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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 204 139 it is the complementary color RGB 215 51 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 204 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 204 139 shade: RGB 45 204 134, RGB 62 222 153, RGB 79 240 172, RGB 96 255 191 and RGB 113 255 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 204 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 204 139 shade: RGB 40 204 139, RGB 23 186 120, RGB 6 168 101, RGB 0 150 82 and RGB 0 132 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 204 139 shade: RGB 40 204 139, RGB 40 204 95, RGB 40 204 50, RGB 74 204 40 and RGB 118 204 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 204 139 shade: RGB 40 204 139, RGB 40 204 183, RGB 40 180 204, RGB 40 136 204 and RGB 40 92 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 204 139 shade matches the following richer shades: RGB 40 204 139, RGB 20 224 143 and RGB 0 244 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 204 139 shade: RGB 40 204 139, RGB 60 184 135, RGB 80 164 131, RGB 99 144 127 and RGB 119 125 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 204 139 shade: RGB 40 204 51, RGB 40 204 95, RGB 40 204 138, RGB 40 204 182 and RGB 40 182 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 204 139 shade: RGB 26 135 92, RGB 33 169 115, RGB 40 204 139, RGB 68 218 158 and RGB 102 224 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 204 139 shade: RGB 40 204 139, RGB 40 73 204 and RGB 204 73 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 204 139 shade: RGB 40 204 139, RGB 138 40 204 and RGB 204 138 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 204 139 shade: RGB 40 204 139, RGB 40 73 204, RGB 204 40 105 and RGB 204 171 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 204 139 shade: RGB 40 204 139, RGB 56 40 204, RGB 204 40 105 and RGB 188 204 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 32 / 20

HEX #28CC8B

RGB 40 204 139

HSL 156.22, 0.67%, 0.48%

LAB 73.22, -55.37, 21.16

 

Complementary color

CMYK 0 / 76 / 46 / 16

HEX #D73374

RGB 215 51 116

HSL 336.22, 0.67%, 0.52%

LAB 49.59, 66.43, 2.7

 

CMYK 78 / 0 / 34 / 20

HEX #2DCC86

RGB 45 204 134

HSL 153.58, 0.64%, 0.49%

LAB 73.2, -55.87, 23.78

 

CMYK 72 / 0 / 31 / 13

HEX #3EDE99

RGB 62 222 153

HSL 154.13, 0.71%, 0.56%

LAB 79.37, -56.62, 22.29

 

CMYK 67 / 0 / 28 / 6

HEX #4FF0AC

RGB 79 240 172

HSL 154.66, 0.84%, 0.63%

LAB 85.48, -57.11, 20.93

 

CMYK 62 / 0 / 25 / 0

HEX #60FFBF

RGB 96 255 191

HSL 155.85, 1%, 0.69%

LAB 90.67, -56.21, 18.45

 

CMYK 56 / 0 / 18 / 0

HEX #71FFD2

RGB 113 255 210

HSL 160.99, 1%, 0.72%

LAB 91.54, -48.91, 9.98

 

CMYK 80 / 0 / 32 / 20

HEX #28CC8B

RGB 40 204 139

HSL 156.22, 0.67%, 0.48%

LAB 73.22, -55.37, 21.16

 

CMYK 88 / 0 / 35 / 27

HEX #17BA78

RGB 23 186 120

HSL 155.71, 0.78%, 0.41%

LAB 67.02, -54.12, 22.79

 

CMYK 96 / 0 / 40 / 34

HEX #06A865

RGB 6 168 101

HSL 155.19, 0.93%, 0.34%

LAB 60.77, -52.38, 24.58

 

CMYK 100 / 0 / 45 / 41

HEX #009652

RGB 0 150 82

HSL 152.8, 1%, 0.29%

LAB 54.47, -49.97, 26.54

 

CMYK 100 / 0 / 52 / 48

HEX #00843F

RGB 0 132 63

HSL 148.64, 1%, 0.26%

LAB 48.08, -47.09, 28.6

 

CMYK 80 / 0 / 32 / 20

HEX #28CC8B

RGB 40 204 139

HSL 156.22, 0.67%, 0.48%

LAB 73.22, -55.37, 21.16

 

CMYK 80 / 0 / 53 / 20

HEX #28CC5F

RGB 40 204 95

HSL 140.12, 0.67%, 0.48%

LAB 72.54, -63.27, 42.65

 

CMYK 80 / 0 / 75 / 20

HEX #28CC32

RGB 40 204 50

HSL 123.66, 0.67%, 0.48%

LAB 72.14, -68.14, 60.92

 

CMYK 64 / 0 / 80 / 20

HEX #4ACC28

RGB 74 204 40

HSL 107.56, 0.67%, 0.48%

LAB 72.76, -63.07, 64.8

 

CMYK 42 / 0 / 80 / 20

HEX #76CC28

RGB 118 204 40

HSL 91.46, 0.67%, 0.48%

LAB 74.31, -50.95, 66.8

 

CMYK 80 / 0 / 32 / 20

HEX #28CC8B

RGB 40 204 139

HSL 156.22, 0.67%, 0.48%

LAB 73.22, -55.37, 21.16

 

CMYK 80 / 0 / 10 / 20

HEX #28CCB7

RGB 40 204 183

HSL 172.32, 0.67%, 0.48%

LAB 74.23, -44.67, -1.02

 

CMYK 80 / 12 / 0 / 20

HEX #28B4CC

RGB 40 180 204

HSL 188.78, 0.67%, 0.48%

LAB 67.62, -27.34, -22.38

 

CMYK 80 / 33 / 0 / 20

HEX #2888CC

RGB 40 136 204

HSL 204.88, 0.67%, 0.48%

LAB 54.47, -3.51, -42.81

 

CMYK 80 / 55 / 0 / 20

HEX #285CCC

RGB 40 92 204

HSL 220.98, 0.67%, 0.48%

LAB 41.95, 24, -62.88

 

CMYK 80 / 0 / 32 / 20

HEX #28CC8B

RGB 40 204 139

HSL 156.22, 0.67%, 0.48%

LAB 73.22, -55.37, 21.16

 

CMYK 91 / 0 / 36 / 12

HEX #14E08F

RGB 20 224 143

HSL 156.18, 0.84%, 0.48%

LAB 79.3, -63.28, 27.29

 

CMYK 100 / 0 / 40 / 4

HEX #00F493

RGB 0 244 147

HSL 156.15, 1%, 0.48%

LAB 85.41, -70, 33.39

 

CMYK 80 / 0 / 32 / 20

HEX #28CC8B

RGB 40 204 139

HSL 156.22, 0.67%, 0.48%

LAB 73.22, -55.37, 21.16

 

CMYK 67 / 0 / 27 / 28

HEX #3CB887

RGB 60 184 135

HSL 156.29, 0.51%, 0.48%

LAB 67.27, -45.65, 15.14

 

CMYK 51 / 0 / 20 / 36

HEX #50A483

RGB 80 164 131

HSL 156.43, 0.34%, 0.48%

LAB 61.56, -33.6, 9.41

 

CMYK 31 / 0 / 12 / 44

HEX #63907F

RGB 99 144 127

HSL 157.33, 0.19%, 0.48%

LAB 56.22, -19.19, 4.14

 

CMYK 5 / 0 / 2 / 51

HEX #777D7A

RGB 119 125 122

HSL 150, 0.02%, 0.48%

LAB 51.83, -2.85, 0.85

 

CMYK 80 / 0 / 75 / 20

HEX #28CC33

RGB 40 204 51

HSL 124.02, 0.67%, 0.48%

LAB 72.15, -68.06, 60.6

 

CMYK 80 / 0 / 53 / 20

HEX #28CC5F

RGB 40 204 95

HSL 140.12, 0.67%, 0.48%

LAB 72.54, -63.27, 42.65

 

CMYK 80 / 0 / 32 / 20

HEX #28CC8A

RGB 40 204 138

HSL 155.85, 0.67%, 0.48%

LAB 73.2, -55.58, 21.67

 

CMYK 80 / 0 / 11 / 20

HEX #28CCB6

RGB 40 204 182

HSL 171.95, 0.67%, 0.48%

LAB 74.2, -44.94, -0.52

 

CMYK 80 / 11 / 0 / 20

HEX #28B6CC

RGB 40 182 204

HSL 188.05, 0.67%, 0.48%

LAB 68.22, -28.33, -21.47

 

CMYK 81 / 0 / 32 / 47

HEX #1A875C

RGB 26 135 92

HSL 156.33, 0.68%, 0.32%

LAB 49.88, -40.15, 14.91

 

CMYK 80 / 0 / 32 / 34

HEX #21A973

RGB 33 169 115

HSL 156.18, 0.67%, 0.4%

LAB 61.6, -47.83, 18.14

 

CMYK 80 / 0 / 32 / 20

HEX #28CC8B

RGB 40 204 139

HSL 156.22, 0.67%, 0.48%

LAB 73.22, -55.37, 21.16

 

CMYK 69 / 0 / 28 / 15

HEX #44DA9E

RGB 68 218 158

HSL 156, 0.67%, 0.56%

LAB 78.37, -53.13, 18.32

 

CMYK 54 / 0 / 21 / 12

HEX #66E0B0

RGB 102 224 176

HSL 156.39, 0.66%, 0.64%

LAB 81.44, -45.39, 13.28

 

CMYK 80 / 0 / 32 / 20

HEX #28CC8B

RGB 40 204 139

HSL 156.22, 0.67%, 0.48%

LAB 73.22, -55.37, 21.16

 

CMYK 80 / 64 / 0 / 20

HEX #2849CC

RGB 40 73 204

HSL 227.93, 0.67%, 0.48%

LAB 37.07, 36.29, -70.84

 

CMYK 0 / 64 / 80 / 20

HEX #CC4928

RGB 204 73 40

HSL 12.07, 0.67%, 0.48%

LAB 49.2, 50.34, 46.06

 

CMYK 80 / 0 / 32 / 20

HEX #28CC8B

RGB 40 204 139

HSL 156.22, 0.67%, 0.48%

LAB 73.22, -55.37, 21.16

 

CMYK 32 / 80 / 0 / 20

HEX #8A28CC

RGB 138 40 204

HSL 275.85, 0.67%, 0.48%

LAB 40.05, 66.05, -65.62

 

CMYK 0 / 32 / 80 / 20

HEX #CC8A28

RGB 204 138 40

HSL 35.85, 0.67%, 0.48%

LAB 62.65, 17.23, 58.61

 

CMYK 80 / 0 / 32 / 20

HEX #28CC8B

RGB 40 204 139

HSL 156.22, 0.67%, 0.48%

LAB 73.22, -55.37, 21.16

 

CMYK 80 / 64 / 0 / 20

HEX #2849CC

RGB 40 73 204

HSL 227.93, 0.67%, 0.48%

LAB 37.07, 36.29, -70.84

 

CMYK 0 / 80 / 49 / 20

HEX #CC2869

RGB 204 40 105

HSL 336.22, 0.67%, 0.48%

LAB 46.14, 65.66, 4.21

 

CMYK 0 / 16 / 80 / 20

HEX #CCAB28

RGB 204 171 40

HSL 47.93, 0.67%, 0.48%

LAB 70.95, -0.57, 66.02

 

CMYK 80 / 0 / 32 / 20

HEX #28CC8B

RGB 40 204 139

HSL 156.22, 0.67%, 0.48%

LAB 73.22, -55.37, 21.16

 

CMYK 73 / 80 / 0 / 20

HEX #3828CC

RGB 56 40 204

HSL 245.85, 0.67%, 0.48%

LAB 31.16, 56.25, -80.56

 

CMYK 0 / 80 / 49 / 20

HEX #CC2869

RGB 204 40 105

HSL 336.22, 0.67%, 0.48%

LAB 46.14, 65.66, 4.21

 

CMYK 8 / 0 / 80 / 20

HEX #BCCC28

RGB 188 204 40

HSL 65.85, 0.67%, 0.48%

LAB 78.48, -24.25, 72.11

 

Description

Color code: RGB 40 204 139 | qconv.com Color code: RGB 40 204 139 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 204 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 204 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 32 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 32% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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