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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 108 192 it is the complementary color RGB 213 147 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 108 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 108 192 shade: RGB 47 108 187, RGB 64 126 206, RGB 81 144 225, RGB 98 162 244 and RGB 115 180 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 108 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 108 192 shade: RGB 42 108 192, RGB 25 90 173, RGB 8 72 154, RGB 0 54 135 and RGB 0 36 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 108 192 shade: RGB 42 108 192, RGB 42 67 192, RGB 57 42 192, RGB 97 42 192 and RGB 138 42 192

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 108 192 shade: RGB 42 108 192, RGB 42 67 192 and RGB 42 42 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 108 192 shade matches the following richer shades: RGB 42 108 192, RGB 23 106 211 and RGB 4 103 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 108 192 shade: RGB 42 108 192, RGB 61 110 173, RGB 80 112 154, RGB 99 115 135 and RGB 118 117 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 108 192 shade: RGB 42 189 192, RGB 42 149 192, RGB 42 109 192, RGB 42 69 192 and RGB 54 42 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 108 192 shade: RGB 27 70 124, RGB 34 89 158, RGB 42 108 192, RGB 63 128 212 and RGB 96 151 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 108 192 shade: RGB 42 108 192, RGB 154 42 192 and RGB 169 192 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 108 192 shade: RGB 42 108 192, RGB 192 42 109 and RGB 109 192 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 108 192 shade: RGB 42 108 192, RGB 154 42 192, RGB 192 124 42 and RGB 79 192 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 108 192 shade: RGB 42 108 192, RGB 192 42 184, RGB 192 124 42 and RGB 42 192 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 44 / 0 / 25

HEX #2A6CC0

RGB 42 108 192

HSL 213.6, 0.64%, 0.46%

LAB 45.67, 9.31, -49.94

 

Complementary color

CMYK 0 / 31 / 70 / 16

HEX #D5933F

RGB 213 147 63

HSL 33.6, 0.64%, 0.54%

LAB 66.04, 17.21, 52.78

 

CMYK 75 / 42 / 0 / 27

HEX #2F6CBB

RGB 47 108 187

HSL 213.86, 0.6%, 0.46%

LAB 45.52, 8.02, -47.27

 

CMYK 69 / 39 / 0 / 19

HEX #407ECE

RGB 64 126 206

HSL 213.8, 0.59%, 0.53%

LAB 52.36, 6.24, -47.23

 

CMYK 64 / 36 / 0 / 12

HEX #5190E1

RGB 81 144 225

HSL 213.75, 0.71%, 0.6%

LAB 59.1, 4.82, -47.19

 

CMYK 60 / 34 / 0 / 4

HEX #62A2F4

RGB 98 162 244

HSL 213.7, 0.87%, 0.67%

LAB 65.72, 3.67, -47.16

 

CMYK 55 / 29 / 0 / 0

HEX #73B4FF

RGB 115 180 255

HSL 212.14, 1%, 0.73%

LAB 71.9, 0.27, -43.39

 

CMYK 78 / 44 / 0 / 25

HEX #2A6CC0

RGB 42 108 192

HSL 213.6, 0.64%, 0.46%

LAB 45.67, 9.31, -49.94

 

CMYK 86 / 48 / 0 / 32

HEX #195AAD

RGB 25 90 173

HSL 213.65, 0.75%, 0.39%

LAB 38.79, 11.86, -49.91

 

CMYK 95 / 53 / 0 / 40

HEX #08489A

RGB 8 72 154

HSL 213.7, 0.9%, 0.32%

LAB 31.85, 15.13, -49.76

 

CMYK 100 / 60 / 0 / 47

HEX #003687

RGB 0 54 135

HSL 216, 1%, 0.26%

LAB 24.91, 19.27, -49.37

 

CMYK 100 / 69 / 0 / 55

HEX #002474

RGB 0 36 116

HSL 221.38, 1%, 0.23%

LAB 18.02, 24.08, -48.64

 

CMYK 78 / 44 / 0 / 25

HEX #2A6CC0

RGB 42 108 192

HSL 213.6, 0.64%, 0.46%

LAB 45.67, 9.31, -49.94

 

CMYK 78 / 65 / 0 / 25

HEX #2A43C0

RGB 42 67 192

HSL 230, 0.64%, 0.46%

LAB 34.63, 35.9, -67.85

 

CMYK 70 / 78 / 0 / 25

HEX #392AC0

RGB 57 42 192

HSL 246, 0.64%, 0.46%

LAB 30.23, 51.76, -75.06

 

CMYK 49 / 78 / 0 / 25

HEX #612AC0

RGB 97 42 192

HSL 262, 0.64%, 0.46%

LAB 33.99, 56.35, -68.74

 

CMYK 28 / 78 / 0 / 25

HEX #8A2AC0

RGB 138 42 192

HSL 278.4, 0.64%, 0.46%

LAB 39.35, 62.84, -59.75

 

CMYK 78 / 44 / 0 / 25

HEX #2A6CC0

RGB 42 108 192

HSL 213.6, 0.64%, 0.46%

LAB 45.67, 9.31, -49.94

 

CMYK 78 / 65 / 0 / 25

HEX #2A43C0

RGB 42 67 192

HSL 230, 0.64%, 0.46%

LAB 34.63, 35.9, -67.85

 

CMYK 78 / 78 / 0 / 25

HEX #2A2AC0

RGB 42 42 192

HSL 240, 0.64%, 0.46%

LAB 29.3, 50.6, -76.64

 

CMYK 78 / 44 / 0 / 25

HEX #2A6CC0

RGB 42 108 192

HSL 213.6, 0.64%, 0.46%

LAB 45.67, 9.31, -49.94

 

CMYK 89 / 50 / 0 / 17

HEX #176AD3

RGB 23 106 211

HSL 213.51, 0.8%, 0.46%

LAB 45.9, 16.37, -60.51

 

CMYK 98 / 55 / 0 / 10

HEX #0467E6

RGB 4 103 230

HSL 213.72, 0.97%, 0.46%

LAB 46.23, 25.06, -70.76

 

CMYK 78 / 44 / 0 / 25

HEX #2A6CC0

RGB 42 108 192

HSL 213.6, 0.64%, 0.46%

LAB 45.67, 9.31, -49.94

 

CMYK 65 / 36 / 0 / 32

HEX #3D6EAD

RGB 61 110 173

HSL 213.75, 0.48%, 0.46%

LAB 45.85, 3.85, -38.56

 

CMYK 48 / 27 / 0 / 40

HEX #50709A

RGB 80 112 154

HSL 214.05, 0.32%, 0.46%

LAB 46.48, 0.5, -26.35

 

CMYK 27 / 15 / 0 / 47

HEX #637387

RGB 99 115 135

HSL 213.33, 0.15%, 0.46%

LAB 47.83, -1.1, -12.92

 

CMYK 0 / 1 / 2 / 54

HEX #767574

RGB 118 117 116

HSL 30, 0.01%, 0.46%

LAB 49.3, 0.18, 0.68

 

CMYK 78 / 2 / 0 / 25

HEX #2ABDC0

RGB 42 189 192

HSL 181.2, 0.64%, 0.46%

LAB 69.96, -35.21, -12.24

 

CMYK 78 / 22 / 0 / 25

HEX #2A95C0

RGB 42 149 192

HSL 197.2, 0.64%, 0.46%

LAB 57.84, -14.97, -30.73

 

CMYK 78 / 43 / 0 / 25

HEX #2A6DC0

RGB 42 109 192

HSL 213.2, 0.64%, 0.46%

LAB 45.95, 8.67, -49.48

 

CMYK 78 / 64 / 0 / 25

HEX #2A45C0

RGB 42 69 192

HSL 229.2, 0.64%, 0.46%

LAB 35.11, 34.62, -67.05

 

CMYK 72 / 78 / 0 / 25

HEX #362AC0

RGB 54 42 192

HSL 244.8, 0.64%, 0.46%

LAB 30.02, 51.5, -75.41

 

CMYK 78 / 44 / 0 / 51

HEX #1B467C

RGB 27 70 124

HSL 213.4, 0.64%, 0.3%

LAB 29.58, 5.65, -34.92

 

CMYK 78 / 44 / 0 / 38

HEX #22599E

RGB 34 89 158

HSL 213.39, 0.65%, 0.38%

LAB 37.76, 7.46, -42.63

 

CMYK 78 / 44 / 0 / 25

HEX #2A6CC0

RGB 42 108 192

HSL 213.6, 0.64%, 0.46%

LAB 45.67, 9.31, -49.94

 

CMYK 70 / 40 / 0 / 17

HEX #3F80D4

RGB 63 128 212

HSL 213.83, 0.63%, 0.54%

LAB 53.22, 7.01, -49.27

 

CMYK 56 / 31 / 0 / 14

HEX #6097DC

RGB 96 151 220

HSL 213.39, 0.64%, 0.62%

LAB 61.47, 1.94, -40.63

 

CMYK 78 / 44 / 0 / 25

HEX #2A6CC0

RGB 42 108 192

HSL 213.6, 0.64%, 0.46%

LAB 45.67, 9.31, -49.94

 

CMYK 20 / 78 / 0 / 25

HEX #9A2AC0

RGB 154 42 192

HSL 284.8, 0.64%, 0.46%

LAB 41.74, 65.7, -55.77

 

CMYK 12 / 0 / 78 / 25

HEX #A9C02A

RGB 169 192 42

HSL 69.2, 0.64%, 0.46%

LAB 73.74, -26.29, 66.81

 

CMYK 78 / 44 / 0 / 25

HEX #2A6CC0

RGB 42 108 192

HSL 213.6, 0.64%, 0.46%

LAB 45.67, 9.31, -49.94

 

CMYK 0 / 78 / 43 / 25

HEX #C02A6D

RGB 192 42 109

HSL 333.2, 0.64%, 0.46%

LAB 44.18, 62.33, -1.4

 

CMYK 43 / 0 / 78 / 25

HEX #6DC02A

RGB 109 192 42

HSL 93.2, 0.64%, 0.46%

LAB 70.26, -49.01, 62.32

 

CMYK 78 / 44 / 0 / 25

HEX #2A6CC0

RGB 42 108 192

HSL 213.6, 0.64%, 0.46%

LAB 45.67, 9.31, -49.94

 

CMYK 20 / 78 / 0 / 25

HEX #9A2AC0

RGB 154 42 192

HSL 284.8, 0.64%, 0.46%

LAB 41.74, 65.7, -55.77

 

CMYK 0 / 35 / 78 / 25

HEX #C07C2A

RGB 192 124 42

HSL 32.8, 0.64%, 0.46%

LAB 57.84, 19.75, 52.84

 

CMYK 59 / 0 / 78 / 25

HEX #4FC02A

RGB 79 192 42

HSL 105.2, 0.64%, 0.46%

LAB 69.13, -57.68, 60.85

 

CMYK 78 / 44 / 0 / 25

HEX #2A6CC0

RGB 42 108 192

HSL 213.6, 0.64%, 0.46%

LAB 45.67, 9.31, -49.94

 

CMYK 0 / 78 / 4 / 25

HEX #C02AB8

RGB 192 42 184

HSL 303.2, 0.64%, 0.46%

LAB 47.4, 71.72, -41.69

 

CMYK 0 / 35 / 78 / 25

HEX #C07C2A

RGB 192 124 42

HSL 32.8, 0.64%, 0.46%

LAB 57.84, 19.75, 52.84

 

CMYK 78 / 0 / 74 / 25

HEX #2AC031

RGB 42 192 49

HSL 122.8, 0.64%, 0.46%

LAB 68.32, -64.3, 57.47

 

Description

Color code: RGB 42 108 192 | qconv.com Color code: RGB 42 108 192 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 108 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 108 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 44 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 44% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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