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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 186 144 it is the complementary color RGB 213 69 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 186 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 186 144 shade: RGB 47 186 139, RGB 64 204 158, RGB 81 222 177, RGB 98 240 196 and RGB 115 255 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 186 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 186 144 shade: RGB 42 186 144, RGB 25 168 125, RGB 8 150 106, RGB 0 132 87 and RGB 0 114 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 186 144 shade: RGB 42 187 144, RGB 42 187 105, RGB 42 187 66, RGB 57 187 42 and RGB 96 187 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 186 144 shade: RGB 42 187 144, RGB 42 187 183, RGB 42 151 187, RGB 42 112 187 and RGB 42 73 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 186 144 shade matches the following richer shades: RGB 42 187 144, RGB 23 205 152 and RGB 5 224 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 186 144 shade: RGB 42 187 144, RGB 61 168 137, RGB 79 149 129, RGB 98 131 121 and RGB 116 112 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 186 144 shade: RGB 42 187 66, RGB 42 187 105, RGB 42 187 143, RGB 42 187 182 and RGB 42 153 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 186 144 shade: RGB 27 119 92, RGB 34 153 118, RGB 42 187 144, RGB 60 210 166 and RGB 93 218 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 186 144 shade: RGB 42 186 144, RGB 42 56 187 and RGB 187 85 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 186 144 shade: RGB 42 186 144, RGB 143 42 187 and RGB 187 143 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 186 144 shade: RGB 42 186 144, RGB 42 56 187, RGB 187 42 85 and RGB 187 172 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 186 144 shade: RGB 42 186 144, RGB 71 42 187, RGB 187 42 85 and RGB 158 187 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 23 / 27

HEX #2ABA90

RGB 42 186 144

HSL 162.5, 0.63%, 0.45%

LAB 67.74, -46.93, 10.85

 

Complementary color

CMYK 0 / 68 / 48 / 16

HEX #D5456F

RGB 213 69 111

HSL 342.5, 0.63%, 0.55%

LAB 51.32, 59.22, 8.17

 

CMYK 75 / 0 / 25 / 27

HEX #2FBA8B

RGB 47 186 139

HSL 159.71, 0.6%, 0.46%

LAB 67.71, -47.5, 13.55

 

CMYK 69 / 0 / 23 / 20

HEX #40CC9E

RGB 64 204 158

HSL 160.29, 0.58%, 0.53%

LAB 74.03, -48.07, 12.22

 

CMYK 64 / 0 / 20 / 13

HEX #51DEB1

RGB 81 222 177

HSL 160.85, 0.68%, 0.59%

LAB 80.27, -48.41, 11.02

 

CMYK 59 / 0 / 18 / 6

HEX #62F0C4

RGB 98 240 196

HSL 161.41, 0.83%, 0.66%

LAB 86.46, -48.6, 9.91

 

CMYK 55 / 0 / 16 / 0

HEX #73FFD7

RGB 115 255 215

HSL 162.86, 1%, 0.73%

LAB 91.72, -47.4, 7.66

 

CMYK 77 / 0 / 23 / 27

HEX #2ABA90

RGB 42 186 144

HSL 162.5, 0.63%, 0.45%

LAB 67.74, -46.93, 10.85

 

CMYK 85 / 0 / 26 / 34

HEX #19A87D

RGB 25 168 125

HSL 161.96, 0.74%, 0.38%

LAB 61.39, -45.88, 12.32

 

CMYK 95 / 0 / 29 / 41

HEX #08966A

RGB 8 150 106

HSL 161.41, 0.9%, 0.31%

LAB 54.97, -44.35, 13.96

 

CMYK 100 / 0 / 34 / 48

HEX #008457

RGB 0 132 87

HSL 159.55, 1%, 0.26%

LAB 48.5, -42.2, 15.83

 

CMYK 100 / 0 / 40 / 55

HEX #007244

RGB 0 114 68

HSL 155.79, 1%, 0.22%

LAB 41.93, -39.49, 17.89

 

CMYK 78 / 0 / 23 / 27

HEX #2ABB90

RGB 42 187 144

HSL 162.21, 0.63%, 0.45%

LAB 68.05, -47.34, 11.29

 

CMYK 78 / 0 / 44 / 27

HEX #2ABB69

RGB 42 187 105

HSL 146.07, 0.63%, 0.45%

LAB 67.32, -55.54, 31.12

 

CMYK 78 / 0 / 65 / 27

HEX #2ABB42

RGB 42 187 66

HSL 129.93, 0.63%, 0.45%

LAB 66.84, -61.14, 49.28

 

CMYK 70 / 0 / 78 / 27

HEX #39BB2A

RGB 57 187 42

HSL 113.79, 0.63%, 0.45%

LAB 66.96, -60.8, 58.56

 

CMYK 49 / 0 / 78 / 27

HEX #60BB2A

RGB 96 187 42

HSL 97.66, 0.63%, 0.45%

LAB 68.16, -51.14, 60.14

 

CMYK 78 / 0 / 23 / 27

HEX #2ABB90

RGB 42 187 144

HSL 162.21, 0.63%, 0.45%

LAB 68.05, -47.34, 11.29

 

CMYK 78 / 0 / 2 / 27

HEX #2ABBB7

RGB 42 187 183

HSL 178.34, 0.63%, 0.45%

LAB 69.08, -36.93, -8.61

 

CMYK 78 / 19 / 0 / 27

HEX #2A97BB

RGB 42 151 187

HSL 194.9, 0.63%, 0.45%

LAB 58.24, -17.77, -27.29

 

CMYK 78 / 40 / 0 / 27

HEX #2A70BB

RGB 42 112 187

HSL 211.03, 0.63%, 0.45%

LAB 46.54, 4.9, -45.66

 

CMYK 78 / 61 / 0 / 27

HEX #2A49BB

RGB 42 73 187

HSL 227.17, 0.63%, 0.45%

LAB 35.68, 30.18, -63.18

 

CMYK 78 / 0 / 23 / 27

HEX #2ABB90

RGB 42 187 144

HSL 162.21, 0.63%, 0.45%

LAB 68.05, -47.34, 11.29

 

CMYK 89 / 0 / 26 / 20

HEX #17CD98

RGB 23 205 152

HSL 162.53, 0.8%, 0.45%

LAB 73.62, -54.18, 14.77

 

CMYK 98 / 0 / 29 / 12

HEX #05E0A0

RGB 5 224 160

HSL 162.47, 0.96%, 0.45%

LAB 79.55, -60.19, 18.8

 

CMYK 78 / 0 / 23 / 27

HEX #2ABB90

RGB 42 187 144

HSL 162.21, 0.63%, 0.45%

LAB 68.05, -47.34, 11.29

 

CMYK 64 / 0 / 18 / 34

HEX #3DA889

RGB 61 168 137

HSL 162.62, 0.47%, 0.45%

LAB 62.34, -38.11, 7.08

 

CMYK 47 / 0 / 13 / 42

HEX #4F9581

RGB 79 149 129

HSL 162.86, 0.31%, 0.45%

LAB 56.82, -27.11, 3.75

 

CMYK 25 / 0 / 8 / 49

HEX #628379

RGB 98 131 121

HSL 161.82, 0.14%, 0.45%

LAB 52.07, -13.91, 1.6

 

CMYK 0 / 3 / 3 / 55

HEX #747071

RGB 116 112 113

HSL 345, 0.02%, 0.45%

LAB 47.62, 1.74, -0.01

 

CMYK 78 / 0 / 65 / 27

HEX #2ABB42

RGB 42 187 66

HSL 129.93, 0.63%, 0.45%

LAB 66.84, -61.14, 49.28

 

CMYK 78 / 0 / 44 / 27

HEX #2ABB69

RGB 42 187 105

HSL 146.07, 0.63%, 0.45%

LAB 67.32, -55.54, 31.12

 

CMYK 78 / 0 / 24 / 27

HEX #2ABB8F

RGB 42 187 143

HSL 161.79, 0.63%, 0.45%

LAB 68.03, -47.58, 11.81

 

CMYK 78 / 0 / 3 / 27

HEX #2ABBB6

RGB 42 187 182

HSL 177.93, 0.63%, 0.45%

LAB 69.05, -37.22, -8.11

 

CMYK 78 / 18 / 0 / 27

HEX #2A99BB

RGB 42 153 187

HSL 194.07, 0.63%, 0.45%

LAB 58.85, -18.84, -26.35

 

CMYK 77 / 0 / 23 / 53

HEX #1B775C

RGB 27 119 92

HSL 162.39, 0.63%, 0.29%

LAB 44.52, -33.12, 7.42

 

CMYK 78 / 0 / 23 / 40

HEX #229976

RGB 34 153 118

HSL 162.35, 0.64%, 0.37%

LAB 56.52, -40.46, 9.39

 

CMYK 78 / 0 / 23 / 27

HEX #2ABB90

RGB 42 187 144

HSL 162.21, 0.63%, 0.45%

LAB 68.05, -47.34, 11.29

 

CMYK 71 / 0 / 21 / 18

HEX #3CD2A6

RGB 60 210 166

HSL 162.4, 0.63%, 0.53%

LAB 75.95, -49.26, 10.66

 

CMYK 57 / 0 / 17 / 15

HEX #5DDAB5

RGB 93 218 181

HSL 162.24, 0.63%, 0.61%

LAB 79.5, -43.55, 7.84

 

CMYK 77 / 0 / 23 / 27

HEX #2ABA90

RGB 42 186 144

HSL 162.5, 0.63%, 0.45%

LAB 67.74, -46.93, 10.85

 

CMYK 78 / 70 / 0 / 27

HEX #2A38BB

RGB 42 56 187

HSL 234.21, 0.63%, 0.45%

LAB 31.6, 40.98, -69.88

 

CMYK 0 / 55 / 78 / 27

HEX #BB552A

RGB 187 85 42

HSL 17.79, 0.63%, 0.45%

LAB 48.55, 38.51, 43.48

 

CMYK 77 / 0 / 23 / 27

HEX #2ABA90

RGB 42 186 144

HSL 162.5, 0.63%, 0.45%

LAB 67.74, -46.93, 10.85

 

CMYK 24 / 78 / 0 / 27

HEX #8F2ABB

RGB 143 42 187

HSL 281.79, 0.63%, 0.45%

LAB 39.72, 62.7, -56.19

 

CMYK 0 / 24 / 78 / 27

HEX #BB8F2A

RGB 187 143 42

HSL 41.79, 0.63%, 0.45%

LAB 61.98, 7.07, 56.55

 

CMYK 77 / 0 / 23 / 27

HEX #2ABA90

RGB 42 186 144

HSL 162.5, 0.63%, 0.45%

LAB 67.74, -46.93, 10.85

 

CMYK 78 / 70 / 0 / 27

HEX #2A38BB

RGB 42 56 187

HSL 234.21, 0.63%, 0.45%

LAB 31.6, 40.98, -69.88

 

CMYK 0 / 78 / 55 / 27

HEX #BB2A55

RGB 187 42 85

HSL 342.21, 0.63%, 0.45%

LAB 42.58, 58.92, 11.15

 

CMYK 0 / 8 / 78 / 27

HEX #BBAC2A

RGB 187 172 42

HSL 53.79, 0.63%, 0.45%

LAB 69.64, -8.5, 63.62

 

CMYK 77 / 0 / 23 / 27

HEX #2ABA90

RGB 42 186 144

HSL 162.5, 0.63%, 0.45%

LAB 67.74, -46.93, 10.85

 

CMYK 62 / 78 / 0 / 27

HEX #472ABB

RGB 71 42 187

HSL 252, 0.63%, 0.45%

LAB 30.84, 51.67, -71.07

 

CMYK 0 / 78 / 55 / 27

HEX #BB2A55

RGB 187 42 85

HSL 342.21, 0.63%, 0.45%

LAB 42.58, 58.92, 11.15

 

CMYK 16 / 0 / 78 / 27

HEX #9EBB2A

RGB 158 187 42

HSL 72, 0.63%, 0.45%

LAB 71.54, -28.45, 64.51

 

Description

Color code: RGB 42 186 144 | qconv.com Color code: RGB 42 186 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 186 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 186 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 23 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 23% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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