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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 64 34 it is the complementary color RGB 213 191 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 64 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 64 34 shade: RGB 47 64 29, RGB 64 82 48, RGB 81 100 67, RGB 98 118 86 and RGB 115 136 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 64 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 64 34 shade: RGB 42 64 34, RGB 25 46 15, RGB 8 28 0 and RGB 0 10 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 64 34 shade: RGB 41 63 33, RGB 49 63 33, RGB 57 63 33, RGB 63 61 33 and RGB 63 53 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 64 34 shade: RGB 41 63 33, RGB 33 63 33, RGB 33 63 41, RGB 33 63 49 and RGB 33 63 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 64 34 shade matches the following richer shades: RGB 41 63 33, RGB 37 71 25, RGB 34 79 17, RGB 30 86 9 and RGB 26 94 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 64 34 shade: RGB 41 63 33, RGB 45 55 41, RGB 48 47 49, RGB 52 39 56 and RGB 56 32 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 64 34 shade: RGB 57 63 33, RGB 49 63 33, RGB 41 63 33, RGB 33 63 33 and RGB 33 63 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 64 34 shade: RGB 6 9 4, RGB 23 36 19, RGB 41 63 33, RGB 59 90 47 and RGB 76 117 61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 64 34 shade: RGB 42 64 34, RGB 33 63 61 and RGB 63 33 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 64 34 shade: RGB 42 64 34, RGB 33 41 63 and RGB 63 33 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 64 34 shade: RGB 42 64 34, RGB 33 63 61, RGB 55 33 63 and RGB 63 33 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 64 34 shade: RGB 42 64 34, RGB 33 56 63, RGB 55 33 63 and RGB 63 40 33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 47 / 75

HEX #2A4022

RGB 42 64 34

HSL 104, 0.31%, 0.19%

LAB 24.56, -15.47, 15.65

 

Complementary color

CMYK 4 / 14 / 0 / 13

HEX #D5BFDD

RGB 213 191 221

HSL 284, 0.31%, 0.81%

LAB 79.97, 13.15, -12.12

 

CMYK 27 / 0 / 55 / 75

HEX #2F401D

RGB 47 64 29

HSL 89.14, 0.38%, 0.18%

LAB 24.83, -14.07, 19.13

 

CMYK 22 / 0 / 41 / 68

HEX #405230

RGB 64 82 48

HSL 91.76, 0.26%, 0.25%

LAB 32.56, -14.02, 17.72

 

CMYK 19 / 0 / 33 / 61

HEX #516443

RGB 81 100 67

HSL 94.55, 0.2%, 0.33%

LAB 40.03, -13.92, 16.43

 

CMYK 17 / 0 / 27 / 54

HEX #627656

RGB 98 118 86

HSL 97.5, 0.16%, 0.4%

LAB 47.27, -13.81, 15.26

 

CMYK 15 / 0 / 23 / 47

HEX #738869

RGB 115 136 105

HSL 100.65, 0.13%, 0.47%

LAB 54.32, -13.71, 14.19

 

CMYK 34 / 0 / 47 / 75

HEX #2A4022

RGB 42 64 34

HSL 104, 0.31%, 0.19%

LAB 24.56, -15.47, 15.65

 

CMYK 46 / 0 / 67 / 82

HEX #192E0F

RGB 25 46 15

HSL 100.65, 0.51%, 0.12%

LAB 16.48, -15.59, 16.99

 

CMYK 71 / 0 / 100 / 89

HEX #081C00

RGB 8 28 0

HSL 102.86, 1%, 0.05%

LAB 7.97, -13.23, 11.69

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 35 / 0 / 48 / 75

HEX #293F21

RGB 41 63 33

HSL 104, 0.31%, 0.19%

LAB 24.12, -15.49, 15.7

 

CMYK 22 / 0 / 48 / 75

HEX #313F21

RGB 49 63 33

HSL 88, 0.31%, 0.19%

LAB 24.7, -11.99, 16.55

 

CMYK 10 / 0 / 48 / 75

HEX #393F21

RGB 57 63 33

HSL 72, 0.31%, 0.19%

LAB 25.37, -8.25, 17.54

 

CMYK 0 / 3 / 48 / 75

HEX #3F3D21

RGB 63 61 33

HSL 56, 0.31%, 0.19%

LAB 25.27, -4.08, 17.54

 

CMYK 0 / 16 / 48 / 75

HEX #3F3521

RGB 63 53 33

HSL 40, 0.31%, 0.19%

LAB 22.7, 1.07, 14.25

 

CMYK 35 / 0 / 48 / 75

HEX #293F21

RGB 41 63 33

HSL 104, 0.31%, 0.19%

LAB 24.12, -15.49, 15.7

 

CMYK 48 / 0 / 48 / 75

HEX #213F21

RGB 33 63 33

HSL 120, 0.31%, 0.19%

LAB 23.63, -18.66, 14.98

 

CMYK 48 / 0 / 35 / 75

HEX #213F29

RGB 33 63 41

HSL 136, 0.31%, 0.19%

LAB 23.8, -17.03, 10.08

 

CMYK 48 / 0 / 22 / 75

HEX #213F31

RGB 33 63 49

HSL 152, 0.31%, 0.19%

LAB 24, -15.12, 5.13

 

CMYK 48 / 0 / 10 / 75

HEX #213F39

RGB 33 63 57

HSL 168, 0.31%, 0.19%

LAB 24.24, -12.95, 0.17

 

CMYK 35 / 0 / 48 / 75

HEX #293F21

RGB 41 63 33

HSL 104, 0.31%, 0.19%

LAB 24.12, -15.49, 15.7

 

CMYK 48 / 0 / 65 / 72

HEX #254719

RGB 37 71 25

HSL 104.35, 0.48%, 0.19%

LAB 26.65, -22.52, 23.44

 

CMYK 57 / 0 / 78 / 69

HEX #224F11

RGB 34 79 17

HSL 103.55, 0.65%, 0.19%

LAB 29.34, -28.2, 30.28

 

CMYK 65 / 0 / 90 / 66

HEX #1E5609

RGB 30 86 9

HSL 103.64, 0.81%, 0.19%

LAB 31.7, -32.95, 35.45

 

CMYK 72 / 0 / 98 / 63

HEX #1A5E02

RGB 26 94 2

HSL 104.35, 0.96%, 0.19%

LAB 34.46, -37.41, 40.01

 

CMYK 35 / 0 / 48 / 75

HEX #293F21

RGB 41 63 33

HSL 104, 0.31%, 0.19%

LAB 24.12, -15.49, 15.7

 

CMYK 18 / 0 / 25 / 78

HEX #2D3729

RGB 45 55 41

HSL 102.86, 0.15%, 0.19%

LAB 21.76, -7.47, 7.42

 

CMYK 2 / 4 / 0 / 81

HEX #302F31

RGB 48 47 49

HSL 270, 0.02%, 0.19%

LAB 19.57, 0.92, -1.12

 

CMYK 7 / 30 / 0 / 78

HEX #342738

RGB 52 39 56

HSL 285.88, 0.18%, 0.19%

LAB 17.77, 9.89, -8.64

 

CMYK 13 / 50 / 0 / 75

HEX #382040

RGB 56 32 64

HSL 285, 0.33%, 0.19%

LAB 16.72, 18.25, -15.78

 

CMYK 10 / 0 / 48 / 75

HEX #393F21

RGB 57 63 33

HSL 72, 0.31%, 0.19%

LAB 25.37, -8.25, 17.54

 

CMYK 22 / 0 / 48 / 75

HEX #313F21

RGB 49 63 33

HSL 88, 0.31%, 0.19%

LAB 24.7, -11.99, 16.55

 

CMYK 35 / 0 / 48 / 75

HEX #293F21

RGB 41 63 33

HSL 104, 0.31%, 0.19%

LAB 24.12, -15.49, 15.7

 

CMYK 48 / 0 / 48 / 75

HEX #213F21

RGB 33 63 33

HSL 120, 0.31%, 0.19%

LAB 23.63, -18.66, 14.98

 

CMYK 48 / 0 / 35 / 75

HEX #213F29

RGB 33 63 41

HSL 136, 0.31%, 0.19%

LAB 23.8, -17.03, 10.08

 

CMYK 33 / 0 / 56 / 96

HEX #060904

RGB 6 9 4

HSL 96, 0.38%, 0.03%

LAB 2.19, -1.48, 1.62

 

CMYK 36 / 0 / 47 / 86

HEX #172413

RGB 23 36 19

HSL 105.88, 0.31%, 0.11%

LAB 12.55, -9.9, 9.54

 

CMYK 35 / 0 / 48 / 75

HEX #293F21

RGB 41 63 33

HSL 104, 0.31%, 0.19%

LAB 24.12, -15.49, 15.7

 

CMYK 34 / 0 / 48 / 65

HEX #3B5A2F

RGB 59 90 47

HSL 103.26, 0.31%, 0.27%

LAB 34.9, -20.6, 21.24

 

CMYK 35 / 0 / 48 / 54

HEX #4C753D

RGB 76 117 61

HSL 103.93, 0.31%, 0.35%

LAB 45.08, -25.78, 26.36

 

CMYK 34 / 0 / 47 / 75

HEX #2A4022

RGB 42 64 34

HSL 104, 0.31%, 0.19%

LAB 24.56, -15.47, 15.65

 

CMYK 48 / 0 / 3 / 75

HEX #213F3D

RGB 33 63 61

HSL 176, 0.31%, 0.19%

LAB 24.37, -11.77, -2.29

 

CMYK 0 / 48 / 16 / 75

HEX #3F2135

RGB 63 33 53

HSL 320, 0.31%, 0.19%

LAB 17.47, 17.8, -6.85

 

CMYK 34 / 0 / 47 / 75

HEX #2A4022

RGB 42 64 34

HSL 104, 0.31%, 0.19%

LAB 24.56, -15.47, 15.65

 

CMYK 48 / 35 / 0 / 75

HEX #21293F

RGB 33 41 63

HSL 224, 0.31%, 0.19%

LAB 16.84, 3.45, -15.09

 

CMYK 0 / 48 / 35 / 75

HEX #3F2129

RGB 63 33 41

HSL 344, 0.31%, 0.19%

LAB 17.01, 15.62, 0.96

 

CMYK 34 / 0 / 47 / 75

HEX #2A4022

RGB 42 64 34

HSL 104, 0.31%, 0.19%

LAB 24.56, -15.47, 15.65

 

CMYK 48 / 0 / 3 / 75

HEX #213F3D

RGB 33 63 61

HSL 176, 0.31%, 0.19%

LAB 24.37, -11.77, -2.29

 

CMYK 13 / 48 / 0 / 75

HEX #37213F

RGB 55 33 63

HSL 284, 0.31%, 0.19%

LAB 16.79, 16.97, -14.99

 

CMYK 0 / 48 / 44 / 75

HEX #3F2123

RGB 63 33 35

HSL 356, 0.31%, 0.19%

LAB 16.82, 14.7, 4.95

 

CMYK 34 / 0 / 47 / 75

HEX #2A4022

RGB 42 64 34

HSL 104, 0.31%, 0.19%

LAB 24.56, -15.47, 15.65

 

CMYK 48 / 11 / 0 / 75

HEX #21383F

RGB 33 56 63

HSL 194, 0.31%, 0.19%

LAB 21.98, -6.79, -7.19

 

CMYK 13 / 48 / 0 / 75

HEX #37213F

RGB 55 33 63

HSL 284, 0.31%, 0.19%

LAB 16.79, 16.97, -14.99

 

CMYK 0 / 37 / 48 / 75

HEX #3F2821

RGB 63 40 33

HSL 14, 0.31%, 0.19%

LAB 18.73, 9.76, 8.99

 

Description

Color code: RGB 42 64 34 | qconv.com Color code: RGB 42 64 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 64 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 64 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 47 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 47% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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