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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 31 9 it is the complementary color RGB 214 224 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 31 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 31 9 shade: RGB 46 31 4, RGB 63 49 23, RGB 80 67 42, RGB 97 85 61 and RGB 114 103 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 31 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 31 9 shade: RGB 41 31 9, RGB 24 13 0 and RGB 7 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 31 9 shade: RGB 41 31 9, RGB 41 22 9, RGB 41 14 9 and RGB 41 9 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 31 9 shade: RGB 41 31 9, RGB 41 40 9, RGB 34 41 9, RGB 25 41 9 and RGB 16 41 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 31 9 shade matches the following richer shades: RGB 41 31 9, RGB 45 33 5 and RGB 50 34 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 31 9 shade: RGB 41 31 9, RGB 37 30 13, RGB 33 28 17, RGB 29 26 21 and RGB 25 25 25

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 31 9 shade: RGB 41 14 9, RGB 41 22 9, RGB 41 31 9, RGB 41 40 9 and RGB 34 41 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 31 9 shade: RGB 41 31 9, RGB 12 41 9 and RGB 18 9 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 31 9 shade: RGB 41 31 9, RGB 9 41 31 and RGB 31 9 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 31 9 shade: RGB 41 31 9, RGB 12 41 9, RGB 9 19 41 and RGB 38 9 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 31 9 shade: RGB 41 31 9, RGB 9 41 15, RGB 9 19 41 and RGB 41 9 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 78 / 84

HEX #291F09

RGB 41 31 9

HSL 41.25, 0.64%, 0.1%

LAB 12.42, 1.6, 14.76

 

Complementary color

CMYK 13 / 9 / 0 / 4

HEX #D6E0F6

RGB 214 224 246

HSL 221.25, 0.64%, 0.9%

LAB 89.05, 0.94, -11.84

 

CMYK 0 / 33 / 91 / 82

HEX #2E1F04

RGB 46 31 4

HSL 38.57, 0.84%, 0.1%

LAB 13.04, 3.98, 17.75

 

CMYK 0 / 22 / 63 / 75

HEX #3F3117

RGB 63 49 23

HSL 39, 0.47%, 0.17%

LAB 21.26, 2.54, 18.82

 

CMYK 0 / 16 / 48 / 69

HEX #50432A

RGB 80 67 42

HSL 39.47, 0.31%, 0.24%

LAB 29.13, 1.59, 17.23

 

CMYK 0 / 12 / 37 / 62

HEX #61553D

RGB 97 85 61

HSL 40, 0.23%, 0.31%

LAB 36.7, 0.93, 15.83

 

CMYK 0 / 10 / 30 / 55

HEX #726750

RGB 114 103 80

HSL 40.59, 0.18%, 0.38%

LAB 44.03, 0.44, 14.58

 

CMYK 0 / 24 / 78 / 84

HEX #291F09

RGB 41 31 9

HSL 41.25, 0.64%, 0.1%

LAB 12.42, 1.6, 14.76

 

CMYK 0 / 46 / 100 / 91

HEX #180D00

RGB 24 13 0

HSL 32.5, 1%, 0.05%

LAB 4.35, 2.56, 6.57

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 24 / 78 / 84

HEX #291F09

RGB 41 31 9

HSL 41.25, 0.64%, 0.1%

LAB 12.42, 1.6, 14.76

 

CMYK 0 / 46 / 78 / 84

HEX #291609

RGB 41 22 9

HSL 24.38, 0.64%, 0.1%

LAB 9.52, 8.04, 10.72

 

CMYK 0 / 66 / 78 / 84

HEX #290E09

RGB 41 14 9

HSL 9.38, 0.64%, 0.1%

LAB 7.27, 13.49, 7.47

 

CMYK 0 / 78 / 78 / 84

HEX #290909

RGB 41 9 9

HSL 0, 0.64%, 0.1%

LAB 6.2, 16.07, 5.9

 

CMYK 0 / 24 / 78 / 84

HEX #291F09

RGB 41 31 9

HSL 41.25, 0.64%, 0.1%

LAB 12.42, 1.6, 14.76

 

CMYK 0 / 2 / 78 / 84

HEX #292809

RGB 41 40 9

HSL 58.13, 0.64%, 0.1%

LAB 15.53, -4.58, 18.84

 

CMYK 17 / 0 / 78 / 84

HEX #222909

RGB 34 41 9

HSL 73.13, 0.64%, 0.1%

LAB 15.2, -9.01, 18.27

 

CMYK 39 / 0 / 78 / 84

HEX #192909

RGB 25 41 9

HSL 90, 0.64%, 0.1%

LAB 14.47, -13.53, 17.18

 

CMYK 61 / 0 / 78 / 84

HEX #102909

RGB 16 41 9

HSL 106.88, 0.64%, 0.1%

LAB 13.92, -17.39, 16.36

 

CMYK 0 / 24 / 78 / 84

HEX #291F09

RGB 41 31 9

HSL 41.25, 0.64%, 0.1%

LAB 12.42, 1.6, 14.76

 

CMYK 0 / 27 / 89 / 82

HEX #2D2105

RGB 45 33 5

HSL 42, 0.8%, 0.1%

LAB 13.57, 2.1, 18.02

 

CMYK 0 / 32 / 100 / 80

HEX #322200

RGB 50 34 0

HSL 40.8, 1%, 0.1%

LAB 14.52, 3.83, 21.44

 

CMYK 0 / 24 / 78 / 84

HEX #291F09

RGB 41 31 9

HSL 41.25, 0.64%, 0.1%

LAB 12.42, 1.6, 14.76

 

CMYK 0 / 19 / 65 / 85

HEX #251E0D

RGB 37 30 13

HSL 42.5, 0.48%, 0.1%

LAB 11.63, 0.49, 11.85

 

CMYK 0 / 15 / 48 / 87

HEX #211C11

RGB 33 28 17

HSL 41.25, 0.32%, 0.1%

LAB 10.52, 0.28, 8.11

 

CMYK 0 / 10 / 28 / 89

HEX #1D1A15

RGB 29 26 21

HSL 37.5, 0.16%, 0.1%

LAB 9.43, 0.35, 3.97

 

CMYK 0 / 0 / 0 / 90

HEX #191919

RGB 25 25 25

HSL 0, 0%, 0.1%

LAB 8.76, 0, -0

 

CMYK 0 / 66 / 78 / 84

HEX #290E09

RGB 41 14 9

HSL 9.38, 0.64%, 0.1%

LAB 7.27, 13.49, 7.47

 

CMYK 0 / 46 / 78 / 84

HEX #291609

RGB 41 22 9

HSL 24.38, 0.64%, 0.1%

LAB 9.52, 8.04, 10.72

 

CMYK 0 / 24 / 78 / 84

HEX #291F09

RGB 41 31 9

HSL 41.25, 0.64%, 0.1%

LAB 12.42, 1.6, 14.76

 

CMYK 0 / 2 / 78 / 84

HEX #292809

RGB 41 40 9

HSL 58.13, 0.64%, 0.1%

LAB 15.53, -4.58, 18.84

 

CMYK 17 / 0 / 78 / 84

HEX #222909

RGB 34 41 9

HSL 73.13, 0.64%, 0.1%

LAB 15.2, -9.01, 18.27

 

CMYK 0 / 24 / 78 / 84

HEX #291F09

RGB 41 31 9

HSL 41.25, 0.64%, 0.1%

LAB 12.42, 1.6, 14.76

 

CMYK 71 / 0 / 78 / 84

HEX #0C2909

RGB 12 41 9

HSL 114.38, 0.64%, 0.1%

LAB 13.73, -18.82, 16.08

 

CMYK 56 / 78 / 0 / 84

HEX #120929

RGB 18 9 41

HSL 256.88, 0.64%, 0.1%

LAB 4.37, 11.77, -18.95

 

CMYK 0 / 24 / 78 / 84

HEX #291F09

RGB 41 31 9

HSL 41.25, 0.64%, 0.1%

LAB 12.42, 1.6, 14.76

 

CMYK 78 / 0 / 24 / 84

HEX #09291F

RGB 9 41 31

HSL 161.25, 0.64%, 0.1%

LAB 14.08, -14.75, 3.15

 

CMYK 24 / 78 / 0 / 84

HEX #1F0929

RGB 31 9 41

HSL 281.25, 0.64%, 0.1%

LAB 5.84, 17.67, -16.54

 

CMYK 0 / 24 / 78 / 84

HEX #291F09

RGB 41 31 9

HSL 41.25, 0.64%, 0.1%

LAB 12.42, 1.6, 14.76

 

CMYK 71 / 0 / 78 / 84

HEX #0C2909

RGB 12 41 9

HSL 114.38, 0.64%, 0.1%

LAB 13.73, -18.82, 16.08

 

CMYK 78 / 54 / 0 / 84

HEX #091329

RGB 9 19 41

HSL 221.25, 0.64%, 0.1%

LAB 6.18, 3.92, -16.16

 

CMYK 7 / 78 / 0 / 84

HEX #260929

RGB 38 9 41

HSL 294.38, 0.64%, 0.1%

LAB 6.93, 20.64, -14.75

 

CMYK 0 / 24 / 78 / 84

HEX #291F09

RGB 41 31 9

HSL 41.25, 0.64%, 0.1%

LAB 12.42, 1.6, 14.76

 

CMYK 78 / 0 / 63 / 84

HEX #09290F

RGB 9 41 15

HSL 131.25, 0.64%, 0.1%

LAB 13.7, -18.76, 13.27

 

CMYK 78 / 54 / 0 / 84

HEX #091329

RGB 9 19 41

HSL 221.25, 0.64%, 0.1%

LAB 6.18, 3.92, -16.16

 

CMYK 0 / 78 / 15 / 84

HEX #290923

RGB 41 9 35

HSL 311.25, 0.64%, 0.1%

LAB 7.12, 20.4, -9.86

 

Description

Color code: RGB 41 31 9 | qconv.com Color code: RGB 41 31 9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 31 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 31 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 78 yellow and 84 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 78% 84% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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