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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 111 235 it is the complementary color RGB 214 144 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 111 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 111 235 shade: RGB 46 111 230, RGB 63 129 249, RGB 80 147 255, RGB 97 165 255 and RGB 114 183 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 111 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 111 235 shade: RGB 41 111 235, RGB 24 93 216, RGB 7 75 197, RGB 0 57 178 and RGB 0 39 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 111 235 shade: RGB 40 110 235, RGB 40 58 235, RGB 75 40 235, RGB 127 40 235 and RGB 180 40 235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 111 235 shade: RGB 40 110 235, RGB 40 58 235 and RGB 40 40 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 111 235 shade matches the following richer shades: RGB 40 110 235 and RGB 21 105 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 111 235 shade: RGB 40 110 235, RGB 59 115 216, RGB 78 121 197, RGB 97 126 178 and RGB 116 131 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 111 235 shade: RGB 40 215 235, RGB 40 163 235, RGB 40 111 235, RGB 40 59 235 and RGB 72 40 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 111 235 shade: RGB 16 74 176, RGB 19 90 214, RGB 40 110 235, RGB 78 135 238 and RGB 115 161 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 111 235 shade: RGB 41 111 235, RGB 202 40 235 and RGB 189 235 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 111 235 shade: RGB 41 111 235, RGB 235 40 111 and RGB 111 235 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 111 235 shade: RGB 41 111 235, RGB 202 40 235, RGB 235 163 40 and RGB 72 235 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 111 235 shade: RGB 41 111 235, RGB 235 40 209, RGB 235 163 40 and RGB 40 235 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 53 / 0 / 8

HEX #296FEB

RGB 41 111 235

HSL 218.35, 0.83%, 0.54%

LAB 49.3, 23.63, -68.56

 

Complementary color

CMYK 0 / 33 / 91 / 16

HEX #D69014

RGB 214 144 20

HSL 38.35, 0.83%, 0.46%

LAB 65.19, 17.82, 67.03

 

CMYK 80 / 52 / 0 / 10

HEX #2E6FE6

RGB 46 111 230

HSL 218.8, 0.79%, 0.54%

LAB 49.08, 22.18, -66.09

 

CMYK 75 / 48 / 0 / 2

HEX #3F81F9

RGB 63 129 249

HSL 218.71, 0.94%, 0.61%

LAB 55.68, 19.71, -66

 

CMYK 69 / 42 / 0 / 0

HEX #5093FF

RGB 80 147 255

HSL 217.03, 1%, 0.66%

LAB 61.48, 13.14, -59.97

 

CMYK 62 / 35 / 0 / 0

HEX #61A5FF

RGB 97 165 255

HSL 214.18, 1%, 0.69%

LAB 67.03, 5.33, -51.1

 

CMYK 55 / 28 / 0 / 0

HEX #72B7FF

RGB 114 183 255

HSL 210.64, 1%, 0.72%

LAB 72.67, -1.59, -42.18

 

CMYK 83 / 53 / 0 / 8

HEX #296FEB

RGB 41 111 235

HSL 218.35, 0.83%, 0.54%

LAB 49.3, 23.63, -68.56

 

CMYK 89 / 57 / 0 / 15

HEX #185DD8

RGB 24 93 216

HSL 218.44, 0.8%, 0.47%

LAB 42.73, 26.8, -68.5

 

CMYK 96 / 62 / 0 / 23

HEX #074BC5

RGB 7 75 197

HSL 218.53, 0.93%, 0.4%

LAB 36.19, 30.53, -68.24

 

CMYK 100 / 68 / 0 / 30

HEX #0039B2

RGB 0 57 178

HSL 220.79, 1%, 0.35%

LAB 29.76, 34.77, -67.61

 

CMYK 100 / 75 / 0 / 38

HEX #00279F

RGB 0 39 159

HSL 225.28, 1%, 0.31%

LAB 23.52, 39.08, -66.47

 

CMYK 83 / 53 / 0 / 8

HEX #286EEB

RGB 40 110 235

HSL 218.46, 0.83%, 0.54%

LAB 49.01, 24.19, -69.03

 

CMYK 83 / 75 / 0 / 8

HEX #283AEB

RGB 40 58 235

HSL 234.46, 0.83%, 0.54%

LAB 36.88, 55.87, -88.92

 

CMYK 68 / 83 / 0 / 8

HEX #4B28EB

RGB 75 40 235

HSL 250.77, 0.83%, 0.54%

LAB 36.01, 66.41, -90.32

 

CMYK 46 / 83 / 0 / 8

HEX #7F28EB

RGB 127 40 235

HSL 266.77, 0.83%, 0.54%

LAB 41.26, 71.43, -81.47

 

CMYK 23 / 83 / 0 / 8

HEX #B428EB

RGB 180 40 235

HSL 283.08, 0.83%, 0.54%

LAB 48.53, 78.76, -69.28

 

CMYK 83 / 53 / 0 / 8

HEX #286EEB

RGB 40 110 235

HSL 218.46, 0.83%, 0.54%

LAB 49.01, 24.19, -69.03

 

CMYK 83 / 75 / 0 / 8

HEX #283AEB

RGB 40 58 235

HSL 234.46, 0.83%, 0.54%

LAB 36.88, 55.87, -88.92

 

CMYK 83 / 83 / 0 / 8

HEX #2828EB

RGB 40 40 235

HSL 240, 0.83%, 0.54%

LAB 33.91, 64.5, -93.85

 

CMYK 83 / 53 / 0 / 8

HEX #286EEB

RGB 40 110 235

HSL 218.46, 0.83%, 0.54%

LAB 49.01, 24.19, -69.03

 

CMYK 92 / 59 / 0 / 0

HEX #1569FE

RGB 21 105 254

HSL 218.37, 0.99%, 0.54%

LAB 48.78, 33.47, -80.02

 

CMYK 83 / 53 / 0 / 8

HEX #286EEB

RGB 40 110 235

HSL 218.46, 0.83%, 0.54%

LAB 49.01, 24.19, -69.03

 

CMYK 73 / 47 / 0 / 15

HEX #3B73D8

RGB 59 115 216

HSL 218.6, 0.67%, 0.54%

LAB 49.68, 15.93, -57.21

 

CMYK 60 / 39 / 0 / 23

HEX #4E79C5

RGB 78 121 197

HSL 218.32, 0.51%, 0.54%

LAB 51.07, 8.6, -44.13

 

CMYK 46 / 29 / 0 / 30

HEX #617EB2

RGB 97 126 178

HSL 218.52, 0.34%, 0.54%

LAB 52.59, 3.83, -30.75

 

CMYK 27 / 18 / 0 / 38

HEX #74839F

RGB 116 131 159

HSL 219.07, 0.18%, 0.54%

LAB 54.5, 1.13, -16.74

 

CMYK 83 / 9 / 0 / 8

HEX #28D7EB

RGB 40 215 235

HSL 186.15, 0.83%, 0.54%

LAB 79.07, -34.56, -21.75

 

CMYK 83 / 31 / 0 / 8

HEX #28A3EB

RGB 40 163 235

HSL 202.15, 0.83%, 0.54%

LAB 63.87, -7.79, -45.26

 

CMYK 83 / 53 / 0 / 8

HEX #286FEB

RGB 40 111 235

HSL 218.15, 0.83%, 0.54%

LAB 49.27, 23.55, -68.6

 

CMYK 83 / 75 / 0 / 8

HEX #283BEB

RGB 40 59 235

HSL 234.15, 0.83%, 0.54%

LAB 37.07, 55.33, -88.61

 

CMYK 69 / 83 / 0 / 8

HEX #4828EB

RGB 72 40 235

HSL 249.85, 0.83%, 0.54%

LAB 35.78, 66.2, -90.7

 

CMYK 91 / 58 / 0 / 31

HEX #104AB0

RGB 16 74 176

HSL 218.25, 0.83%, 0.38%

LAB 34.28, 23.19, -59.01

 

CMYK 91 / 58 / 0 / 16

HEX #135AD6

RGB 19 90 214

HSL 218.15, 0.84%, 0.46%

LAB 41.7, 27.74, -69.05

 

CMYK 83 / 53 / 0 / 8

HEX #286EEB

RGB 40 110 235

HSL 218.46, 0.83%, 0.54%

LAB 49.01, 24.19, -69.03

 

CMYK 67 / 43 / 0 / 7

HEX #4E87EE

RGB 78 135 238

HSL 218.63, 0.82%, 0.62%

LAB 57.19, 14.16, -57.45

 

CMYK 52 / 33 / 0 / 5

HEX #73A1F2

RGB 115 161 242

HSL 218.27, 0.83%, 0.7%

LAB 66.17, 7.05, -45.31

 

CMYK 83 / 53 / 0 / 8

HEX #296FEB

RGB 41 111 235

HSL 218.35, 0.83%, 0.54%

LAB 49.3, 23.63, -68.56

 

CMYK 14 / 83 / 0 / 8

HEX #CA28EB

RGB 202 40 235

HSL 289.85, 0.83%, 0.54%

LAB 51.92, 82.29, -63.64

 

CMYK 20 / 0 / 83 / 8

HEX #BDEB28

RGB 189 235 40

HSL 74.15, 0.83%, 0.54%

LAB 87.19, -38.27, 79.68

 

CMYK 83 / 53 / 0 / 8

HEX #296FEB

RGB 41 111 235

HSL 218.35, 0.83%, 0.54%

LAB 49.3, 23.63, -68.56

 

CMYK 0 / 83 / 53 / 8

HEX #EB286F

RGB 235 40 111

HSL 338.15, 0.83%, 0.54%

LAB 52.21, 73.99, 9.97

 

CMYK 53 / 0 / 83 / 8

HEX #6FEB28

RGB 111 235 40

HSL 98.15, 0.83%, 0.54%

LAB 83.42, -64.6, 74.92

 

CMYK 83 / 53 / 0 / 8

HEX #296FEB

RGB 41 111 235

HSL 218.35, 0.83%, 0.54%

LAB 49.3, 23.63, -68.56

 

CMYK 14 / 83 / 0 / 8

HEX #CA28EB

RGB 202 40 235

HSL 289.85, 0.83%, 0.54%

LAB 51.92, 82.29, -63.64

 

CMYK 0 / 31 / 83 / 8

HEX #EBA328

RGB 235 163 40

HSL 37.85, 0.83%, 0.54%

LAB 72.24, 17.13, 68.41

 

CMYK 69 / 0 / 83 / 8

HEX #48EB28

RGB 72 235 40

HSL 110.15, 0.83%, 0.54%

LAB 82.35, -73.34, 73.56

 

CMYK 83 / 53 / 0 / 8

HEX #296FEB

RGB 41 111 235

HSL 218.35, 0.83%, 0.54%

LAB 49.3, 23.63, -68.56

 

CMYK 0 / 83 / 11 / 8

HEX #EB28D1

RGB 235 40 209

HSL 308, 0.83%, 0.54%

LAB 55.87, 84.28, -42.27

 

CMYK 0 / 31 / 83 / 8

HEX #EBA328

RGB 235 163 40

HSL 37.85, 0.83%, 0.54%

LAB 72.24, 17.13, 68.41

 

CMYK 83 / 0 / 72 / 8

HEX #28EB42

RGB 40 235 66

HSL 128, 0.83%, 0.54%

LAB 81.98, -76.07, 65.36

 

Description

Color code: RGB 41 111 235 | qconv.com Color code: RGB 41 111 235 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 111 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 111 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 53 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 53% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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