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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 102 178 it is the complementary color RGB 214 153 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 102 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 102 178 shade: RGB 46 102 173, RGB 63 120 192, RGB 80 138 211, RGB 97 156 230 and RGB 114 174 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 102 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 102 178 shade: RGB 41 102 178, RGB 24 84 159, RGB 7 66 140, RGB 0 48 121 and RGB 0 30 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 102 178 shade: RGB 40 102 178, RGB 40 64 178, RGB 53 40 178, RGB 90 40 178 and RGB 128 40 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 102 178 shade: RGB 40 102 178, RGB 40 64 178 and RGB 40 40 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 102 178 shade matches the following richer shades: RGB 40 102 178, RGB 22 100 196 and RGB 5 98 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 102 178 shade: RGB 40 102 178, RGB 58 104 160, RGB 76 105 143, RGB 93 107 125 and RGB 111 109 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 102 178 shade: RGB 40 176 178, RGB 40 139 178, RGB 40 102 178, RGB 40 65 178 and RGB 52 40 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 102 178 shade: RGB 25 63 111, RGB 32 82 145, RGB 40 102 178, RGB 51 121 208 and RGB 85 143 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 102 178 shade: RGB 41 102 178, RGB 144 40 178 and RGB 158 178 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 102 178 shade: RGB 41 102 178, RGB 178 40 102 and RGB 102 178 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 102 178 shade: RGB 41 102 178, RGB 144 40 178, RGB 178 116 40 and RGB 75 178 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 102 178 shade: RGB 41 102 178, RGB 178 40 171, RGB 178 116 40 and RGB 40 178 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 43 / 0 / 30

HEX #2966B2

RGB 41 102 178

HSL 213.28, 0.63%, 0.43%

LAB 43.05, 7.66, -46

 

Complementary color

CMYK 0 / 29 / 64 / 16

HEX #D6994D

RGB 214 153 77

HSL 33.28, 0.63%, 0.57%

LAB 67.74, 15.2, 48.09

 

CMYK 73 / 41 / 0 / 32

HEX #2E66AD

RGB 46 102 173

HSL 213.54, 0.58%, 0.43%

LAB 42.91, 6.42, -43.26

 

CMYK 67 / 38 / 0 / 25

HEX #3F78C0

RGB 63 120 192

HSL 213.49, 0.51%, 0.5%

LAB 49.85, 4.77, -43.23

 

CMYK 62 / 35 / 0 / 17

HEX #508AD3

RGB 80 138 211

HSL 213.44, 0.6%, 0.57%

LAB 56.67, 3.48, -43.2

 

CMYK 58 / 32 / 0 / 10

HEX #619CE6

RGB 97 156 230

HSL 213.38, 0.73%, 0.64%

LAB 63.37, 2.44, -43.18

 

CMYK 54 / 30 / 0 / 2

HEX #72AEF9

RGB 114 174 249

HSL 213.33, 0.92%, 0.71%

LAB 69.96, 1.59, -43.18

 

CMYK 77 / 43 / 0 / 30

HEX #2966B2

RGB 41 102 178

HSL 213.28, 0.63%, 0.43%

LAB 43.05, 7.66, -46

 

CMYK 85 / 47 / 0 / 38

HEX #18549F

RGB 24 84 159

HSL 213.33, 0.74%, 0.36%

LAB 36.06, 10.11, -45.97

 

CMYK 95 / 53 / 0 / 45

HEX #07428C

RGB 7 66 140

HSL 213.38, 0.9%, 0.29%

LAB 28.99, 13.32, -45.84

 

CMYK 100 / 60 / 0 / 53

HEX #003079

RGB 0 48 121

HSL 216.2, 1%, 0.24%

LAB 21.92, 17.53, -45.44

 

CMYK 100 / 71 / 0 / 60

HEX #001E66

RGB 0 30 102

HSL 222.35, 1%, 0.2%

LAB 14.89, 22.43, -44.68

 

CMYK 78 / 43 / 0 / 30

HEX #2866B2

RGB 40 102 178

HSL 213.04, 0.63%, 0.43%

LAB 43.02, 7.54, -46.05

 

CMYK 78 / 64 / 0 / 30

HEX #2840B2

RGB 40 64 178

HSL 229.57, 0.63%, 0.43%

LAB 32.55, 32.49, -62.99

 

CMYK 70 / 78 / 0 / 30

HEX #3528B2

RGB 53 40 178

HSL 245.65, 0.63%, 0.43%

LAB 28.08, 48.07, -70.31

 

CMYK 49 / 78 / 0 / 30

HEX #5A28B2

RGB 90 40 178

HSL 261.74, 0.63%, 0.43%

LAB 31.59, 52.56, -64.42

 

CMYK 28 / 78 / 0 / 30

HEX #8028B2

RGB 128 40 178

HSL 278.26, 0.63%, 0.43%

LAB 36.6, 58.81, -56.04

 

CMYK 78 / 43 / 0 / 30

HEX #2866B2

RGB 40 102 178

HSL 213.04, 0.63%, 0.43%

LAB 43.02, 7.54, -46.05

 

CMYK 78 / 64 / 0 / 30

HEX #2840B2

RGB 40 64 178

HSL 229.57, 0.63%, 0.43%

LAB 32.55, 32.49, -62.99

 

CMYK 78 / 78 / 0 / 30

HEX #2828B2

RGB 40 40 178

HSL 240, 0.63%, 0.43%

LAB 27.25, 46.99, -71.72

 

CMYK 78 / 43 / 0 / 30

HEX #2866B2

RGB 40 102 178

HSL 213.04, 0.63%, 0.43%

LAB 43.02, 7.54, -46.05

 

CMYK 89 / 49 / 0 / 23

HEX #1664C4

RGB 22 100 196

HSL 213.1, 0.8%, 0.43%

LAB 43.17, 14.27, -56.3

 

CMYK 98 / 54 / 0 / 16

HEX #0562D6

RGB 5 98 214

HSL 213.3, 0.95%, 0.43%

LAB 43.69, 22.03, -65.82

 

CMYK 78 / 43 / 0 / 30

HEX #2866B2

RGB 40 102 178

HSL 213.04, 0.63%, 0.43%

LAB 43.02, 7.54, -46.05

 

CMYK 64 / 35 / 0 / 37

HEX #3A68A0

RGB 58 104 160

HSL 212.94, 0.47%, 0.43%

LAB 43.27, 2.41, -35.01

 

CMYK 47 / 27 / 0 / 44

HEX #4C698F

RGB 76 105 143

HSL 214.03, 0.31%, 0.43%

LAB 43.69, 0.28, -24.17

 

CMYK 26 / 14 / 0 / 51

HEX #5D6B7D

RGB 93 107 125

HSL 213.75, 0.15%, 0.43%

LAB 44.69, -0.9, -11.74

 

CMYK 0 / 2 / 4 / 56

HEX #6F6D6B

RGB 111 109 107

HSL 30, 0.02%, 0.43%

LAB 46.15, 0.37, 1.38

 

CMYK 78 / 1 / 0 / 30

HEX #28B0B2

RGB 40 176 178

HSL 180.87, 0.63%, 0.43%

LAB 65.53, -33.48, -11.16

 

CMYK 78 / 22 / 0 / 30

HEX #288BB2

RGB 40 139 178

HSL 196.96, 0.63%, 0.43%

LAB 54.17, -14.54, -28.48

 

CMYK 78 / 43 / 0 / 30

HEX #2866B2

RGB 40 102 178

HSL 213.04, 0.63%, 0.43%

LAB 43.02, 7.54, -46.05

 

CMYK 78 / 63 / 0 / 30

HEX #2841B2

RGB 40 65 178

HSL 229.13, 0.63%, 0.43%

LAB 32.8, 31.83, -62.58

 

CMYK 71 / 78 / 0 / 30

HEX #3428B2

RGB 52 40 178

HSL 245.22, 0.63%, 0.43%

LAB 28.01, 47.98, -70.44

 

CMYK 77 / 43 / 0 / 56

HEX #193F6F

RGB 25 63 111

HSL 213.49, 0.63%, 0.27%

LAB 26.48, 4.86, -31.69

 

CMYK 78 / 43 / 0 / 43

HEX #205291

RGB 32 82 145

HSL 213.45, 0.64%, 0.35%

LAB 34.77, 6.69, -39.56

 

CMYK 78 / 43 / 0 / 30

HEX #2866B2

RGB 40 102 178

HSL 213.04, 0.63%, 0.43%

LAB 43.02, 7.54, -46.05

 

CMYK 75 / 42 / 0 / 18

HEX #3379D0

RGB 51 121 208

HSL 213.25, 0.63%, 0.51%

LAB 50.61, 8.23, -51.19

 

CMYK 61 / 34 / 0 / 15

HEX #558FD8

RGB 85 143 216

HSL 213.44, 0.63%, 0.59%

LAB 58.54, 3.13, -43.04

 

CMYK 77 / 43 / 0 / 30

HEX #2966B2

RGB 41 102 178

HSL 213.28, 0.63%, 0.43%

LAB 43.05, 7.66, -46

 

CMYK 19 / 78 / 0 / 30

HEX #9028B2

RGB 144 40 178

HSL 285.22, 0.63%, 0.43%

LAB 39, 61.77, -52.02

 

CMYK 11 / 0 / 78 / 30

HEX #9EB228

RGB 158 178 40

HSL 68.7, 0.63%, 0.43%

LAB 68.94, -24.17, 62.74

 

CMYK 77 / 43 / 0 / 30

HEX #2966B2

RGB 41 102 178

HSL 213.28, 0.63%, 0.43%

LAB 43.05, 7.66, -46

 

CMYK 0 / 78 / 43 / 30

HEX #B22866

RGB 178 40 102

HSL 333.04, 0.63%, 0.43%

LAB 41.12, 58.51, -1.83

 

CMYK 43 / 0 / 78 / 30

HEX #66B228

RGB 102 178 40

HSL 93.04, 0.63%, 0.43%

LAB 65.61, -45.77, 58.43

 

CMYK 77 / 43 / 0 / 30

HEX #2966B2

RGB 41 102 178

HSL 213.28, 0.63%, 0.43%

LAB 43.05, 7.66, -46

 

CMYK 19 / 78 / 0 / 30

HEX #9028B2

RGB 144 40 178

HSL 285.22, 0.63%, 0.43%

LAB 39, 61.77, -52.02

 

CMYK 0 / 35 / 78 / 30

HEX #B27428

RGB 178 116 40

HSL 33.04, 0.63%, 0.43%

LAB 54.14, 17.97, 49.52

 

CMYK 58 / 0 / 78 / 30

HEX #4BB228

RGB 75 178 40

HSL 104.78, 0.63%, 0.43%

LAB 64.56, -53.82, 57.05

 

CMYK 77 / 43 / 0 / 30

HEX #2966B2

RGB 41 102 178

HSL 213.28, 0.63%, 0.43%

LAB 43.05, 7.66, -46

 

CMYK 0 / 78 / 4 / 30

HEX #B228AB

RGB 178 40 171

HSL 303.04, 0.63%, 0.43%

LAB 44.12, 67.37, -39.37

 

CMYK 0 / 35 / 78 / 30

HEX #B27428

RGB 178 116 40

HSL 33.04, 0.63%, 0.43%

LAB 54.14, 17.97, 49.52

 

CMYK 78 / 0 / 74 / 30

HEX #28B22F

RGB 40 178 47

HSL 123.04, 0.63%, 0.43%

LAB 63.75, -60.35, 53.56

 

Description

Color code: RGB 41 102 178 | qconv.com Color code: RGB 41 102 178 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 102 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 102 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 43 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 43% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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