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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 32 115 it is the complementary color RGB 215 223 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 32 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 32 115 shade: RGB 45 32 110, RGB 62 50 129, RGB 79 68 148, RGB 96 86 167 and RGB 113 104 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 32 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 32 115 shade: RGB 40 32 115, RGB 23 14 96, RGB 6 0 77, RGB 0 0 58 and RGB 0 0 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 32 115 shade: RGB 40 32 115, RGB 62 32 115, RGB 85 32 115, RGB 107 32 115 and RGB 115 32 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 32 115 shade: RGB 40 32 115 and RGB 32 32 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 32 115 shade matches the following richer shades: RGB 40 32 115, RGB 30 20 127 and RGB 21 8 139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 32 115 shade: RGB 40 32 115, RGB 50 44 103, RGB 59 56 91, RGB 69 68 79 and RGB 79 80 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 32 115 shade: RGB 32 69 115, RGB 32 47 115, RGB 39 32 115, RGB 61 32 115 and RGB 83 32 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 32 115 shade: RGB 17 14 50, RGB 29 23 83, RGB 40 32 115, RGB 51 41 147 and RGB 63 50 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 32 115 shade: RGB 40 32 115, RGB 115 32 91 and RGB 58 115 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 32 115 shade: RGB 40 32 115, RGB 115 39 32 and RGB 32 115 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 32 115 shade: RGB 40 32 115, RGB 115 32 91, RGB 108 115 32 and RGB 32 115 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 32 115 shade: RGB 40 32 115, RGB 115 32 67, RGB 108 115 32 and RGB 32 115 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 72 / 0 / 55

HEX #282073

RGB 40 32 115

HSL 245.78, 0.56%, 0.29%

LAB 18.89, 30.29, -46.48

 

Complementary color

CMYK 4 / 0 / 37 / 13

HEX #D7DF8C

RGB 215 223 140

HSL 65.78, 0.56%, 0.71%

LAB 86.56, -15.2, 39.78

 

CMYK 59 / 71 / 0 / 57

HEX #2D206E

RGB 45 32 110

HSL 250, 0.55%, 0.28%

LAB 18.87, 29.4, -43.27

 

CMYK 52 / 61 / 0 / 49

HEX #3E3281

RGB 62 50 129

HSL 249.11, 0.44%, 0.35%

LAB 26.42, 27.63, -43.03

 

CMYK 47 / 54 / 0 / 42

HEX #4F4494

RGB 79 68 148

HSL 248.25, 0.37%, 0.42%

LAB 33.85, 26.1, -42.72

 

CMYK 43 / 49 / 0 / 35

HEX #6056A7

RGB 96 86 167

HSL 247.41, 0.32%, 0.5%

LAB 41.11, 24.8, -42.43

 

CMYK 39 / 44 / 0 / 27

HEX #7168BA

RGB 113 104 186

HSL 246.59, 0.37%, 0.57%

LAB 48.21, 23.71, -42.19

 

CMYK 65 / 72 / 0 / 55

HEX #282073

RGB 40 32 115

HSL 245.78, 0.56%, 0.29%

LAB 18.89, 30.29, -46.48

 

CMYK 76 / 85 / 0 / 62

HEX #170E60

RGB 23 14 96

HSL 246.59, 0.75%, 0.22%

LAB 11.56, 32.29, -46.16

 

CMYK 92 / 100 / 0 / 70

HEX #06004D

RGB 6 0 77

HSL 244.68, 1%, 0.15%

LAB 5.19, 31.66, -43.81

 

CMYK 100 / 100 / 0 / 77

HEX #00003A

RGB 0 0 58

HSL 240, 1%, 0.11%

LAB 2.76, 19.39, -34.26

 

CMYK 100 / 100 / 0 / 85

HEX #000027

RGB 0 0 39

HSL 240, 1%, 0.08%

LAB 1.32, 9.3, -22.27

 

CMYK 65 / 72 / 0 / 55

HEX #282073

RGB 40 32 115

HSL 245.78, 0.56%, 0.29%

LAB 18.89, 30.29, -46.48

 

CMYK 46 / 72 / 0 / 55

HEX #3E2073

RGB 62 32 115

HSL 261.69, 0.56%, 0.29%

LAB 21.19, 34.24, -42.64

 

CMYK 26 / 72 / 0 / 55

HEX #552073

RGB 85 32 115

HSL 278.31, 0.56%, 0.29%

LAB 24.33, 39.26, -37.4

 

CMYK 7 / 72 / 0 / 55

HEX #6B2073

RGB 107 32 115

HSL 294.22, 0.56%, 0.29%

LAB 27.84, 44.5, -31.59

 

CMYK 0 / 72 / 13 / 55

HEX #732064

RGB 115 32 100

HSL 310.84, 0.56%, 0.29%

LAB 28.37, 43.88, -20.99

 

CMYK 65 / 72 / 0 / 55

HEX #282073

RGB 40 32 115

HSL 245.78, 0.56%, 0.29%

LAB 18.89, 30.29, -46.48

 

CMYK 72 / 72 / 0 / 55

HEX #202073

RGB 32 32 115

HSL 240, 0.56%, 0.29%

LAB 18.27, 29.16, -47.54

 

CMYK 65 / 72 / 0 / 55

HEX #282073

RGB 40 32 115

HSL 245.78, 0.56%, 0.29%

LAB 18.89, 30.29, -46.48

 

CMYK 76 / 84 / 0 / 50

HEX #1E147F

RGB 30 20 127

HSL 245.61, 0.73%, 0.29%

LAB 17.03, 40.06, -57.27

 

CMYK 85 / 94 / 0 / 45

HEX #15088B

RGB 21 8 139

HSL 245.95, 0.89%, 0.29%

LAB 16.49, 48.01, -65.77

 

CMYK 65 / 72 / 0 / 55

HEX #282073

RGB 40 32 115

HSL 245.78, 0.56%, 0.29%

LAB 18.89, 30.29, -46.48

 

CMYK 51 / 57 / 0 / 60

HEX #322C67

RGB 50 44 103

HSL 246.1, 0.4%, 0.29%

LAB 21.79, 20.15, -33.96

 

CMYK 35 / 38 / 0 / 64

HEX #3B385B

RGB 59 56 91

HSL 245.14, 0.24%, 0.29%

LAB 25.3, 10.64, -20.5

 

CMYK 13 / 14 / 0 / 69

HEX #45444F

RGB 69 68 79

HSL 245.45, 0.07%, 0.29%

LAB 29.32, 2.99, -6.44

 

CMYK 1 / 0 / 16 / 69

HEX #4F5043

RGB 79 80 67

HSL 64.62, 0.09%, 0.29%

LAB 33.57, -3.04, 7.54

 

CMYK 72 / 40 / 0 / 55

HEX #204573

RGB 32 69 115

HSL 213.25, 0.56%, 0.29%

LAB 28.91, 3.5, -30.34

 

CMYK 72 / 59 / 0 / 55

HEX #202F73

RGB 32 47 115

HSL 229.16, 0.56%, 0.29%

LAB 22.22, 18.85, -41.07

 

CMYK 66 / 72 / 0 / 55

HEX #272073

RGB 39 32 115

HSL 245.06, 0.56%, 0.29%

LAB 18.81, 30.14, -46.63

 

CMYK 47 / 72 / 0 / 55

HEX #3D2073

RGB 61 32 115

HSL 260.96, 0.56%, 0.29%

LAB 21.07, 34.04, -42.84

 

CMYK 28 / 72 / 0 / 55

HEX #532073

RGB 83 32 115

HSL 276.87, 0.56%, 0.29%

LAB 24.03, 38.8, -37.9

 

CMYK 66 / 72 / 0 / 80

HEX #110E32

RGB 17 14 50

HSL 245, 0.56%, 0.13%

LAB 5.99, 13.43, -23.12

 

CMYK 65 / 72 / 0 / 67

HEX #1D1753

RGB 29 23 83

HSL 246, 0.57%, 0.21%

LAB 12.6, 22.89, -35.66

 

CMYK 65 / 72 / 0 / 55

HEX #282073

RGB 40 32 115

HSL 245.78, 0.56%, 0.29%

LAB 18.89, 30.29, -46.48

 

CMYK 65 / 72 / 0 / 42

HEX #332993

RGB 51 41 147

HSL 245.66, 0.56%, 0.37%

LAB 24.94, 37.27, -56.69

 

CMYK 65 / 72 / 0 / 30

HEX #3F32B3

RGB 63 50 179

HSL 246.05, 0.56%, 0.45%

LAB 30.86, 44.07, -66.31

 

CMYK 65 / 72 / 0 / 55

HEX #282073

RGB 40 32 115

HSL 245.78, 0.56%, 0.29%

LAB 18.89, 30.29, -46.48

 

CMYK 0 / 72 / 21 / 55

HEX #73205B

RGB 115 32 91

HSL 317.35, 0.56%, 0.29%

LAB 27.93, 42.46, -15.81

 

CMYK 50 / 0 / 72 / 55

HEX #3A7320

RGB 58 115 32

HSL 101.2, 0.56%, 0.29%

LAB 43.16, -34.64, 38.42

 

CMYK 65 / 72 / 0 / 55

HEX #282073

RGB 40 32 115

HSL 245.78, 0.56%, 0.29%

LAB 18.89, 30.29, -46.48

 

CMYK 0 / 66 / 72 / 55

HEX #732720

RGB 115 39 32

HSL 5.06, 0.56%, 0.29%

LAB 27.3, 33.01, 22.36

 

CMYK 72 / 0 / 66 / 55

HEX #207327

RGB 32 115 39

HSL 125.06, 0.56%, 0.29%

LAB 42.33, -40.92, 34.08

 

CMYK 65 / 72 / 0 / 55

HEX #282073

RGB 40 32 115

HSL 245.78, 0.56%, 0.29%

LAB 18.89, 30.29, -46.48

 

CMYK 0 / 72 / 21 / 55

HEX #73205B

RGB 115 32 91

HSL 317.35, 0.56%, 0.29%

LAB 27.93, 42.46, -15.81

 

CMYK 6 / 0 / 72 / 55

HEX #6C7320

RGB 108 115 32

HSL 65.06, 0.56%, 0.29%

LAB 46.38, -14.11, 42.74

 

CMYK 72 / 0 / 51 / 55

HEX #207338

RGB 32 115 56

HSL 137.35, 0.56%, 0.29%

LAB 42.54, -38.45, 25.55

 

CMYK 65 / 72 / 0 / 55

HEX #282073

RGB 40 32 115

HSL 245.78, 0.56%, 0.29%

LAB 18.89, 30.29, -46.48

 

CMYK 0 / 72 / 42 / 55

HEX #732043

RGB 115 32 67

HSL 334.7, 0.56%, 0.29%

LAB 26.97, 39.25, -1.33

 

CMYK 6 / 0 / 72 / 55

HEX #6C7320

RGB 108 115 32

HSL 65.06, 0.56%, 0.29%

LAB 46.38, -14.11, 42.74

 

CMYK 72 / 0 / 30 / 55

HEX #207350

RGB 32 115 80

HSL 154.7, 0.56%, 0.29%

LAB 42.99, -33.54, 12.39

 

Description

Color code: RGB 40 32 115 | qconv.com Color code: RGB 40 32 115 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 32 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 32 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 72 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 72% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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