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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 113 129 it is the complementary color RGB 213 142 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 113 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 113 129 shade: RGB 47 113 124, RGB 64 131 143, RGB 81 149 162, RGB 98 167 181 and RGB 115 185 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 113 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 113 129 shade: RGB 42 113 129, RGB 25 95 110, RGB 8 77 91, RGB 0 59 72 and RGB 0 41 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 113 129 shade: RGB 42 114 130, RGB 42 90 130, RGB 42 66 130, RGB 42 43 130 and RGB 65 42 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 113 129 shade: RGB 42 114 130, RGB 42 90 130, RGB 42 66 130, RGB 42 43 130 and RGB 42 42 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 113 129 shade matches the following richer shades: RGB 42 114 130, RGB 28 123 144, RGB 14 132 158 and RGB 0 141 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 113 129 shade: RGB 42 114 130, RGB 56 105 116, RGB 70 96 102, RGB 84 88 88 and RGB 98 79 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 113 129 shade: RGB 42 130 99, RGB 42 130 123, RGB 42 114 130, RGB 42 91 130 and RGB 42 67 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 113 129 shade: RGB 22 60 68, RGB 32 87 99, RGB 42 114 130, RGB 52 141 162 and RGB 63 168 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 113 129 shade: RGB 42 113 129, RGB 76 42 130 and RGB 130 111 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 113 129 shade: RGB 42 113 129, RGB 130 42 114 and RGB 114 130 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 113 129 shade: RGB 42 113 129, RGB 76 42 130, RGB 130 58 42 and RGB 97 130 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 113 129 shade: RGB 42 113 129, RGB 102 42 130, RGB 130 58 42 and RGB 70 130 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 12 / 0 / 49

HEX #2A7181

RGB 42 113 129

HSL 191.03, 0.51%, 0.34%

LAB 44.07, -16.58, -15.33

 

Complementary color

CMYK 0 / 33 / 41 / 16

HEX #D58E7E

RGB 213 142 126

HSL 11.03, 0.51%, 0.66%

LAB 65.75, 25.06, 19.56

 

CMYK 62 / 9 / 0 / 51

HEX #2F717C

RGB 47 113 124

HSL 188.57, 0.45%, 0.34%

LAB 44.05, -17.27, -12.36

 

CMYK 55 / 8 / 0 / 44

HEX #40838F

RGB 64 131 143

HSL 189.11, 0.38%, 0.41%

LAB 51.04, -17.65, -12.96

 

CMYK 50 / 8 / 0 / 36

HEX #5195A2

RGB 81 149 162

HSL 189.63, 0.33%, 0.48%

LAB 57.9, -17.88, -13.51

 

CMYK 46 / 8 / 0 / 29

HEX #62A7B5

RGB 98 167 181

HSL 190.12, 0.36%, 0.55%

LAB 64.62, -18.02, -14.02

 

CMYK 43 / 8 / 0 / 22

HEX #73B9C8

RGB 115 185 200

HSL 190.59, 0.44%, 0.62%

LAB 71.22, -18.11, -14.5

 

CMYK 67 / 12 / 0 / 49

HEX #2A7181

RGB 42 113 129

HSL 191.03, 0.51%, 0.34%

LAB 44.07, -16.58, -15.33

 

CMYK 77 / 14 / 0 / 57

HEX #195F6E

RGB 25 95 110

HSL 190.59, 0.63%, 0.26%

LAB 36.96, -15.67, -14.67

 

CMYK 91 / 15 / 0 / 64

HEX #084D5B

RGB 8 77 91

HSL 190.12, 0.84%, 0.19%

LAB 29.7, -14.21, -13.88

 

CMYK 100 / 18 / 0 / 72

HEX #003B48

RGB 0 59 72

HSL 190.83, 1%, 0.14%

LAB 22.29, -11.84, -12.87

 

CMYK 100 / 23 / 0 / 79

HEX #002935

RGB 0 41 53

HSL 193.58, 1%, 0.1%

LAB 14.64, -8.48, -11.65

 

CMYK 68 / 12 / 0 / 49

HEX #2A7282

RGB 42 114 130

HSL 190.91, 0.51%, 0.34%

LAB 44.43, -16.81, -15.38

 

CMYK 68 / 31 / 0 / 49

HEX #2A5A82

RGB 42 90 130

HSL 207.27, 0.51%, 0.34%

LAB 36.77, -2.65, -27.22

 

CMYK 68 / 49 / 0 / 49

HEX #2A4282

RGB 42 66 130

HSL 223.64, 0.51%, 0.34%

LAB 29.41, 13.16, -38.9

 

CMYK 68 / 67 / 0 / 49

HEX #2A2B82

RGB 42 43 130

HSL 239.32, 0.51%, 0.34%

LAB 23.11, 28.83, -49.13

 

CMYK 50 / 68 / 0 / 49

HEX #412A82

RGB 65 42 130

HSL 255.68, 0.51%, 0.34%

LAB 24.93, 33.55, -46.07

 

CMYK 68 / 12 / 0 / 49

HEX #2A7282

RGB 42 114 130

HSL 190.91, 0.51%, 0.34%

LAB 44.43, -16.81, -15.38

 

CMYK 68 / 31 / 0 / 49

HEX #2A5A82

RGB 42 90 130

HSL 207.27, 0.51%, 0.34%

LAB 36.77, -2.65, -27.22

 

CMYK 68 / 49 / 0 / 49

HEX #2A4282

RGB 42 66 130

HSL 223.64, 0.51%, 0.34%

LAB 29.41, 13.16, -38.9

 

CMYK 68 / 67 / 0 / 49

HEX #2A2B82

RGB 42 43 130

HSL 239.32, 0.51%, 0.34%

LAB 23.11, 28.83, -49.13

 

CMYK 68 / 68 / 0 / 49

HEX #2A2A82

RGB 42 42 130

HSL 240, 0.51%, 0.34%

LAB 22.86, 29.48, -49.53

 

CMYK 68 / 12 / 0 / 49

HEX #2A7282

RGB 42 114 130

HSL 190.91, 0.51%, 0.34%

LAB 44.43, -16.81, -15.38

 

CMYK 81 / 15 / 0 / 44

HEX #1C7B90

RGB 28 123 144

HSL 190.86, 0.67%, 0.34%

LAB 47.53, -18.91, -18.99

 

CMYK 91 / 16 / 0 / 38

HEX #0E849E

RGB 14 132 158

HSL 190.83, 0.84%, 0.34%

LAB 50.76, -19.97, -22.23

 

CMYK 100 / 18 / 0 / 32

HEX #008DAD

RGB 0 141 173

HSL 191.1, 1%, 0.34%

LAB 54.1, -20.06, -25.76

 

CMYK 68 / 12 / 0 / 49

HEX #2A7282

RGB 42 114 130

HSL 190.91, 0.51%, 0.34%

LAB 44.43, -16.81, -15.38

 

CMYK 52 / 9 / 0 / 55

HEX #386974

RGB 56 105 116

HSL 191, 0.35%, 0.34%

LAB 41.54, -13.28, -11.29

 

CMYK 31 / 6 / 0 / 60

HEX #466066

RGB 70 96 102

HSL 191.25, 0.19%, 0.34%

LAB 38.95, -8.04, -6.55

 

CMYK 5 / 0 / 0 / 65

HEX #545858

RGB 84 88 88

HSL 180, 0.02%, 0.34%

LAB 37.06, -1.58, -0.56

 

CMYK 0 / 19 / 24 / 62

HEX #624F4A

RGB 98 79 74

HSL 12.5, 0.14%, 0.34%

LAB 35.37, 7.07, 5.94

 

CMYK 68 / 0 / 24 / 49

HEX #2A8263

RGB 42 130 99

HSL 158.86, 0.51%, 0.34%

LAB 48.71, -33.86, 9.28

 

CMYK 68 / 0 / 5 / 49

HEX #2A827B

RGB 42 130 123

HSL 175.23, 0.51%, 0.34%

LAB 49.36, -27.37, -3.83

 

CMYK 68 / 12 / 0 / 49

HEX #2A7282

RGB 42 114 130

HSL 190.91, 0.51%, 0.34%

LAB 44.43, -16.81, -15.38

 

CMYK 68 / 30 / 0 / 49

HEX #2A5B82

RGB 42 91 130

HSL 206.59, 0.51%, 0.34%

LAB 37.09, -3.28, -26.73

 

CMYK 68 / 48 / 0 / 49

HEX #2A4382

RGB 42 67 130

HSL 222.95, 0.51%, 0.34%

LAB 29.71, 12.48, -38.43

 

CMYK 68 / 12 / 0 / 73

HEX #163C44

RGB 22 60 68

HSL 190.43, 0.51%, 0.18%

LAB 23.07, -10.55, -8.96

 

CMYK 68 / 12 / 0 / 61

HEX #205763

RGB 32 87 99

HSL 190.75, 0.51%, 0.26%

LAB 34.03, -13.78, -12.28

 

CMYK 68 / 12 / 0 / 49

HEX #2A7282

RGB 42 114 130

HSL 190.91, 0.51%, 0.34%

LAB 44.43, -16.81, -15.38

 

CMYK 68 / 13 / 0 / 36

HEX #348DA2

RGB 52 141 162

HSL 191.45, 0.51%, 0.42%

LAB 54.44, -19.36, -18.85

 

CMYK 67 / 13 / 0 / 25

HEX #3FA8C0

RGB 63 168 192

HSL 191.16, 0.51%, 0.5%

LAB 64.05, -22.3, -21.13

 

CMYK 67 / 12 / 0 / 49

HEX #2A7181

RGB 42 113 129

HSL 191.03, 0.51%, 0.34%

LAB 44.07, -16.58, -15.33

 

CMYK 42 / 68 / 0 / 49

HEX #4C2A82

RGB 76 42 130

HSL 263.18, 0.51%, 0.34%

LAB 26.17, 35.87, -44

 

CMYK 0 / 15 / 68 / 49

HEX #826F2A

RGB 130 111 42

HSL 47.05, 0.51%, 0.34%

LAB 47.34, -0.99, 39.93

 

CMYK 67 / 12 / 0 / 49

HEX #2A7181

RGB 42 113 129

HSL 191.03, 0.51%, 0.34%

LAB 44.07, -16.58, -15.33

 

CMYK 0 / 68 / 12 / 49

HEX #822A72

RGB 130 42 114

HSL 310.91, 0.51%, 0.34%

LAB 33.17, 46.14, -22.28

 

CMYK 12 / 0 / 68 / 49

HEX #72822A

RGB 114 130 42

HSL 70.91, 0.51%, 0.34%

LAB 51.51, -18.75, 43.89

 

CMYK 67 / 12 / 0 / 49

HEX #2A7181

RGB 42 113 129

HSL 191.03, 0.51%, 0.34%

LAB 44.07, -16.58, -15.33

 

CMYK 42 / 68 / 0 / 49

HEX #4C2A82

RGB 76 42 130

HSL 263.18, 0.51%, 0.34%

LAB 26.17, 35.87, -44

 

CMYK 0 / 55 / 68 / 49

HEX #823A2A

RGB 130 58 42

HSL 10.91, 0.51%, 0.34%

LAB 33.86, 29.77, 24.65

 

CMYK 25 / 0 / 68 / 49

HEX #61822A

RGB 97 130 42

HSL 82.5, 0.51%, 0.34%

LAB 50.3, -26.01, 42.26

 

CMYK 67 / 12 / 0 / 49

HEX #2A7181

RGB 42 113 129

HSL 191.03, 0.51%, 0.34%

LAB 44.07, -16.58, -15.33

 

CMYK 22 / 68 / 0 / 49

HEX #662A82

RGB 102 42 130

HSL 280.91, 0.51%, 0.34%

LAB 29.64, 41.92, -38.22

 

CMYK 0 / 55 / 68 / 49

HEX #823A2A

RGB 130 58 42

HSL 10.91, 0.51%, 0.34%

LAB 33.86, 29.77, 24.65

 

CMYK 46 / 0 / 68 / 49

HEX #46822A

RGB 70 130 42

HSL 100.91, 0.51%, 0.34%

LAB 48.8, -36.21, 40.21

 

Description

Color code: RGB 42 113 129 | qconv.com Color code: RGB 42 113 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 113 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 113 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 12 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 12% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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