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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 42 57 202 it is the complementary color RGB 213 198 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 42 57 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 42 57 202 shade: RGB 47 57 197, RGB 64 75 216, RGB 81 93 235, RGB 98 111 254 and RGB 115 129 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 42 57 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 42 57 202 shade: RGB 42 57 202, RGB 25 39 183, RGB 8 21 164, RGB 0 3 145 and RGB 0 0 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 42 57 202 shade: RGB 41 56 203, RGB 70 41 203, RGB 113 41 203, RGB 157 41 203 and RGB 200 41 203

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 42 57 202 shade: RGB 41 56 203 and RGB 41 41 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 42 57 202 shade matches the following richer shades: RGB 41 56 203, RGB 21 40 222 and RGB 2 24 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 42 57 202 shade: RGB 41 56 203, RGB 61 72 183, RGB 81 88 163, RGB 101 105 143 and RGB 120 121 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 42 57 202 shade: RGB 41 143 203, RGB 41 100 203, RGB 41 57 203, RGB 68 41 203 and RGB 111 41 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 42 57 202 shade: RGB 27 37 134, RGB 34 47 168, RGB 41 56 203, RGB 69 82 216 and RGB 103 114 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 42 57 202 shade: RGB 42 57 202, RGB 203 41 187 and RGB 122 203 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 42 57 202 shade: RGB 42 57 202, RGB 203 41 57 and RGB 57 203 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 42 57 202 shade: RGB 42 57 202, RGB 203 41 187, RGB 203 187 41 and RGB 41 203 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 42 57 202 shade: RGB 42 57 202, RGB 203 41 138, RGB 203 187 41 and RGB 41 203 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 72 / 0 / 21

HEX #2A39CA

RGB 42 57 202

HSL 234.38, 0.66%, 0.48%

LAB 33.31, 45.58, -75.85

 

Complementary color

CMYK 0 / 7 / 75 / 16

HEX #D5C635

RGB 213 198 53

HSL 54.38, 0.66%, 0.52%

LAB 78.92, -10.2, 69.39

 

CMYK 76 / 71 / 0 / 23

HEX #2F39C5

RGB 47 57 197

HSL 236, 0.61%, 0.48%

LAB 33.05, 44.27, -73.36

 

CMYK 70 / 65 / 0 / 15

HEX #404BD8

RGB 64 75 216

HSL 235.66, 0.66%, 0.55%

LAB 39.71, 41.7, -73.38

 

CMYK 66 / 60 / 0 / 8

HEX #515DEB

RGB 81 93 235

HSL 235.32, 0.79%, 0.62%

LAB 46.41, 39.37, -73.18

 

CMYK 61 / 56 / 0 / 0

HEX #626FFE

RGB 98 111 254

HSL 235, 0.99%, 0.69%

LAB 53.08, 37.33, -72.89

 

CMYK 55 / 49 / 0 / 0

HEX #7381FF

RGB 115 129 255

HSL 234, 1%, 0.73%

LAB 58.57, 29.9, -64.53

 

CMYK 79 / 72 / 0 / 21

HEX #2A39CA

RGB 42 57 202

HSL 234.38, 0.66%, 0.48%

LAB 33.31, 45.58, -75.85

 

CMYK 86 / 79 / 0 / 28

HEX #1927B7

RGB 25 39 183

HSL 234.68, 0.76%, 0.41%

LAB 26.95, 48.31, -75.22

 

CMYK 95 / 87 / 0 / 36

HEX #0815A4

RGB 8 21 164

HSL 235, 0.91%, 0.34%

LAB 21.09, 50.41, -73.55

 

CMYK 100 / 98 / 0 / 43

HEX #000391

RGB 0 3 145

HSL 238.76, 1%, 0.28%

LAB 16.05, 50.97, -70.27

 

CMYK 100 / 100 / 0 / 51

HEX #00007E

RGB 0 0 126

HSL 240, 1%, 0.25%

LAB 12.65, 46.97, -63.97

 

CMYK 80 / 72 / 0 / 20

HEX #2938CB

RGB 41 56 203

HSL 234.44, 0.66%, 0.48%

LAB 33.16, 46.43, -76.69

 

CMYK 66 / 80 / 0 / 20

HEX #4629CB

RGB 70 41 203

HSL 250.74, 0.66%, 0.48%

LAB 32.26, 56.67, -78.12

 

CMYK 44 / 80 / 0 / 20

HEX #7129CB

RGB 113 41 203

HSL 266.67, 0.66%, 0.48%

LAB 36.76, 61.74, -70.55

 

CMYK 23 / 80 / 0 / 20

HEX #9D29CB

RGB 157 41 203

HSL 282.96, 0.66%, 0.48%

LAB 42.86, 68.67, -60.34

 

CMYK 1 / 80 / 0 / 20

HEX #C829CB

RGB 200 41 203

HSL 298.89, 0.66%, 0.48%

LAB 49.71, 76.48, -48.97

 

CMYK 80 / 72 / 0 / 20

HEX #2938CB

RGB 41 56 203

HSL 234.44, 0.66%, 0.48%

LAB 33.16, 46.43, -76.69

 

CMYK 80 / 80 / 0 / 20

HEX #2929CB

RGB 41 41 203

HSL 240, 0.66%, 0.48%

LAB 30.33, 54.5, -81.38

 

CMYK 80 / 72 / 0 / 20

HEX #2938CB

RGB 41 56 203

HSL 234.44, 0.66%, 0.48%

LAB 33.16, 46.43, -76.69

 

CMYK 91 / 82 / 0 / 13

HEX #1528DE

RGB 21 40 222

HSL 234.33, 0.83%, 0.48%

LAB 31.69, 60.06, -90.13

 

CMYK 99 / 90 / 0 / 5

HEX #0218F2

RGB 2 24 242

HSL 234.5, 0.98%, 0.48%

LAB 31.98, 71.42, -101.07

 

CMYK 80 / 72 / 0 / 20

HEX #2938CB

RGB 41 56 203

HSL 234.44, 0.66%, 0.48%

LAB 33.16, 46.43, -76.69

 

CMYK 67 / 61 / 0 / 28

HEX #3D48B7

RGB 61 72 183

HSL 234.59, 0.5%, 0.48%

LAB 36.07, 31.77, -60.15

 

CMYK 50 / 46 / 0 / 36

HEX #5158A3

RGB 81 88 163

HSL 234.88, 0.34%, 0.48%

LAB 40.2, 18.59, -41.57

 

CMYK 29 / 27 / 0 / 44

HEX #65698F

RGB 101 105 143

HSL 234.29, 0.17%, 0.48%

LAB 45.43, 7.65, -21.33

 

CMYK 2 / 2 / 0 / 52

HEX #78797B

RGB 120 121 123

HSL 220, 0.01%, 0.48%

LAB 50.8, 0.03, -1.23

 

CMYK 80 / 30 / 0 / 20

HEX #298FCB

RGB 41 143 203

HSL 202.22, 0.66%, 0.48%

LAB 56.51, -7.83, -39.02

 

CMYK 80 / 51 / 0 / 20

HEX #2964CB

RGB 41 100 203

HSL 218.15, 0.66%, 0.48%

LAB 44.09, 18.52, -58.83

 

CMYK 80 / 72 / 0 / 20

HEX #2939CB

RGB 41 57 203

HSL 234.07, 0.66%, 0.48%

LAB 33.37, 45.85, -76.34

 

CMYK 67 / 80 / 0 / 20

HEX #4429CB

RGB 68 41 203

HSL 250, 0.66%, 0.48%

LAB 32.09, 56.48, -78.4

 

CMYK 45 / 80 / 0 / 20

HEX #6F29CB

RGB 111 41 203

HSL 265.93, 0.66%, 0.48%

LAB 36.51, 61.46, -70.97

 

CMYK 80 / 72 / 0 / 47

HEX #1B2586

RGB 27 37 134

HSL 234.39, 0.66%, 0.32%

LAB 21.12, 32.4, -54.94

 

CMYK 80 / 72 / 0 / 34

HEX #222FA8

RGB 34 47 168

HSL 234.18, 0.66%, 0.4%

LAB 27.3, 39.09, -65.65

 

CMYK 80 / 72 / 0 / 20

HEX #2938CB

RGB 41 56 203

HSL 234.44, 0.66%, 0.48%

LAB 33.16, 46.43, -76.69

 

CMYK 68 / 62 / 0 / 15

HEX #4552D8

RGB 69 82 216

HSL 234.69, 0.65%, 0.56%

LAB 41.62, 38.04, -70.24

 

CMYK 54 / 49 / 0 / 13

HEX #6772DF

RGB 103 114 223

HSL 234.5, 0.65%, 0.64%

LAB 52.11, 26.47, -57.13

 

CMYK 79 / 72 / 0 / 21

HEX #2A39CA

RGB 42 57 202

HSL 234.38, 0.66%, 0.48%

LAB 33.31, 45.58, -75.85

 

CMYK 0 / 80 / 8 / 20

HEX #CB29BB

RGB 203 41 187

HSL 305.93, 0.66%, 0.48%

LAB 49.34, 74.66, -40.25

 

CMYK 40 / 0 / 80 / 20

HEX #7ACB29

RGB 122 203 41

HSL 90, 0.66%, 0.48%

LAB 74.2, -49.17, 66.49

 

CMYK 79 / 72 / 0 / 21

HEX #2A39CA

RGB 42 57 202

HSL 234.38, 0.66%, 0.48%

LAB 33.31, 45.58, -75.85

 

CMYK 0 / 80 / 72 / 20

HEX #CB2939

RGB 203 41 57

HSL 354.07, 0.66%, 0.48%

LAB 45.05, 62.09, 32.21

 

CMYK 72 / 0 / 80 / 20

HEX #39CB29

RGB 57 203 41

HSL 114.07, 0.66%, 0.48%

LAB 72.06, -65.98, 63.72

 

CMYK 79 / 72 / 0 / 21

HEX #2A39CA

RGB 42 57 202

HSL 234.38, 0.66%, 0.48%

LAB 33.31, 45.58, -75.85

 

CMYK 0 / 80 / 8 / 20

HEX #CB29BB

RGB 203 41 187

HSL 305.93, 0.66%, 0.48%

LAB 49.34, 74.66, -40.25

 

CMYK 0 / 8 / 80 / 20

HEX #CBBB29

RGB 203 187 41

HSL 54.07, 0.66%, 0.48%

LAB 75.07, -9.33, 69.32

 

CMYK 80 / 0 / 72 / 20

HEX #29CB39

RGB 41 203 57

HSL 125.93, 0.66%, 0.48%

LAB 71.88, -67.17, 58.22

 

CMYK 79 / 72 / 0 / 21

HEX #2A39CA

RGB 42 57 202

HSL 234.38, 0.66%, 0.48%

LAB 33.31, 45.58, -75.85

 

CMYK 0 / 80 / 32 / 20

HEX #CB298A

RGB 203 41 138

HSL 324.07, 0.66%, 0.48%

LAB 47.13, 68.36, -14.56

 

CMYK 0 / 8 / 80 / 20

HEX #CBBB29

RGB 203 187 41

HSL 54.07, 0.66%, 0.48%

LAB 75.07, -9.33, 69.32

 

CMYK 80 / 0 / 48 / 20

HEX #29CB6A

RGB 41 203 106

HSL 144.07, 0.66%, 0.48%

LAB 72.38, -61.13, 37.08

 

Description

Color code: RGB 42 57 202 | qconv.com Color code: RGB 42 57 202 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 57 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 57 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 72 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 72% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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