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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 112 166 it is the complementary color RGB 213 143 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 112 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 112 166 shade: RGB 47 112 161, RGB 64 130 180, RGB 81 148 199, RGB 98 166 218 and RGB 115 184 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 112 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 112 166 shade: RGB 42 112 166, RGB 25 94 147, RGB 8 76 128, RGB 0 58 109 and RGB 0 40 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 112 166 shade: RGB 41 112 167, RGB 41 78 167, RGB 41 44 167, RGB 72 41 167 and RGB 106 41 167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 112 166 shade: RGB 41 112 167, RGB 41 78 167, RGB 41 44 167 and RGB 41 41 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 112 166 shade matches the following richer shades: RGB 41 112 167, RGB 24 114 184 and RGB 7 117 201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 112 166 shade: RGB 41 112 167, RGB 58 110 150, RGB 75 108 133, RGB 92 106 116 and RGB 109 103 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 112 166 shade: RGB 41 167 154, RGB 41 146 167, RGB 41 112 167, RGB 41 79 167 and RGB 41 46 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 112 166 shade: RGB 25 68 101, RGB 33 90 134, RGB 41 112 167, RGB 50 134 200 and RGB 80 154 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 112 166 shade: RGB 42 112 166, RGB 121 41 167 and RGB 163 167 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 112 166 shade: RGB 42 112 166, RGB 167 41 112 and RGB 112 167 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 112 166 shade: RGB 42 112 166, RGB 121 41 167, RGB 167 96 41 and RGB 87 167 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 112 166 shade: RGB 42 112 166, RGB 158 41 167, RGB 167 96 41 and RGB 50 167 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 33 / 0 / 35

HEX #2A70A6

RGB 42 112 166

HSL 206.13, 0.6%, 0.41%

LAB 45.41, -2.96, -35.21

 

Complementary color

CMYK 0 / 33 / 58 / 16

HEX #D58F59

RGB 213 143 89

HSL 26.13, 0.6%, 0.59%

LAB 65.37, 21.03, 39.21

 

CMYK 71 / 30 / 0 / 37

HEX #2F70A1

RGB 47 112 161

HSL 205.79, 0.55%, 0.41%

LAB 45.31, -4.05, -32.41

 

CMYK 64 / 28 / 0 / 29

HEX #4082B4

RGB 64 130 180

HSL 205.86, 0.48%, 0.48%

LAB 52.23, -5.2, -32.58

 

CMYK 59 / 26 / 0 / 22

HEX #5194C7

RGB 81 148 199

HSL 205.93, 0.51%, 0.55%

LAB 59.02, -6.07, -32.75

 

CMYK 55 / 24 / 0 / 15

HEX #62A6DA

RGB 98 166 218

HSL 206, 0.62%, 0.62%

LAB 65.69, -6.75, -32.92

 

CMYK 51 / 22 / 0 / 7

HEX #73B8ED

RGB 115 184 237

HSL 206.07, 0.77%, 0.69%

LAB 72.26, -7.29, -33.1

 

CMYK 75 / 33 / 0 / 35

HEX #2A70A6

RGB 42 112 166

HSL 206.13, 0.6%, 0.41%

LAB 45.41, -2.96, -35.21

 

CMYK 83 / 36 / 0 / 42

HEX #195E93

RGB 25 94 147

HSL 206.07, 0.71%, 0.34%

LAB 38.41, -1.1, -35

 

CMYK 94 / 41 / 0 / 50

HEX #084C80

RGB 8 76 128

HSL 206, 0.88%, 0.27%

LAB 31.3, 1.44, -34.7

 

CMYK 100 / 47 / 0 / 57

HEX #003A6D

RGB 0 58 109

HSL 208.07, 1%, 0.21%

LAB 24.1, 4.96, -34.25

 

CMYK 100 / 56 / 0 / 65

HEX #00285A

RGB 0 40 90

HSL 213.33, 1%, 0.18%

LAB 16.78, 9.46, -33.64

 

CMYK 75 / 33 / 0 / 35

HEX #2970A7

RGB 41 112 167

HSL 206.19, 0.61%, 0.41%

LAB 45.43, -2.72, -35.77

 

CMYK 75 / 53 / 0 / 35

HEX #294EA7

RGB 41 78 167

HSL 222.38, 0.61%, 0.41%

LAB 35.42, 19.14, -51.76

 

CMYK 75 / 74 / 0 / 35

HEX #292CA7

RGB 41 44 167

HSL 238.57, 0.61%, 0.41%

LAB 26.91, 41.14, -65.67

 

CMYK 57 / 75 / 0 / 35

HEX #4829A7

RGB 72 41 167

HSL 254.76, 0.61%, 0.41%

LAB 28.78, 46.43, -62.5

 

CMYK 37 / 75 / 0 / 35

HEX #6A29A7

RGB 106 41 167

HSL 270.95, 0.61%, 0.41%

LAB 32.79, 51.94, -55.79

 

CMYK 75 / 33 / 0 / 35

HEX #2970A7

RGB 41 112 167

HSL 206.19, 0.61%, 0.41%

LAB 45.43, -2.72, -35.77

 

CMYK 75 / 53 / 0 / 35

HEX #294EA7

RGB 41 78 167

HSL 222.38, 0.61%, 0.41%

LAB 35.42, 19.14, -51.76

 

CMYK 75 / 74 / 0 / 35

HEX #292CA7

RGB 41 44 167

HSL 238.57, 0.61%, 0.41%

LAB 26.91, 41.14, -65.67

 

CMYK 75 / 75 / 0 / 35

HEX #2929A7

RGB 41 41 167

HSL 240, 0.61%, 0.41%

LAB 26.3, 42.88, -66.69

 

CMYK 75 / 33 / 0 / 35

HEX #2970A7

RGB 41 112 167

HSL 206.19, 0.61%, 0.41%

LAB 45.43, -2.72, -35.77

 

CMYK 87 / 38 / 0 / 28

HEX #1872B8

RGB 24 114 184

HSL 206.25, 0.77%, 0.41%

LAB 46.56, 0.8, -43.9

 

CMYK 97 / 42 / 0 / 21

HEX #0775C9

RGB 7 117 201

HSL 205.98, 0.93%, 0.41%

LAB 48.24, 4.77, -51.03

 

CMYK 75 / 33 / 0 / 35

HEX #2970A7

RGB 41 112 167

HSL 206.19, 0.61%, 0.41%

LAB 45.43, -2.72, -35.77

 

CMYK 61 / 27 / 0 / 41

HEX #3A6E96

RGB 58 110 150

HSL 206.09, 0.44%, 0.41%

LAB 44.59, -4.72, -27

 

CMYK 44 / 19 / 0 / 48

HEX #4B6C85

RGB 75 108 133

HSL 205.86, 0.28%, 0.41%

LAB 44.11, -4.84, -17.54

 

CMYK 21 / 9 / 0 / 55

HEX #5C6A74

RGB 92 106 116

HSL 205, 0.12%, 0.41%

LAB 44.01, -2.91, -7.36

 

CMYK 0 / 6 / 9 / 57

HEX #6D6763

RGB 109 103 99

HSL 24, 0.05%, 0.41%

LAB 44.02, 1.58, 3.09

 

CMYK 75 / 0 / 8 / 35

HEX #29A79A

RGB 41 167 154

HSL 173.81, 0.61%, 0.41%

LAB 62.03, -36.18, -2.94

 

CMYK 75 / 13 / 0 / 35

HEX #2992A7

RGB 41 146 167

HSL 190, 0.61%, 0.41%

LAB 55.91, -21.92, -19.5

 

CMYK 75 / 33 / 0 / 35

HEX #2970A7

RGB 41 112 167

HSL 206.19, 0.61%, 0.41%

LAB 45.43, -2.72, -35.77

 

CMYK 75 / 53 / 0 / 35

HEX #294FA7

RGB 41 79 167

HSL 221.9, 0.61%, 0.41%

LAB 35.7, 18.47, -51.31

 

CMYK 75 / 72 / 0 / 35

HEX #292EA7

RGB 41 46 167

HSL 237.62, 0.61%, 0.41%

LAB 27.34, 39.95, -64.97

 

CMYK 75 / 33 / 0 / 60

HEX #194465

RGB 25 68 101

HSL 206.05, 0.6%, 0.25%

LAB 27.52, -2.55, -23.64

 

CMYK 75 / 33 / 0 / 47

HEX #215A86

RGB 33 90 134

HSL 206.14, 0.6%, 0.33%

LAB 36.66, -2.64, -29.86

 

CMYK 75 / 33 / 0 / 35

HEX #2970A7

RGB 41 112 167

HSL 206.19, 0.61%, 0.41%

LAB 45.43, -2.72, -35.77

 

CMYK 75 / 33 / 0 / 22

HEX #3286C8

RGB 50 134 200

HSL 206.4, 0.6%, 0.49%

LAB 53.92, -2.67, -41.39

 

CMYK 62 / 27 / 0 / 17

HEX #509AD3

RGB 80 154 211

HSL 206.11, 0.6%, 0.57%

LAB 61.24, -5.78, -36.03

 

CMYK 75 / 33 / 0 / 35

HEX #2A70A6

RGB 42 112 166

HSL 206.13, 0.6%, 0.41%

LAB 45.41, -2.96, -35.21

 

CMYK 28 / 75 / 0 / 35

HEX #7929A7

RGB 121 41 167

HSL 278.1, 0.61%, 0.41%

LAB 34.88, 54.74, -52.29

 

CMYK 2 / 0 / 75 / 35

HEX #A3A729

RGB 163 167 41

HSL 61.9, 0.61%, 0.41%

LAB 66.2, -16.46, 60.03

 

CMYK 75 / 33 / 0 / 35

HEX #2A70A6

RGB 42 112 166

HSL 206.13, 0.6%, 0.41%

LAB 45.41, -2.96, -35.21

 

CMYK 0 / 75 / 33 / 35

HEX #A72970

RGB 167 41 112

HSL 326.19, 0.61%, 0.41%

LAB 39.53, 56.31, -10.69

 

CMYK 33 / 0 / 75 / 35

HEX #70A729

RGB 112 167 41

HSL 86.19, 0.61%, 0.41%

LAB 62.71, -37.48, 55.49

 

CMYK 75 / 33 / 0 / 35

HEX #2A70A6

RGB 42 112 166

HSL 206.13, 0.6%, 0.41%

LAB 45.41, -2.96, -35.21

 

CMYK 28 / 75 / 0 / 35

HEX #7929A7

RGB 121 41 167

HSL 278.1, 0.61%, 0.41%

LAB 34.88, 54.74, -52.29

 

CMYK 0 / 43 / 75 / 35

HEX #A76029

RGB 167 96 41

HSL 26.19, 0.61%, 0.41%

LAB 47.93, 24.38, 42.4

 

CMYK 48 / 0 / 75 / 35

HEX #57A729

RGB 87 167 41

HSL 98.1, 0.61%, 0.41%

LAB 61.5, -46.14, 53.9

 

CMYK 75 / 33 / 0 / 35

HEX #2A70A6

RGB 42 112 166

HSL 206.13, 0.6%, 0.41%

LAB 45.41, -2.96, -35.21

 

CMYK 5 / 75 / 0 / 35

HEX #9E29A7

RGB 158 41 167

HSL 295.71, 0.61%, 0.41%

LAB 40.65, 62.22, -42.72

 

CMYK 0 / 43 / 75 / 35

HEX #A76029

RGB 167 96 41

HSL 26.19, 0.61%, 0.41%

LAB 47.93, 24.38, 42.4

 

CMYK 70 / 0 / 75 / 35

HEX #32A729

RGB 50 167 41

HSL 115.71, 0.61%, 0.41%

LAB 60.32, -55.58, 52.33

 

Description

Color code: RGB 42 112 166 | qconv.com Color code: RGB 42 112 166 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 112 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 112 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 33 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 33% 0% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - 鸡蛋羹
Link: http://jidangeng.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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