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Color name
RGB 47 51 141

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 47 51 141 it is the complementary color RGB 208 204 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 47 51 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 47 51 141 shade: RGB 52 51 136, RGB 69 69 155, RGB 86 87 174, RGB 103 105 193 and RGB 120 123 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 47 51 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 47 51 141 shade: RGB 47 51 141, RGB 30 33 122, RGB 13 15 103, RGB 0 0 84 and RGB 0 0 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 47 51 141 shade: RGB 47 51 141, RGB 68 47 141, RGB 94 47 141, RGB 119 47 141 and RGB 141 47 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 47 51 141 shade: RGB 47 51 141 and RGB 47 47 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 47 51 141 shade matches the following richer shades: RGB 47 51 141, RGB 31 37 156, RGB 16 23 172 and RGB 1 9 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 47 51 141 shade: RGB 47 51 141, RGB 62 65 126, RGB 77 79 110, RGB 92 93 95 and RGB 108 107 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 47 51 141 shade: RGB 47 102 141, RGB 47 77 141, RGB 47 51 141, RGB 67 47 141 and RGB 92 47 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 47 51 141 shade: RGB 26 28 79, RGB 36 39 110, RGB 47 51 141, RGB 57 62 172 and RGB 75 80 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 47 51 141 shade: RGB 47 51 141, RGB 141 47 127 and RGB 89 141 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 47 51 141 shade: RGB 47 51 141, RGB 141 47 51 and RGB 51 141 47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 47 51 141 shade: RGB 47 51 141, RGB 141 47 127, RGB 141 136 47 and RGB 47 141 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 47 51 141 shade: RGB 47 51 141, RGB 141 47 99, RGB 141 136 47 and RGB 47 141 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 64 / 0 / 45

HEX #2F338D

RGB 47 51 141

HSL 237.45, 0.5%, 0.37%

LAB 26.43, 28.3, -50.55

 

Complementary color

CMYK 0 / 2 / 45 / 18

HEX #D0CC72

RGB 208 204 114

HSL 57.45, 0.5%, 0.63%

LAB 80.63, -11.17, 45.11

 

CMYK 62 / 63 / 0 / 47

HEX #343388

RGB 52 51 136

HSL 240.71, 0.45%, 0.37%

LAB 26.38, 27.36, -47.52

 

CMYK 55 / 55 / 0 / 39

HEX #45459B

RGB 69 69 155

HSL 240, 0.38%, 0.44%

LAB 33.75, 25.47, -47.17

 

CMYK 51 / 50 / 0 / 32

HEX #5657AE

RGB 86 87 174

HSL 239.32, 0.35%, 0.51%

LAB 40.98, 23.92, -46.83

 

CMYK 47 / 46 / 0 / 24

HEX #6769C1

RGB 103 105 193

HSL 238.67, 0.42%, 0.58%

LAB 48.05, 22.64, -46.53

 

CMYK 43 / 42 / 0 / 17

HEX #787BD4

RGB 120 123 212

HSL 238.04, 0.52%, 0.65%

LAB 54.98, 21.56, -46.28

 

CMYK 67 / 64 / 0 / 45

HEX #2F338D

RGB 47 51 141

HSL 237.45, 0.5%, 0.37%

LAB 26.43, 28.3, -50.55

 

CMYK 75 / 73 / 0 / 52

HEX #1E217A

RGB 30 33 122

HSL 238.04, 0.61%, 0.3%

LAB 19.09, 30.84, -50.67

 

CMYK 87 / 85 / 0 / 60

HEX #0D0F67

RGB 13 15 103

HSL 238.67, 0.78%, 0.23%

LAB 12, 33.45, -50.1

 

CMYK 100 / 100 / 0 / 67

HEX #000054

RGB 0 0 84

HSL 240, 1%, 0.16%

LAB 5.78, 34.26, -47.68

 

CMYK 100 / 100 / 0 / 75

HEX #000041

RGB 0 0 65

HSL 240, 1%, 0.13%

LAB 3.45, 24.03, -38.21

 

CMYK 67 / 64 / 0 / 45

HEX #2F338D

RGB 47 51 141

HSL 237.45, 0.5%, 0.37%

LAB 26.43, 28.3, -50.55

 

CMYK 52 / 67 / 0 / 45

HEX #442F8D

RGB 68 47 141

HSL 253.4, 0.5%, 0.37%

LAB 27.26, 34.56, -49.13

 

CMYK 33 / 67 / 0 / 45

HEX #5E2F8D

RGB 94 47 141

HSL 270, 0.5%, 0.37%

LAB 30.24, 40.13, -44.14

 

CMYK 16 / 67 / 0 / 45

HEX #772F8D

RGB 119 47 141

HSL 285.96, 0.5%, 0.37%

LAB 33.73, 46.09, -38.36

 

CMYK 0 / 67 / 2 / 45

HEX #8D2F8A

RGB 141 47 138

HSL 301.91, 0.5%, 0.37%

LAB 36.99, 51.03, -31.13

 

CMYK 67 / 64 / 0 / 45

HEX #2F338D

RGB 47 51 141

HSL 237.45, 0.5%, 0.37%

LAB 26.43, 28.3, -50.55

 

CMYK 67 / 67 / 0 / 45

HEX #2F2F8D

RGB 47 47 141

HSL 240, 0.5%, 0.37%

LAB 25.44, 30.91, -52.16

 

CMYK 67 / 64 / 0 / 45

HEX #2F338D

RGB 47 51 141

HSL 237.45, 0.5%, 0.37%

LAB 26.43, 28.3, -50.55

 

CMYK 80 / 76 / 0 / 39

HEX #1F259C

RGB 31 37 156

HSL 237.12, 0.67%, 0.37%

LAB 23.72, 40.62, -64.28

 

CMYK 91 / 87 / 0 / 33

HEX #1017AC

RGB 16 23 172

HSL 237.31, 0.83%, 0.37%

LAB 22.66, 52.18, -75.78

 

CMYK 99 / 95 / 0 / 27

HEX #0109BB

RGB 1 9 187

HSL 237.42, 0.99%, 0.37%

LAB 22.96, 60.62, -84.26

 

CMYK 67 / 64 / 0 / 45

HEX #2F338D

RGB 47 51 141

HSL 237.45, 0.5%, 0.37%

LAB 26.43, 28.3, -50.55

 

CMYK 51 / 48 / 0 / 51

HEX #3E417E

RGB 62 65 126

HSL 237.19, 0.34%, 0.37%

LAB 30.18, 16.74, -35.1

 

CMYK 30 / 28 / 0 / 57

HEX #4D4F6E

RGB 77 79 110

HSL 236.36, 0.18%, 0.37%

LAB 34.59, 7.02, -18.09

 

CMYK 3 / 2 / 0 / 63

HEX #5C5D5F

RGB 92 93 95

HSL 220, 0.02%, 0.37%

LAB 39.46, 0.04, -1.29

 

CMYK 0 / 1 / 26 / 58

HEX #6C6B50

RGB 108 107 80

HSL 57.86, 0.15%, 0.37%

LAB 44.64, -4.47, 15.32

 

CMYK 67 / 28 / 0 / 45

HEX #2F668D

RGB 47 102 141

HSL 204.89, 0.5%, 0.37%

LAB 41.26, -5.17, -26.85

 

CMYK 67 / 45 / 0 / 45

HEX #2F4D8D

RGB 47 77 141

HSL 220.85, 0.5%, 0.37%

LAB 33.64, 10.81, -38.91

 

CMYK 67 / 64 / 0 / 45

HEX #2F338D

RGB 47 51 141

HSL 237.45, 0.5%, 0.37%

LAB 26.43, 28.3, -50.55

 

CMYK 52 / 67 / 0 / 45

HEX #432F8D

RGB 67 47 141

HSL 252.77, 0.5%, 0.37%

LAB 27.16, 34.37, -49.3

 

CMYK 35 / 67 / 0 / 45

HEX #5C2F8D

RGB 92 47 141

HSL 268.72, 0.5%, 0.37%

LAB 29.99, 39.67, -44.57

 

CMYK 67 / 65 / 0 / 69

HEX #1A1C4F

RGB 26 28 79

HSL 237.74, 0.5%, 0.21%

LAB 13.32, 17.24, -31.76

 

CMYK 67 / 65 / 0 / 57

HEX #24276E

RGB 36 39 110

HSL 237.57, 0.51%, 0.29%

LAB 19.85, 23.19, -41.7

 

CMYK 67 / 64 / 0 / 45

HEX #2F338D

RGB 47 51 141

HSL 237.45, 0.5%, 0.37%

LAB 26.43, 28.3, -50.55

 

CMYK 67 / 64 / 0 / 33

HEX #393EAC

RGB 57 62 172

HSL 237.39, 0.5%, 0.45%

LAB 32.47, 33.69, -59.52

 

CMYK 62 / 59 / 0 / 24

HEX #4B50C3

RGB 75 80 195

HSL 237.5, 0.5%, 0.53%

LAB 39.87, 33.06, -60.96

 

CMYK 67 / 64 / 0 / 45

HEX #2F338D

RGB 47 51 141

HSL 237.45, 0.5%, 0.37%

LAB 26.43, 28.3, -50.55

 

CMYK 0 / 67 / 10 / 45

HEX #8D2F7F

RGB 141 47 127

HSL 308.94, 0.5%, 0.37%

LAB 36.42, 49.16, -25.22

 

CMYK 37 / 0 / 67 / 45

HEX #598D2F

RGB 89 141 47

HSL 93.19, 0.5%, 0.37%

LAB 53.36, -33.93, 43.19

 

CMYK 67 / 64 / 0 / 45

HEX #2F338D

RGB 47 51 141

HSL 237.45, 0.5%, 0.37%

LAB 26.43, 28.3, -50.55

 

CMYK 0 / 67 / 64 / 45

HEX #8D2F33

RGB 141 47 51

HSL 357.45, 0.5%, 0.37%

LAB 33.85, 40.08, 19.46

 

CMYK 64 / 0 / 67 / 45

HEX #338D2F

RGB 51 141 47

HSL 117.45, 0.5%, 0.37%

LAB 51.79, -45.6, 41.02

 

CMYK 67 / 64 / 0 / 45

HEX #2F338D

RGB 47 51 141

HSL 237.45, 0.5%, 0.37%

LAB 26.43, 28.3, -50.55

 

CMYK 0 / 67 / 10 / 45

HEX #8D2F7F

RGB 141 47 127

HSL 308.94, 0.5%, 0.37%

LAB 36.42, 49.16, -25.22

 

CMYK 0 / 4 / 67 / 45

HEX #8D882F

RGB 141 136 47

HSL 56.81, 0.5%, 0.37%

LAB 55.56, -9.56, 46.64

 

CMYK 67 / 0 / 57 / 45

HEX #2F8D3D

RGB 47 141 61

HSL 128.94, 0.5%, 0.37%

LAB 51.83, -44.78, 34.36

 

CMYK 67 / 64 / 0 / 45

HEX #2F338D

RGB 47 51 141

HSL 237.45, 0.5%, 0.37%

LAB 26.43, 28.3, -50.55

 

CMYK 0 / 67 / 30 / 45

HEX #8D2F63

RGB 141 47 99

HSL 326.81, 0.5%, 0.37%

LAB 35.2, 44.97, -9.48

 

CMYK 0 / 4 / 67 / 45

HEX #8D882F

RGB 141 136 47

HSL 56.81, 0.5%, 0.37%

LAB 55.56, -9.56, 46.64

 

CMYK 67 / 0 / 37 / 45

HEX #2F8D59

RGB 47 141 89

HSL 146.81, 0.5%, 0.37%

LAB 52.26, -39.95, 19.9

 

Description

Color code: RGB 47 51 141 | qconv.com Color code: RGB 47 51 141 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 51 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 51 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 64 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 64% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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