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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 41 59 44 it is the complementary color RGB 214 196 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 41 59 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 41 59 44 shade: RGB 46 59 39, RGB 63 77 58, RGB 80 95 77, RGB 97 113 96 and RGB 114 131 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 41 59 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 41 59 44 shade: RGB 41 59 44, RGB 24 41 25, RGB 7 23 6 and RGB 0 5 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 41 59 44 shade: RGB 41 60 44, RGB 43 60 41, RGB 48 60 41, RGB 53 60 41 and RGB 58 60 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 41 59 44 shade: RGB 41 60 44, RGB 41 60 49, RGB 41 60 54, RGB 41 60 59 and RGB 41 55 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 41 59 44 shade matches the following richer shades: RGB 41 60 44, RGB 33 68 39, RGB 25 76 33, RGB 17 84 28 and RGB 8 93 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 41 59 44 shade: RGB 41 60 44, RGB 50 51 50, RGB 58 43 55, RGB 66 35 61 and RGB 74 27 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 41 59 44 shade: RGB 48 60 41, RGB 43 60 41, RGB 41 60 44, RGB 41 60 49 and RGB 41 60 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 41 59 44 shade: RGB 7 11 8, RGB 24 35 26, RGB 41 60 44, RGB 58 84 63 and RGB 75 108 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 41 59 44 shade: RGB 41 59 44, RGB 41 53 60 and RGB 60 41 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 41 59 44 shade: RGB 41 59 44, RGB 44 41 60 and RGB 60 44 41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 41 59 44 shade: RGB 41 59 44, RGB 41 53 60, RGB 60 41 57 and RGB 60 48 41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 41 59 44 shade: RGB 41 59 44, RGB 41 47 60, RGB 60 41 57 and RGB 60 54 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 25 / 77

HEX #293B2C

RGB 41 59 44

HSL 130, 0.18%, 0.2%

LAB 22.93, -10.99, 7

 

Complementary color

CMYK 0 / 8 / 1 / 16

HEX #D6C4D3

RGB 214 196 211

HSL 310, 0.18%, 0.8%

LAB 81, 8.95, -5.2

 

CMYK 22 / 0 / 34 / 77

HEX #2E3B27

RGB 46 59 39

HSL 99, 0.2%, 0.19%

LAB 23.19, -9.9, 10.7

 

CMYK 18 / 0 / 25 / 70

HEX #3F4D3A

RGB 63 77 58

HSL 104.21, 0.14%, 0.26%

LAB 31.04, -9.76, 9.48

 

CMYK 16 / 0 / 19 / 63

HEX #505F4D

RGB 80 95 77

HSL 110, 0.1%, 0.34%

LAB 38.6, -9.65, 8.41

 

CMYK 14 / 0 / 15 / 56

HEX #617160

RGB 97 113 96

HSL 116.47, 0.08%, 0.41%

LAB 45.9, -9.56, 7.45

 

CMYK 13 / 0 / 12 / 49

HEX #728373

RGB 114 131 115

HSL 123.53, 0.07%, 0.48%

LAB 53, -9.49, 6.57

 

CMYK 31 / 0 / 25 / 77

HEX #293B2C

RGB 41 59 44

HSL 130, 0.18%, 0.2%

LAB 22.93, -10.99, 7

 

CMYK 41 / 0 / 39 / 84

HEX #182919

RGB 24 41 25

HSL 123.53, 0.26%, 0.13%

LAB 14.68, -11.3, 8.32

 

CMYK 70 / 0 / 74 / 91

HEX #071706

RGB 7 23 6

HSL 116.47, 0.59%, 0.06%

LAB 6.06, -8.64, 6.46

 

CMYK 100 / 0 / 100 / 98

HEX #000500

RGB 0 5 0

HSL 120, 1%, 0.01%

LAB 0.98, -2, 1.43

 

CMYK 32 / 0 / 27 / 76

HEX #293C2C

RGB 41 60 44

HSL 129.47, 0.19%, 0.2%

LAB 23.29, -11.59, 7.5

 

CMYK 28 / 0 / 32 / 76

HEX #2B3C29

RGB 43 60 41

HSL 113.68, 0.19%, 0.2%

LAB 23.36, -11.41, 9.59

 

CMYK 20 / 0 / 32 / 76

HEX #303C29

RGB 48 60 41

HSL 97.89, 0.19%, 0.2%

LAB 23.74, -9.25, 10.17

 

CMYK 12 / 0 / 32 / 76

HEX #353C29

RGB 53 60 41

HSL 82.11, 0.19%, 0.2%

LAB 24.16, -6.99, 10.81

 

CMYK 3 / 0 / 32 / 76

HEX #3A3C29

RGB 58 60 41

HSL 66.32, 0.19%, 0.2%

LAB 24.61, -4.67, 11.5

 

CMYK 32 / 0 / 27 / 76

HEX #293C2C

RGB 41 60 44

HSL 129.47, 0.19%, 0.2%

LAB 23.29, -11.59, 7.5

 

CMYK 32 / 0 / 18 / 76

HEX #293C31

RGB 41 60 49

HSL 145.26, 0.19%, 0.2%

LAB 23.42, -10.43, 4.37

 

CMYK 32 / 0 / 10 / 76

HEX #293C36

RGB 41 60 54

HSL 161.05, 0.19%, 0.2%

LAB 23.57, -9.18, 1.26

 

CMYK 32 / 0 / 2 / 76

HEX #293C3B

RGB 41 60 59

HSL 176.84, 0.19%, 0.2%

LAB 23.73, -7.83, -1.84

 

CMYK 32 / 8 / 0 / 76

HEX #29373C

RGB 41 55 60

HSL 195.79, 0.19%, 0.2%

LAB 22.05, -4.33, -5.01

 

CMYK 32 / 0 / 27 / 76

HEX #293C2C

RGB 41 60 44

HSL 129.47, 0.19%, 0.2%

LAB 23.29, -11.59, 7.5

 

CMYK 51 / 0 / 43 / 73

HEX #214427

RGB 33 68 39

HSL 130.29, 0.35%, 0.2%

LAB 25.58, -20.13, 13.75

 

CMYK 67 / 0 / 57 / 70

HEX #194C21

RGB 25 76 33

HSL 129.41, 0.5%, 0.2%

LAB 28.08, -27.53, 20.5

 

CMYK 80 / 0 / 67 / 67

HEX #11541C

RGB 17 84 28

HSL 129.85, 0.66%, 0.2%

LAB 30.74, -33.4, 26.36

 

CMYK 91 / 0 / 76 / 64

HEX #085D16

RGB 8 93 22

HSL 129.88, 0.84%, 0.2%

LAB 33.85, -38.69, 32.56

 

CMYK 32 / 0 / 27 / 76

HEX #293C2C

RGB 41 60 44

HSL 129.47, 0.19%, 0.2%

LAB 23.29, -11.59, 7.5

 

CMYK 2 / 0 / 2 / 80

HEX #323332

RGB 50 51 50

HSL 120, 0.01%, 0.2%

LAB 21.12, -0.67, 0.48

 

CMYK 0 / 26 / 5 / 77

HEX #3A2B37

RGB 58 43 55

HSL 312, 0.15%, 0.2%

LAB 19.65, 9.42, -5.02

 

CMYK 0 / 47 / 8 / 74

HEX #42233D

RGB 66 35 61

HSL 309.68, 0.31%, 0.2%

LAB 18.79, 19.36, -10.38

 

CMYK 0 / 64 / 11 / 71

HEX #4A1B42

RGB 74 27 66

HSL 310.21, 0.47%, 0.2%

LAB 18.51, 28.01, -14.17

 

CMYK 20 / 0 / 32 / 76

HEX #303C29

RGB 48 60 41

HSL 97.89, 0.19%, 0.2%

LAB 23.74, -9.25, 10.17

 

CMYK 28 / 0 / 32 / 76

HEX #2B3C29

RGB 43 60 41

HSL 113.68, 0.19%, 0.2%

LAB 23.36, -11.41, 9.59

 

CMYK 32 / 0 / 27 / 76

HEX #293C2C

RGB 41 60 44

HSL 129.47, 0.19%, 0.2%

LAB 23.29, -11.59, 7.5

 

CMYK 32 / 0 / 18 / 76

HEX #293C31

RGB 41 60 49

HSL 145.26, 0.19%, 0.2%

LAB 23.42, -10.43, 4.37

 

CMYK 32 / 0 / 10 / 76

HEX #293C36

RGB 41 60 54

HSL 161.05, 0.19%, 0.2%

LAB 23.57, -9.18, 1.26

 

CMYK 36 / 0 / 27 / 96

HEX #070B08

RGB 7 11 8

HSL 135, 0.22%, 0.04%

LAB 2.73, -1.47, 0.77

 

CMYK 31 / 0 / 26 / 86

HEX #18231A

RGB 24 35 26

HSL 130.91, 0.19%, 0.12%

LAB 12.42, -7.25, 4.5

 

CMYK 32 / 0 / 27 / 76

HEX #293C2C

RGB 41 60 44

HSL 129.47, 0.19%, 0.2%

LAB 23.29, -11.59, 7.5

 

CMYK 31 / 0 / 25 / 67

HEX #3A543F

RGB 58 84 63

HSL 131.54, 0.18%, 0.28%

LAB 33.13, -14.79, 9.19

 

CMYK 31 / 0 / 25 / 58

HEX #4B6C51

RGB 75 108 81

HSL 130.91, 0.18%, 0.36%

LAB 42.48, -18.03, 11.37

 

CMYK 31 / 0 / 25 / 77

HEX #293B2C

RGB 41 59 44

HSL 130, 0.18%, 0.2%

LAB 22.93, -10.99, 7

 

CMYK 32 / 12 / 0 / 76

HEX #29353C

RGB 41 53 60

HSL 202.11, 0.19%, 0.2%

LAB 21.37, -3.01, -6.03

 

CMYK 0 / 32 / 23 / 76

HEX #3C292E

RGB 60 41 46

HSL 344.21, 0.19%, 0.2%

LAB 18.99, 9.79, 0.26

 

CMYK 31 / 0 / 25 / 77

HEX #293B2C

RGB 41 59 44

HSL 130, 0.18%, 0.2%

LAB 22.93, -10.99, 7

 

CMYK 27 / 32 / 0 / 76

HEX #2C293C

RGB 44 41 60

HSL 249.47, 0.19%, 0.2%

LAB 17.68, 6.39, -11.63

 

CMYK 0 / 27 / 32 / 76

HEX #3C2C29

RGB 60 44 41

HSL 9.47, 0.19%, 0.2%

LAB 19.73, 6.84, 4.79

 

CMYK 31 / 0 / 25 / 77

HEX #293B2C

RGB 41 59 44

HSL 130, 0.18%, 0.2%

LAB 22.93, -10.99, 7

 

CMYK 32 / 12 / 0 / 76

HEX #29353C

RGB 41 53 60

HSL 202.11, 0.19%, 0.2%

LAB 21.37, -3.01, -6.03

 

CMYK 0 / 32 / 5 / 76

HEX #3C2939

RGB 60 41 57

HSL 309.47, 0.19%, 0.2%

LAB 19.4, 12.08, -6.76

 

CMYK 0 / 20 / 32 / 76

HEX #3C3029

RGB 60 48 41

HSL 22.11, 0.19%, 0.2%

LAB 20.96, 4.14, 6.52

 

CMYK 31 / 0 / 25 / 77

HEX #293B2C

RGB 41 59 44

HSL 130, 0.18%, 0.2%

LAB 22.93, -10.99, 7

 

CMYK 32 / 22 / 0 / 76

HEX #292F3C

RGB 41 47 60

HSL 221.05, 0.19%, 0.2%

LAB 19.35, 1.05, -9.09

 

CMYK 0 / 32 / 5 / 76

HEX #3C2939

RGB 60 41 57

HSL 309.47, 0.19%, 0.2%

LAB 19.4, 12.08, -6.76

 

CMYK 0 / 10 / 32 / 76

HEX #3C3629

RGB 60 54 41

HSL 41.05, 0.19%, 0.2%

LAB 22.86, 0.16, 9.15

 

Description

Color code: RGB 41 59 44 | qconv.com Color code: RGB 41 59 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 59 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 59 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 25 yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 25% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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