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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 31 60 it is the complementary color RGB 214 224 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 31 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 31 60 shade: RGB 46 31 55, RGB 63 49 74, RGB 80 67 93, RGB 97 85 112 and RGB 114 103 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 31 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 31 60 shade: RGB 41 31 60, RGB 24 13 41, RGB 7 0 22 and RGB 0 0 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 31 60 shade: RGB 41 31 60, RGB 49 31 60, RGB 57 31 60, RGB 60 31 56 and RGB 60 31 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 31 60 shade: RGB 41 31 60, RGB 33 31 60 and RGB 31 31 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 31 60 shade matches the following richer shades: RGB 41 31 60, RGB 39 23 68, RGB 36 16 75, RGB 34 8 82 and RGB 32 1 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 31 60 shade: RGB 41 31 60, RGB 43 38 53, RGB 45 46 45, RGB 48 53 38 and RGB 50 60 30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 31 60 shade: RGB 31 37 60, RGB 33 31 60, RGB 41 31 60, RGB 48 31 60 and RGB 56 31 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 31 60 shade: RGB 4 3 6, RGB 22 17 33, RGB 41 31 60, RGB 59 45 87 and RGB 78 59 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 31 60 shade: RGB 41 31 60, RGB 60 31 44 and RGB 33 60 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 31 60 shade: RGB 41 31 60, RGB 60 41 31 and RGB 31 60 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 31 60 shade: RGB 41 31 60, RGB 60 31 44, RGB 50 60 31 and RGB 31 60 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 31 60 shade: RGB 41 31 60, RGB 60 31 36, RGB 50 60 31 and RGB 31 60 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 48 / 0 / 76

HEX #291F3C

RGB 41 31 60

HSL 260.69, 0.32%, 0.18%

LAB 14.27, 12.43, -16.96

 

Complementary color

CMYK 4 / 0 / 13 / 12

HEX #D6E0C3

RGB 214 224 195

HSL 80.69, 0.32%, 0.82%

LAB 87.75, -8.41, 13.06

 

CMYK 16 / 44 / 0 / 78

HEX #2E1F37

RGB 46 31 55

HSL 277.5, 0.28%, 0.17%

LAB 14.61, 12.83, -12.86

 

CMYK 15 / 34 / 0 / 71

HEX #3F314A

RGB 63 49 74

HSL 273.6, 0.2%, 0.24%

LAB 22.82, 11.99, -13.08

 

CMYK 14 / 28 / 0 / 64

HEX #50435D

RGB 80 67 93

HSL 270, 0.16%, 0.31%

LAB 30.66, 11.31, -13.33

 

CMYK 13 / 24 / 0 / 56

HEX #615570

RGB 97 85 112

HSL 266.67, 0.14%, 0.39%

LAB 38.21, 10.74, -13.62

 

CMYK 13 / 21 / 0 / 49

HEX #726783

RGB 114 103 131

HSL 263.57, 0.12%, 0.46%

LAB 45.52, 10.25, -13.92

 

CMYK 32 / 48 / 0 / 76

HEX #291F3C

RGB 41 31 60

HSL 260.69, 0.32%, 0.18%

LAB 14.27, 12.43, -16.96

 

CMYK 41 / 68 / 0 / 84

HEX #180D29

RGB 24 13 41

HSL 263.57, 0.52%, 0.11%

LAB 5.8, 12.62, -16.66

 

CMYK 68 / 100 / 0 / 91

HEX #070016

RGB 7 0 22

HSL 259.09, 1%, 0.04%

LAB 0.93, 5.51, -9.36

 

CMYK 100 / 100 / 0 / 99

HEX #000003

RGB 0 0 3

HSL 240, 1%, 0.01%

LAB 0.06, 0.42, -1.14

 

CMYK 32 / 48 / 0 / 76

HEX #291F3C

RGB 41 31 60

HSL 260.69, 0.32%, 0.18%

LAB 14.27, 12.43, -16.96

 

CMYK 18 / 48 / 0 / 76

HEX #311F3C

RGB 49 31 60

HSL 277.24, 0.32%, 0.18%

LAB 15.27, 15.32, -15.32

 

CMYK 5 / 48 / 0 / 76

HEX #391F3C

RGB 57 31 60

HSL 293.79, 0.32%, 0.18%

LAB 16.39, 18.3, -13.5

 

CMYK 0 / 48 / 7 / 76

HEX #3C1F38

RGB 60 31 56

HSL 308.28, 0.32%, 0.18%

LAB 16.63, 18.53, -10.28

 

CMYK 0 / 48 / 20 / 76

HEX #3C1F30

RGB 60 31 48

HSL 324.83, 0.32%, 0.18%

LAB 16.28, 16.89, -5.16

 

CMYK 32 / 48 / 0 / 76

HEX #291F3C

RGB 41 31 60

HSL 260.69, 0.32%, 0.18%

LAB 14.27, 12.43, -16.96

 

CMYK 45 / 48 / 0 / 76

HEX #211F3C

RGB 33 31 60

HSL 244.14, 0.32%, 0.18%

LAB 13.41, 9.71, -18.38

 

CMYK 48 / 48 / 0 / 76

HEX #1F1F3C

RGB 31 31 60

HSL 240, 0.32%, 0.18%

LAB 13.22, 9.07, -18.7

 

CMYK 32 / 48 / 0 / 76

HEX #291F3C

RGB 41 31 60

HSL 260.69, 0.32%, 0.18%

LAB 14.27, 12.43, -16.96

 

CMYK 43 / 66 / 0 / 73

HEX #271744

RGB 39 23 68

HSL 261.33, 0.49%, 0.18%

LAB 12.36, 19.96, -25.64

 

CMYK 52 / 79 / 0 / 71

HEX #24104B

RGB 36 16 75

HSL 260.34, 0.65%, 0.18%

LAB 10.95, 25.97, -32.82

 

CMYK 59 / 90 / 0 / 68

HEX #220852

RGB 34 8 82

HSL 261.08, 0.82%, 0.18%

LAB 9.98, 32.01, -39.26

 

CMYK 64 / 99 / 0 / 65

HEX #20015A

RGB 32 1 90

HSL 260.9, 0.98%, 0.18%

LAB 9.54, 37.66, -45.45

 

CMYK 32 / 48 / 0 / 76

HEX #291F3C

RGB 41 31 60

HSL 260.69, 0.32%, 0.18%

LAB 14.27, 12.43, -16.96

 

CMYK 19 / 28 / 0 / 79

HEX #2B2635

RGB 43 38 53

HSL 260, 0.16%, 0.18%

LAB 16.29, 6.11, -8.88

 

CMYK 2 / 0 / 2 / 82

HEX #2D2E2D

RGB 45 46 45

HSL 120, 0.01%, 0.18%

LAB 18.81, -0.68, 0.49

 

CMYK 9 / 0 / 28 / 79

HEX #303526

RGB 48 53 38

HSL 80, 0.16%, 0.18%

LAB 21.26, -5.42, 8.77

 

CMYK 17 / 0 / 50 / 76

HEX #323C1E

RGB 50 60 30

HSL 80, 0.33%, 0.18%

LAB 23.68, -10.18, 17.15

 

CMYK 48 / 38 / 0 / 76

HEX #1F253C

RGB 31 37 60

HSL 227.59, 0.32%, 0.18%

LAB 15.17, 4.64, -15.62

 

CMYK 45 / 48 / 0 / 76

HEX #211F3C

RGB 33 31 60

HSL 244.14, 0.32%, 0.18%

LAB 13.41, 9.71, -18.38

 

CMYK 32 / 48 / 0 / 76

HEX #291F3C

RGB 41 31 60

HSL 260.69, 0.32%, 0.18%

LAB 14.27, 12.43, -16.96

 

CMYK 20 / 48 / 0 / 76

HEX #301F3C

RGB 48 31 60

HSL 275.17, 0.32%, 0.18%

LAB 15.14, 14.96, -15.54

 

CMYK 7 / 48 / 0 / 76

HEX #381F3C

RGB 56 31 60

HSL 291.72, 0.32%, 0.18%

LAB 16.24, 17.92, -13.74

 

CMYK 33 / 50 / 0 / 98

HEX #040306

RGB 4 3 6

HSL 260, 0.33%, 0.02%

LAB 0.94, 0.68, -1.04

 

CMYK 33 / 48 / 0 / 87

HEX #161121

RGB 22 17 33

HSL 258.75, 0.32%, 0.1%

LAB 6.15, 6.48, -10.04

 

CMYK 32 / 48 / 0 / 76

HEX #291F3C

RGB 41 31 60

HSL 260.69, 0.32%, 0.18%

LAB 14.27, 12.43, -16.96

 

CMYK 32 / 48 / 0 / 66

HEX #3B2D57

RGB 59 45 87

HSL 260, 0.32%, 0.26%

LAB 21.93, 16.9, -23.18

 

CMYK 32 / 49 / 0 / 55

HEX #4E3B73

RGB 78 59 115

HSL 260.36, 0.32%, 0.34%

LAB 29.38, 21.7, -29.38

 

CMYK 32 / 48 / 0 / 76

HEX #291F3C

RGB 41 31 60

HSL 260.69, 0.32%, 0.18%

LAB 14.27, 12.43, -16.96

 

CMYK 0 / 48 / 27 / 76

HEX #3C1F2C

RGB 60 31 44

HSL 333.1, 0.32%, 0.18%

LAB 16.12, 16.13, -2.55

 

CMYK 45 / 0 / 48 / 76

HEX #213C1F

RGB 33 60 31

HSL 115.86, 0.32%, 0.18%

LAB 22.49, -17.41, 14.76

 

CMYK 32 / 48 / 0 / 76

HEX #291F3C

RGB 41 31 60

HSL 260.69, 0.32%, 0.18%

LAB 14.27, 12.43, -16.96

 

CMYK 0 / 32 / 48 / 76

HEX #3C291F

RGB 60 41 31

HSL 20.69, 0.32%, 0.18%

LAB 18.56, 7.32, 10.06

 

CMYK 48 / 0 / 32 / 76

HEX #1F3C29

RGB 31 60 41

HSL 140.69, 0.32%, 0.18%

LAB 22.59, -16.07, 8.42

 

CMYK 32 / 48 / 0 / 76

HEX #291F3C

RGB 41 31 60

HSL 260.69, 0.32%, 0.18%

LAB 14.27, 12.43, -16.96

 

CMYK 0 / 48 / 27 / 76

HEX #3C1F2C

RGB 60 31 44

HSL 333.1, 0.32%, 0.18%

LAB 16.12, 16.13, -2.55

 

CMYK 17 / 0 / 48 / 76

HEX #323C1F

RGB 50 60 31

HSL 80.69, 0.32%, 0.18%

LAB 23.7, -10.03, 16.55

 

CMYK 48 / 0 / 23 / 76

HEX #1F3C2E

RGB 31 60 46

HSL 151.03, 0.32%, 0.18%

LAB 22.72, -14.84, 5.29

 

CMYK 32 / 48 / 0 / 76

HEX #291F3C

RGB 41 31 60

HSL 260.69, 0.32%, 0.18%

LAB 14.27, 12.43, -16.96

 

CMYK 0 / 48 / 40 / 76

HEX #3C1F24

RGB 60 31 36

HSL 349.66, 0.32%, 0.18%

LAB 15.84, 14.79, 2.77

 

CMYK 17 / 0 / 48 / 76

HEX #323C1F

RGB 50 60 31

HSL 80.69, 0.32%, 0.18%

LAB 23.7, -10.03, 16.55

 

CMYK 48 / 0 / 8 / 76

HEX #1F3C37

RGB 31 60 55

HSL 169.66, 0.32%, 0.18%

LAB 23, -12.37, -0.32

 

Description

Color code: RGB 41 31 60 | qconv.com Color code: RGB 41 31 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 31 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 31 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 48 magenta, none yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 48% 0% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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