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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 147 228 it is the complementary color RGB 213 108 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 147 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 147 228 shade: RGB 47 147 223, RGB 64 165 242, RGB 81 183 255, RGB 98 201 255 and RGB 115 219 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 147 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 147 228 shade: RGB 42 147 228, RGB 25 129 209, RGB 8 111 190, RGB 0 93 171 and RGB 0 75 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 147 228 shade: RGB 41 147 228, RGB 41 96 228, RGB 41 46 228, RGB 87 41 228 and RGB 137 41 228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 147 228 shade: RGB 41 147 228, RGB 41 96 228, RGB 41 46 228 and RGB 41 41 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 147 228 shade matches the following richer shades: RGB 41 147 228 and RGB 22 149 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 147 228 shade: RGB 41 147 228, RGB 61 144 209, RGB 80 142 189, RGB 99 139 170 and RGB 119 137 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 147 228 shade: RGB 41 228 209, RGB 41 197 228, RGB 41 147 228, RGB 41 97 228 and RGB 41 47 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 147 228 shade: RGB 20 103 167, RGB 25 126 203, RGB 41 147 228, RGB 78 165 233 and RGB 115 184 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 147 228 shade: RGB 42 147 228, RGB 160 41 228 and RGB 222 228 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 147 228 shade: RGB 42 147 228, RGB 228 41 147 and RGB 147 228 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 147 228 shade: RGB 42 147 228, RGB 160 41 228, RGB 228 122 41 and RGB 110 228 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 147 228 shade: RGB 42 147 228, RGB 216 41 228, RGB 228 122 41 and RGB 54 228 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 36 / 0 / 11

HEX #2A93E4

RGB 42 147 228

HSL 206.13, 0.78%, 0.53%

LAB 58.94, -0.98, -49.19

 

Complementary color

CMYK 0 / 49 / 87 / 16

HEX #D56C1B

RGB 213 108 27

HSL 26.13, 0.78%, 0.47%

LAB 57.03, 36.65, 58.8

 

CMYK 79 / 34 / 0 / 13

HEX #2F93DF

RGB 47 147 223

HSL 205.91, 0.73%, 0.53%

LAB 58.79, -2.32, -46.64

 

CMYK 74 / 32 / 0 / 5

HEX #40A5F2

RGB 64 165 242

HSL 205.96, 0.87%, 0.6%

LAB 65.29, -4.01, -46.84

 

CMYK 68 / 28 / 0 / 0

HEX #51B7FF

RGB 81 183 255

HSL 204.83, 1%, 0.66%

LAB 71.44, -7.36, -44.19

 

CMYK 62 / 21 / 0 / 0

HEX #62C9FF

RGB 98 201 255

HSL 200.64, 1%, 0.69%

LAB 77.04, -14.3, -35.45

 

CMYK 55 / 14 / 0 / 0

HEX #73DBFF

RGB 115 219 255

HSL 195.43, 1%, 0.73%

LAB 82.66, -20.43, -26.75

 

CMYK 82 / 36 / 0 / 11

HEX #2A93E4

RGB 42 147 228

HSL 206.13, 0.78%, 0.53%

LAB 58.94, -0.98, -49.19

 

CMYK 88 / 38 / 0 / 18

HEX #1981D1

RGB 25 129 209

HSL 206.09, 0.79%, 0.46%

LAB 52.41, 1.33, -48.92

 

CMYK 96 / 42 / 0 / 25

HEX #086FBE

RGB 8 111 190

HSL 206.04, 0.92%, 0.39%

LAB 45.82, 4.2, -48.57

 

CMYK 100 / 46 / 0 / 33

HEX #005DAB

RGB 0 93 171

HSL 207.37, 1%, 0.34%

LAB 39.19, 7.72, -48.1

 

CMYK 100 / 51 / 0 / 40

HEX #004B98

RGB 0 75 152

HSL 210.39, 1%, 0.3%

LAB 32.48, 11.83, -47.54

 

CMYK 82 / 36 / 0 / 11

HEX #2993E4

RGB 41 147 228

HSL 205.99, 0.78%, 0.53%

LAB 58.92, -1.07, -49.22

 

CMYK 82 / 58 / 0 / 11

HEX #2960E4

RGB 41 96 228

HSL 222.35, 0.78%, 0.53%

LAB 44.86, 30.56, -71.85

 

CMYK 82 / 80 / 0 / 11

HEX #292EE4

RGB 41 46 228

HSL 238.4, 0.78%, 0.53%

LAB 34.04, 59.79, -89.65

 

CMYK 62 / 82 / 0 / 11

HEX #5729E4

RGB 87 41 228

HSL 254.76, 0.78%, 0.53%

LAB 36.39, 65.12, -85.66

 

CMYK 40 / 82 / 0 / 11

HEX #8929E4

RGB 137 41 228

HSL 270.8, 0.78%, 0.53%

LAB 42.01, 70.8, -76.21

 

CMYK 82 / 36 / 0 / 11

HEX #2993E4

RGB 41 147 228

HSL 205.99, 0.78%, 0.53%

LAB 58.92, -1.07, -49.22

 

CMYK 82 / 58 / 0 / 11

HEX #2960E4

RGB 41 96 228

HSL 222.35, 0.78%, 0.53%

LAB 44.86, 30.56, -71.85

 

CMYK 82 / 80 / 0 / 11

HEX #292EE4

RGB 41 46 228

HSL 238.4, 0.78%, 0.53%

LAB 34.04, 59.79, -89.65

 

CMYK 82 / 82 / 0 / 11

HEX #2929E4

RGB 41 41 228

HSL 240, 0.78%, 0.53%

LAB 33.26, 62.07, -90.95

 

CMYK 82 / 36 / 0 / 11

HEX #2993E4

RGB 41 147 228

HSL 205.99, 0.78%, 0.53%

LAB 58.92, -1.07, -49.22

 

CMYK 91 / 40 / 0 / 3

HEX #1695F8

RGB 22 149 248

HSL 206.28, 0.94%, 0.53%

LAB 60.29, 3.96, -58.11

 

CMYK 82 / 36 / 0 / 11

HEX #2993E4

RGB 41 147 228

HSL 205.99, 0.78%, 0.53%

LAB 58.92, -1.07, -49.22

 

CMYK 71 / 31 / 0 / 18

HEX #3D90D1

RGB 61 144 209

HSL 206.35, 0.62%, 0.53%

LAB 57.6, -3.84, -40.65

 

CMYK 58 / 25 / 0 / 26

HEX #508EBD

RGB 80 142 189

HSL 205.87, 0.45%, 0.53%

LAB 56.81, -6.06, -30.55

 

CMYK 42 / 18 / 0 / 33

HEX #638BAA

RGB 99 139 170

HSL 206.2, 0.29%, 0.53%

LAB 56.11, -5.53, -20.71

 

CMYK 21 / 9 / 0 / 41

HEX #778997

RGB 119 137 151

HSL 206.25, 0.13%, 0.53%

LAB 56.14, -3.29, -9.64

 

CMYK 82 / 0 / 8 / 11

HEX #29E4D1

RGB 41 228 209

HSL 173.9, 0.78%, 0.53%

LAB 82.14, -47.81, -3.32

 

CMYK 82 / 14 / 0 / 11

HEX #29C5E4

RGB 41 197 228

HSL 189.95, 0.78%, 0.53%

LAB 73.55, -28, -26.41

 

CMYK 82 / 36 / 0 / 11

HEX #2993E4

RGB 41 147 228

HSL 205.99, 0.78%, 0.53%

LAB 58.92, -1.07, -49.22

 

CMYK 82 / 57 / 0 / 11

HEX #2961E4

RGB 41 97 228

HSL 222.03, 0.78%, 0.53%

LAB 45.11, 29.92, -71.43

 

CMYK 82 / 79 / 0 / 11

HEX #292FE4

RGB 41 47 228

HSL 238.07, 0.78%, 0.53%

LAB 34.2, 59.31, -89.38

 

CMYK 88 / 38 / 0 / 35

HEX #1467A7

RGB 20 103 167

HSL 206.12, 0.79%, 0.37%

LAB 42.21, 0.7, -40.89

 

CMYK 88 / 38 / 0 / 20

HEX #197ECB

RGB 25 126 203

HSL 205.96, 0.78%, 0.45%

LAB 51.2, 0.85, -47.44

 

CMYK 82 / 36 / 0 / 11

HEX #2993E4

RGB 41 147 228

HSL 205.99, 0.78%, 0.53%

LAB 58.92, -1.07, -49.22

 

CMYK 67 / 29 / 0 / 9

HEX #4EA5E9

RGB 78 165 233

HSL 206.32, 0.78%, 0.61%

LAB 65.29, -5.09, -41.87

 

CMYK 51 / 22 / 0 / 7

HEX #73B8ED

RGB 115 184 237

HSL 206.07, 0.77%, 0.69%

LAB 72.26, -7.29, -33.1

 

CMYK 82 / 36 / 0 / 11

HEX #2A93E4

RGB 42 147 228

HSL 206.13, 0.78%, 0.53%

LAB 58.94, -0.98, -49.19

 

CMYK 30 / 82 / 0 / 11

HEX #A029E4

RGB 160 41 228

HSL 278.18, 0.78%, 0.53%

LAB 45.17, 74.09, -70.92

 

CMYK 3 / 0 / 82 / 11

HEX #DEE429

RGB 222 228 41

HSL 61.93, 0.78%, 0.53%

LAB 87.57, -21.68, 80.68

 

CMYK 82 / 36 / 0 / 11

HEX #2A93E4

RGB 42 147 228

HSL 206.13, 0.78%, 0.53%

LAB 58.94, -0.98, -49.19

 

CMYK 0 / 82 / 36 / 11

HEX #E42993

RGB 228 41 147

HSL 325.99, 0.78%, 0.53%

LAB 52.05, 75.21, -12.08

 

CMYK 36 / 0 / 82 / 11

HEX #93E429

RGB 147 228 41

HSL 85.99, 0.78%, 0.53%

LAB 82.83, -50.76, 74.73

 

CMYK 82 / 36 / 0 / 11

HEX #2A93E4

RGB 42 147 228

HSL 206.13, 0.78%, 0.53%

LAB 58.94, -0.98, -49.19

 

CMYK 30 / 82 / 0 / 11

HEX #A029E4

RGB 160 41 228

HSL 278.18, 0.78%, 0.53%

LAB 45.17, 74.09, -70.92

 

CMYK 0 / 46 / 82 / 11

HEX #E47A29

RGB 228 122 41

HSL 25.99, 0.78%, 0.53%

LAB 62.15, 35.83, 58.95

 

CMYK 52 / 0 / 82 / 11

HEX #6EE429

RGB 110 228 41

HSL 97.86, 0.78%, 0.53%

LAB 81.27, -62.35, 72.74

 

CMYK 82 / 36 / 0 / 11

HEX #2A93E4

RGB 42 147 228

HSL 206.13, 0.78%, 0.53%

LAB 58.94, -0.98, -49.19

 

CMYK 5 / 82 / 0 / 11

HEX #D829E4

RGB 216 41 228

HSL 296.15, 0.78%, 0.53%

LAB 53.8, 83.32, -56.55

 

CMYK 0 / 46 / 82 / 11

HEX #E47A29

RGB 228 122 41

HSL 25.99, 0.78%, 0.53%

LAB 62.15, 35.83, 58.95

 

CMYK 76 / 0 / 82 / 11

HEX #36E429

RGB 54 228 41

HSL 115.83, 0.78%, 0.53%

LAB 79.86, -74.02, 70.94

 

Description

Color code: RGB 42 147 228 | qconv.com Color code: RGB 42 147 228 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 147 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 147 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 36 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 36% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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