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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 235 136 it is the complementary color RGB 214 20 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 235 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 235 136 shade: RGB 46 235 131, RGB 63 253 150, RGB 80 255 169, RGB 97 255 188 and RGB 114 255 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 235 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 235 136 shade: RGB 41 235 136, RGB 24 217 117, RGB 7 199 98, RGB 0 181 79 and RGB 0 163 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 235 136 shade: RGB 40 235 135, RGB 40 235 83, RGB 50 235 40, RGB 102 235 40 and RGB 155 235 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 235 136 shade: RGB 40 235 135, RGB 40 235 188, RGB 40 229 235, RGB 40 176 235 and RGB 40 124 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 235 136 shade matches the following richer shades: RGB 40 235 135 and RGB 21 254 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 235 136 shade: RGB 40 235 135, RGB 59 216 136, RGB 78 197 136, RGB 97 178 136 and RGB 116 159 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 235 136 shade: RGB 50 235 40, RGB 40 235 82, RGB 40 235 134, RGB 40 235 186 and RGB 40 231 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 235 136 shade: RGB 16 176 94, RGB 19 214 115, RGB 40 235 135, RGB 78 238 156 and RGB 115 242 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 235 136 shade: RGB 41 235 136, RGB 40 102 235 and RGB 235 56 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 235 136 shade: RGB 41 235 136, RGB 134 40 235 and RGB 235 134 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 235 136 shade: RGB 41 235 136, RGB 40 102 235, RGB 235 40 140 and RGB 235 173 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 235 136 shade: RGB 41 235 136, RGB 40 43 235, RGB 235 40 140 and RGB 235 231 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 42 / 8

HEX #29EB88

RGB 41 235 136

HSL 149.38, 0.83%, 0.54%

LAB 82.74, -66.97, 35.42

 

Complementary color

CMYK 0 / 91 / 44 / 16

HEX #D61477

RGB 214 20 119

HSL 329.38, 0.83%, 0.46%

LAB 47.14, 73.16, -2.73

 

CMYK 80 / 0 / 44 / 8

HEX #2EEB83

RGB 46 235 131

HSL 146.98, 0.83%, 0.55%

LAB 82.72, -67.37, 37.89

 

CMYK 75 / 0 / 41 / 1

HEX #3FFD96

RGB 63 253 150

HSL 147.47, 0.98%, 0.62%

LAB 88.69, -68.37, 36.32

 

CMYK 69 / 0 / 34 / 0

HEX #50FFA9

RGB 80 255 169

HSL 150.51, 1%, 0.66%

LAB 89.9, -63.25, 28.51

 

CMYK 62 / 0 / 26 / 0

HEX #61FFBC

RGB 97 255 188

HSL 154.56, 1%, 0.69%

LAB 90.64, -56.65, 19.94

 

CMYK 55 / 0 / 19 / 0

HEX #72FFCF

RGB 114 255 207

HSL 159.57, 1%, 0.72%

LAB 91.51, -49.37, 11.47

 

CMYK 83 / 0 / 42 / 8

HEX #29EB88

RGB 41 235 136

HSL 149.38, 0.83%, 0.54%

LAB 82.74, -66.97, 35.42

 

CMYK 89 / 0 / 46 / 15

HEX #18D975

RGB 24 217 117

HSL 148.91, 0.8%, 0.47%

LAB 76.74, -65.48, 37.11

 

CMYK 96 / 0 / 51 / 22

HEX #07C762

RGB 7 199 98

HSL 148.44, 0.93%, 0.4%

LAB 70.71, -63.48, 38.89

 

CMYK 100 / 0 / 56 / 29

HEX #00B54F

RGB 0 181 79

HSL 146.19, 1%, 0.35%

LAB 64.65, -60.86, 40.73

 

CMYK 100 / 0 / 63 / 36

HEX #00A33C

RGB 0 163 60

HSL 142.09, 1%, 0.32%

LAB 58.53, -57.73, 42.48

 

CMYK 83 / 0 / 43 / 8

HEX #28EB87

RGB 40 235 135

HSL 149.23, 0.83%, 0.54%

LAB 82.71, -67.24, 35.88

 

CMYK 83 / 0 / 65 / 8

HEX #28EB53

RGB 40 235 83

HSL 133.23, 0.83%, 0.54%

LAB 82.11, -74.51, 59.05

 

CMYK 79 / 0 / 83 / 8

HEX #32EB28

RGB 50 235 40

HSL 116.92, 0.83%, 0.54%

LAB 81.97, -76.62, 73.08

 

CMYK 57 / 0 / 83 / 8

HEX #66EB28

RGB 102 235 40

HSL 100.92, 0.83%, 0.54%

LAB 83.12, -66.93, 74.55

 

CMYK 34 / 0 / 83 / 8

HEX #9BEB28

RGB 155 235 40

HSL 84.62, 0.83%, 0.54%

LAB 85.27, -50.87, 77.27

 

CMYK 83 / 0 / 43 / 8

HEX #28EB87

RGB 40 235 135

HSL 149.23, 0.83%, 0.54%

LAB 82.71, -67.24, 35.88

 

CMYK 83 / 0 / 20 / 8

HEX #28EBBC

RGB 40 235 188

HSL 165.54, 0.83%, 0.54%

LAB 83.7, -56.13, 10.02

 

CMYK 83 / 3 / 0 / 8

HEX #28E5EB

RGB 40 229 235

HSL 181.85, 0.83%, 0.54%

LAB 83.17, -41, -15.55

 

CMYK 83 / 25 / 0 / 8

HEX #28B0EB

RGB 40 176 235

HSL 198.15, 0.83%, 0.54%

LAB 67.65, -14.93, -39.34

 

CMYK 83 / 47 / 0 / 8

HEX #287CEB

RGB 40 124 235

HSL 214.15, 0.83%, 0.54%

LAB 52.8, 15.37, -62.9

 

CMYK 83 / 0 / 43 / 8

HEX #28EB87

RGB 40 235 135

HSL 149.23, 0.83%, 0.54%

LAB 82.71, -67.24, 35.88

 

CMYK 92 / 0 / 47 / 0

HEX #15FE87

RGB 21 254 135

HSL 149.36, 0.99%, 0.54%

LAB 88.35, -74.7, 43.09

 

CMYK 83 / 0 / 43 / 8

HEX #28EB87

RGB 40 235 135

HSL 149.23, 0.83%, 0.54%

LAB 82.71, -67.24, 35.88

 

CMYK 73 / 0 / 37 / 15

HEX #3BD888

RGB 59 216 136

HSL 149.43, 0.67%, 0.54%

LAB 77.17, -58.16, 28.13

 

CMYK 60 / 0 / 31 / 23

HEX #4EC588

RGB 78 197 136

HSL 149.24, 0.51%, 0.54%

LAB 71.78, -47.45, 20.91

 

CMYK 46 / 0 / 24 / 30

HEX #61B288

RGB 97 178 136

HSL 148.89, 0.34%, 0.54%

LAB 66.64, -34.6, 13.9

 

CMYK 27 / 0 / 14 / 38

HEX #749F89

RGB 116 159 137

HSL 149.3, 0.18%, 0.54%

LAB 61.93, -19.35, 6.8

 

CMYK 79 / 0 / 83 / 8

HEX #32EB28

RGB 50 235 40

HSL 116.92, 0.83%, 0.54%

LAB 81.97, -76.62, 73.08

 

CMYK 83 / 0 / 65 / 8

HEX #28EB52

RGB 40 235 82

HSL 132.92, 0.83%, 0.54%

LAB 82.1, -74.61, 59.44

 

CMYK 83 / 0 / 43 / 8

HEX #28EB86

RGB 40 235 134

HSL 148.92, 0.83%, 0.54%

LAB 82.69, -67.41, 36.36

 

CMYK 83 / 0 / 21 / 8

HEX #28EBBA

RGB 40 235 186

HSL 164.92, 0.83%, 0.54%

LAB 83.66, -56.61, 11

 

CMYK 83 / 2 / 0 / 8

HEX #28E7EB

RGB 40 231 235

HSL 181.23, 0.83%, 0.54%

LAB 83.76, -41.9, -14.67

 

CMYK 91 / 0 / 47 / 31

HEX #10B05E

RGB 16 176 94

HSL 149.25, 0.83%, 0.38%

LAB 63.32, -56.04, 31.6

 

CMYK 91 / 0 / 46 / 16

HEX #13D673

RGB 19 214 115

HSL 149.54, 0.84%, 0.46%

LAB 75.74, -65.1, 36.82

 

CMYK 83 / 0 / 43 / 8

HEX #28EB87

RGB 40 235 135

HSL 149.23, 0.83%, 0.54%

LAB 82.71, -67.24, 35.88

 

CMYK 67 / 0 / 34 / 7

HEX #4EEE9C

RGB 78 238 156

HSL 149.25, 0.82%, 0.62%

LAB 84.57, -59.69, 27.88

 

CMYK 52 / 0 / 27 / 5

HEX #73F2B1

RGB 115 242 177

HSL 149.29, 0.83%, 0.7%

LAB 87.16, -49.93, 20.82

 

CMYK 83 / 0 / 42 / 8

HEX #29EB88

RGB 41 235 136

HSL 149.38, 0.83%, 0.54%

LAB 82.74, -66.97, 35.42

 

CMYK 83 / 57 / 0 / 8

HEX #2866EB

RGB 40 102 235

HSL 220.92, 0.83%, 0.54%

LAB 46.91, 29.28, -72.44

 

CMYK 0 / 76 / 83 / 8

HEX #EB3828

RGB 235 56 40

HSL 4.92, 0.83%, 0.54%

LAB 52.56, 66.45, 51.21

 

CMYK 83 / 0 / 42 / 8

HEX #29EB88

RGB 41 235 136

HSL 149.38, 0.83%, 0.54%

LAB 82.74, -66.97, 35.42

 

CMYK 43 / 83 / 0 / 8

HEX #8628EB

RGB 134 40 235

HSL 268.92, 0.83%, 0.54%

LAB 42.13, 72.28, -80

 

CMYK 0 / 43 / 83 / 8

HEX #EB8628

RGB 235 134 40

HSL 28.92, 0.83%, 0.54%

LAB 65.64, 32.43, 62.75

 

CMYK 83 / 0 / 42 / 8

HEX #29EB88

RGB 41 235 136

HSL 149.38, 0.83%, 0.54%

LAB 82.74, -66.97, 35.42

 

CMYK 83 / 57 / 0 / 8

HEX #2866EB

RGB 40 102 235

HSL 220.92, 0.83%, 0.54%

LAB 46.91, 29.28, -72.44

 

CMYK 0 / 83 / 40 / 8

HEX #EB288C

RGB 235 40 140

HSL 329.23, 0.83%, 0.54%

LAB 53.03, 76.38, -6.3

 

CMYK 0 / 26 / 83 / 8

HEX #EBAD28

RGB 235 173 40

HSL 40.92, 0.83%, 0.54%

LAB 74.64, 11.84, 70.45

 

CMYK 83 / 0 / 42 / 8

HEX #29EB88

RGB 41 235 136

HSL 149.38, 0.83%, 0.54%

LAB 82.74, -66.97, 35.42

 

CMYK 83 / 82 / 0 / 8

HEX #282BEB

RGB 40 43 235

HSL 239.08, 0.83%, 0.54%

LAB 34.35, 63.22, -93.13

 

CMYK 0 / 83 / 40 / 8

HEX #EB288C

RGB 235 40 140

HSL 329.23, 0.83%, 0.54%

LAB 53.03, 76.38, -6.3

 

CMYK 0 / 2 / 83 / 8

HEX #EBE728

RGB 235 231 40

HSL 58.77, 0.83%, 0.54%

LAB 89.38, -17.76, 82.84

 

Description

Color code: RGB 41 235 136 | qconv.com Color code: RGB 41 235 136 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 235 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 235 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 42 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 42% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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