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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 214 145 it is the complementary color RGB 213 41 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 214 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 214 145 shade: RGB 47 214 140, RGB 64 232 159, RGB 81 250 178, RGB 98 255 197 and RGB 115 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 214 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 214 145 shade: RGB 42 214 145, RGB 25 196 126, RGB 8 178 107, RGB 0 160 88 and RGB 0 142 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 214 145 shade: RGB 40 214 144, RGB 40 214 97, RGB 40 214 51, RGB 77 214 40 and RGB 124 214 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 214 145 shade: RGB 40 214 144, RGB 40 214 191, RGB 40 190 214, RGB 40 143 214 and RGB 40 96 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 214 145 shade matches the following richer shades: RGB 40 214 144 and RGB 20 234 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 214 145 shade: RGB 40 214 144, RGB 61 193 140, RGB 82 172 136, RGB 102 152 132 and RGB 123 131 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 214 145 shade: RGB 40 214 49, RGB 40 214 95, RGB 40 214 141, RGB 40 214 188 and RGB 40 193 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 214 145 shade: RGB 27 144 97, RGB 34 179 121, RGB 40 214 144, RGB 75 220 162 and RGB 110 227 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 214 145 shade: RGB 42 214 145, RGB 40 78 214 and RGB 214 72 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 214 145 shade: RGB 42 214 145, RGB 141 40 214 and RGB 214 141 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 214 145 shade: RGB 42 214 145, RGB 40 78 214, RGB 214 40 113 and RGB 214 176 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 214 145 shade: RGB 42 214 145, RGB 55 40 214, RGB 214 40 113 and RGB 199 214 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 32 / 16

HEX #2AD691

RGB 42 214 145

HSL 155.93, 0.68%, 0.5%

LAB 76.45, -57.65, 22.43

 

Complementary color

CMYK 0 / 81 / 48 / 16

HEX #D5296E

RGB 213 41 110

HSL 335.93, 0.68%, 0.5%

LAB 48.08, 68.14, 4.14

 

CMYK 78 / 0 / 35 / 16

HEX #2FD68C

RGB 47 214 140

HSL 153.41, 0.67%, 0.51%

LAB 76.43, -58.15, 25.02

 

CMYK 72 / 0 / 31 / 9

HEX #40E89F

RGB 64 232 159

HSL 153.93, 0.79%, 0.58%

LAB 82.54, -58.92, 23.54

 

CMYK 68 / 0 / 29 / 2

HEX #51FAB2

RGB 81 250 178

HSL 154.44, 0.94%, 0.65%

LAB 88.61, -59.43, 22.17

 

CMYK 62 / 0 / 23 / 0

HEX #62FFC5

RGB 98 255 197

HSL 157.83, 1%, 0.69%

LAB 90.85, -54.58, 15.62

 

CMYK 55 / 0 / 15 / 0

HEX #73FFD8

RGB 115 255 216

HSL 163.29, 1%, 0.73%

LAB 91.74, -47.17, 7.17

 

CMYK 80 / 0 / 32 / 16

HEX #2AD691

RGB 42 214 145

HSL 155.93, 0.68%, 0.5%

LAB 76.45, -57.65, 22.43

 

CMYK 87 / 0 / 36 / 23

HEX #19C47E

RGB 25 196 126

HSL 155.44, 0.77%, 0.43%

LAB 70.31, -56.41, 24.05

 

CMYK 96 / 0 / 40 / 30

HEX #08B26B

RGB 8 178 107

HSL 154.94, 0.91%, 0.36%

LAB 64.12, -54.69, 25.82

 

CMYK 100 / 0 / 45 / 37

HEX #00A058

RGB 0 160 88

HSL 153, 1%, 0.31%

LAB 57.89, -52.36, 27.75

 

CMYK 100 / 0 / 51 / 44

HEX #008E45

RGB 0 142 69

HSL 149.15, 1%, 0.28%

LAB 51.58, -49.52, 29.79

 

CMYK 81 / 0 / 33 / 16

HEX #28D690

RGB 40 214 144

HSL 155.86, 0.69%, 0.5%

LAB 76.41, -58.06, 22.89

 

CMYK 81 / 0 / 55 / 16

HEX #28D661

RGB 40 214 97

HSL 139.66, 0.69%, 0.5%

LAB 75.7, -66.27, 45.53

 

CMYK 81 / 0 / 76 / 16

HEX #28D633

RGB 40 214 51

HSL 123.79, 0.69%, 0.5%

LAB 75.32, -71.04, 63.72

 

CMYK 64 / 0 / 81 / 16

HEX #4DD628

RGB 77 214 40

HSL 107.24, 0.69%, 0.5%

LAB 75.96, -65.72, 67.79

 

CMYK 42 / 0 / 81 / 16

HEX #7CD628

RGB 124 214 40

HSL 91.03, 0.69%, 0.5%

LAB 77.6, -52.94, 69.89

 

CMYK 81 / 0 / 33 / 16

HEX #28D690

RGB 40 214 144

HSL 155.86, 0.69%, 0.5%

LAB 76.41, -58.06, 22.89

 

CMYK 81 / 0 / 11 / 16

HEX #28D6BF

RGB 40 214 191

HSL 172.07, 0.69%, 0.5%

LAB 77.46, -46.79, -0.59

 

CMYK 81 / 11 / 0 / 16

HEX #28BED6

RGB 40 190 214

HSL 188.28, 0.69%, 0.5%

LAB 70.96, -29.1, -22.76

 

CMYK 81 / 33 / 0 / 16

HEX #288FD6

RGB 40 143 214

HSL 204.48, 0.69%, 0.5%

LAB 57.03, -3.94, -44.4

 

CMYK 81 / 55 / 0 / 16

HEX #2860D6

RGB 40 96 214

HSL 220.69, 0.69%, 0.5%

LAB 43.76, 25.21, -65.67

 

CMYK 81 / 0 / 33 / 16

HEX #28D690

RGB 40 214 144

HSL 155.86, 0.69%, 0.5%

LAB 76.41, -58.06, 22.89

 

CMYK 91 / 0 / 37 / 8

HEX #14EA94

RGB 20 234 148

HSL 155.89, 0.84%, 0.5%

LAB 82.45, -65.78, 28.97

 

CMYK 81 / 0 / 33 / 16

HEX #28D690

RGB 40 214 144

HSL 155.86, 0.69%, 0.5%

LAB 76.41, -58.06, 22.89

 

CMYK 68 / 0 / 27 / 24

HEX #3DC18C

RGB 61 193 140

HSL 155.91, 0.52%, 0.5%

LAB 70.19, -48.09, 16.51

 

CMYK 52 / 0 / 21 / 33

HEX #52AC88

RGB 82 172 136

HSL 156, 0.35%, 0.5%

LAB 64.22, -35.68, 10.41

 

CMYK 33 / 0 / 13 / 40

HEX #669884

RGB 102 152 132

HSL 156, 0.2%, 0.5%

LAB 58.93, -21.3, 5.21

 

CMYK 6 / 0 / 2 / 49

HEX #7B8380

RGB 123 131 128

HSL 157.5, 0.03%, 0.5%

LAB 54.03, -3.56, 0.59

 

CMYK 81 / 0 / 77 / 16

HEX #28D631

RGB 40 214 49

HSL 123.1, 0.69%, 0.5%

LAB 75.31, -71.18, 64.34

 

CMYK 81 / 0 / 56 / 16

HEX #28D65F

RGB 40 214 95

HSL 138.97, 0.69%, 0.5%

LAB 75.68, -66.55, 46.44

 

CMYK 81 / 0 / 34 / 16

HEX #28D68D

RGB 40 214 141

HSL 154.83, 0.69%, 0.5%

LAB 76.36, -58.68, 24.39

 

CMYK 81 / 0 / 12 / 16

HEX #28D6BC

RGB 40 214 188

HSL 171.03, 0.69%, 0.5%

LAB 77.39, -47.59, 0.91

 

CMYK 81 / 10 / 0 / 16

HEX #28C1D6

RGB 40 193 214

HSL 187.24, 0.69%, 0.5%

LAB 71.86, -30.56, -21.39

 

CMYK 81 / 0 / 33 / 44

HEX #1B9061

RGB 27 144 97

HSL 155.9, 0.68%, 0.34%

LAB 53, -42.57, 16.34

 

CMYK 81 / 0 / 32 / 30

HEX #22B379

RGB 34 179 121

HSL 156, 0.68%, 0.42%

LAB 64.93, -50.31, 19.44

 

CMYK 81 / 0 / 33 / 16

HEX #28D690

RGB 40 214 144

HSL 155.86, 0.69%, 0.5%

LAB 76.41, -58.06, 22.89

 

CMYK 66 / 0 / 26 / 14

HEX #4BDCA2

RGB 75 220 162

HSL 156, 0.67%, 0.58%

LAB 79.21, -51.94, 17.41

 

CMYK 52 / 0 / 21 / 11

HEX #6EE3B4

RGB 110 227 180

HSL 155.9, 0.68%, 0.66%

LAB 82.67, -44.06, 12.96

 

CMYK 80 / 0 / 32 / 16

HEX #2AD691

RGB 42 214 145

HSL 155.93, 0.68%, 0.5%

LAB 76.45, -57.65, 22.43

 

CMYK 81 / 64 / 0 / 16

HEX #284ED6

RGB 40 78 214

HSL 226.9, 0.69%, 0.5%

LAB 39.16, 36.78, -73.17

 

CMYK 0 / 66 / 81 / 16

HEX #D64828

RGB 214 72 40

HSL 11.03, 0.69%, 0.5%

LAB 50.79, 54.19, 48.18

 

CMYK 80 / 0 / 32 / 16

HEX #2AD691

RGB 42 214 145

HSL 155.93, 0.68%, 0.5%

LAB 76.45, -57.65, 22.43

 

CMYK 34 / 81 / 0 / 16

HEX #8D28D6

RGB 141 40 214

HSL 274.83, 0.69%, 0.5%

LAB 41.27, 68.64, -69.38

 

CMYK 0 / 34 / 81 / 16

HEX #D68D28

RGB 214 141 40

HSL 34.83, 0.69%, 0.5%

LAB 64.56, 19.92, 60.78

 

CMYK 80 / 0 / 32 / 16

HEX #2AD691

RGB 42 214 145

HSL 155.93, 0.68%, 0.5%

LAB 76.45, -57.65, 22.43

 

CMYK 81 / 64 / 0 / 16

HEX #284ED6

RGB 40 78 214

HSL 226.9, 0.69%, 0.5%

LAB 39.16, 36.78, -73.17

 

CMYK 0 / 81 / 47 / 16

HEX #D62871

RGB 214 40 113

HSL 334.83, 0.69%, 0.5%

LAB 48.27, 68.89, 2.59

 

CMYK 0 / 18 / 81 / 16

HEX #D6B028

RGB 214 176 40

HSL 46.9, 0.69%, 0.5%

LAB 73.22, 1.16, 68.38

 

CMYK 80 / 0 / 32 / 16

HEX #2AD691

RGB 42 214 145

HSL 155.93, 0.68%, 0.5%

LAB 76.45, -57.65, 22.43

 

CMYK 74 / 81 / 0 / 16

HEX #3728D6

RGB 55 40 214

HSL 245.17, 0.69%, 0.5%

LAB 32.22, 59.13, -84.6

 

CMYK 0 / 81 / 47 / 16

HEX #D62871

RGB 214 40 113

HSL 334.83, 0.69%, 0.5%

LAB 48.27, 68.89, 2.59

 

CMYK 7 / 0 / 81 / 16

HEX #C7D628

RGB 199 214 40

HSL 65.17, 0.69%, 0.5%

LAB 82.05, -24.5, 75.52

 

Description

Color code: RGB 42 214 145 | qconv.com Color code: RGB 42 214 145 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 214 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 214 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 32 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 32% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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