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Color name
RGB 47 141 83

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 141 83 it is the complementary color RGB 208 114 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 141 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 141 83 shade: RGB 52 141 78, RGB 69 159 97, RGB 86 177 116, RGB 103 195 135 and RGB 120 213 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 141 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 141 83 shade: RGB 47 141 83, RGB 30 123 64, RGB 13 105 45, RGB 0 87 26 and RGB 0 69 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 141 83 shade: RGB 47 141 83, RGB 47 141 57, RGB 61 141 47, RGB 87 141 47 and RGB 112 141 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 141 83 shade: RGB 47 141 83, RGB 47 141 108, RGB 47 141 134, RGB 47 123 141 and RGB 47 97 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 141 83 shade matches the following richer shades: RGB 47 141 83, RGB 31 156 79, RGB 16 172 76 and RGB 1 187 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 141 83 shade: RGB 47 141 83, RGB 62 126 86, RGB 77 110 90, RGB 92 95 94 and RGB 108 80 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 141 83 shade: RGB 62 141 47, RGB 47 141 56, RGB 47 141 81, RGB 47 141 106 and RGB 47 141 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 141 83 shade: RGB 26 79 46, RGB 36 110 65, RGB 47 141 83, RGB 57 172 101 and RGB 75 195 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 141 83 shade: RGB 47 141 83, RGB 47 88 141 and RGB 141 47 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 141 83 shade: RGB 47 141 83, RGB 81 47 141 and RGB 141 81 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 141 83 shade: RGB 47 141 83, RGB 47 88 141, RGB 141 47 106 and RGB 141 100 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 141 83 shade: RGB 47 141 83, RGB 47 59 141, RGB 141 47 106 and RGB 141 128 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 41 / 45

HEX #2F8D53

RGB 47 141 83

HSL 142.98, 0.5%, 0.37%

LAB 52.15, -41.13, 23.1

 

Complementary color

CMYK 0 / 45 / 17 / 18

HEX #D072AC

RGB 208 114 172

HSL 322.98, 0.5%, 0.63%

LAB 60.27, 44.31, -14.59

 

CMYK 63 / 0 / 45 / 45

HEX #348D4E

RGB 52 141 78

HSL 137.53, 0.46%, 0.38%

LAB 52.21, -40.98, 25.94

 

CMYK 57 / 0 / 39 / 38

HEX #459F61

RGB 69 159 97

HSL 138.67, 0.39%, 0.45%

LAB 58.9, -41.1, 24.47

 

CMYK 51 / 0 / 34 / 31

HEX #56B174

RGB 86 177 116

HSL 139.78, 0.37%, 0.52%

LAB 65.5, -41.03, 23.12

 

CMYK 47 / 0 / 31 / 24

HEX #67C387

RGB 103 195 135

HSL 140.87, 0.43%, 0.58%

LAB 72, -40.86, 21.88

 

CMYK 44 / 0 / 28 / 16

HEX #78D59A

RGB 120 213 154

HSL 141.94, 0.53%, 0.65%

LAB 78.41, -40.64, 20.73

 

CMYK 67 / 0 / 41 / 45

HEX #2F8D53

RGB 47 141 83

HSL 142.98, 0.5%, 0.37%

LAB 52.15, -41.13, 23.1

 

CMYK 76 / 0 / 48 / 52

HEX #1E7B40

RGB 30 123 64

HSL 141.94, 0.61%, 0.3%

LAB 45.38, -40.57, 24.72

 

CMYK 88 / 0 / 57 / 59

HEX #0D692D

RGB 13 105 45

HSL 140.87, 0.78%, 0.23%

LAB 38.51, -39.36, 26.49

 

CMYK 100 / 0 / 70 / 66

HEX #00571A

RGB 0 87 26

HSL 137.93, 1%, 0.17%

LAB 31.56, -37.16, 28.21

 

CMYK 100 / 0 / 90 / 73

HEX #004507

RGB 0 69 7

HSL 126.09, 1%, 0.14%

LAB 24.55, -33.02, 29.29

 

CMYK 67 / 0 / 41 / 45

HEX #2F8D53

RGB 47 141 83

HSL 142.98, 0.5%, 0.37%

LAB 52.15, -41.13, 23.1

 

CMYK 67 / 0 / 60 / 45

HEX #2F8D39

RGB 47 141 57

HSL 126.38, 0.5%, 0.37%

LAB 51.78, -45.32, 36.29

 

CMYK 57 / 0 / 67 / 45

HEX #3D8D2F

RGB 61 141 47

HSL 111.06, 0.5%, 0.37%

LAB 52.12, -43.03, 41.47

 

CMYK 38 / 0 / 67 / 45

HEX #578D2F

RGB 87 141 47

HSL 94.47, 0.5%, 0.37%

LAB 53.26, -34.66, 43.04

 

CMYK 21 / 0 / 67 / 45

HEX #708D2F

RGB 112 141 47

HSL 78.51, 0.5%, 0.37%

LAB 54.76, -24.85, 45.1

 

CMYK 67 / 0 / 41 / 45

HEX #2F8D53

RGB 47 141 83

HSL 142.98, 0.5%, 0.37%

LAB 52.15, -41.13, 23.1

 

CMYK 67 / 0 / 23 / 45

HEX #2F8D6C

RGB 47 141 108

HSL 158.94, 0.5%, 0.37%

LAB 52.66, -35.69, 9.67

 

CMYK 67 / 0 / 5 / 45

HEX #2F8D86

RGB 47 141 134

HSL 175.53, 0.5%, 0.37%

LAB 53.36, -28.75, -4.32

 

CMYK 67 / 13 / 0 / 45

HEX #2F7B8D

RGB 47 123 141

HSL 191.49, 0.5%, 0.37%

LAB 47.87, -17.28, -16.65

 

CMYK 67 / 31 / 0 / 45

HEX #2F618D

RGB 47 97 141

HSL 208.09, 0.5%, 0.37%

LAB 39.71, -2.1, -29.28

 

CMYK 67 / 0 / 41 / 45

HEX #2F8D53

RGB 47 141 83

HSL 142.98, 0.5%, 0.37%

LAB 52.15, -41.13, 23.1

 

CMYK 80 / 0 / 49 / 39

HEX #1F9C4F

RGB 31 156 79

HSL 143.04, 0.67%, 0.37%

LAB 56.72, -50.22, 31.05

 

CMYK 91 / 0 / 56 / 33

HEX #10AC4C

RGB 16 172 76

HSL 143.08, 0.83%, 0.37%

LAB 61.77, -57.6, 38.74

 

CMYK 99 / 0 / 61 / 27

HEX #01BB48

RGB 1 187 72

HSL 142.9, 0.99%, 0.37%

LAB 66.53, -63.63, 46.18

 

CMYK 67 / 0 / 41 / 45

HEX #2F8D53

RGB 47 141 83

HSL 142.98, 0.5%, 0.37%

LAB 52.15, -41.13, 23.1

 

CMYK 51 / 0 / 32 / 51

HEX #3E7E56

RGB 62 126 86

HSL 142.5, 0.34%, 0.37%

LAB 47.77, -30.29, 15.62

 

CMYK 30 / 0 / 18 / 57

HEX #4D6E5A

RGB 77 110 90

HSL 143.64, 0.18%, 0.37%

LAB 43.46, -16.52, 7.38

 

CMYK 3 / 0 / 1 / 63

HEX #5C5F5E

RGB 92 95 94

HSL 160, 0.02%, 0.37%

LAB 40.03, -1.39, 0.16

 

CMYK 0 / 26 / 10 / 58

HEX #6C5061

RGB 108 80 97

HSL 323.57, 0.15%, 0.37%

LAB 37.46, 14.78, -5.31

 

CMYK 56 / 0 / 67 / 45

HEX #3E8D2F

RGB 62 141 47

HSL 110.43, 0.5%, 0.37%

LAB 52.15, -42.75, 41.52

 

CMYK 67 / 0 / 60 / 45

HEX #2F8D38

RGB 47 141 56

HSL 125.74, 0.5%, 0.37%

LAB 51.77, -45.45, 36.77

 

CMYK 67 / 0 / 43 / 45

HEX #2F8D51

RGB 47 141 81

HSL 141.7, 0.5%, 0.37%

LAB 52.12, -41.51, 24.15

 

CMYK 67 / 0 / 25 / 45

HEX #2F8D6A

RGB 47 141 106

HSL 157.66, 0.5%, 0.37%

LAB 52.61, -36.18, 10.75

 

CMYK 67 / 0 / 6 / 45

HEX #2F8D84

RGB 47 141 132

HSL 174.26, 0.5%, 0.37%

LAB 53.3, -29.33, -3.25

 

CMYK 67 / 0 / 42 / 69

HEX #1A4F2E

RGB 26 79 46

HSL 142.64, 0.5%, 0.21%

LAB 29.43, -26.15, 14.45

 

CMYK 67 / 0 / 41 / 57

HEX #246E41

RGB 36 110 65

HSL 143.51, 0.51%, 0.29%

LAB 41.07, -33.87, 18.59

 

CMYK 67 / 0 / 41 / 45

HEX #2F8D53

RGB 47 141 83

HSL 142.98, 0.5%, 0.37%

LAB 52.15, -41.13, 23.1

 

CMYK 67 / 0 / 41 / 33

HEX #39AC65

RGB 57 172 101

HSL 142.96, 0.5%, 0.45%

LAB 62.77, -48.27, 27.35

 

CMYK 62 / 0 / 38 / 24

HEX #4BC379

RGB 75 195 121

HSL 143, 0.5%, 0.53%

LAB 70.81, -50.14, 27.5

 

CMYK 67 / 0 / 41 / 45

HEX #2F8D53

RGB 47 141 83

HSL 142.98, 0.5%, 0.37%

LAB 52.15, -41.13, 23.1

 

CMYK 67 / 38 / 0 / 45

HEX #2F588D

RGB 47 88 141

HSL 213.83, 0.5%, 0.37%

LAB 36.94, 3.59, -33.65

 

CMYK 0 / 67 / 65 / 45

HEX #8D2F32

RGB 141 47 50

HSL 358.09, 0.5%, 0.37%

LAB 33.83, 40.01, 20.07

 

CMYK 67 / 0 / 41 / 45

HEX #2F8D53

RGB 47 141 83

HSL 142.98, 0.5%, 0.37%

LAB 52.15, -41.13, 23.1

 

CMYK 43 / 67 / 0 / 45

HEX #512F8D

RGB 81 47 141

HSL 261.7, 0.5%, 0.37%

LAB 28.66, 37.23, -46.79

 

CMYK 0 / 43 / 67 / 45

HEX #8D512F

RGB 141 81 47

HSL 21.7, 0.5%, 0.37%

LAB 40.82, 21.88, 30.41

 

CMYK 67 / 0 / 41 / 45

HEX #2F8D53

RGB 47 141 83

HSL 142.98, 0.5%, 0.37%

LAB 52.15, -41.13, 23.1

 

CMYK 67 / 38 / 0 / 45

HEX #2F588D

RGB 47 88 141

HSL 213.83, 0.5%, 0.37%

LAB 36.94, 3.59, -33.65

 

CMYK 0 / 67 / 25 / 45

HEX #8D2F6A

RGB 141 47 106

HSL 322.34, 0.5%, 0.37%

LAB 35.47, 45.93, -13.51

 

CMYK 0 / 29 / 67 / 45

HEX #8D642F

RGB 141 100 47

HSL 33.83, 0.5%, 0.37%

LAB 45.61, 10.83, 35.89

 

CMYK 67 / 0 / 41 / 45

HEX #2F8D53

RGB 47 141 83

HSL 142.98, 0.5%, 0.37%

LAB 52.15, -41.13, 23.1

 

CMYK 67 / 58 / 0 / 45

HEX #2F3B8D

RGB 47 59 141

HSL 232.34, 0.5%, 0.37%

LAB 28.53, 22.96, -47.14

 

CMYK 0 / 67 / 25 / 45

HEX #8D2F6A

RGB 141 47 106

HSL 322.34, 0.5%, 0.37%

LAB 35.47, 45.93, -13.51

 

CMYK 0 / 9 / 67 / 45

HEX #8D802F

RGB 141 128 47

HSL 51.7, 0.5%, 0.37%

LAB 53.28, -5.17, 44.25

 

Description

Color code: RGB 47 141 83 | qconv.com Color code: RGB 47 141 83 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 141 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 141 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 41 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 41% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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