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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 70 174 it is the complementary color RGB 214 185 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 70 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 70 174 shade: RGB 46 70 169, RGB 63 88 188, RGB 80 106 207, RGB 97 124 226 and RGB 114 142 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 70 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 70 174 shade: RGB 41 70 174, RGB 24 52 155, RGB 7 34 136, RGB 0 16 117 and RGB 0 0 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 70 174 shade: RGB 40 69 173, RGB 47 40 173, RGB 83 40 173, RGB 119 40 173 and RGB 154 40 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 70 174 shade: RGB 40 69 173 and RGB 40 40 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 70 174 shade matches the following richer shades: RGB 40 69 173, RGB 23 59 190 and RGB 6 50 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 70 174 shade: RGB 40 69 173, RGB 58 79 156, RGB 75 89 138, RGB 92 98 121 and RGB 110 108 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 70 174 shade: RGB 40 142 173, RGB 40 107 173, RGB 40 71 173, RGB 45 40 173 and RGB 80 40 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 70 174 shade: RGB 25 42 106, RGB 32 56 140, RGB 40 69 173, RGB 48 83 206 and RGB 82 111 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 70 174 shade: RGB 41 70 174, RGB 169 40 173 and RGB 124 173 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 70 174 shade: RGB 41 70 174, RGB 173 40 71 and RGB 71 173 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 70 174 shade: RGB 41 70 174, RGB 169 40 173, RGB 173 142 40 and RGB 45 173 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 70 174 shade: RGB 41 70 174, RGB 173 40 138, RGB 173 142 40 and RGB 40 173 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 60 / 0 / 32

HEX #2946AE

RGB 41 70 174

HSL 226.92, 0.62%, 0.42%

LAB 33.79, 27.15, -58.58

 

Complementary color

CMYK 0 / 14 / 62 / 16

HEX #D6B951

RGB 214 185 81

HSL 46.92, 0.62%, 0.58%

LAB 75.82, -1.59, 55.24

 

CMYK 73 / 59 / 0 / 34

HEX #2E46A9

RGB 46 70 169

HSL 228.29, 0.57%, 0.42%

LAB 33.62, 25.88, -55.87

 

CMYK 66 / 53 / 0 / 26

HEX #3F58BC

RGB 63 88 188

HSL 228, 0.5%, 0.49%

LAB 40.68, 23.56, -55.6

 

CMYK 61 / 49 / 0 / 19

HEX #506ACF

RGB 80 106 207

HSL 227.72, 0.57%, 0.56%

LAB 47.65, 21.68, -55.3

 

CMYK 57 / 45 / 0 / 11

HEX #617CE2

RGB 97 124 226

HSL 227.44, 0.69%, 0.63%

LAB 54.5, 20.14, -55.02

 

CMYK 53 / 42 / 0 / 4

HEX #728EF5

RGB 114 142 245

HSL 227.18, 0.87%, 0.7%

LAB 61.23, 18.85, -54.77

 

CMYK 76 / 60 / 0 / 32

HEX #2946AE

RGB 41 70 174

HSL 226.92, 0.62%, 0.42%

LAB 33.79, 27.15, -58.58

 

CMYK 85 / 66 / 0 / 39

HEX #18349B

RGB 24 52 155

HSL 227.18, 0.73%, 0.35%

LAB 26.78, 30.25, -58.63

 

CMYK 95 / 75 / 0 / 47

HEX #072288

RGB 7 34 136

HSL 227.44, 0.9%, 0.28%

LAB 19.91, 33.85, -58.22

 

CMYK 100 / 86 / 0 / 54

HEX #001075

RGB 0 16 117

HSL 231.79, 1%, 0.23%

LAB 13.56, 37.27, -56.66

 

CMYK 100 / 100 / 0 / 62

HEX #000062

RGB 0 0 98

HSL 240, 1%, 0.19%

LAB 7.97, 39.29, -53.52

 

CMYK 77 / 60 / 0 / 32

HEX #2845AD

RGB 40 69 173

HSL 226.92, 0.62%, 0.42%

LAB 33.4, 27.32, -58.62

 

CMYK 73 / 77 / 0 / 32

HEX #2F28AD

RGB 47 40 173

HSL 243.16, 0.62%, 0.42%

LAB 27.13, 45.93, -68.92

 

CMYK 52 / 77 / 0 / 32

HEX #5328AD

RGB 83 40 173

HSL 259.4, 0.62%, 0.42%

LAB 30.34, 50.19, -63.52

 

CMYK 31 / 77 / 0 / 32

HEX #7728AD

RGB 119 40 173

HSL 275.64, 0.62%, 0.42%

LAB 34.92, 56.09, -55.84

 

CMYK 11 / 77 / 0 / 32

HEX #9A28AD

RGB 154 40 173

HSL 291.43, 0.62%, 0.42%

LAB 40.25, 62.78, -46.96

 

CMYK 77 / 60 / 0 / 32

HEX #2845AD

RGB 40 69 173

HSL 226.92, 0.62%, 0.42%

LAB 33.4, 27.32, -58.62

 

CMYK 77 / 77 / 0 / 32

HEX #2828AD

RGB 40 40 173

HSL 240, 0.62%, 0.42%

LAB 26.69, 45.35, -69.65

 

CMYK 77 / 60 / 0 / 32

HEX #2845AD

RGB 40 69 173

HSL 226.92, 0.62%, 0.42%

LAB 33.4, 27.32, -58.62

 

CMYK 88 / 69 / 0 / 25

HEX #173BBE

RGB 23 59 190

HSL 227.07, 0.78%, 0.42%

LAB 31.87, 38.88, -71.23

 

CMYK 97 / 76 / 0 / 18

HEX #0632D0

RGB 6 50 208

HSL 226.93, 0.94%, 0.42%

LAB 31.52, 50.13, -82.35

 

CMYK 77 / 60 / 0 / 32

HEX #2845AD

RGB 40 69 173

HSL 226.92, 0.62%, 0.42%

LAB 33.4, 27.32, -58.62

 

CMYK 63 / 49 / 0 / 39

HEX #3A4F9C

RGB 58 79 156

HSL 227.14, 0.46%, 0.42%

LAB 35.78, 17.06, -44.55

 

CMYK 46 / 36 / 0 / 46

HEX #4B598A

RGB 75 89 138

HSL 226.67, 0.3%, 0.42%

LAB 38.68, 8.41, -28.97

 

CMYK 24 / 19 / 0 / 53

HEX #5C6279

RGB 92 98 121

HSL 227.59, 0.14%, 0.42%

LAB 41.83, 3.17, -13.67

 

CMYK 0 / 2 / 5 / 57

HEX #6E6C68

RGB 110 108 104

HSL 40, 0.03%, 0.42%

LAB 45.69, -0.02, 2.5

 

CMYK 77 / 18 / 0 / 32

HEX #288EAD

RGB 40 142 173

HSL 193.98, 0.62%, 0.42%

LAB 54.88, -17.9, -24.51

 

CMYK 77 / 38 / 0 / 32

HEX #286BAD

RGB 40 107 173

HSL 209.77, 0.62%, 0.42%

LAB 44.21, 2.48, -41.21

 

CMYK 77 / 59 / 0 / 32

HEX #2847AD

RGB 40 71 173

HSL 226.02, 0.62%, 0.42%

LAB 33.93, 25.99, -57.76

 

CMYK 74 / 77 / 0 / 32

HEX #2D28AD

RGB 45 40 173

HSL 242.26, 0.62%, 0.42%

LAB 27, 45.76, -69.14

 

CMYK 54 / 77 / 0 / 32

HEX #5028AD

RGB 80 40 173

HSL 258.05, 0.62%, 0.42%

LAB 30.01, 49.76, -64.06

 

CMYK 76 / 60 / 0 / 58

HEX #192A6A

RGB 25 42 106

HSL 227.41, 0.62%, 0.26%

LAB 19.65, 17.75, -39.46

 

CMYK 77 / 60 / 0 / 45

HEX #20388C

RGB 32 56 140

HSL 226.67, 0.63%, 0.34%

LAB 26.82, 22.44, -49.34

 

CMYK 77 / 60 / 0 / 32

HEX #2845AD

RGB 40 69 173

HSL 226.92, 0.62%, 0.42%

LAB 33.4, 27.32, -58.62

 

CMYK 77 / 60 / 0 / 19

HEX #3053CE

RGB 48 83 206

HSL 226.71, 0.62%, 0.5%

LAB 40.03, 31.37, -67.13

 

CMYK 62 / 48 / 0 / 16

HEX #526FD6

RGB 82 111 214

HSL 226.82, 0.62%, 0.58%

LAB 49.52, 21.31, -56.28

 

CMYK 76 / 60 / 0 / 32

HEX #2946AE

RGB 41 70 174

HSL 226.92, 0.62%, 0.42%

LAB 33.79, 27.15, -58.58

 

CMYK 2 / 77 / 0 / 32

HEX #A928AD

RGB 169 40 173

HSL 298.2, 0.62%, 0.42%

LAB 42.72, 65.82, -42.88

 

CMYK 28 / 0 / 77 / 32

HEX #7CAD28

RGB 124 173 40

HSL 82.11, 0.62%, 0.42%

LAB 65.22, -35.65, 58.46

 

CMYK 76 / 60 / 0 / 32

HEX #2946AE

RGB 41 70 174

HSL 226.92, 0.62%, 0.42%

LAB 33.79, 27.15, -58.58

 

CMYK 0 / 77 / 59 / 32

HEX #AD2847

RGB 173 40 71

HSL 346.02, 0.62%, 0.42%

LAB 39.34, 54.49, 15.11

 

CMYK 59 / 0 / 77 / 32

HEX #47AD28

RGB 71 173 40

HSL 106.02, 0.62%, 0.42%

LAB 62.83, -53.04, 55.33

 

CMYK 76 / 60 / 0 / 32

HEX #2946AE

RGB 41 70 174

HSL 226.92, 0.62%, 0.42%

LAB 33.79, 27.15, -58.58

 

CMYK 2 / 77 / 0 / 32

HEX #A928AD

RGB 169 40 173

HSL 298.2, 0.62%, 0.42%

LAB 42.72, 65.82, -42.88

 

CMYK 0 / 18 / 77 / 32

HEX #AD8E28

RGB 173 142 40

HSL 46.02, 0.62%, 0.42%

LAB 60.23, 1.26, 55.13

 

CMYK 74 / 0 / 77 / 32

HEX #2DAD28

RGB 45 173 40

HSL 117.74, 0.62%, 0.42%

LAB 62.17, -58.52, 54.46

 

CMYK 76 / 60 / 0 / 32

HEX #2946AE

RGB 41 70 174

HSL 226.92, 0.62%, 0.42%

LAB 33.79, 27.15, -58.58

 

CMYK 0 / 77 / 20 / 32

HEX #AD288A

RGB 173 40 138

HSL 315.79, 0.62%, 0.42%

LAB 41.59, 61.44, -23.53

 

CMYK 0 / 18 / 77 / 32

HEX #AD8E28

RGB 173 142 40

HSL 46.02, 0.62%, 0.42%

LAB 60.23, 1.26, 55.13

 

CMYK 77 / 0 / 56 / 32

HEX #28AD4C

RGB 40 173 76

HSL 136.24, 0.62%, 0.42%

LAB 62.39, -55.49, 39.55

 

Description

Color code: RGB 41 70 174 | qconv.com Color code: RGB 41 70 174 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 70 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 70 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 60 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 60% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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