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Color name
RGB 42 215 74

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 215 74 it is the complementary color RGB 213 40 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 215 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 215 74 shade: RGB 47 215 69, RGB 64 233 88, RGB 81 251 107, RGB 98 255 126 and RGB 115 255 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 215 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 215 74 shade: RGB 42 215 74, RGB 25 197 55, RGB 8 179 36, RGB 0 161 17 and RGB 0 143 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 215 74 shade: RGB 40 214 72, RGB 55 214 40, RGB 102 214 40, RGB 149 214 40 and RGB 195 214 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 215 74 shade: RGB 40 214 72, RGB 40 214 119, RGB 40 214 166, RGB 40 214 213 and RGB 40 168 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 215 74 shade matches the following richer shades: RGB 40 214 72 and RGB 20 234 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 215 74 shade: RGB 40 214 72, RGB 61 193 85, RGB 82 172 98, RGB 102 152 111 and RGB 123 131 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 215 74 shade: RGB 101 214 40, RGB 55 214 40, RGB 40 214 72, RGB 40 214 118 and RGB 40 214 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 215 74 shade: RGB 27 144 49, RGB 34 179 61, RGB 40 214 72, RGB 75 220 102 and RGB 110 227 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 215 74 shade: RGB 42 215 74, RGB 40 147 214 and RGB 214 40 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 215 74 shade: RGB 42 215 74, RGB 72 40 214 and RGB 214 72 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 215 74 shade: RGB 42 215 74, RGB 40 147 214, RGB 214 40 182 and RGB 214 107 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 215 74 shade: RGB 42 215 74, RGB 40 95 214, RGB 214 40 182 and RGB 214 159 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 66 / 16

HEX #2AD74A

RGB 42 215 74

HSL 131.1, 0.68%, 0.5%

LAB 75.82, -69.15, 55.81

 

Complementary color

CMYK 0 / 81 / 15 / 16

HEX #D528B5

RGB 213 40 181

HSL 311.1, 0.68%, 0.5%

LAB 50.69, 76.12, -34.5

 

CMYK 78 / 0 / 68 / 16

HEX #2FD745

RGB 47 215 69

HSL 127.86, 0.68%, 0.51%

LAB 75.84, -69.05, 57.86

 

CMYK 73 / 0 / 62 / 9

HEX #40E958

RGB 64 233 88

HSL 128.52, 0.79%, 0.58%

LAB 81.88, -70.41, 56.82

 

CMYK 68 / 0 / 57 / 2

HEX #51FB6B

RGB 81 251 107

HSL 129.18, 0.96%, 0.65%

LAB 87.87, -71.35, 55.6

 

CMYK 62 / 0 / 51 / 0

HEX #62FF7E

RGB 98 255 126

HSL 130.7, 1%, 0.69%

LAB 89.68, -67.1, 49.26

 

CMYK 55 / 0 / 43 / 0

HEX #73FF91

RGB 115 255 145

HSL 132.86, 1%, 0.73%

LAB 90.42, -60.69, 41.24

 

CMYK 80 / 0 / 66 / 16

HEX #2AD74A

RGB 42 215 74

HSL 131.1, 0.68%, 0.5%

LAB 75.82, -69.15, 55.81

 

CMYK 87 / 0 / 72 / 23

HEX #19C537

RGB 25 197 55

HSL 130.47, 0.77%, 0.44%

LAB 69.76, -67.13, 56.72

 

CMYK 96 / 0 / 80 / 30

HEX #08B324

RGB 8 179 36

HSL 129.82, 0.91%, 0.37%

LAB 63.69, -64.34, 57.06

 

CMYK 100 / 0 / 89 / 37

HEX #00A111

RGB 0 161 17

HSL 126.34, 1%, 0.32%

LAB 57.59, -60.6, 56.32

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 81 / 0 / 66 / 16

HEX #28D648

RGB 40 214 72

HSL 131.03, 0.69%, 0.5%

LAB 75.46, -69.26, 56.23

 

CMYK 74 / 0 / 81 / 16

HEX #37D628

RGB 55 214 40

HSL 114.83, 0.69%, 0.5%

LAB 75.49, -69.75, 67.18

 

CMYK 52 / 0 / 81 / 16

HEX #66D628

RGB 102 214 40

HSL 98.62, 0.69%, 0.5%

LAB 76.72, -59.58, 68.77

 

CMYK 30 / 0 / 81 / 16

HEX #95D628

RGB 149 214 40

HSL 82.41, 0.69%, 0.5%

LAB 78.83, -44.25, 71.46

 

CMYK 9 / 0 / 81 / 16

HEX #C3D628

RGB 195 214 40

HSL 66.55, 0.69%, 0.5%

LAB 81.76, -26.15, 75.16

 

CMYK 81 / 0 / 66 / 16

HEX #28D648

RGB 40 214 72

HSL 131.03, 0.69%, 0.5%

LAB 75.46, -69.26, 56.23

 

CMYK 81 / 0 / 44 / 16

HEX #28D677

RGB 40 214 119

HSL 147.24, 0.69%, 0.5%

LAB 75.99, -62.84, 35.18

 

CMYK 81 / 0 / 22 / 16

HEX #28D6A6

RGB 40 214 166

HSL 163.45, 0.69%, 0.5%

LAB 76.86, -53.13, 11.9

 

CMYK 81 / 0 / 0 / 16

HEX #28D6D5

RGB 40 214 213

HSL 179.66, 0.69%, 0.5%

LAB 78.08, -40.66, -11.47

 

CMYK 81 / 21 / 0 / 16

HEX #28A8D6

RGB 40 168 214

HSL 195.86, 0.69%, 0.5%

LAB 64.41, -17.86, -32.83

 

CMYK 81 / 0 / 66 / 16

HEX #28D648

RGB 40 214 72

HSL 131.03, 0.69%, 0.5%

LAB 75.46, -69.26, 56.23

 

CMYK 91 / 0 / 75 / 8

HEX #14EA3B

RGB 20 234 59

HSL 130.93, 0.84%, 0.5%

LAB 81.46, -77.78, 67.14

 

CMYK 81 / 0 / 66 / 16

HEX #28D648

RGB 40 214 72

HSL 131.03, 0.69%, 0.5%

LAB 75.46, -69.26, 56.23

 

CMYK 68 / 0 / 56 / 24

HEX #3DC155

RGB 61 193 85

HSL 130.91, 0.52%, 0.5%

LAB 69.32, -57.83, 43.62

 

CMYK 52 / 0 / 43 / 33

HEX #52AC62

RGB 82 172 98

HSL 130.67, 0.35%, 0.5%

LAB 63.49, -43.09, 30.02

 

CMYK 33 / 0 / 27 / 40

HEX #66986F

RGB 102 152 111

HSL 130.8, 0.2%, 0.5%

LAB 58.44, -25.59, 16.37

 

CMYK 6 / 0 / 5 / 49

HEX #7B837C

RGB 123 131 124

HSL 127.5, 0.03%, 0.5%

LAB 53.92, -4.37, 2.76

 

CMYK 53 / 0 / 81 / 16

HEX #65D628

RGB 101 214 40

HSL 98.97, 0.69%, 0.5%

LAB 76.69, -59.85, 68.72

 

CMYK 74 / 0 / 81 / 16

HEX #37D628

RGB 55 214 40

HSL 114.83, 0.69%, 0.5%

LAB 75.49, -69.75, 67.18

 

CMYK 81 / 0 / 66 / 16

HEX #28D648

RGB 40 214 72

HSL 131.03, 0.69%, 0.5%

LAB 75.46, -69.26, 56.23

 

CMYK 81 / 0 / 45 / 16

HEX #28D676

RGB 40 214 118

HSL 146.9, 0.69%, 0.5%

LAB 75.98, -63.01, 35.67

 

CMYK 81 / 0 / 23 / 16

HEX #28D6A5

RGB 40 214 165

HSL 163.1, 0.69%, 0.5%

LAB 76.84, -53.37, 12.4

 

CMYK 81 / 0 / 66 / 44

HEX #1B9031

RGB 27 144 49

HSL 131.28, 0.68%, 0.34%

LAB 52.29, -50.83, 40.53

 

CMYK 81 / 0 / 66 / 30

HEX #22B33D

RGB 34 179 61

HSL 131.17, 0.68%, 0.42%

LAB 64.09, -60.12, 48.34

 

CMYK 81 / 0 / 66 / 16

HEX #28D648

RGB 40 214 72

HSL 131.03, 0.69%, 0.5%

LAB 75.46, -69.26, 56.23

 

CMYK 66 / 0 / 54 / 14

HEX #4BDC66

RGB 75 220 102

HSL 131.17, 0.67%, 0.58%

LAB 78.25, -62.48, 46.41

 

CMYK 52 / 0 / 42 / 11

HEX #6EE383

RGB 110 227 131

HSL 130.77, 0.68%, 0.66%

LAB 81.78, -53.13, 36.97

 

CMYK 80 / 0 / 66 / 16

HEX #2AD74A

RGB 42 215 74

HSL 131.1, 0.68%, 0.5%

LAB 75.82, -69.15, 55.81

 

CMYK 81 / 31 / 0 / 16

HEX #2893D6

RGB 40 147 214

HSL 203.1, 0.69%, 0.5%

LAB 58.2, -6.25, -42.55

 

CMYK 0 / 81 / 64 / 16

HEX #D6284E

RGB 214 40 78

HSL 346.9, 0.69%, 0.5%

LAB 47.45, 66.44, 22.95

 

CMYK 80 / 0 / 66 / 16

HEX #2AD74A

RGB 42 215 74

HSL 131.1, 0.68%, 0.5%

LAB 75.82, -69.15, 55.81

 

CMYK 66 / 81 / 0 / 16

HEX #4828D6

RGB 72 40 214

HSL 251.03, 0.69%, 0.5%

LAB 33.46, 60.4, -82.52

 

CMYK 0 / 66 / 81 / 16

HEX #D64828

RGB 214 72 40

HSL 11.03, 0.69%, 0.5%

LAB 50.79, 54.19, 48.18

 

CMYK 80 / 0 / 66 / 16

HEX #2AD74A

RGB 42 215 74

HSL 131.1, 0.68%, 0.5%

LAB 75.82, -69.15, 55.81

 

CMYK 81 / 31 / 0 / 16

HEX #2893D6

RGB 40 147 214

HSL 203.1, 0.69%, 0.5%

LAB 58.2, -6.25, -42.55

 

CMYK 0 / 81 / 15 / 16

HEX #D628B6

RGB 214 40 182

HSL 311.03, 0.69%, 0.5%

LAB 50.91, 76.46, -34.72

 

CMYK 0 / 50 / 81 / 16

HEX #D66B28

RGB 214 107 40

HSL 23.1, 0.69%, 0.5%

LAB 57.04, 37.91, 53.99

 

CMYK 80 / 0 / 66 / 16

HEX #2AD74A

RGB 42 215 74

HSL 131.1, 0.68%, 0.5%

LAB 75.82, -69.15, 55.81

 

CMYK 81 / 56 / 0 / 16

HEX #285FD6

RGB 40 95 214

HSL 221.03, 0.69%, 0.5%

LAB 43.49, 25.85, -66.1

 

CMYK 0 / 81 / 15 / 16

HEX #D628B6

RGB 214 40 182

HSL 311.03, 0.69%, 0.5%

LAB 50.91, 76.46, -34.72

 

CMYK 0 / 26 / 81 / 16

HEX #D69F28

RGB 214 159 40

HSL 41.03, 0.69%, 0.5%

LAB 68.93, 10.22, 64.64

 

Description

Color code: RGB 42 215 74 | qconv.com Color code: RGB 42 215 74 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 215 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 215 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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