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Color name
RGB 40 235 114

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 235 114 it is the complementary color RGB 215 20 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 235 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 235 114 shade: RGB 45 235 109, RGB 62 253 128, RGB 79 255 147, RGB 96 255 166 and RGB 113 255 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 235 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 235 114 shade: RGB 40 235 114, RGB 23 217 95, RGB 6 199 76, RGB 0 181 57 and RGB 0 163 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 235 114 shade: RGB 40 235 114, RGB 40 235 61, RGB 71 235 40, RGB 123 235 40 and RGB 176 235 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 235 114 shade: RGB 40 235 114, RGB 40 235 166, RGB 40 235 219, RGB 40 198 235 and RGB 40 145 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 235 114 shade matches the following richer shades: RGB 40 235 114 and RGB 21 254 109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 235 114 shade: RGB 40 235 114, RGB 59 216 118, RGB 78 197 123, RGB 97 178 127 and RGB 116 159 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 235 114 shade: RGB 72 235 40, RGB 40 235 59, RGB 40 235 111, RGB 40 235 163 and RGB 40 235 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 235 114 shade: RGB 16 176 77, RGB 19 214 93, RGB 40 235 114, RGB 78 238 138 and RGB 115 242 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 235 114 shade: RGB 40 235 114, RGB 40 124 235 and RGB 235 40 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 235 114 shade: RGB 40 235 114, RGB 111 40 235 and RGB 235 111 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 235 114 shade: RGB 40 235 114, RGB 40 124 235, RGB 235 40 163 and RGB 235 150 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 235 114 shade: RGB 40 235 114, RGB 40 66 235, RGB 235 40 163 and RGB 235 209 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 51 / 8

HEX #28EB72

RGB 40 235 114

HSL 142.77, 0.83%, 0.54%

LAB 82.42, -70.63, 45.71

 

Complementary color

CMYK 0 / 91 / 34 / 16

HEX #D7148D

RGB 215 20 141

HSL 322.77, 0.83%, 0.46%

LAB 48.1, 75.44, -14.69

 

CMYK 81 / 0 / 54 / 8

HEX #2DEB6D

RGB 45 235 109

HSL 140.21, 0.83%, 0.55%

LAB 82.42, -70.86, 48.06

 

CMYK 75 / 0 / 49 / 1

HEX #3EFD80

RGB 62 253 128

HSL 140.73, 0.98%, 0.62%

LAB 88.37, -72.05, 46.53

 

CMYK 69 / 0 / 42 / 0

HEX #4FFF93

RGB 79 255 147

HSL 143.18, 1%, 0.65%

LAB 89.53, -67.34, 38.94

 

CMYK 62 / 0 / 35 / 0

HEX #60FFA6

RGB 96 255 166

HSL 146.42, 1%, 0.69%

LAB 90.21, -61.11, 30.5

 

CMYK 56 / 0 / 27 / 0

HEX #71FFB9

RGB 113 255 185

HSL 150.42, 1%, 0.72%

LAB 91.02, -54.14, 22.07

 

CMYK 83 / 0 / 51 / 8

HEX #28EB72

RGB 40 235 114

HSL 142.77, 0.83%, 0.54%

LAB 82.42, -70.63, 45.71

 

CMYK 89 / 0 / 56 / 15

HEX #17D95F

RGB 23 217 95

HSL 142.27, 0.81%, 0.47%

LAB 76.46, -68.9, 47.32

 

CMYK 97 / 0 / 62 / 22

HEX #06C74C

RGB 6 199 76

HSL 141.76, 0.94%, 0.4%

LAB 70.46, -66.6, 48.9

 

CMYK 100 / 0 / 69 / 29

HEX #00B539

RGB 0 181 57

HSL 138.9, 1%, 0.35%

LAB 64.44, -63.56, 50.3

 

CMYK 100 / 0 / 77 / 36

HEX #00A326

RGB 0 163 38

HSL 133.99, 1%, 0.32%

LAB 58.35, -59.95, 51.22

 

CMYK 83 / 0 / 51 / 8

HEX #28EB72

RGB 40 235 114

HSL 142.77, 0.83%, 0.54%

LAB 82.42, -70.63, 45.71

 

CMYK 83 / 0 / 74 / 8

HEX #28EB3D

RGB 40 235 61

HSL 126.46, 0.83%, 0.54%

LAB 81.95, -76.45, 67.03

 

CMYK 70 / 0 / 83 / 8

HEX #47EB28

RGB 71 235 40

HSL 110.46, 0.83%, 0.54%

LAB 82.33, -73.52, 73.54

 

CMYK 48 / 0 / 83 / 8

HEX #7BEB28

RGB 123 235 40

HSL 94.46, 0.83%, 0.54%

LAB 83.85, -61.21, 75.47

 

CMYK 25 / 0 / 83 / 8

HEX #B0EB28

RGB 176 235 40

HSL 78.15, 0.83%, 0.54%

LAB 86.4, -43.24, 78.69

 

CMYK 83 / 0 / 51 / 8

HEX #28EB72

RGB 40 235 114

HSL 142.77, 0.83%, 0.54%

LAB 82.42, -70.63, 45.71

 

CMYK 83 / 0 / 29 / 8

HEX #28EBA6

RGB 40 235 166

HSL 158.77, 0.83%, 0.54%

LAB 83.24, -61.16, 20.83

 

CMYK 83 / 0 / 7 / 8

HEX #28EBDB

RGB 40 235 219

HSL 175.08, 0.83%, 0.54%

LAB 84.47, -48.15, -5.17

 

CMYK 83 / 16 / 0 / 8

HEX #28C6EB

RGB 40 198 235

HSL 191.38, 0.83%, 0.54%

LAB 74.09, -26.32, -29.37

 

CMYK 83 / 38 / 0 / 8

HEX #2891EB

RGB 40 145 235

HSL 207.69, 0.83%, 0.54%

LAB 58.7, 2.59, -53.46

 

CMYK 83 / 0 / 51 / 8

HEX #28EB72

RGB 40 235 114

HSL 142.77, 0.83%, 0.54%

LAB 82.42, -70.63, 45.71

 

CMYK 92 / 0 / 57 / 0

HEX #15FE6D

RGB 21 254 109

HSL 142.66, 0.99%, 0.54%

LAB 88.04, -78.46, 54.72

 

CMYK 83 / 0 / 51 / 8

HEX #28EB72

RGB 40 235 114

HSL 142.77, 0.83%, 0.54%

LAB 82.42, -70.63, 45.71

 

CMYK 73 / 0 / 45 / 15

HEX #3BD876

RGB 59 216 118

HSL 142.55, 0.67%, 0.54%

LAB 76.89, -61.36, 36.89

 

CMYK 60 / 0 / 38 / 23

HEX #4EC57B

RGB 78 197 123

HSL 142.69, 0.51%, 0.54%

LAB 71.54, -49.95, 27.45

 

CMYK 46 / 0 / 29 / 30

HEX #61B27F

RGB 97 178 127

HSL 142.22, 0.34%, 0.54%

LAB 66.45, -36.42, 18.55

 

CMYK 27 / 0 / 17 / 38

HEX #749F84

RGB 116 159 132

HSL 142.33, 0.18%, 0.54%

LAB 61.81, -20.37, 9.43

 

CMYK 69 / 0 / 83 / 8

HEX #48EB28

RGB 72 235 40

HSL 110.15, 0.83%, 0.54%

LAB 82.35, -73.34, 73.56

 

CMYK 83 / 0 / 75 / 8

HEX #28EB3B

RGB 40 235 59

HSL 125.85, 0.83%, 0.54%

LAB 81.94, -76.6, 67.67

 

CMYK 83 / 0 / 53 / 8

HEX #28EB6F

RGB 40 235 111

HSL 141.85, 0.83%, 0.54%

LAB 82.39, -71.06, 47.08

 

CMYK 83 / 0 / 31 / 8

HEX #28EBA3

RGB 40 235 163

HSL 157.85, 0.83%, 0.54%

LAB 83.19, -61.8, 22.3

 

CMYK 83 / 0 / 9 / 8

HEX #28EBD7

RGB 40 235 215

HSL 173.85, 0.83%, 0.54%

LAB 84.37, -49.23, -3.22

 

CMYK 91 / 0 / 56 / 31

HEX #10B04D

RGB 16 176 77

HSL 142.88, 0.83%, 0.38%

LAB 63.09, -58.76, 39.84

 

CMYK 91 / 0 / 57 / 16

HEX #13D65D

RGB 19 214 93

HSL 142.77, 0.84%, 0.46%

LAB 75.46, -68.46, 47.06

 

CMYK 83 / 0 / 51 / 8

HEX #28EB72

RGB 40 235 114

HSL 142.77, 0.83%, 0.54%

LAB 82.42, -70.63, 45.71

 

CMYK 67 / 0 / 42 / 7

HEX #4EEE8A

RGB 78 238 138

HSL 142.5, 0.82%, 0.62%

LAB 84.28, -62.92, 36.55

 

CMYK 52 / 0 / 33 / 5

HEX #73F2A3

RGB 115 242 163

HSL 142.68, 0.83%, 0.7%

LAB 86.9, -52.57, 27.63

 

CMYK 83 / 0 / 51 / 8

HEX #28EB72

RGB 40 235 114

HSL 142.77, 0.83%, 0.54%

LAB 82.42, -70.63, 45.71

 

CMYK 83 / 47 / 0 / 8

HEX #287CEB

RGB 40 124 235

HSL 214.15, 0.83%, 0.54%

LAB 52.8, 15.37, -62.9

 

CMYK 0 / 83 / 80 / 8

HEX #EB282E

RGB 235 40 46

HSL 358.15, 0.83%, 0.54%

LAB 51.13, 70.79, 46.83

 

CMYK 83 / 0 / 51 / 8

HEX #28EB72

RGB 40 235 114

HSL 142.77, 0.83%, 0.54%

LAB 82.42, -70.63, 45.71

 

CMYK 53 / 83 / 0 / 8

HEX #6F28EB

RGB 111 40 235

HSL 261.85, 0.83%, 0.54%

LAB 39.4, 69.62, -84.59

 

CMYK 0 / 53 / 83 / 8

HEX #EB6F28

RGB 235 111 40

HSL 21.85, 0.83%, 0.54%

LAB 60.94, 44.06, 58.66

 

CMYK 83 / 0 / 51 / 8

HEX #28EB72

RGB 40 235 114

HSL 142.77, 0.83%, 0.54%

LAB 82.42, -70.63, 45.71

 

CMYK 83 / 47 / 0 / 8

HEX #287CEB

RGB 40 124 235

HSL 214.15, 0.83%, 0.54%

LAB 52.8, 15.37, -62.9

 

CMYK 0 / 83 / 31 / 8

HEX #EB28A3

RGB 235 40 163

HSL 322.15, 0.83%, 0.54%

LAB 53.84, 78.68, -18.73

 

CMYK 0 / 36 / 83 / 8

HEX #EB9628

RGB 235 150 40

HSL 33.85, 0.83%, 0.54%

LAB 69.2, 24.02, 65.82

 

CMYK 83 / 0 / 51 / 8

HEX #28EB72

RGB 40 235 114

HSL 142.77, 0.83%, 0.54%

LAB 82.42, -70.63, 45.71

 

CMYK 83 / 72 / 0 / 8

HEX #2842EB

RGB 40 66 235

HSL 232, 0.83%, 0.54%

LAB 38.46, 51.44, -86.32

 

CMYK 0 / 83 / 31 / 8

HEX #EB28A3

RGB 235 40 163

HSL 322.15, 0.83%, 0.54%

LAB 53.84, 78.68, -18.73

 

CMYK 0 / 11 / 83 / 8

HEX #EBD128

RGB 235 209 40

HSL 52, 0.83%, 0.54%

LAB 83.66, -6.83, 78.06

 

Description

Color code: RGB 40 235 114 | qconv.com Color code: RGB 40 235 114 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 235 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 235 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 51 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 51% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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