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Color name
RGB 42 172 78

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 172 78 it is the complementary color RGB 213 83 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 172 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 172 78 shade: RGB 47 172 73, RGB 64 190 92, RGB 81 208 111, RGB 98 226 130 and RGB 115 244 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 172 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 172 78 shade: RGB 42 172 78, RGB 25 154 59, RGB 8 136 40, RGB 0 118 21 and RGB 0 100 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 172 78 shade: RGB 41 172 77, RGB 41 172 42, RGB 76 172 41, RGB 111 172 41 and RGB 146 172 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 172 78 shade: RGB 41 172 77, RGB 41 172 113, RGB 41 172 148, RGB 41 161 172 and RGB 41 125 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 172 78 shade matches the following richer shades: RGB 41 172 77, RGB 24 189 70 and RGB 7 207 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 172 78 shade: RGB 41 172 77, RGB 59 155 85, RGB 76 137 93, RGB 93 120 101 and RGB 111 103 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 172 78 shade: RGB 76 172 41, RGB 41 172 41, RGB 41 172 76, RGB 41 172 111 and RGB 41 172 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 172 78 shade: RGB 25 106 47, RGB 33 139 62, RGB 41 172 77, RGB 50 205 93 and RGB 83 213 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 172 78 shade: RGB 42 172 78, RGB 41 111 172 and RGB 172 41 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 172 78 shade: RGB 42 172 78, RGB 76 41 172 and RGB 172 76 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 172 78 shade: RGB 42 172 78, RGB 41 111 172, RGB 172 41 137 and RGB 172 102 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 172 78 shade: RGB 42 172 78, RGB 41 72 172, RGB 172 41 137 and RGB 172 141 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 55 / 33

HEX #2AAC4E

RGB 42 172 78

HSL 136.62, 0.61%, 0.42%

LAB 62.12, -54.57, 38.27

 

Complementary color

CMYK 0 / 61 / 17 / 16

HEX #D553B1

RGB 213 83 177

HSL 316.62, 0.61%, 0.58%

LAB 55.59, 61.27, -24.55

 

CMYK 73 / 0 / 58 / 33

HEX #2FAC49

RGB 47 172 73

HSL 132.48, 0.57%, 0.43%

LAB 62.16, -54.48, 40.76

 

CMYK 66 / 0 / 52 / 25

HEX #40BE5C

RGB 64 190 92

HSL 133.33, 0.5%, 0.5%

LAB 68.53, -55.22, 39.3

 

CMYK 61 / 0 / 47 / 18

HEX #51D06F

RGB 81 208 111

HSL 134.17, 0.57%, 0.57%

LAB 74.83, -55.61, 37.86

 

CMYK 57 / 0 / 42 / 11

HEX #62E282

RGB 98 226 130

HSL 135, 0.69%, 0.64%

LAB 81.07, -55.77, 36.48

 

CMYK 53 / 0 / 39 / 4

HEX #73F495

RGB 115 244 149

HSL 135.81, 0.85%, 0.7%

LAB 87.25, -55.79, 35.16

 

CMYK 76 / 0 / 55 / 33

HEX #2AAC4E

RGB 42 172 78

HSL 136.62, 0.61%, 0.42%

LAB 62.12, -54.57, 38.27

 

CMYK 84 / 0 / 62 / 40

HEX #199A3B

RGB 25 154 59

HSL 135.81, 0.72%, 0.35%

LAB 55.72, -53.21, 39.79

 

CMYK 94 / 0 / 71 / 47

HEX #088828

RGB 8 136 40

HSL 135, 0.89%, 0.28%

LAB 49.27, -51.03, 41.12

 

CMYK 100 / 0 / 82 / 54

HEX #007615

RGB 0 118 21

HSL 130.68, 1%, 0.23%

LAB 42.78, -47.71, 41.81

 

CMYK 100 / 0 / 98 / 61

HEX #006402

RGB 0 100 2

HSL 121.2, 1%, 0.2%

LAB 36.21, -43.26, 41.27

 

CMYK 76 / 0 / 55 / 33

HEX #29AC4D

RGB 41 172 77

HSL 136.49, 0.62%, 0.42%

LAB 62.09, -54.86, 38.72

 

CMYK 76 / 0 / 76 / 33

HEX #29AC2A

RGB 41 172 42

HSL 120.46, 0.62%, 0.42%

LAB 61.78, -58.69, 53.37

 

CMYK 56 / 0 / 76 / 33

HEX #4CAC29

RGB 76 172 41

HSL 103.97, 0.62%, 0.42%

LAB 62.68, -51.29, 54.91

 

CMYK 35 / 0 / 76 / 33

HEX #6FAC29

RGB 111 172 41

HSL 87.94, 0.62%, 0.42%

LAB 64.2, -40.04, 56.9

 

CMYK 15 / 0 / 76 / 33

HEX #92AC29

RGB 146 172 41

HSL 71.91, 0.62%, 0.42%

LAB 66.35, -26.24, 59.71

 

CMYK 76 / 0 / 55 / 33

HEX #29AC4D

RGB 41 172 77

HSL 136.49, 0.62%, 0.42%

LAB 62.09, -54.86, 38.72

 

CMYK 76 / 0 / 34 / 33

HEX #29AC71

RGB 41 172 113

HSL 152.98, 0.62%, 0.42%

LAB 62.65, -48.47, 20.68

 

CMYK 76 / 0 / 14 / 33

HEX #29AC94

RGB 41 172 148

HSL 169.01, 0.62%, 0.42%

LAB 63.44, -40.07, 2.47

 

CMYK 76 / 6 / 0 / 33

HEX #29A1AC

RGB 41 161 172

HSL 185.04, 0.62%, 0.42%

LAB 60.73, -27.95, -15.01

 

CMYK 76 / 27 / 0 / 33

HEX #297DAC

RGB 41 125 172

HSL 201.53, 0.62%, 0.42%

LAB 49.64, -8.61, -32.07

 

CMYK 76 / 0 / 55 / 33

HEX #29AC4D

RGB 41 172 77

HSL 136.49, 0.62%, 0.42%

LAB 62.09, -54.86, 38.72

 

CMYK 87 / 0 / 63 / 26

HEX #18BD46

RGB 24 189 70

HSL 136.73, 0.77%, 0.42%

LAB 67.3, -63.26, 47.99

 

CMYK 97 / 0 / 70 / 19

HEX #07CF3E

RGB 7 207 62

HSL 136.5, 0.93%, 0.42%

LAB 72.9, -70.42, 57.34

 

CMYK 76 / 0 / 55 / 33

HEX #29AC4D

RGB 41 172 77

HSL 136.49, 0.62%, 0.42%

LAB 62.09, -54.86, 38.72

 

CMYK 62 / 0 / 45 / 39

HEX #3B9B55

RGB 59 155 85

HSL 136.25, 0.45%, 0.42%

LAB 57.1, -43.91, 28.51

 

CMYK 45 / 0 / 32 / 46

HEX #4C895D

RGB 76 137 93

HSL 136.72, 0.29%, 0.42%

LAB 52.08, -30.02, 17.59

 

CMYK 23 / 0 / 16 / 53

HEX #5D7865

RGB 93 120 101

HSL 137.78, 0.13%, 0.42%

LAB 47.88, -13.95, 7.26

 

CMYK 0 / 7 / 3 / 56

HEX #6F676C

RGB 111 103 108

HSL 322.5, 0.04%, 0.42%

LAB 44.47, 4.14, -1.68

 

CMYK 56 / 0 / 76 / 33

HEX #4CAC29

RGB 76 172 41

HSL 103.97, 0.62%, 0.42%

LAB 62.68, -51.29, 54.91

 

CMYK 76 / 0 / 76 / 33

HEX #29AC29

RGB 41 172 41

HSL 120, 0.62%, 0.42%

LAB 61.77, -58.76, 53.71

 

CMYK 76 / 0 / 56 / 33

HEX #29AC4C

RGB 41 172 76

HSL 136.03, 0.62%, 0.42%

LAB 62.08, -55, 39.19

 

CMYK 76 / 0 / 35 / 33

HEX #29AC6F

RGB 41 172 111

HSL 152.06, 0.62%, 0.42%

LAB 62.61, -48.89, 21.72

 

CMYK 76 / 0 / 15 / 33

HEX #29AC92

RGB 41 172 146

HSL 168.09, 0.62%, 0.42%

LAB 63.39, -40.6, 3.51

 

CMYK 76 / 0 / 56 / 58

HEX #196A2F

RGB 25 106 47

HSL 136.3, 0.62%, 0.26%

LAB 39.1, -37.68, 26.18

 

CMYK 76 / 0 / 55 / 45

HEX #218B3E

RGB 33 139 62

HSL 136.42, 0.62%, 0.34%

LAB 50.85, -46.48, 32.6

 

CMYK 76 / 0 / 55 / 33

HEX #29AC4D

RGB 41 172 77

HSL 136.49, 0.62%, 0.42%

LAB 62.09, -54.86, 38.72

 

CMYK 76 / 0 / 55 / 20

HEX #32CD5D

RGB 50 205 93

HSL 136.65, 0.61%, 0.5%

LAB 72.98, -62.64, 44.17

 

CMYK 61 / 0 / 44 / 16

HEX #53D577

RGB 83 213 119

HSL 136.62, 0.61%, 0.58%

LAB 76.53, -55.82, 36.05

 

CMYK 76 / 0 / 55 / 33

HEX #2AAC4E

RGB 42 172 78

HSL 136.62, 0.61%, 0.42%

LAB 62.12, -54.57, 38.27

 

CMYK 76 / 35 / 0 / 33

HEX #296FAC

RGB 41 111 172

HSL 207.94, 0.62%, 0.42%

LAB 45.39, -0.25, -38.76

 

CMYK 0 / 76 / 66 / 33

HEX #AC293B

RGB 172 41 59

HSL 351.76, 0.62%, 0.42%

LAB 39.02, 53.1, 22.22

 

CMYK 76 / 0 / 55 / 33

HEX #2AAC4E

RGB 42 172 78

HSL 136.62, 0.61%, 0.42%

LAB 62.12, -54.57, 38.27

 

CMYK 56 / 76 / 0 / 33

HEX #4C29AC

RGB 76 41 172

HSL 256.03, 0.62%, 0.42%

LAB 29.67, 48.44, -64.05

 

CMYK 0 / 56 / 76 / 33

HEX #AC4C29

RGB 172 76 41

HSL 16.03, 0.62%, 0.42%

LAB 44.38, 37.15, 38.94

 

CMYK 76 / 0 / 55 / 33

HEX #2AAC4E

RGB 42 172 78

HSL 136.62, 0.61%, 0.42%

LAB 62.12, -54.57, 38.27

 

CMYK 76 / 35 / 0 / 33

HEX #296FAC

RGB 41 111 172

HSL 207.94, 0.62%, 0.42%

LAB 45.39, -0.25, -38.76

 

CMYK 0 / 76 / 20 / 33

HEX #AC2989

RGB 172 41 137

HSL 316.03, 0.62%, 0.42%

LAB 41.47, 60.75, -23.11

 

CMYK 0 / 41 / 76 / 33

HEX #AC6629

RGB 172 102 41

HSL 27.94, 0.62%, 0.42%

LAB 50.02, 23.2, 44.74

 

CMYK 76 / 0 / 55 / 33

HEX #2AAC4E

RGB 42 172 78

HSL 136.62, 0.61%, 0.42%

LAB 62.12, -54.57, 38.27

 

CMYK 76 / 58 / 0 / 33

HEX #2948AC

RGB 41 72 172

HSL 225.8, 0.62%, 0.42%

LAB 34.16, 25.06, -56.79

 

CMYK 0 / 76 / 20 / 33

HEX #AC2989

RGB 172 41 137

HSL 316.03, 0.62%, 0.42%

LAB 41.47, 60.75, -23.11

 

CMYK 0 / 18 / 76 / 33

HEX #AC8D29

RGB 172 141 41

HSL 45.8, 0.62%, 0.42%

LAB 59.87, 1.4, 54.37

 

Description

Color code: RGB 42 172 78 | qconv.com Color code: RGB 42 172 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 172 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 172 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 55 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 55% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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