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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 82 85 it is the complementary color RGB 213 173 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 82 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 82 85 shade: RGB 47 82 80, RGB 64 100 99, RGB 81 118 118, RGB 98 136 137 and RGB 115 154 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 82 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 82 85 shade: RGB 42 82 85, RGB 25 64 66, RGB 8 46 47, RGB 0 28 28 and RGB 0 10 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 82 85 shade: RGB 42 82 85, RGB 42 70 85, RGB 42 59 85, RGB 42 47 85 and RGB 48 42 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 82 85 shade: RGB 42 82 85, RGB 42 70 85, RGB 42 59 85, RGB 42 47 85 and RGB 42 42 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 82 85 shade matches the following richer shades: RGB 42 82 85, RGB 31 91 95, RGB 21 100 106, RGB 11 109 116 and RGB 0 117 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 82 85 shade: RGB 42 82 85, RGB 52 73 75, RGB 62 64 64, RGB 73 55 54 and RGB 83 46 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 82 85 shade: RGB 42 85 65, RGB 42 85 76, RGB 42 82 85, RGB 42 70 85 and RGB 42 59 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 82 85 shade: RGB 14 29 30, RGB 28 55 57, RGB 42 82 85, RGB 55 109 113 and RGB 69 135 140

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 82 85 shade: RGB 42 82 85, RGB 53 42 85 and RGB 85 70 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 82 85 shade: RGB 42 82 85, RGB 85 42 82 and RGB 82 85 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 82 85 shade: RGB 42 82 85, RGB 53 42 85, RGB 85 44 42 and RGB 73 85 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 82 85 shade: RGB 42 82 85, RGB 66 42 85, RGB 85 44 42 and RGB 60 85 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 4 / 0 / 67

HEX #2A5255

RGB 42 82 85

HSL 184.19, 0.34%, 0.25%

LAB 32.22, -13.14, -6.14

 

Complementary color

CMYK 0 / 19 / 20 / 16

HEX #D5ADAA

RGB 213 173 170

HSL 4.19, 0.34%, 0.75%

LAB 74.15, 14.08, 7.04

 

CMYK 43 / 0 / 2 / 68

HEX #2F5250

RGB 47 82 80

HSL 176.57, 0.27%, 0.25%

LAB 32.3, -13.19, -2.82

 

CMYK 36 / 0 / 1 / 61

HEX #406463

RGB 64 100 99

HSL 178.33, 0.22%, 0.32%

LAB 39.76, -13.08, -3.54

 

CMYK 31 / 0 / 0 / 54

HEX #517676

RGB 81 118 118

HSL 180, 0.19%, 0.39%

LAB 46.99, -12.97, -4.2

 

CMYK 28 / 1 / 0 / 46

HEX #628889

RGB 98 136 137

HSL 181.54, 0.17%, 0.46%

LAB 54.04, -12.88, -4.81

 

CMYK 26 / 1 / 0 / 39

HEX #739A9C

RGB 115 154 156

HSL 182.93, 0.17%, 0.53%

LAB 60.92, -12.79, -5.4

 

CMYK 51 / 4 / 0 / 67

HEX #2A5255

RGB 42 82 85

HSL 184.19, 0.34%, 0.25%

LAB 32.22, -13.14, -6.14

 

CMYK 62 / 3 / 0 / 74

HEX #194042

RGB 25 64 66

HSL 182.93, 0.45%, 0.18%

LAB 24.53, -12.97, -5.4

 

CMYK 83 / 2 / 0 / 82

HEX #082E2F

RGB 8 46 47

HSL 181.54, 0.71%, 0.11%

LAB 16.56, -12.45, -4.49

 

CMYK 100 / 0 / 0 / 89

HEX #001C1C

RGB 0 28 28

HSL 180, 1%, 0.05%

LAB 8.26, -9.99, -3.2

 

CMYK 100 / 0 / 10 / 96

HEX #000A09

RGB 0 10 9

HSL 174, 1%, 0.02%

LAB 2.14, -2.75, -0.54

 

CMYK 51 / 4 / 0 / 67

HEX #2A5255

RGB 42 82 85

HSL 184.19, 0.34%, 0.25%

LAB 32.22, -13.14, -6.14

 

CMYK 51 / 18 / 0 / 67

HEX #2A4655

RGB 42 70 85

HSL 200.93, 0.34%, 0.25%

LAB 28.19, -5.86, -12.23

 

CMYK 51 / 31 / 0 / 67

HEX #2A3B55

RGB 42 59 85

HSL 216.28, 0.34%, 0.25%

LAB 24.56, 1.34, -17.83

 

CMYK 51 / 45 / 0 / 67

HEX #2A2F55

RGB 42 47 85

HSL 233.02, 0.34%, 0.25%

LAB 20.76, 9.66, -23.81

 

CMYK 44 / 51 / 0 / 67

HEX #302A55

RGB 48 42 85

HSL 248.37, 0.34%, 0.25%

LAB 19.8, 14.93, -25.29

 

CMYK 51 / 4 / 0 / 67

HEX #2A5255

RGB 42 82 85

HSL 184.19, 0.34%, 0.25%

LAB 32.22, -13.14, -6.14

 

CMYK 51 / 18 / 0 / 67

HEX #2A4655

RGB 42 70 85

HSL 200.93, 0.34%, 0.25%

LAB 28.19, -5.86, -12.23

 

CMYK 51 / 31 / 0 / 67

HEX #2A3B55

RGB 42 59 85

HSL 216.28, 0.34%, 0.25%

LAB 24.56, 1.34, -17.83

 

CMYK 51 / 45 / 0 / 67

HEX #2A2F55

RGB 42 47 85

HSL 233.02, 0.34%, 0.25%

LAB 20.76, 9.66, -23.81

 

CMYK 51 / 51 / 0 / 67

HEX #2A2A55

RGB 42 42 85

HSL 240, 0.34%, 0.25%

LAB 19.24, 13.21, -26.22

 

CMYK 51 / 4 / 0 / 67

HEX #2A5255

RGB 42 82 85

HSL 184.19, 0.34%, 0.25%

LAB 32.22, -13.14, -6.14

 

CMYK 67 / 4 / 0 / 63

HEX #1F5B5F

RGB 31 91 95

HSL 183.75, 0.51%, 0.25%

LAB 35.2, -17.58, -8.01

 

CMYK 80 / 6 / 0 / 58

HEX #15646A

RGB 21 100 106

HSL 184.24, 0.67%, 0.25%

LAB 38.4, -20.33, -10.03

 

CMYK 91 / 6 / 0 / 55

HEX #0B6D74

RGB 11 109 116

HSL 184, 0.83%, 0.25%

LAB 41.64, -22.61, -11.25

 

CMYK 100 / 7 / 0 / 51

HEX #00757E

RGB 0 117 126

HSL 184.29, 1%, 0.25%

LAB 44.56, -23.99, -12.86

 

CMYK 51 / 4 / 0 / 67

HEX #2A5255

RGB 42 82 85

HSL 184.19, 0.34%, 0.25%

LAB 32.22, -13.14, -6.14

 

CMYK 31 / 3 / 0 / 71

HEX #34494B

RGB 52 73 75

HSL 185.22, 0.18%, 0.25%

LAB 29.42, -7.58, -3.85

 

CMYK 3 / 0 / 0 / 75

HEX #3E4040

RGB 62 64 64

HSL 180, 0.02%, 0.25%

LAB 26.91, -0.84, -0.3

 

CMYK 0 / 25 / 26 / 71

HEX #493736

RGB 73 55 54

HSL 3.16, 0.15%, 0.25%

LAB 25, 7.83, 3.71

 

CMYK 0 / 45 / 47 / 67

HEX #532E2C

RGB 83 46 44

HSL 3.08, 0.31%, 0.25%

LAB 23.59, 16.7, 8.62

 

CMYK 51 / 0 / 24 / 67

HEX #2A5541

RGB 42 85 65

HSL 152.09, 0.34%, 0.25%

LAB 32.64, -20.35, 7.11

 

CMYK 51 / 0 / 11 / 67

HEX #2A554C

RGB 42 85 76

HSL 167.44, 0.34%, 0.25%

LAB 32.94, -17.47, 0.63

 

CMYK 51 / 4 / 0 / 67

HEX #2A5255

RGB 42 82 85

HSL 184.19, 0.34%, 0.25%

LAB 32.22, -13.14, -6.14

 

CMYK 51 / 18 / 0 / 67

HEX #2A4655

RGB 42 70 85

HSL 200.93, 0.34%, 0.25%

LAB 28.19, -5.86, -12.23

 

CMYK 51 / 31 / 0 / 67

HEX #2A3B55

RGB 42 59 85

HSL 216.28, 0.34%, 0.25%

LAB 24.56, 1.34, -17.83

 

CMYK 53 / 3 / 0 / 88

HEX #0E1D1E

RGB 14 29 30

HSL 183.75, 0.36%, 0.09%

LAB 9.53, -6.06, -2.72

 

CMYK 51 / 4 / 0 / 78

HEX #1C3739

RGB 28 55 57

HSL 184.14, 0.34%, 0.17%

LAB 21.11, -9.63, -4.47

 

CMYK 51 / 4 / 0 / 67

HEX #2A5255

RGB 42 82 85

HSL 184.19, 0.34%, 0.25%

LAB 32.22, -13.14, -6.14

 

CMYK 51 / 4 / 0 / 56

HEX #376D71

RGB 55 109 113

HSL 184.14, 0.35%, 0.33%

LAB 42.68, -16.67, -7.77

 

CMYK 51 / 4 / 0 / 45

HEX #45878C

RGB 69 135 140

HSL 184.23, 0.34%, 0.41%

LAB 52.38, -19.53, -9.17

 

CMYK 51 / 4 / 0 / 67

HEX #2A5255

RGB 42 82 85

HSL 184.19, 0.34%, 0.25%

LAB 32.22, -13.14, -6.14

 

CMYK 38 / 51 / 0 / 67

HEX #352A55

RGB 53 42 85

HSL 255.35, 0.34%, 0.25%

LAB 20.32, 16.44, -24.44

 

CMYK 0 / 18 / 51 / 67

HEX #55462A

RGB 85 70 42

HSL 39.07, 0.34%, 0.25%

LAB 30.59, 2.11, 19.22

 

CMYK 51 / 4 / 0 / 67

HEX #2A5255

RGB 42 82 85

HSL 184.19, 0.34%, 0.25%

LAB 32.22, -13.14, -6.14

 

CMYK 0 / 51 / 4 / 67

HEX #552A52

RGB 85 42 82

HSL 304.19, 0.34%, 0.25%

LAB 24.31, 26.4, -15.88

 

CMYK 4 / 0 / 51 / 67

HEX #52552A

RGB 82 85 42

HSL 64.19, 0.34%, 0.25%

LAB 34.92, -8.45, 24.53

 

CMYK 51 / 4 / 0 / 67

HEX #2A5255

RGB 42 82 85

HSL 184.19, 0.34%, 0.25%

LAB 32.22, -13.14, -6.14

 

CMYK 38 / 51 / 0 / 67

HEX #352A55

RGB 53 42 85

HSL 255.35, 0.34%, 0.25%

LAB 20.32, 16.44, -24.44

 

CMYK 0 / 48 / 51 / 67

HEX #552C2A

RGB 85 44 42

HSL 2.79, 0.34%, 0.25%

LAB 23.34, 18.6, 9.67

 

CMYK 14 / 0 / 51 / 67

HEX #49552A

RGB 73 85 42

HSL 76.74, 0.34%, 0.25%

LAB 34.15, -12.6, 23.41

 

CMYK 51 / 4 / 0 / 67

HEX #2A5255

RGB 42 82 85

HSL 184.19, 0.34%, 0.25%

LAB 32.22, -13.14, -6.14

 

CMYK 22 / 51 / 0 / 67

HEX #422A55

RGB 66 42 85

HSL 273.49, 0.34%, 0.25%

LAB 21.84, 20.62, -21.94

 

CMYK 0 / 48 / 51 / 67

HEX #552C2A

RGB 85 44 42

HSL 2.79, 0.34%, 0.25%

LAB 23.34, 18.6, 9.67

 

CMYK 29 / 0 / 51 / 67

HEX #3C552A

RGB 60 85 42

HSL 94.88, 0.34%, 0.25%

LAB 33.19, -18.28, 22.01

 

Description

Color code: RGB 42 82 85 | qconv.com Color code: RGB 42 82 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 82 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 82 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 4 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 4% 0% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - 塩尻イルミネーションフェア2012応募作...
Link: http://www.silmc.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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