0.68%, 0.19%

LAB 29.36, -31.48, 31.03

 

CMYK 70 / 0 / 82 / 55

HEX #237315

RGB 35 115 21

HSL 111.06, 0.69%, 0.27%

LAB 42.27, -41.97, 41.5

 

CMYK 69 / 0 / 81 / 42

HEX #2E951C

RGB 46 149 28

HSL 111.07, 0.68%, 0.35%

LAB 54.2, -51.15, 50.68

 

CMYK 69 / 0 / 81 / 28

HEX #39B823

RGB 57 184 35

HSL 111.14, 0.68%, 0.43%

LAB 65.96, -60.25, 59.73

 

CMYK 67 / 0 / 79 / 16

HEX #47D72D

RGB 71 215 45

HSL 110.82, 0.68%, 0.51%

LAB 76.15, -67, 66.54

 

CMYK 69 / 0 / 81 / 41

HEX #2F961D

RGB 47 150 29

HSL 111.07, 0.68%, 0.35%

LAB 54.56, -51.23, 50.72

 

CMYK 81 / 4 / 0 / 42

HEX #1C8F95

RGB 28 143 149

HSL 182.98, 0.68%, 0.35%

LAB 54.09, -27.63, -11.93

 

CMYK 0 / 81 / 36 / 42

HEX #951C5F

RGB 149 28 95

HSL 326.78, 0.68%, 0.35%

LAB 34.08, 53.59, -8.46

 

CMYK 69 / 0 / 81 / 41

HEX #2F961D

RGB 47 150 29

HSL 111.07, 0.68%, 0.35%

LAB 54.56, -51.23, 50.72

 

CMYK 81 / 69 / 0 / 42

HEX #1C2E95

RGB 28 46 149

HSL 231.07, 0.68%, 0.35%

LAB 24.86, 32.26, -58.1

 

CMYK 0 / 81 / 69 / 42

HEX #951C2E

RGB 149 28 46

HSL 351.07, 0.68%, 0.35%

LAB 32.74, 49.52, 21.58

 

CMYK 69 / 0 / 81 / 41

HEX #2F961D

RGB 47 150 29

HSL 111.07, 0.68%, 0.35%

LAB 54.56, -51.23, 50.72

 

CMYK 81 / 4 / 0 / 42

HEX #1C8F95

RGB 28 143 149

HSL 182.98, 0.68%, 0.35%

LAB 54.09, -27.63, -11.93

 

CMYK 12 / 81 / 0 / 42

HEX #831C95

RGB 131 28 149

HSL 291.07, 0.68%, 0.35%

LAB 33.62, 57.53, -43.34

 

CMYK 0 / 77 / 81 / 42

HEX #95221C

RGB 149 34 28

HSL 2.98, 0.68%, 0.35%

LAB 33.17, 46.82, 33.14

 

CMYK 69 / 0 / 81 / 41

HEX #2F961D

RGB 47 150 29

HSL 111.07, 0.68%, 0.35%

LAB 54.56, -51.23, 50.72

 

CMYK 81 / 28 / 0 / 42

HEX #1C6B95

RGB 28 107 149

HSL 200.83, 0.68%, 0.35%

LAB 42.66, -8, -29.49

 

CMYK 12 / 81 / 0 / 42

HEX #831C95

RGB 131 28 149

HSL 291.07, 0.68%, 0.35%

LAB 33.62, 57.53, -43.34

 

CMYK 0 / 52 / 81 / 42

HEX #95471C

RGB 149 71 28

HSL 21.32, 0.68%, 0.35%

LAB 39.55, 29.92, 39.42

 

Description

Color code: RGB 47 150 29 | qconv.com Color code: RGB 47 150 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 150 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 150 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 81 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 81% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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