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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 68 120 it is the complementary color RGB 208 187 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 68 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 68 120 shade: RGB 52 68 115, RGB 69 86 134, RGB 86 104 153, RGB 103 122 172 and RGB 120 140 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 68 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 68 120 shade: RGB 47 68 120, RGB 30 50 101, RGB 13 32 82, RGB 0 14 63 and RGB 0 0 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 68 120 shade: RGB 47 68 121, RGB 47 48 121, RGB 65 47 121, RGB 85 47 121 and RGB 105 47 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 68 120 shade: RGB 47 68 121, RGB 47 48 121 and RGB 47 47 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 68 120 shade matches the following richer shades: RGB 47 68 121, RGB 33 62 134, RGB 19 56 148 and RGB 6 51 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 68 120 shade: RGB 47 68 121, RGB 60 74 107, RGB 74 79 93, RGB 87 85 80 and RGB 101 91 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 68 120 shade: RGB 47 108 121, RGB 47 89 121, RGB 47 69 121, RGB 47 49 121 and RGB 64 47 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 68 120 shade: RGB 24 34 61, RGB 35 51 91, RGB 47 68 121, RGB 58 85 150 and RGB 70 101 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 68 120 shade: RGB 47 68 120, RGB 113 47 121 and RGB 98 121 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 68 120 shade: RGB 47 68 120, RGB 121 47 69 and RGB 69 121 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 68 120 shade: RGB 47 68 120, RGB 113 47 121, RGB 121 98 47 and RGB 54 121 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 68 120 shade: RGB 47 68 120, RGB 121 47 106, RGB 121 98 47 and RGB 47 121 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 43 / 0 / 53

HEX #2F4478

RGB 47 68 120

HSL 222.74, 0.44%, 0.33%

LAB 29.65, 9.05, -32.26

 

Complementary color

CMYK 0 / 10 / 35 / 18

HEX #D0BB87

RGB 208 187 135

HSL 42.74, 0.44%, 0.67%

LAB 76.5, -0.09, 29.09

 

CMYK 55 / 41 / 0 / 55

HEX #344473

RGB 52 68 115

HSL 224.76, 0.38%, 0.33%

LAB 29.67, 8.43, -29.06

 

CMYK 49 / 36 / 0 / 47

HEX #455686

RGB 69 86 134

HSL 224.31, 0.32%, 0.4%

LAB 37.19, 7.43, -28.91

 

CMYK 44 / 32 / 0 / 40

HEX #566899

RGB 86 104 153

HSL 223.88, 0.28%, 0.47%

LAB 44.49, 6.67, -28.83

 

CMYK 40 / 29 / 0 / 33

HEX #677AAC

RGB 103 122 172

HSL 223.48, 0.29%, 0.54%

LAB 51.59, 6.06, -28.82

 

CMYK 37 / 27 / 0 / 25

HEX #788CBF

RGB 120 140 191

HSL 223.1, 0.36%, 0.61%

LAB 58.52, 5.55, -28.85

 

CMYK 61 / 43 / 0 / 53

HEX #2F4478

RGB 47 68 120

HSL 222.74, 0.44%, 0.33%

LAB 29.65, 9.05, -32.26

 

CMYK 70 / 50 / 0 / 60

HEX #1E3265

RGB 30 50 101

HSL 223.1, 0.54%, 0.26%

LAB 21.93, 10.78, -32.51

 

CMYK 84 / 61 / 0 / 68

HEX #0D2052

RGB 13 32 82

HSL 223.48, 0.73%, 0.19%

LAB 13.99, 13.35, -32.75

 

CMYK 100 / 78 / 0 / 75

HEX #000E3F

RGB 0 14 63

HSL 226.67, 1%, 0.12%

LAB 6.08, 16.34, -32.47

 

CMYK 100 / 100 / 0 / 83

HEX #00002C

RGB 0 0 44

HSL 240, 1%, 0.09%

LAB 1.64, 11.54, -25.61

 

CMYK 61 / 44 / 0 / 53

HEX #2F4479

RGB 47 68 121

HSL 222.97, 0.44%, 0.33%

LAB 29.71, 9.42, -32.79

 

CMYK 61 / 60 / 0 / 53

HEX #2F3079

RGB 47 48 121

HSL 239.19, 0.44%, 0.33%

LAB 24, 23.09, -41.98

 

CMYK 46 / 61 / 0 / 53

HEX #412F79

RGB 65 47 121

HSL 254.59, 0.44%, 0.33%

LAB 25.37, 27.67, -39.67

 

CMYK 30 / 61 / 0 / 53

HEX #552F79

RGB 85 47 121

HSL 270.81, 0.44%, 0.33%

LAB 27.7, 32.72, -35.81

 

CMYK 13 / 61 / 0 / 53

HEX #692F79

RGB 105 47 121

HSL 287.03, 0.44%, 0.33%

LAB 30.44, 38.15, -31.27

 

CMYK 61 / 44 / 0 / 53

HEX #2F4479

RGB 47 68 121

HSL 222.97, 0.44%, 0.33%

LAB 29.71, 9.42, -32.79

 

CMYK 61 / 60 / 0 / 53

HEX #2F3079

RGB 47 48 121

HSL 239.19, 0.44%, 0.33%

LAB 24, 23.09, -41.98

 

CMYK 61 / 61 / 0 / 53

HEX #2F2F79

RGB 47 47 121

HSL 240, 0.44%, 0.33%

LAB 23.73, 23.77, -42.41

 

CMYK 61 / 44 / 0 / 53

HEX #2F4479

RGB 47 68 121

HSL 222.97, 0.44%, 0.33%

LAB 29.71, 9.42, -32.79

 

CMYK 75 / 54 / 0 / 47

HEX #213E86

RGB 33 62 134

HSL 222.77, 0.6%, 0.33%

LAB 28.09, 16.03, -43.55

 

CMYK 87 / 62 / 0 / 42

HEX #133894

RGB 19 56 148

HSL 222.79, 0.77%, 0.33%

LAB 27.03, 24.38, -53.94

 

CMYK 96 / 69 / 0 / 36

HEX #0633A2

RGB 6 51 162

HSL 222.69, 0.93%, 0.33%

LAB 26.78, 32.71, -62.91

 

CMYK 61 / 44 / 0 / 53

HEX #2F4479

RGB 47 68 121

HSL 222.97, 0.44%, 0.33%

LAB 29.71, 9.42, -32.79

 

CMYK 44 / 31 / 0 / 58

HEX #3C4A6B

RGB 60 74 107

HSL 222.13, 0.28%, 0.33%

LAB 31.62, 3.97, -20.9

 

CMYK 20 / 15 / 0 / 64

HEX #4A4F5D

RGB 74 79 93

HSL 224.21, 0.11%, 0.33%

LAB 33.64, 1.39, -8.86

 

CMYK 0 / 2 / 8 / 66

HEX #575550

RGB 87 85 80

HSL 42.86, 0.04%, 0.33%

LAB 36.18, -0.21, 3.2

 

CMYK 0 / 10 / 35 / 60

HEX #655B42

RGB 101 91 66

HSL 42.86, 0.21%, 0.33%

LAB 38.97, -0.19, 15.91

 

CMYK 61 / 11 / 0 / 53

HEX #2F6C79

RGB 47 108 121

HSL 190.54, 0.44%, 0.33%

LAB 42.32, -15.46, -13.16

 

CMYK 61 / 26 / 0 / 53

HEX #2F5979

RGB 47 89 121

HSL 205.95, 0.44%, 0.33%

LAB 36.23, -4.24, -22.52

 

CMYK 61 / 43 / 0 / 53

HEX #2F4579

RGB 47 69 121

HSL 222.16, 0.44%, 0.33%

LAB 30.01, 8.74, -32.31

 

CMYK 61 / 60 / 0 / 53

HEX #2F3179

RGB 47 49 121

HSL 238.38, 0.44%, 0.33%

LAB 24.26, 22.42, -41.54

 

CMYK 47 / 61 / 0 / 53

HEX #402F79

RGB 64 47 121

HSL 253.78, 0.44%, 0.33%

LAB 25.27, 27.44, -39.84

 

CMYK 61 / 44 / 0 / 76

HEX #18223D

RGB 24 34 61

HSL 223.78, 0.44%, 0.17%

LAB 13.68, 5.12, -18.7

 

CMYK 62 / 44 / 0 / 64

HEX #23335B

RGB 35 51 91

HSL 222.86, 0.44%, 0.25%

LAB 21.87, 7.2, -26.04

 

CMYK 61 / 44 / 0 / 53

HEX #2F4479

RGB 47 68 121

HSL 222.97, 0.44%, 0.33%

LAB 29.71, 9.42, -32.79

 

CMYK 61 / 43 / 0 / 41

HEX #3A5596

RGB 58 85 150

HSL 222.39, 0.44%, 0.41%

LAB 37.11, 10.97, -38.79

 

CMYK 61 / 44 / 0 / 29

HEX #4665B4

RGB 70 101 180

HSL 223.09, 0.44%, 0.49%

LAB 44.1, 13.65, -45.42

 

CMYK 61 / 43 / 0 / 53

HEX #2F4478

RGB 47 68 120

HSL 222.74, 0.44%, 0.33%

LAB 29.65, 9.05, -32.26

 

CMYK 7 / 61 / 0 / 53

HEX #712F79

RGB 113 47 121

HSL 293.51, 0.44%, 0.33%

LAB 31.63, 40.38, -29.3

 

CMYK 19 / 0 / 61 / 53

HEX #62792F

RGB 98 121 47

HSL 78.65, 0.44%, 0.33%

LAB 47.59, -20.61, 37

 

CMYK 61 / 43 / 0 / 53

HEX #2F4478

RGB 47 68 120

HSL 222.74, 0.44%, 0.33%

LAB 29.65, 9.05, -32.26

 

CMYK 0 / 61 / 43 / 53

HEX #792F45

RGB 121 47 69

HSL 342.16, 0.44%, 0.33%

LAB 30.71, 34.53, 2.91

 

CMYK 43 / 0 / 61 / 53

HEX #45792F

RGB 69 121 47

HSL 102.16, 0.44%, 0.33%

LAB 45.83, -32.02, 34.53

 

CMYK 61 / 43 / 0 / 53

HEX #2F4478

RGB 47 68 120

HSL 222.74, 0.44%, 0.33%

LAB 29.65, 9.05, -32.26

 

CMYK 7 / 61 / 0 / 53

HEX #712F79

RGB 113 47 121

HSL 293.51, 0.44%, 0.33%

LAB 31.63, 40.38, -29.3

 

CMYK 0 / 19 / 61 / 53

HEX #79622F

RGB 121 98 47

HSL 41.35, 0.44%, 0.33%

LAB 42.77, 2.73, 32.05

 

CMYK 55 / 0 / 61 / 53

HEX #36792F

RGB 54 121 47

HSL 114.32, 0.44%, 0.33%

LAB 45.17, -36.86, 33.6

 

CMYK 61 / 43 / 0 / 53

HEX #2F4478

RGB 47 68 120

HSL 222.74, 0.44%, 0.33%

LAB 29.65, 9.05, -32.26

 

CMYK 0 / 61 / 12 / 53

HEX #792F6A

RGB 121 47 106

HSL 312.16, 0.44%, 0.33%

LAB 32.12, 39.91, -18.95

 

CMYK 0 / 19 / 61 / 53

HEX #79622F

RGB 121 98 47

HSL 41.35, 0.44%, 0.33%

LAB 42.77, 2.73, 32.05

 

CMYK 61 / 0 / 50 / 53

HEX #2F793D

RGB 47 121 61

HSL 131.35, 0.44%, 0.33%

LAB 45.1, -36.74, 26.12

 

Description

Color code: RGB 47 68 120 | qconv.com Color code: RGB 47 68 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 68 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 68 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 43 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 43% 0% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

39% - 北京市中国旅行社奇妙旅游超市_巴厘岛旅游...
Link: http://www.qi-miao.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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