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Color name
RGB 47 139 13

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 139 13 it is the complementary color RGB 208 116 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 139 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 139 13 shade: RGB 52 139 8, RGB 69 157 27, RGB 86 175 46, RGB 103 193 65 and RGB 120 211 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 139 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 139 13 shade: RGB 47 139 13, RGB 30 121 0, RGB 13 103 0, RGB 0 85 0 and RGB 0 67 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 139 13 shade: RGB 47 139 13, RGB 81 139 13, RGB 115 139 13, RGB 139 129 13 and RGB 139 95 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 139 13 shade: RGB 47 139 13, RGB 13 139 13, RGB 13 139 47, RGB 13 139 81 and RGB 13 139 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 139 13 shade matches the following richer shades: RGB 47 139 13 and RGB 41 152 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 139 13 shade: RGB 47 139 13, RGB 52 127 25, RGB 58 115 37, RGB 64 102 50 and RGB 70 90 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 139 13 shade: RGB 116 139 13, RGB 82 139 13, RGB 48 139 13, RGB 15 139 13 and RGB 13 139 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 139 13 shade: RGB 21 64 5, RGB 34 102 9, RGB 47 139 13, RGB 60 177 16 and RGB 72 215 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 139 13 shade: RGB 47 139 13, RGB 13 139 129 and RGB 139 13 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 139 13 shade: RGB 47 139 13, RGB 13 48 139 and RGB 139 13 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 139 13 shade: RGB 47 139 13, RGB 13 139 129, RGB 104 13 139 and RGB 139 13 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 139 13 shade: RGB 47 139 13, RGB 13 112 139, RGB 104 13 139 and RGB 139 40 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 91 / 45

HEX #2F8B0D

RGB 47 139 13

HSL 103.81, 0.83%, 0.3%

LAB 50.8, -48.2, 51.49

 

Complementary color

CMYK 14 / 52 / 0 / 5

HEX #D074F2

RGB 208 116 242

HSL 283.81, 0.83%, 0.7%

LAB 63.6, 55.86, -48.84

 

CMYK 63 / 0 / 94 / 45

HEX #348B08

RGB 52 139 8

HSL 99.85, 0.89%, 0.29%

LAB 50.94, -47.14, 52.58

 

CMYK 56 / 0 / 83 / 38

HEX #459D1B

RGB 69 157 27

HSL 100.62, 0.71%, 0.36%

LAB 57.52, -48.45, 54.31

 

CMYK 51 / 0 / 74 / 31

HEX #56AF2E

RGB 86 175 46

HSL 101.4, 0.58%, 0.43%

LAB 64.03, -49.24, 54.61

 

CMYK 47 / 0 / 66 / 24

HEX #67C141

RGB 103 193 65

HSL 102.19, 0.51%, 0.51%

LAB 70.46, -49.69, 54.14

 

CMYK 43 / 0 / 60 / 17

HEX #78D354

RGB 120 211 84

HSL 102.99, 0.59%, 0.58%

LAB 76.81, -49.92, 53.28

 

CMYK 66 / 0 / 91 / 45

HEX #2F8B0D

RGB 47 139 13

HSL 103.81, 0.83%, 0.3%

LAB 50.8, -48.2, 51.49

 

CMYK 75 / 0 / 100 / 53

HEX #1E7900

RGB 30 121 0

HSL 105.12, 1%, 0.24%

LAB 44.16, -46.08, 48.41

 

CMYK 87 / 0 / 100 / 60

HEX #0D6700

RGB 13 103 0

HSL 112.43, 1%, 0.2%

LAB 37.46, -42.86, 42.93

 

CMYK 100 / 0 / 100 / 67

HEX #005500

RGB 0 85 0

HSL 120, 1%, 0.17%

LAB 30.63, -38.74, 37.39

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 66 / 0 / 91 / 45

HEX #2F8B0D

RGB 47 139 13

HSL 103.81, 0.83%, 0.3%

LAB 50.8, -48.2, 51.49

 

CMYK 42 / 0 / 91 / 45

HEX #518B0D

RGB 81 139 13

HSL 87.62, 0.83%, 0.3%

LAB 52.11, -37.98, 53.13

 

CMYK 17 / 0 / 91 / 45

HEX #738B0D

RGB 115 139 13

HSL 71.43, 0.83%, 0.3%

LAB 54.17, -24.26, 55.68

 

CMYK 0 / 7 / 91 / 45

HEX #8B810D

RGB 139 129 13

HSL 55.24, 0.83%, 0.3%

LAB 53.19, -8.09, 55.71

 

CMYK 0 / 32 / 91 / 45

HEX #8B5F0D

RGB 139 95 13

HSL 39.05, 0.83%, 0.3%

LAB 43.8, 11.3, 48.27

 

CMYK 66 / 0 / 91 / 45

HEX #2F8B0D

RGB 47 139 13

HSL 103.81, 0.83%, 0.3%

LAB 50.8, -48.2, 51.49

 

CMYK 91 / 0 / 91 / 45

HEX #0D8B0D

RGB 13 139 13

HSL 120, 0.83%, 0.3%

LAB 50.19, -53.5, 50.73

 

CMYK 91 / 0 / 66 / 45

HEX #0D8B2F

RGB 13 139 47

HSL 136.19, 0.83%, 0.3%

LAB 50.4, -50.86, 39.29

 

CMYK 91 / 0 / 42 / 45

HEX #0D8B51

RGB 13 139 81

HSL 152.38, 0.83%, 0.3%

LAB 50.86, -45.37, 22.39

 

CMYK 91 / 0 / 17 / 45

HEX #0D8B73

RGB 13 139 115

HSL 168.57, 0.83%, 0.3%

LAB 51.6, -37.15, 4.04

 

CMYK 66 / 0 / 91 / 45

HEX #2F8B0D

RGB 47 139 13

HSL 103.81, 0.83%, 0.3%

LAB 50.8, -48.2, 51.49

 

CMYK 73 / 0 / 100 / 40

HEX #299800

RGB 41 152 0

HSL 103.82, 1%, 0.3%

LAB 55, -54.2, 57.13

 

CMYK 66 / 0 / 91 / 45

HEX #2F8B0D

RGB 47 139 13

HSL 103.81, 0.83%, 0.3%

LAB 50.8, -48.2, 51.49

 

CMYK 59 / 0 / 80 / 50

HEX #347F19

RGB 52 127 25

HSL 104.12, 0.67%, 0.3%

LAB 46.95, -41.91, 44.82

 

CMYK 50 / 0 / 68 / 55

HEX #3A7325

RGB 58 115 37

HSL 103.85, 0.51%, 0.3%

LAB 43.2, -34.17, 36.24

 

CMYK 37 / 0 / 51 / 60

HEX #406632

RGB 64 102 50

HSL 103.85, 0.34%, 0.3%

LAB 39.28, -24.38, 25.08

 

CMYK 22 / 0 / 31 / 65

HEX #465A3E

RGB 70 90 62

HSL 102.86, 0.18%, 0.3%

LAB 35.91, -13.66, 13.75

 

CMYK 17 / 0 / 91 / 45

HEX #748B0D

RGB 116 139 13

HSL 70.95, 0.83%, 0.3%

LAB 54.25, -23.82, 55.77

 

CMYK 41 / 0 / 91 / 45

HEX #528B0D

RGB 82 139 13

HSL 87.14, 0.83%, 0.3%

LAB 52.16, -37.61, 53.19

 

CMYK 65 / 0 / 91 / 45

HEX #308B0D

RGB 48 139 13

HSL 103.33, 0.83%, 0.3%

LAB 50.83, -47.97, 51.53

 

CMYK 89 / 0 / 91 / 45

HEX #0F8B0D

RGB 15 139 13

HSL 119.05, 0.83%, 0.3%

LAB 50.21, -53.33, 50.75

 

CMYK 91 / 0 / 68 / 45

HEX #0D8B2C

RGB 13 139 44

HSL 134.76, 0.83%, 0.3%

LAB 50.37, -51.21, 40.6

 

CMYK 67 / 0 / 92 / 75

HEX #154005

RGB 21 64 5

HSL 103.73, 0.86%, 0.14%

LAB 23.13, -26.8, 28.86

 

CMYK 67 / 0 / 91 / 60

HEX #226609

RGB 34 102 9

HSL 103.87, 0.84%, 0.22%

LAB 37.59, -38.08, 40.76

 

CMYK 66 / 0 / 91 / 45

HEX #2F8B0D

RGB 47 139 13

HSL 103.81, 0.83%, 0.3%

LAB 50.8, -48.2, 51.49

 

CMYK 66 / 0 / 91 / 31

HEX #3CB110

RGB 60 177 16

HSL 103.6, 0.83%, 0.38%

LAB 63.71, -58.15, 62.09

 

CMYK 67 / 0 / 91 / 16

HEX #48D714

RGB 72 215 20

HSL 104, 0.83%, 0.46%

LAB 76.09, -67.84, 72.01

 

CMYK 66 / 0 / 91 / 45

HEX #2F8B0D

RGB 47 139 13

HSL 103.81, 0.83%, 0.3%

LAB 50.8, -48.2, 51.49

 

CMYK 91 / 0 / 7 / 45

HEX #0D8B81

RGB 13 139 129

HSL 175.24, 0.83%, 0.3%

LAB 51.99, -33.08, -3.51

 

CMYK 0 / 91 / 29 / 45

HEX #8B0D63

RGB 139 13 99

HSL 319.05, 0.83%, 0.3%

LAB 31.06, 55.05, -15.82

 

CMYK 66 / 0 / 91 / 45

HEX #2F8B0D

RGB 47 139 13

HSL 103.81, 0.83%, 0.3%

LAB 50.8, -48.2, 51.49

 

CMYK 91 / 65 / 0 / 45

HEX #0D308B

RGB 13 48 139

HSL 223.33, 0.83%, 0.3%

LAB 23.88, 25.89, -53.55

 

CMYK 0 / 91 / 65 / 45

HEX #8B0D30

RGB 139 13 48

HSL 343.33, 0.83%, 0.3%

LAB 29.39, 50.4, 15.55

 

CMYK 66 / 0 / 91 / 45

HEX #2F8B0D

RGB 47 139 13

HSL 103.81, 0.83%, 0.3%

LAB 50.8, -48.2, 51.49

 

CMYK 91 / 0 / 7 / 45

HEX #0D8B81

RGB 13 139 129

HSL 175.24, 0.83%, 0.3%

LAB 51.99, -33.08, -3.51

 

CMYK 25 / 91 / 0 / 45

HEX #680D8B

RGB 104 13 139

HSL 283.33, 0.83%, 0.3%

LAB 27, 54.65, -48.09

 

CMYK 0 / 91 / 83 / 45

HEX #8B0D17

RGB 139 13 23

HSL 355.24, 0.83%, 0.3%

LAB 29, 49.29, 31.18

 

CMYK 66 / 0 / 91 / 45

HEX #2F8B0D

RGB 47 139 13

HSL 103.81, 0.83%, 0.3%

LAB 50.8, -48.2, 51.49

 

CMYK 91 / 19 / 0 / 45

HEX #0D708B

RGB 13 112 139

HSL 192.86, 0.83%, 0.3%

LAB 43.56, -15.91, -22.14

 

CMYK 25 / 91 / 0 / 45

HEX #680D8B

RGB 104 13 139

HSL 283.33, 0.83%, 0.3%

LAB 27, 54.65, -48.09

 

CMYK 0 / 71 / 91 / 45

HEX #8B280D

RGB 139 40 13

HSL 12.86, 0.83%, 0.3%

LAB 31.89, 40.74, 38.89

 

Description

Color code: RGB 47 139 13 | qconv.com Color code: RGB 47 139 13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 139 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 139 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 91 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 91% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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