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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 82 51 it is the complementary color RGB 208 173 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 82 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 82 51 shade: RGB 52 82 46, RGB 69 100 65, RGB 86 118 84, RGB 103 136 103 and RGB 120 154 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 82 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 82 51 shade: RGB 47 82 51, RGB 30 64 32, RGB 13 46 13, RGB 0 28 0 and RGB 0 10 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 82 51 shade: RGB 46 80 50, RGB 51 80 46, RGB 61 80 46, RGB 70 80 46 and RGB 79 80 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 82 51 shade: RGB 46 80 50, RGB 46 80 59, RGB 46 80 69, RGB 46 80 78 and RGB 46 74 80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 82 51 shade matches the following richer shades: RGB 46 80 50, RGB 36 91 42, RGB 25 101 34, RGB 15 111 26 and RGB 5 122 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 82 51 shade: RGB 46 80 50, RGB 56 70 58, RGB 67 60 66, RGB 77 50 74 and RGB 87 39 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 82 51 shade: RGB 61 80 46, RGB 52 80 46, RGB 46 80 49, RGB 46 80 59 and RGB 46 80 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 82 51 shade: RGB 16 28 17, RGB 31 54 34, RGB 46 80 50, RGB 61 107 66 and RGB 76 133 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 82 51 shade: RGB 47 82 51, RGB 46 70 80 and RGB 80 46 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 82 51 shade: RGB 47 82 51, RGB 49 46 80 and RGB 80 49 46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 82 51 shade: RGB 47 82 51, RGB 46 70 80, RGB 80 46 77 and RGB 80 56 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 82 51 shade: RGB 47 82 51, RGB 46 60 80, RGB 80 46 77 and RGB 80 67 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 38 / 68

HEX #2F5233

RGB 47 82 51

HSL 126.86, 0.27%, 0.25%

LAB 31.53, -20.21, 14.33

 

Complementary color

CMYK 0 / 17 / 2 / 18

HEX #D0ADCC

RGB 208 173 204

HSL 306.86, 0.27%, 0.75%

LAB 74.61, 18.01, -10.96

 

CMYK 37 / 0 / 44 / 68

HEX #34522E

RGB 52 82 46

HSL 110, 0.28%, 0.25%

LAB 31.72, -19.26, 17.68

 

CMYK 31 / 0 / 35 / 61

HEX #456441

RGB 69 100 65

HSL 113.14, 0.21%, 0.32%

LAB 39.18, -19.02, 16.33

 

CMYK 27 / 0 / 29 / 54

HEX #567654

RGB 86 118 84

HSL 116.47, 0.17%, 0.4%

LAB 46.41, -18.77, 15.13

 

CMYK 24 / 0 / 24 / 47

HEX #678867

RGB 103 136 103

HSL 120, 0.14%, 0.47%

LAB 53.46, -18.54, 14.03

 

CMYK 22 / 0 / 21 / 40

HEX #789A7A

RGB 120 154 122

HSL 123.53, 0.14%, 0.54%

LAB 60.35, -18.34, 13.02

 

CMYK 43 / 0 / 38 / 68

HEX #2F5233

RGB 47 82 51

HSL 126.86, 0.27%, 0.25%

LAB 31.53, -20.21, 14.33

 

CMYK 53 / 0 / 50 / 75

HEX #1E4020

RGB 30 64 32

HSL 123.53, 0.36%, 0.18%

LAB 23.83, -20.44, 15.82

 

CMYK 72 / 0 / 72 / 82

HEX #0D2E0D

RGB 13 46 13

HSL 120, 0.56%, 0.12%

LAB 15.84, -20.33, 17.08

 

CMYK 100 / 0 / 100 / 89

HEX #001C00

RGB 0 28 0

HSL 120, 1%, 0.05%

LAB 7.5, -15.33, 10.95

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 43 / 0 / 38 / 69

HEX #2E5032

RGB 46 80 50

HSL 127.06, 0.27%, 0.25%

LAB 30.76, -19.71, 13.9

 

CMYK 36 / 0 / 43 / 69

HEX #33502E

RGB 51 80 46

HSL 111.18, 0.27%, 0.25%

LAB 30.97, -18.58, 16.69

 

CMYK 24 / 0 / 43 / 69

HEX #3D502E

RGB 61 80 46

HSL 93.53, 0.27%, 0.25%

LAB 31.64, -14.49, 17.69

 

CMYK 13 / 0 / 43 / 69

HEX #46502E

RGB 70 80 46

HSL 77.65, 0.27%, 0.25%

LAB 32.34, -10.53, 18.73

 

CMYK 1 / 0 / 43 / 69

HEX #4F502E

RGB 79 80 46

HSL 61.76, 0.27%, 0.25%

LAB 33.13, -6.39, 19.9

 

CMYK 43 / 0 / 38 / 69

HEX #2E5032

RGB 46 80 50

HSL 127.06, 0.27%, 0.25%

LAB 30.76, -19.71, 13.9

 

CMYK 43 / 0 / 26 / 69

HEX #2E503B

RGB 46 80 59

HSL 142.94, 0.27%, 0.25%

LAB 30.96, -17.79, 8.56

 

CMYK 43 / 0 / 14 / 69

HEX #2E5045

RGB 46 80 69

HSL 160.59, 0.27%, 0.25%

LAB 31.23, -15.35, 2.6

 

CMYK 43 / 0 / 2 / 69

HEX #2E504E

RGB 46 80 78

HSL 176.47, 0.27%, 0.25%

LAB 31.51, -12.9, -2.73

 

CMYK 43 / 7 / 0 / 69

HEX #2E4A50

RGB 46 74 80

HSL 190.59, 0.27%, 0.25%

LAB 29.56, -8.73, -6.91

 

CMYK 43 / 0 / 38 / 69

HEX #2E5032

RGB 46 80 50

HSL 127.06, 0.27%, 0.25%

LAB 30.76, -19.71, 13.9

 

CMYK 60 / 0 / 54 / 64

HEX #245B2A

RGB 36 91 42

HSL 126.55, 0.43%, 0.25%

LAB 34.03, -29.74, 22.78

 

CMYK 75 / 0 / 66 / 60

HEX #196522

RGB 25 101 34

HSL 127.11, 0.6%, 0.25%

LAB 37.17, -37.64, 30.66

 

CMYK 86 / 0 / 77 / 56

HEX #0F6F1A

RGB 15 111 26

HSL 126.88, 0.76%, 0.25%

LAB 40.48, -43.63, 37.75

 

CMYK 96 / 0 / 85 / 52

HEX #057A12

RGB 5 122 18

HSL 126.67, 0.92%, 0.25%

LAB 44.23, -48.71, 44.13

 

CMYK 43 / 0 / 38 / 69

HEX #2E5032

RGB 46 80 50

HSL 127.06, 0.27%, 0.25%

LAB 30.76, -19.71, 13.9

 

CMYK 20 / 0 / 17 / 73

HEX #38463A

RGB 56 70 58

HSL 128.57, 0.11%, 0.25%

LAB 28.19, -8.44, 5.39

 

CMYK 0 / 10 / 1 / 74

HEX #433C42

RGB 67 60 66

HSL 308.57, 0.06%, 0.25%

LAB 26.21, 4.32, -2.58

 

CMYK 0 / 35 / 4 / 70

HEX #4D324A

RGB 77 50 74

HSL 306.67, 0.21%, 0.25%

LAB 24.81, 16.76, -9.89

 

CMYK 0 / 55 / 6 / 66

HEX #572752

RGB 87 39 82

HSL 306.25, 0.38%, 0.25%

LAB 23.96, 28.83, -16.41

 

CMYK 24 / 0 / 43 / 69

HEX #3D502E

RGB 61 80 46

HSL 93.53, 0.27%, 0.25%

LAB 31.64, -14.49, 17.69

 

CMYK 35 / 0 / 43 / 69

HEX #34502E

RGB 52 80 46

HSL 109.41, 0.27%, 0.25%

LAB 31.03, -18.19, 16.78

 

CMYK 43 / 0 / 39 / 69

HEX #2E5031

RGB 46 80 49

HSL 125.29, 0.27%, 0.25%

LAB 30.74, -19.9, 14.49

 

CMYK 43 / 0 / 26 / 69

HEX #2E503B

RGB 46 80 59

HSL 142.94, 0.27%, 0.25%

LAB 30.96, -17.79, 8.56

 

CMYK 43 / 0 / 15 / 69

HEX #2E5044

RGB 46 80 68

HSL 158.82, 0.27%, 0.25%

LAB 31.2, -15.61, 3.2

 

CMYK 43 / 0 / 39 / 89

HEX #101C11

RGB 16 28 17

HSL 125, 0.27%, 0.09%

LAB 8.83, -8.17, 5.49

 

CMYK 43 / 0 / 37 / 79

HEX #1F3622

RGB 31 54 34

HSL 127.83, 0.27%, 0.17%

LAB 20.22, -14.23, 9.8

 

CMYK 43 / 0 / 38 / 69

HEX #2E5032

RGB 46 80 50

HSL 127.06, 0.27%, 0.25%

LAB 30.76, -19.71, 13.9

 

CMYK 43 / 0 / 38 / 58

HEX #3D6B42

RGB 61 107 66

HSL 126.52, 0.27%, 0.33%

LAB 41.06, -25.32, 18.18

 

CMYK 43 / 0 / 38 / 48

HEX #4C8553

RGB 76 133 83

HSL 127.37, 0.27%, 0.41%

LAB 50.61, -29.97, 21.26

 

CMYK 43 / 0 / 38 / 68

HEX #2F5233

RGB 47 82 51

HSL 126.86, 0.27%, 0.25%

LAB 31.53, -20.21, 14.33

 

CMYK 43 / 13 / 0 / 69

HEX #2E4650

RGB 46 70 80

HSL 197.65, 0.27%, 0.25%

LAB 28.22, -6.25, -8.92

 

CMYK 0 / 43 / 30 / 69

HEX #502E38

RGB 80 46 56

HSL 342.35, 0.27%, 0.25%

LAB 23.49, 17.13, 0.3

 

CMYK 43 / 0 / 38 / 68

HEX #2F5233

RGB 47 82 51

HSL 126.86, 0.27%, 0.25%

LAB 31.53, -20.21, 14.33

 

CMYK 39 / 43 / 0 / 69

HEX #312E50

RGB 49 46 80

HSL 245.29, 0.27%, 0.25%

LAB 20.77, 10.82, -20.4

 

CMYK 0 / 39 / 43 / 69

HEX #50312E

RGB 80 49 46

HSL 5.29, 0.27%, 0.25%

LAB 24, 13.68, 7.77

 

CMYK 43 / 0 / 38 / 68

HEX #2F5233

RGB 47 82 51

HSL 126.86, 0.27%, 0.25%

LAB 31.53, -20.21, 14.33

 

CMYK 43 / 13 / 0 / 69

HEX #2E4650

RGB 46 70 80

HSL 197.65, 0.27%, 0.25%

LAB 28.22, -6.25, -8.92

 

CMYK 0 / 43 / 4 / 69

HEX #502E4D

RGB 80 46 77

HSL 305.29, 0.27%, 0.25%

LAB 24.31, 21.11, -12.62

 

CMYK 0 / 30 / 43 / 69

HEX #50382E

RGB 80 56 46

HSL 17.65, 0.27%, 0.25%

LAB 25.95, 9.16, 10.47

 

CMYK 43 / 0 / 38 / 68

HEX #2F5233

RGB 47 82 51

HSL 126.86, 0.27%, 0.25%

LAB 31.53, -20.21, 14.33

 

CMYK 43 / 25 / 0 / 69

HEX #2E3C50

RGB 46 60 80

HSL 215.29, 0.27%, 0.25%

LAB 24.93, 0.23, -13.95

 

CMYK 0 / 43 / 4 / 69

HEX #502E4D

RGB 80 46 77

HSL 305.29, 0.27%, 0.25%

LAB 24.31, 21.11, -12.62

 

CMYK 0 / 16 / 43 / 69

HEX #50432E

RGB 80 67 46

HSL 37.06, 0.27%, 0.25%

LAB 29.2, 2.11, 14.83

 

Description

Color code: RGB 47 82 51 | qconv.com Color code: RGB 47 82 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 82 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 82 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 38 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 38% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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