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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 191 201 it is the complementary color RGB 214 64 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 191 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 191 201 shade: RGB 46 191 196, RGB 63 209 215, RGB 80 227 234, RGB 97 245 253 and RGB 114 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 191 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 191 201 shade: RGB 41 191 201, RGB 24 173 182, RGB 7 155 163, RGB 0 137 144 and RGB 0 119 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 191 201 shade: RGB 40 189 198, RGB 40 146 198, RGB 40 103 198, RGB 40 61 198 and RGB 63 40 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 191 201 shade: RGB 40 189 198, RGB 40 146 198, RGB 40 103 198, RGB 40 61 198 and RGB 40 40 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 191 201 shade matches the following richer shades: RGB 40 189 198, RGB 21 206 218 and RGB 1 222 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 191 201 shade: RGB 40 189 198, RGB 60 172 179, RGB 79 155 160, RGB 98 138 140 and RGB 118 121 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 191 201 shade: RGB 40 198 122, RGB 40 198 164, RGB 40 191 198, RGB 40 148 198 and RGB 40 106 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 191 201 shade: RGB 26 123 130, RGB 33 156 164, RGB 40 189 198, RGB 64 206 216 and RGB 99 215 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 191 201 shade: RGB 41 191 201, RGB 80 40 198 and RGB 198 143 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 191 201 shade: RGB 41 191 201, RGB 198 40 191 and RGB 191 198 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 191 201 shade: RGB 41 191 201, RGB 80 40 198, RGB 198 48 40 and RGB 159 198 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 191 201 shade: RGB 41 191 201, RGB 127 40 198, RGB 198 48 40 and RGB 111 198 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 5 / 0 / 21

HEX #29BFC9

RGB 41 191 201

HSL 183.75, 0.66%, 0.47%

LAB 70.84, -33.53, -15.85

 

Complementary color

CMYK 0 / 70 / 75 / 16

HEX #D64036

RGB 214 64 54

HSL 3.75, 0.66%, 0.53%

LAB 49.77, 57.8, 39.85

 

CMYK 77 / 3 / 0 / 23

HEX #2EBFC4

RGB 46 191 196

HSL 182, 0.62%, 0.47%

LAB 70.75, -34.56, -13.23

 

CMYK 71 / 3 / 0 / 16

HEX #3FD1D7

RGB 63 209 215

HSL 182.37, 0.66%, 0.55%

LAB 77.02, -35.48, -14.1

 

CMYK 66 / 3 / 0 / 8

HEX #50E3EA

RGB 80 227 234

HSL 182.73, 0.79%, 0.62%

LAB 83.22, -36.18, -14.88

 

CMYK 62 / 3 / 0 / 1

HEX #61F5FD

RGB 97 245 253

HSL 183.08, 0.98%, 0.69%

LAB 89.36, -36.71, -15.6

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 80 / 5 / 0 / 21

HEX #29BFC9

RGB 41 191 201

HSL 183.75, 0.66%, 0.47%

LAB 70.84, -33.53, -15.85

 

CMYK 87 / 5 / 0 / 29

HEX #18ADB6

RGB 24 173 182

HSL 183.42, 0.77%, 0.4%

LAB 64.53, -32.13, -14.9

 

CMYK 96 / 5 / 0 / 36

HEX #079BA3

RGB 7 155 163

HSL 183.08, 0.92%, 0.33%

LAB 58.16, -30.32, -13.83

 

CMYK 100 / 5 / 0 / 44

HEX #008990

RGB 0 137 144

HSL 182.92, 1%, 0.28%

LAB 51.73, -28.01, -12.63

 

CMYK 100 / 5 / 0 / 51

HEX #00777D

RGB 0 119 125

HSL 182.88, 1%, 0.25%

LAB 45.18, -25.36, -11.32

 

CMYK 80 / 5 / 0 / 22

HEX #28BDC6

RGB 40 189 198

HSL 183.42, 0.66%, 0.47%

LAB 70.12, -33.58, -15.28

 

CMYK 80 / 26 / 0 / 22

HEX #2892C6

RGB 40 146 198

HSL 199.75, 0.66%, 0.47%

LAB 57.16, -11.41, -35.19

 

CMYK 80 / 48 / 0 / 22

HEX #2867C6

RGB 40 103 198

HSL 216.08, 0.66%, 0.47%

LAB 44.56, 14.58, -55.19

 

CMYK 80 / 69 / 0 / 22

HEX #283DC6

RGB 40 61 198

HSL 232.03, 0.66%, 0.47%

LAB 33.7, 41.63, -72.88

 

CMYK 68 / 80 / 0 / 22

HEX #3F28C6

RGB 63 40 198

HSL 248.73, 0.66%, 0.47%

LAB 31, 55.04, -77.3

 

CMYK 80 / 5 / 0 / 22

HEX #28BDC6

RGB 40 189 198

HSL 183.42, 0.66%, 0.47%

LAB 70.12, -33.58, -15.28

 

CMYK 80 / 26 / 0 / 22

HEX #2892C6

RGB 40 146 198

HSL 199.75, 0.66%, 0.47%

LAB 57.16, -11.41, -35.19

 

CMYK 80 / 48 / 0 / 22

HEX #2867C6

RGB 40 103 198

HSL 216.08, 0.66%, 0.47%

LAB 44.56, 14.58, -55.19

 

CMYK 80 / 69 / 0 / 22

HEX #283DC6

RGB 40 61 198

HSL 232.03, 0.66%, 0.47%

LAB 33.7, 41.63, -72.88

 

CMYK 80 / 80 / 0 / 22

HEX #2828C6

RGB 40 40 198

HSL 240, 0.66%, 0.47%

LAB 29.53, 53.38, -79.78

 

CMYK 80 / 5 / 0 / 22

HEX #28BDC6

RGB 40 189 198

HSL 183.42, 0.66%, 0.47%

LAB 70.12, -33.58, -15.28

 

CMYK 90 / 6 / 0 / 15

HEX #15CEDA

RGB 21 206 218

HSL 183.65, 0.82%, 0.47%

LAB 75.68, -36.66, -17.79

 

CMYK 100 / 6 / 0 / 7

HEX #01DEED

RGB 1 222 237

HSL 183.81, 0.99%, 0.47%

LAB 80.94, -38.77, -20

 

CMYK 80 / 5 / 0 / 22

HEX #28BDC6

RGB 40 189 198

HSL 183.42, 0.66%, 0.47%

LAB 70.12, -33.58, -15.28

 

CMYK 66 / 4 / 0 / 30

HEX #3CACB3

RGB 60 172 179

HSL 183.53, 0.5%, 0.47%

LAB 64.74, -28.72, -12.85

 

CMYK 51 / 3 / 0 / 37

HEX #4F9BA0

RGB 79 155 160

HSL 183.7, 0.34%, 0.47%

LAB 59.56, -22.05, -9.87

 

CMYK 30 / 1 / 0 / 45

HEX #628A8C

RGB 98 138 140

HSL 182.86, 0.18%, 0.47%

LAB 54.73, -13.23, -5.53

 

CMYK 2 / 0 / 0 / 53

HEX #767979

RGB 118 121 121

HSL 180, 0.01%, 0.47%

LAB 50.58, -1.13, -0.4

 

CMYK 80 / 0 / 38 / 22

HEX #28C67A

RGB 40 198 122

HSL 151.14, 0.66%, 0.47%

LAB 71.04, -56.6, 27.16

 

CMYK 80 / 0 / 17 / 22

HEX #28C6A4

RGB 40 198 164

HSL 167.09, 0.66%, 0.47%

LAB 71.91, -47.13, 5.91

 

CMYK 80 / 4 / 0 / 22

HEX #28BFC6

RGB 40 191 198

HSL 182.66, 0.66%, 0.47%

LAB 70.73, -34.53, -14.37

 

CMYK 80 / 25 / 0 / 22

HEX #2894C6

RGB 40 148 198

HSL 198.99, 0.66%, 0.47%

LAB 57.76, -12.53, -34.25

 

CMYK 80 / 46 / 0 / 22

HEX #286AC6

RGB 40 106 198

HSL 214.94, 0.66%, 0.47%

LAB 45.41, 12.65, -53.82

 

CMYK 80 / 5 / 0 / 49

HEX #1A7B82

RGB 26 123 130

HSL 184.04, 0.67%, 0.31%

LAB 46.97, -23.85, -11.57

 

CMYK 80 / 5 / 0 / 36

HEX #219CA4

RGB 33 156 164

HSL 183.66, 0.66%, 0.39%

LAB 58.77, -28.83, -13.46

 

CMYK 80 / 5 / 0 / 22

HEX #28BDC6

RGB 40 189 198

HSL 183.42, 0.66%, 0.47%

LAB 70.12, -33.58, -15.28

 

CMYK 70 / 5 / 0 / 15

HEX #40CED8

RGB 64 206 216

HSL 183.95, 0.66%, 0.55%

LAB 76.19, -33.66, -15.88

 

CMYK 56 / 4 / 0 / 13

HEX #63D7DF

RGB 99 215 223

HSL 183.87, 0.66%, 0.63%

LAB 79.94, -30.41, -13.9

 

CMYK 80 / 5 / 0 / 21

HEX #29BFC9

RGB 41 191 201

HSL 183.75, 0.66%, 0.47%

LAB 70.84, -33.53, -15.85

 

CMYK 60 / 80 / 0 / 22

HEX #5028C6

RGB 80 40 198

HSL 255.19, 0.66%, 0.47%

LAB 32.48, 56.71, -74.8

 

CMYK 0 / 28 / 80 / 22

HEX #C68F28

RGB 198 143 40

HSL 39.11, 0.66%, 0.47%

LAB 63.18, 11.87, 58.83

 

CMYK 80 / 5 / 0 / 21

HEX #29BFC9

RGB 41 191 201

HSL 183.75, 0.66%, 0.47%

LAB 70.84, -33.53, -15.85

 

CMYK 0 / 80 / 4 / 22

HEX #C628BF

RGB 198 40 191

HSL 302.66, 0.66%, 0.47%

LAB 48.62, 74.5, -43.77

 

CMYK 4 / 0 / 80 / 22

HEX #BFC628

RGB 191 198 40

HSL 62.66, 0.66%, 0.47%

LAB 77.05, -20.06, 70.95

 

CMYK 80 / 5 / 0 / 21

HEX #29BFC9

RGB 41 191 201

HSL 183.75, 0.66%, 0.47%

LAB 70.84, -33.53, -15.85

 

CMYK 60 / 80 / 0 / 22

HEX #5028C6

RGB 80 40 198

HSL 255.19, 0.66%, 0.47%

LAB 32.48, 56.71, -74.8

 

CMYK 0 / 76 / 80 / 22

HEX #C63028

RGB 198 48 40

HSL 3.04, 0.66%, 0.47%

LAB 44.62, 57.9, 41.18

 

CMYK 20 / 0 / 80 / 22

HEX #9FC628

RGB 159 198 40

HSL 74.81, 0.66%, 0.47%

LAB 74.77, -33.29, 68.05

 

CMYK 80 / 5 / 0 / 21

HEX #29BFC9

RGB 41 191 201

HSL 183.75, 0.66%, 0.47%

LAB 70.84, -33.53, -15.85

 

CMYK 36 / 80 / 0 / 22

HEX #7F28C6

RGB 127 40 198

HSL 273.04, 0.66%, 0.47%

LAB 38.03, 63.02, -65.48

 

CMYK 0 / 76 / 80 / 22

HEX #C63028

RGB 198 48 40

HSL 3.04, 0.66%, 0.47%

LAB 44.62, 57.9, 41.18

 

CMYK 44 / 0 / 80 / 22

HEX #6FC628

RGB 111 198 40

HSL 93.04, 0.66%, 0.47%

LAB 72.18, -50.85, 64.73

 

Description

Color code: RGB 41 191 201 | qconv.com Color code: RGB 41 191 201 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 191 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 191 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 5 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 5% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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