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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 172 224 it is the complementary color RGB 214 83 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 172 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 172 224 shade: RGB 46 172 219, RGB 63 190 238, RGB 80 208 255, RGB 97 226 255 and RGB 114 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 172 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 172 224 shade: RGB 41 172 224, RGB 24 154 205, RGB 7 136 186, RGB 0 118 167 and RGB 0 100 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 172 224 shade: RGB 40 172 224, RGB 40 122 224, RGB 40 73 224, RGB 57 40 224 and RGB 107 40 224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 172 224 shade: RGB 40 172 224, RGB 40 122 224, RGB 40 73 224 and RGB 40 40 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 172 224 shade matches the following richer shades: RGB 40 172 224 and RGB 20 180 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 172 224 shade: RGB 40 172 224, RGB 60 163 204, RGB 80 155 184, RGB 100 146 164 and RGB 120 138 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 172 224 shade: RGB 40 224 178, RGB 40 221 224, RGB 40 172 224, RGB 40 123 224 and RGB 40 74 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 172 224 shade: RGB 22 120 159, RGB 27 148 195, RGB 40 172 224, RGB 76 186 229 and RGB 113 200 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 172 224 shade: RGB 41 172 224, RGB 129 40 224 and RGB 224 202 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 172 224 shade: RGB 41 172 224, RGB 224 40 172 and RGB 172 224 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 172 224 shade: RGB 41 172 224, RGB 129 40 224, RGB 224 92 40 and RGB 135 224 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 172 224 shade: RGB 41 172 224, RGB 184 40 224, RGB 224 92 40 and RGB 80 224 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 23 / 0 / 12

HEX #29ACE0

RGB 41 172 224

HSL 197.05, 0.75%, 0.52%

LAB 66.03, -16.49, -35.84

 

Complementary color

CMYK 0 / 61 / 86 / 16

HEX #D6531F

RGB 214 83 31

HSL 17.05, 0.75%, 0.48%

LAB 52.49, 49.23, 53.71

 

CMYK 79 / 21 / 0 / 14

HEX #2EACDB

RGB 46 172 219

HSL 196.3, 0.71%, 0.52%

LAB 65.9, -17.73, -33.27

 

CMYK 74 / 20 / 0 / 7

HEX #3FBEEE

RGB 63 190 238

HSL 196.46, 0.84%, 0.59%

LAB 72.27, -19.04, -33.76

 

CMYK 69 / 18 / 0 / 0

HEX #50D0FF

RGB 80 208 255

HSL 196.11, 1%, 0.66%

LAB 78.48, -20.72, -33.25

 

CMYK 62 / 11 / 0 / 0

HEX #61E2FF

RGB 97 226 255

HSL 191.01, 1%, 0.69%

LAB 84.05, -27.13, -24.69

 

CMYK 55 / 4 / 0 / 0

HEX #72F4FF

RGB 114 244 255

HSL 184.68, 1%, 0.72%

LAB 89.63, -32.8, -16.2

 

CMYK 82 / 23 / 0 / 12

HEX #29ACE0

RGB 41 172 224

HSL 197.05, 0.75%, 0.52%

LAB 66.03, -16.49, -35.84

 

CMYK 88 / 25 / 0 / 20

HEX #189ACD

RGB 24 154 205

HSL 196.91, 0.79%, 0.45%

LAB 59.63, -14.63, -35.28

 

CMYK 96 / 27 / 0 / 27

HEX #0788BA

RGB 7 136 186

HSL 196.76, 0.93%, 0.38%

LAB 53.17, -12.31, -34.65

 

CMYK 100 / 29 / 0 / 35

HEX #0076A7

RGB 0 118 167

HSL 197.6, 1%, 0.33%

LAB 46.64, -9.43, -33.9

 

CMYK 100 / 32 / 0 / 42

HEX #006494

RGB 0 100 148

HSL 199.46, 1%, 0.29%

LAB 40, -6.12, -33.1

 

CMYK 82 / 23 / 0 / 12

HEX #28ACE0

RGB 40 172 224

HSL 196.96, 0.75%, 0.52%

LAB 66.01, -16.57, -35.86

 

CMYK 82 / 46 / 0 / 12

HEX #287AE0

RGB 40 122 224

HSL 213.26, 0.75%, 0.52%

LAB 51.56, 12.46, -58.74

 

CMYK 82 / 67 / 0 / 12

HEX #2849E0

RGB 40 73 224

HSL 229.24, 0.75%, 0.52%

LAB 38.9, 43.5, -79.34

 

CMYK 75 / 82 / 0 / 12

HEX #3928E0

RGB 57 40 224

HSL 245.54, 0.75%, 0.52%

LAB 33.5, 62.15, -88.24

 

CMYK 52 / 82 / 0 / 12

HEX #6B28E0

RGB 107 40 224

HSL 261.85, 0.75%, 0.52%

LAB 37.89, 66.49, -80.84

 

CMYK 82 / 23 / 0 / 12

HEX #28ACE0

RGB 40 172 224

HSL 196.96, 0.75%, 0.52%

LAB 66.01, -16.57, -35.86

 

CMYK 82 / 46 / 0 / 12

HEX #287AE0

RGB 40 122 224

HSL 213.26, 0.75%, 0.52%

LAB 51.56, 12.46, -58.74

 

CMYK 82 / 67 / 0 / 12

HEX #2849E0

RGB 40 73 224

HSL 229.24, 0.75%, 0.52%

LAB 38.9, 43.5, -79.34

 

CMYK 82 / 82 / 0 / 12

HEX #2828E0

RGB 40 40 224

HSL 240, 0.75%, 0.52%

LAB 32.59, 61.28, -89.77

 

CMYK 82 / 23 / 0 / 12

HEX #28ACE0

RGB 40 172 224

HSL 196.96, 0.75%, 0.52%

LAB 66.01, -16.57, -35.86

 

CMYK 92 / 26 / 0 / 4

HEX #14B4F4

RGB 20 180 244

HSL 197.14, 0.91%, 0.52%

LAB 68.98, -15.11, -42.17

 

CMYK 82 / 23 / 0 / 12

HEX #28ACE0

RGB 40 172 224

HSL 196.96, 0.75%, 0.52%

LAB 66.01, -16.57, -35.86

 

CMYK 71 / 20 / 0 / 20

HEX #3CA3CC

RGB 60 163 204

HSL 197.08, 0.59%, 0.52%

LAB 62.94, -16.27, -29.53

 

CMYK 57 / 16 / 0 / 28

HEX #509BB8

RGB 80 155 184

HSL 196.73, 0.42%, 0.52%

LAB 60.43, -14.84, -22.13

 

CMYK 39 / 11 / 0 / 36

HEX #6492A4

RGB 100 146 164

HSL 196.88, 0.26%, 0.52%

LAB 57.99, -10.82, -14.42

 

CMYK 17 / 5 / 0 / 43

HEX #788A91

RGB 120 138 145

HSL 196.8, 0.1%, 0.52%

LAB 56.3, -4.91, -5.92

 

CMYK 82 / 0 / 21 / 12

HEX #28E0B2

RGB 40 224 178

HSL 165, 0.75%, 0.52%

LAB 80.17, -54.21, 10.24

 

CMYK 82 / 1 / 0 / 12

HEX #28DDE0

RGB 40 221 224

HSL 180.98, 0.75%, 0.52%

LAB 80.49, -40.61, -13.75

 

CMYK 82 / 23 / 0 / 12

HEX #28ACE0

RGB 40 172 224

HSL 196.96, 0.75%, 0.52%

LAB 66.01, -16.57, -35.86

 

CMYK 82 / 45 / 0 / 12

HEX #287BE0

RGB 40 123 224

HSL 212.93, 0.75%, 0.52%

LAB 51.84, 11.84, -58.29

 

CMYK 82 / 67 / 0 / 12

HEX #284AE0

RGB 40 74 224

HSL 228.91, 0.75%, 0.52%

LAB 39.12, 42.89, -78.97

 

CMYK 86 / 25 / 0 / 38

HEX #16789F

RGB 22 120 159

HSL 197.08, 0.76%, 0.35%

LAB 47.11, -12.43, -28.46

 

CMYK 86 / 24 / 0 / 24

HEX #1B94C3

RGB 27 148 195

HSL 196.79, 0.76%, 0.44%

LAB 57.42, -14.7, -33.11

 

CMYK 82 / 23 / 0 / 12

HEX #28ACE0

RGB 40 172 224

HSL 196.96, 0.75%, 0.52%

LAB 66.01, -16.57, -35.86

 

CMYK 67 / 19 / 0 / 10

HEX #4CBAE5

RGB 76 186 229

HSL 196.86, 0.75%, 0.6%

LAB 71.09, -18.07, -30.67

 

CMYK 52 / 15 / 0 / 8

HEX #71C8EA

RGB 113 200 234

HSL 196.86, 0.74%, 0.68%

LAB 76.53, -17.06, -24.91

 

CMYK 82 / 23 / 0 / 12

HEX #29ACE0

RGB 41 172 224

HSL 197.05, 0.75%, 0.52%

LAB 66.03, -16.49, -35.84

 

CMYK 42 / 82 / 0 / 12

HEX #8128E0

RGB 129 40 224

HSL 269.02, 0.75%, 0.52%

LAB 40.52, 69.16, -76.41

 

CMYK 0 / 10 / 82 / 12

HEX #E0CA28

RGB 224 202 40

HSL 52.83, 0.75%, 0.52%

LAB 80.87, -7.98, 75.32

 

CMYK 82 / 23 / 0 / 12

HEX #29ACE0

RGB 41 172 224

HSL 197.05, 0.75%, 0.52%

LAB 66.03, -16.49, -35.84

 

CMYK 0 / 82 / 23 / 12

HEX #E028AC

RGB 224 40 172

HSL 316.96, 0.75%, 0.52%

LAB 52.22, 77.31, -26.68

 

CMYK 23 / 0 / 82 / 12

HEX #ACE028

RGB 172 224 40

HSL 76.96, 0.75%, 0.52%

LAB 83.04, -39.95, 75.68

 

CMYK 82 / 23 / 0 / 12

HEX #29ACE0

RGB 41 172 224

HSL 197.05, 0.75%, 0.52%

LAB 66.03, -16.49, -35.84

 

CMYK 42 / 82 / 0 / 12

HEX #8128E0

RGB 129 40 224

HSL 269.02, 0.75%, 0.52%

LAB 40.52, 69.16, -76.41

 

CMYK 0 / 59 / 82 / 12

HEX #E05C28

RGB 224 92 40

HSL 16.96, 0.75%, 0.52%

LAB 55.74, 48.99, 53.38

 

CMYK 40 / 0 / 82 / 12

HEX #87E028

RGB 135 224 40

HSL 89.02, 0.75%, 0.52%

LAB 81.08, -53.26, 73.2

 

CMYK 82 / 23 / 0 / 12

HEX #29ACE0

RGB 41 172 224

HSL 197.05, 0.75%, 0.52%

LAB 66.03, -16.49, -35.84

 

CMYK 18 / 82 / 0 / 12

HEX #B828E0

RGB 184 40 224

HSL 286.96, 0.75%, 0.52%

LAB 48.37, 77.4, -63.28

 

CMYK 0 / 59 / 82 / 12

HEX #E05C28

RGB 224 92 40

HSL 16.96, 0.75%, 0.52%

LAB 55.74, 48.99, 53.38

 

CMYK 64 / 0 / 82 / 12

HEX #50E028

RGB 80 224 40

HSL 106.96, 0.75%, 0.52%

LAB 79.14, -68.34, 70.72

 

Description

Color code: RGB 41 172 224 | qconv.com Color code: RGB 41 172 224 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 172 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 172 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 23 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 23% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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