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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 213 46 it is the complementary color RGB 213 42 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 213 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 213 46 shade: RGB 47 213 41, RGB 64 231 60, RGB 81 249 79, RGB 98 255 98 and RGB 115 255 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 213 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 213 46 shade: RGB 42 213 46, RGB 25 195 27, RGB 8 177 8, RGB 0 159 0 and RGB 0 141 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 213 46 shade: RGB 42 212 46, RGB 84 212 42, RGB 130 212 42, RGB 176 212 42 and RGB 212 203 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 213 46 shade: RGB 42 212 46, RGB 42 212 92, RGB 42 212 138, RGB 42 212 184 and RGB 42 195 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 213 46 shade matches the following richer shades: RGB 42 212 46, RGB 21 233 26 and RGB 0 254 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 213 46 shade: RGB 42 212 46, RGB 62 192 65, RGB 83 171 85, RGB 103 151 105 and RGB 124 130 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 213 46 shade: RGB 130 212 42, RGB 84 212 42, RGB 42 212 44, RGB 42 212 90 and RGB 42 212 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 213 46 shade: RGB 28 144 31, RGB 35 178 38, RGB 42 212 46, RGB 76 219 79 and RGB 110 226 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 213 46 shade: RGB 42 213 46, RGB 42 175 212 and RGB 212 42 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 213 46 shade: RGB 42 213 46, RGB 44 42 212 and RGB 212 44 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 213 46 shade: RGB 42 213 46, RGB 42 175 212, RGB 212 42 210 and RGB 212 79 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 213 46 shade: RGB 42 213 46, RGB 42 124 212, RGB 212 42 210 and RGB 212 130 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 78 / 16

HEX #2AD52E

RGB 42 213 46

HSL 121.4, 0.67%, 0.5%

LAB 75, -70.85, 64.97

 

Complementary color

CMYK 0 / 80 / 2 / 16

HEX #D52AD1

RGB 213 42 209

HSL 301.4, 0.67%, 0.5%

LAB 52.29, 79.63, -48.17

 

CMYK 78 / 0 / 81 / 16

HEX #2FD529

RGB 47 213 41

HSL 117.91, 0.68%, 0.5%

LAB 75.05, -70.53, 66.46

 

CMYK 72 / 0 / 74 / 9

HEX #40E73C

RGB 64 231 60

HSL 118.6, 0.78%, 0.57%

LAB 81.05, -72.3, 66.58

 

CMYK 67 / 0 / 68 / 2

HEX #51F94F

RGB 81 249 79

HSL 119.29, 0.93%, 0.64%

LAB 87.03, -73.56, 66.1

 

CMYK 62 / 0 / 62 / 0

HEX #62FF62

RGB 98 255 98

HSL 120, 1%, 0.69%

LAB 89.39, -70.44, 61.29

 

CMYK 55 / 0 / 54 / 0

HEX #73FF75

RGB 115 255 117

HSL 120.86, 1%, 0.73%

LAB 90.07, -64.51, 53.96

 

CMYK 80 / 0 / 78 / 16

HEX #2AD52E

RGB 42 213 46

HSL 121.4, 0.67%, 0.5%

LAB 75, -70.85, 64.97

 

CMYK 87 / 0 / 86 / 24

HEX #19C31B

RGB 25 195 27

HSL 120.71, 0.77%, 0.43%

LAB 68.98, -68.33, 64.29

 

CMYK 95 / 0 / 95 / 31

HEX #08B108

RGB 8 177 8

HSL 120, 0.91%, 0.36%

LAB 62.94, -64.95, 62.28

 

CMYK 100 / 0 / 100 / 38

HEX #009F00

RGB 0 159 0

HSL 120, 1%, 0.31%

LAB 56.88, -60.55, 58.44

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 80 / 0 / 78 / 17

HEX #2AD42E

RGB 42 212 46

HSL 121.41, 0.67%, 0.5%

LAB 74.68, -70.56, 64.67

 

CMYK 60 / 0 / 80 / 17

HEX #54D42A

RGB 84 212 42

HSL 105.18, 0.67%, 0.5%

LAB 75.54, -63.39, 66.93

 

CMYK 39 / 0 / 80 / 17

HEX #82D42A

RGB 130 212 42

HSL 88.94, 0.67%, 0.5%

LAB 77.28, -50.06, 69.17

 

CMYK 17 / 0 / 80 / 17

HEX #B0D42A

RGB 176 212 42

HSL 72.71, 0.67%, 0.5%

LAB 79.89, -32.88, 72.5

 

CMYK 0 / 4 / 80 / 17

HEX #D4CB2A

RGB 212 203 42

HSL 56.82, 0.67%, 0.5%

LAB 80.11, -13.55, 73.73

 

CMYK 80 / 0 / 78 / 17

HEX #2AD42E

RGB 42 212 46

HSL 121.41, 0.67%, 0.5%

LAB 74.68, -70.56, 64.67

 

CMYK 80 / 0 / 57 / 17

HEX #2AD45C

RGB 42 212 92

HSL 137.65, 0.67%, 0.5%

LAB 75.05, -66.09, 47.08

 

CMYK 80 / 0 / 35 / 17

HEX #2AD48A

RGB 42 212 138

HSL 153.88, 0.67%, 0.5%

LAB 75.71, -58.36, 25.08

 

CMYK 80 / 0 / 13 / 17

HEX #2AD4B8

RGB 42 212 184

HSL 170.12, 0.67%, 0.5%

LAB 76.7, -47.63, 2.06

 

CMYK 80 / 8 / 0 / 17

HEX #2AC3D4

RGB 42 195 212

HSL 186, 0.67%, 0.5%

LAB 72.41, -31.98, -19.46

 

CMYK 80 / 0 / 78 / 17

HEX #2AD42E

RGB 42 212 46

HSL 121.41, 0.67%, 0.5%

LAB 74.68, -70.56, 64.67

 

CMYK 91 / 0 / 89 / 9

HEX #15E91A

RGB 21 233 26

HSL 121.42, 0.83%, 0.5%

LAB 81.02, -79.16, 74.96

 

CMYK 100 / 0 / 98 / 0

HEX #00FE06

RGB 0 254 6

HSL 121.42, 1%, 0.5%

LAB 87.43, -85.84, 82.48

 

CMYK 80 / 0 / 78 / 17

HEX #2AD42E

RGB 42 212 46

HSL 121.41, 0.67%, 0.5%

LAB 74.68, -70.56, 64.67

 

CMYK 68 / 0 / 66 / 25

HEX #3EC041

RGB 62 192 65

HSL 121.38, 0.51%, 0.5%

LAB 68.83, -59.62, 51.99

 

CMYK 51 / 0 / 50 / 33

HEX #53AB55

RGB 83 171 85

HSL 121.36, 0.35%, 0.5%

LAB 63.03, -44.39, 36.14

 

CMYK 32 / 0 / 30 / 41

HEX #679769

RGB 103 151 105

HSL 122.5, 0.19%, 0.5%

LAB 58.07, -25.85, 19.22

 

CMYK 5 / 0 / 5 / 49

HEX #7C827C

RGB 124 130 124

HSL 120, 0.02%, 0.5%

LAB 53.71, -3.43, 2.47

 

CMYK 39 / 0 / 80 / 17

HEX #82D42A

RGB 130 212 42

HSL 88.94, 0.67%, 0.5%

LAB 77.28, -50.06, 69.17

 

CMYK 60 / 0 / 80 / 17

HEX #54D42A

RGB 84 212 42

HSL 105.18, 0.67%, 0.5%

LAB 75.54, -63.39, 66.93

 

CMYK 80 / 0 / 79 / 17

HEX #2AD42C

RGB 42 212 44

HSL 120.71, 0.67%, 0.5%

LAB 74.67, -70.68, 65.25

 

CMYK 80 / 0 / 58 / 17

HEX #2AD45A

RGB 42 212 90

HSL 136.94, 0.67%, 0.5%

LAB 75.02, -66.35, 47.97

 

CMYK 80 / 0 / 36 / 17

HEX #2AD488

RGB 42 212 136

HSL 153.18, 0.67%, 0.5%

LAB 75.67, -58.76, 26.07

 

CMYK 81 / 0 / 78 / 44

HEX #1C901F

RGB 28 144 31

HSL 121.55, 0.67%, 0.34%

LAB 52.17, -52.4, 47.62

 

CMYK 80 / 0 / 79 / 30

HEX #23B226

RGB 35 178 38

HSL 121.26, 0.67%, 0.42%

LAB 63.62, -61.68, 56.47

 

CMYK 80 / 0 / 78 / 17

HEX #2AD42E

RGB 42 212 46

HSL 121.41, 0.67%, 0.5%

LAB 74.68, -70.56, 64.67

 

CMYK 65 / 0 / 64 / 14

HEX #4CDB4F

RGB 76 219 79

HSL 121.26, 0.67%, 0.58%

LAB 77.74, -64.65, 56.04

 

CMYK 51 / 0 / 50 / 11

HEX #6EE271

RGB 110 226 113

HSL 121.55, 0.67%, 0.66%

LAB 81.24, -55.34, 45.08

 

CMYK 80 / 0 / 78 / 16

HEX #2AD52E

RGB 42 213 46

HSL 121.4, 0.67%, 0.5%

LAB 75, -70.85, 64.97

 

CMYK 80 / 17 / 0 / 17

HEX #2AAFD4

RGB 42 175 212

HSL 193.06, 0.67%, 0.5%

LAB 66.45, -22.02, -28.58

 

CMYK 0 / 80 / 50 / 17

HEX #D42A6B

RGB 212 42 107

HSL 337.06, 0.67%, 0.5%

LAB 47.9, 67.39, 5.69

 

CMYK 80 / 0 / 78 / 16

HEX #2AD52E

RGB 42 213 46

HSL 121.4, 0.67%, 0.5%

LAB 75, -70.85, 64.97

 

CMYK 79 / 80 / 0 / 17

HEX #2C2AD4

RGB 44 42 212

HSL 240.71, 0.67%, 0.5%

LAB 31.68, 56.96, -84.36

 

CMYK 0 / 79 / 80 / 17

HEX #D42C2A

RGB 212 44 42

HSL 0.71, 0.67%, 0.5%

LAB 46.93, 63.3, 43.3

 

CMYK 80 / 0 / 78 / 16

HEX #2AD52E

RGB 42 213 46

HSL 121.4, 0.67%, 0.5%

LAB 75, -70.85, 64.97

 

CMYK 80 / 17 / 0 / 17

HEX #2AAFD4

RGB 42 175 212

HSL 193.06, 0.67%, 0.5%

LAB 66.45, -22.02, -28.58

 

CMYK 0 / 80 / 1 / 17

HEX #D42AD2

RGB 212 42 210

HSL 300.71, 0.67%, 0.5%

LAB 52.18, 79.59, -48.93

 

CMYK 0 / 63 / 80 / 17

HEX #D44F2A

RGB 212 79 42

HSL 13.06, 0.67%, 0.5%

LAB 51.56, 50.6, 47.83

 

CMYK 80 / 0 / 78 / 16

HEX #2AD52E

RGB 42 213 46

HSL 121.4, 0.67%, 0.5%

LAB 75, -70.85, 64.97

 

CMYK 80 / 42 / 0 / 17

HEX #2A7CD4

RGB 42 124 212

HSL 211.06, 0.67%, 0.5%

LAB 51.45, 6.88, -52.13

 

CMYK 0 / 80 / 1 / 17

HEX #D42AD2

RGB 212 42 210

HSL 300.71, 0.67%, 0.5%

LAB 52.18, 79.59, -48.93

 

CMYK 0 / 39 / 80 / 17

HEX #D4822A

RGB 212 130 42

HSL 31.06, 0.67%, 0.5%

LAB 61.77, 25.06, 57.42

 

Description

Color code: RGB 42 213 46 | qconv.com Color code: RGB 42 213 46 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 213 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 213 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 78 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 78% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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