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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 249 129 it is the complementary color RGB 214 6 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 249 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 249 129 shade: RGB 46 249 124, RGB 63 255 143, RGB 80 255 162, RGB 97 255 181 and RGB 114 255 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 249 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 249 129 shade: RGB 41 249 129, RGB 24 231 110, RGB 7 213 91, RGB 0 195 72 and RGB 0 177 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 249 129 shade: RGB 41 249 129, RGB 41 249 73, RGB 65 249 41, RGB 121 249 41 and RGB 177 249 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 249 129 shade: RGB 41 249 129, RGB 41 249 185, RGB 41 249 241, RGB 41 201 249 and RGB 41 145 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 249 129 shade matches the following richer shades: RGB 41 249 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 249 129 shade: RGB 41 249 129, RGB 58 231 132, RGB 76 214 134, RGB 94 196 137 and RGB 112 178 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 249 129 shade: RGB 65 249 41, RGB 41 249 72, RGB 41 249 127, RGB 41 249 183 and RGB 41 249 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 249 129 shade: RGB 5 202 88, RGB 6 243 106, RGB 41 249 129, RGB 81 250 152 and RGB 121 251 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 249 129 shade: RGB 41 249 129, RGB 41 121 249 and RGB 249 44 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 249 129 shade: RGB 41 249 129, RGB 127 41 249 and RGB 249 127 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 249 129 shade: RGB 41 249 129, RGB 41 121 249, RGB 249 41 162 and RGB 249 169 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 249 129 shade: RGB 41 249 129, RGB 41 58 249, RGB 249 41 162 and RGB 249 232 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 48 / 2

HEX #29F981

RGB 41 249 129

HSL 145.38, 0.95%, 0.57%

LAB 86.9, -72.79, 44.17

 

Complementary color

CMYK 0 / 97 / 41 / 16

HEX #D6067E

RGB 214 6 126

HSL 325.38, 0.95%, 0.43%

LAB 46.89, 75.18, -7.4

 

CMYK 82 / 0 / 50 / 2

HEX #2EF97C

RGB 46 249 124

HSL 143.05, 0.94%, 0.58%

LAB 86.89, -73.1, 46.54

 

CMYK 75 / 0 / 44 / 0

HEX #3FFF8F

RGB 63 255 143

HSL 145, 1%, 0.62%

LAB 89.19, -70.25, 40.39

 

CMYK 69 / 0 / 36 / 0

HEX #50FFA2

RGB 80 255 162

HSL 148.11, 1%, 0.66%

LAB 89.78, -64.56, 31.86

 

CMYK 62 / 0 / 29 / 0

HEX #61FFB5

RGB 97 255 181

HSL 151.9, 1%, 0.69%

LAB 90.5, -58.07, 23.32

 

CMYK 55 / 0 / 22 / 0

HEX #72FFC8

RGB 114 255 200

HSL 156.6, 1%, 0.72%

LAB 91.36, -50.87, 14.86

 

CMYK 84 / 0 / 48 / 2

HEX #29F981

RGB 41 249 129

HSL 145.38, 0.95%, 0.57%

LAB 86.9, -72.79, 44.17

 

CMYK 90 / 0 / 52 / 9

HEX #18E76E

RGB 24 231 110

HSL 144.93, 0.81%, 0.5%

LAB 81, -71.12, 45.82

 

CMYK 97 / 0 / 57 / 16

HEX #07D55B

RGB 7 213 91

HSL 144.47, 0.94%, 0.43%

LAB 75.07, -68.93, 47.5

 

CMYK 100 / 0 / 63 / 24

HEX #00C348

RGB 0 195 72

HSL 142.15, 1%, 0.38%

LAB 69.11, -66.1, 49.11

 

CMYK 100 / 0 / 70 / 31

HEX #00B135

RGB 0 177 53

HSL 137.97, 1%, 0.35%

LAB 63.1, -62.77, 50.48

 

CMYK 84 / 0 / 48 / 2

HEX #29F981

RGB 41 249 129

HSL 145.38, 0.95%, 0.57%

LAB 86.9, -72.79, 44.17

 

CMYK 84 / 0 / 71 / 2

HEX #29F949

RGB 41 249 73

HSL 129.23, 0.95%, 0.57%

LAB 86.36, -79.46, 67.39

 

CMYK 74 / 0 / 84 / 2

HEX #41F929

RGB 65 249 41

HSL 113.08, 0.95%, 0.57%

LAB 86.52, -78.62, 77.03

 

CMYK 51 / 0 / 84 / 2

HEX #79F929

RGB 121 249 41

HSL 96.92, 0.95%, 0.57%

LAB 87.96, -66.77, 78.85

 

CMYK 29 / 0 / 84 / 2

HEX #B1F929

RGB 177 249 41

HSL 80.77, 0.95%, 0.57%

LAB 90.44, -48.79, 81.98

 

CMYK 84 / 0 / 48 / 2

HEX #29F981

RGB 41 249 129

HSL 145.38, 0.95%, 0.57%

LAB 86.9, -72.79, 44.17

 

CMYK 84 / 0 / 26 / 2

HEX #29F9B9

RGB 41 249 185

HSL 161.54, 0.95%, 0.57%

LAB 87.84, -62.11, 17.42

 

CMYK 84 / 0 / 3 / 2

HEX #29F9F1

RGB 41 249 241

HSL 177.69, 0.95%, 0.57%

LAB 89.19, -48, -9.71

 

CMYK 84 / 19 / 0 / 2

HEX #29C9F9

RGB 41 201 249

HSL 193.85, 0.95%, 0.57%

LAB 75.5, -23.18, -34.71

 

CMYK 84 / 42 / 0 / 2

HEX #2991F9

RGB 41 145 249

HSL 210, 0.95%, 0.57%

LAB 59.49, 7.85, -59.92

 

CMYK 84 / 0 / 48 / 2

HEX #29F981

RGB 41 249 129

HSL 145.38, 0.95%, 0.57%

LAB 86.9, -72.79, 44.17

 

CMYK 84 / 0 / 48 / 2

HEX #29F981

RGB 41 249 129

HSL 145.38, 0.95%, 0.57%

LAB 86.9, -72.79, 44.17

 

CMYK 75 / 0 / 43 / 9

HEX #3AE784

RGB 58 231 132

HSL 145.66, 0.78%, 0.57%

LAB 81.68, -64.43, 36.09

 

CMYK 64 / 0 / 37 / 16

HEX #4CD686

RGB 76 214 134

HSL 145.22, 0.63%, 0.57%

LAB 76.89, -55, 28.85

 

CMYK 52 / 0 / 30 / 23

HEX #5EC489

RGB 94 196 137

HSL 145.29, 0.46%, 0.57%

LAB 72, -43.22, 20.77

 

CMYK 37 / 0 / 21 / 30

HEX #70B28C

RGB 112 178 140

HSL 145.45, 0.3%, 0.57%

LAB 67.41, -29.49, 12.88

 

CMYK 74 / 0 / 84 / 2

HEX #41F929

RGB 65 249 41

HSL 113.08, 0.95%, 0.57%

LAB 86.52, -78.62, 77.03

 

CMYK 84 / 0 / 71 / 2

HEX #29F948

RGB 41 249 72

HSL 128.94, 0.95%, 0.57%

LAB 86.35, -79.54, 67.74

 

CMYK 84 / 0 / 49 / 2

HEX #29F97F

RGB 41 249 127

HSL 144.81, 0.95%, 0.57%

LAB 86.88, -73.1, 45.09

 

CMYK 84 / 0 / 27 / 2

HEX #29F9B7

RGB 41 249 183

HSL 160.96, 0.95%, 0.57%

LAB 87.8, -62.56, 18.39

 

CMYK 84 / 0 / 4 / 2

HEX #29F9EF

RGB 41 249 239

HSL 177.12, 0.95%, 0.57%

LAB 89.14, -48.56, -8.75

 

CMYK 98 / 0 / 56 / 21

HEX #05CA58

RGB 5 202 88

HSL 145.28, 0.95%, 0.41%

LAB 71.54, -66, 44.69

 

CMYK 98 / 0 / 56 / 5

HEX #06F36A

RGB 6 243 106

HSL 145.32, 0.95%, 0.49%

LAB 84.58, -76.07, 51.95

 

CMYK 84 / 0 / 48 / 2

HEX #29F981

RGB 41 249 129

HSL 145.38, 0.95%, 0.57%

LAB 86.9, -72.79, 44.17

 

CMYK 68 / 0 / 39 / 2

HEX #51FA98

RGB 81 250 152

HSL 145.21, 0.94%, 0.65%

LAB 88.15, -64.37, 34.69

 

CMYK 52 / 0 / 30 / 2

HEX #79FBB0

RGB 121 251 176

HSL 145.38, 0.94%, 0.73%

LAB 89.95, -52.46, 25.21

 

CMYK 84 / 0 / 48 / 2

HEX #29F981

RGB 41 249 129

HSL 145.38, 0.95%, 0.57%

LAB 86.9, -72.79, 44.17

 

CMYK 84 / 51 / 0 / 2

HEX #2979F9

RGB 41 121 249

HSL 216.92, 0.95%, 0.57%

LAB 52.93, 22.59, -70.47

 

CMYK 0 / 82 / 84 / 2

HEX #F92C29

RGB 249 44 41

HSL 0.87, 0.95%, 0.57%

LAB 54.13, 73.54, 53.15

 

CMYK 84 / 0 / 48 / 2

HEX #29F981

RGB 41 249 129

HSL 145.38, 0.95%, 0.57%

LAB 86.9, -72.79, 44.17

 

CMYK 49 / 84 / 0 / 2

HEX #7F29F9

RGB 127 41 249

HSL 264.81, 0.95%, 0.57%

LAB 42.67, 74.35, -87.04

 

CMYK 0 / 49 / 84 / 2

HEX #F97F29

RGB 249 127 41

HSL 24.81, 0.95%, 0.57%

LAB 66.12, 41.58, 63.56

 

CMYK 84 / 0 / 48 / 2

HEX #29F981

RGB 41 249 129

HSL 145.38, 0.95%, 0.57%

LAB 86.9, -72.79, 44.17

 

CMYK 84 / 51 / 0 / 2

HEX #2979F9

RGB 41 121 249

HSL 216.92, 0.95%, 0.57%

LAB 52.93, 22.59, -70.47

 

CMYK 0 / 84 / 35 / 2

HEX #F929A2

RGB 249 41 162

HSL 325.1, 0.95%, 0.57%

LAB 56.42, 81.49, -13.99

 

CMYK 0 / 32 / 84 / 2

HEX #F9A929

RGB 249 169 41

HSL 36.92, 0.95%, 0.57%

LAB 75.25, 19.92, 71.3

 

CMYK 84 / 0 / 48 / 2

HEX #29F981

RGB 41 249 129

HSL 145.38, 0.95%, 0.57%

LAB 86.9, -72.79, 44.17

 

CMYK 84 / 77 / 0 / 2

HEX #293AF9

RGB 41 58 249

HSL 235.1, 0.95%, 0.57%

LAB 38.44, 60.37, -94.24

 

CMYK 0 / 84 / 35 / 2

HEX #F929A2

RGB 249 41 162

HSL 325.1, 0.95%, 0.57%

LAB 56.42, 81.49, -13.99

 

CMYK 0 / 7 / 84 / 2

HEX #F9E829

RGB 249 232 41

HSL 55.1, 0.95%, 0.57%

LAB 90.79, -12.38, 84.25

 

Description

Color code: RGB 41 249 129 | qconv.com Color code: RGB 41 249 129 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 249 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 249 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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