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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 194 69 it is the complementary color RGB 215 61 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 194 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 194 69 shade: RGB 45 194 64, RGB 62 212 83, RGB 79 230 102, RGB 96 248 121 and RGB 113 255 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 194 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 194 69 shade: RGB 40 194 69, RGB 23 176 50, RGB 6 158 31, RGB 0 140 12 and RGB 0 122 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 194 69 shade: RGB 39 194 69, RGB 52 194 39, RGB 94 194 39, RGB 135 194 39 and RGB 177 194 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 194 69 shade: RGB 39 194 69, RGB 39 194 110, RGB 39 194 152, RGB 39 194 194 and RGB 39 153 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 194 69 shade matches the following richer shades: RGB 39 194 69, RGB 20 213 57 and RGB 1 232 45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 194 69 shade: RGB 39 194 69, RGB 58 175 80, RGB 77 156 92, RGB 96 137 104 and RGB 115 118 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 194 69 shade: RGB 94 194 39, RGB 52 194 39, RGB 39 194 68, RGB 39 194 109 and RGB 39 194 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 194 69 shade: RGB 25 126 44, RGB 32 160 56, RGB 39 194 69, RGB 60 215 89 and RGB 94 222 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 194 69 shade: RGB 40 194 69, RGB 39 135 194 and RGB 194 39 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 194 69 shade: RGB 40 194 69, RGB 68 39 194 and RGB 194 68 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 194 69 shade: RGB 40 194 69, RGB 39 135 194, RGB 194 39 166 and RGB 194 99 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 194 69 shade: RGB 40 194 69, RGB 39 88 194, RGB 194 39 166 and RGB 194 145 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 64 / 24

HEX #28C245

RGB 40 194 69

HSL 131.3, 0.66%, 0.46%

LAB 69.09, -63.33, 50.47

 

Complementary color

CMYK 0 / 72 / 13 / 16

HEX #D73DBA

RGB 215 61 186

HSL 311.3, 0.66%, 0.54%

LAB 53.31, 71.39, -33.29

 

CMYK 77 / 0 / 67 / 24

HEX #2DC240

RGB 45 194 64

HSL 127.65, 0.62%, 0.47%

LAB 69.12, -63.2, 52.62

 

CMYK 71 / 0 / 61 / 17

HEX #3ED453

RGB 62 212 83

HSL 128.4, 0.64%, 0.54%

LAB 75.29, -64.42, 51.49

 

CMYK 66 / 0 / 56 / 10

HEX #4FE666

RGB 79 230 102

HSL 129.14, 0.75%, 0.61%

LAB 81.41, -65.21, 50.21

 

CMYK 61 / 0 / 51 / 3

HEX #60F879

RGB 96 248 121

HSL 129.87, 0.92%, 0.67%

LAB 87.49, -65.7, 48.88

 

CMYK 56 / 0 / 45 / 0

HEX #71FF8C

RGB 113 255 140

HSL 131.41, 1%, 0.72%

LAB 90.29, -61.89, 43.48

 

CMYK 79 / 0 / 64 / 24

HEX #28C245

RGB 40 194 69

HSL 131.3, 0.66%, 0.46%

LAB 69.09, -63.33, 50.47

 

CMYK 87 / 0 / 72 / 31

HEX #17B032

RGB 23 176 50

HSL 130.59, 0.77%, 0.39%

LAB 62.9, -61.41, 51.49

 

CMYK 96 / 0 / 80 / 38

HEX #069E1F

RGB 6 158 31

HSL 129.87, 0.93%, 0.32%

LAB 56.68, -58.65, 51.9

 

CMYK 100 / 0 / 91 / 45

HEX #008C0C

RGB 0 140 12

HSL 125.14, 1%, 0.27%

LAB 50.43, -54.76, 51.1

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 80 / 0 / 64 / 24

HEX #27C245

RGB 39 194 69

HSL 131.61, 0.67%, 0.46%

LAB 69.07, -63.45, 50.45

 

CMYK 73 / 0 / 80 / 24

HEX #34C227

RGB 52 194 39

HSL 114.97, 0.67%, 0.46%

LAB 69.08, -64.11, 61.47

 

CMYK 52 / 0 / 80 / 24

HEX #5EC227

RGB 94 194 39

HSL 98.71, 0.67%, 0.46%

LAB 70.25, -54.55, 62.98

 

CMYK 30 / 0 / 80 / 24

HEX #87C227

RGB 135 194 39

HSL 82.84, 0.67%, 0.46%

LAB 72.15, -40.85, 65.42

 

CMYK 9 / 0 / 80 / 24

HEX #B1C227

RGB 177 194 39

HSL 66.58, 0.67%, 0.46%

LAB 74.87, -24.04, 68.89

 

CMYK 80 / 0 / 64 / 24

HEX #27C245

RGB 39 194 69

HSL 131.61, 0.67%, 0.46%

LAB 69.07, -63.45, 50.45

 

CMYK 80 / 0 / 43 / 24

HEX #27C26E

RGB 39 194 110

HSL 147.48, 0.67%, 0.46%

LAB 69.57, -57.51, 31.45

 

CMYK 80 / 0 / 22 / 24

HEX #27C298

RGB 39 194 152

HSL 163.74, 0.67%, 0.46%

LAB 70.37, -48.57, 10.22

 

CMYK 80 / 0 / 0 / 24

HEX #27C2C2

RGB 39 194 194

HSL 180, 0.67%, 0.46%

LAB 71.49, -37.2, -11.04

 

CMYK 80 / 21 / 0 / 24

HEX #2799C2

RGB 39 153 194

HSL 195.87, 0.67%, 0.46%

LAB 59.07, -16.76, -29.95

 

CMYK 80 / 0 / 64 / 24

HEX #27C245

RGB 39 194 69

HSL 131.61, 0.67%, 0.46%

LAB 69.07, -63.45, 50.45

 

CMYK 91 / 0 / 73 / 16

HEX #14D539

RGB 20 213 57

HSL 131.5, 0.83%, 0.46%

LAB 74.85, -71.98, 61.19

 

CMYK 100 / 0 / 81 / 9

HEX #01E82D

RGB 1 232 45

HSL 131.43, 0.99%, 0.46%

LAB 80.69, -78.83, 70.51

 

CMYK 80 / 0 / 64 / 24

HEX #27C245

RGB 39 194 69

HSL 131.61, 0.67%, 0.46%

LAB 69.07, -63.45, 50.45

 

CMYK 67 / 0 / 54 / 31

HEX #3AAF50

RGB 58 175 80

HSL 131.28, 0.5%, 0.46%

LAB 63.46, -52.6, 38.98

 

CMYK 51 / 0 / 41 / 39

HEX #4D9C5C

RGB 77 156 92

HSL 131.39, 0.34%, 0.46%

LAB 58.16, -38.59, 26.25

 

CMYK 30 / 0 / 24 / 46

HEX #608968

RGB 96 137 104

HSL 131.71, 0.18%, 0.46%

LAB 53.36, -21.36, 13.25

 

CMYK 3 / 0 / 2 / 54

HEX #737674

RGB 115 118 116

HSL 140, 0.01%, 0.46%

LAB 49.33, -1.54, 0.7

 

CMYK 52 / 0 / 80 / 24

HEX #5EC227

RGB 94 194 39

HSL 98.71, 0.67%, 0.46%

LAB 70.25, -54.55, 62.98

 

CMYK 73 / 0 / 80 / 24

HEX #34C227

RGB 52 194 39

HSL 114.97, 0.67%, 0.46%

LAB 69.08, -64.11, 61.47

 

CMYK 80 / 0 / 65 / 24

HEX #27C244

RGB 39 194 68

HSL 131.23, 0.67%, 0.46%

LAB 69.06, -63.56, 50.87

 

CMYK 80 / 0 / 44 / 24

HEX #27C26D

RGB 39 194 109

HSL 147.1, 0.67%, 0.46%

LAB 69.55, -57.69, 31.94

 

CMYK 80 / 0 / 23 / 24

HEX #27C296

RGB 39 194 150

HSL 162.97, 0.67%, 0.46%

LAB 70.33, -49.06, 11.24

 

CMYK 80 / 0 / 65 / 51

HEX #197E2C

RGB 25 126 44

HSL 131.29, 0.67%, 0.3%

LAB 46.06, -45.51, 35.86

 

CMYK 80 / 0 / 65 / 37

HEX #20A038

RGB 32 160 56

HSL 131.25, 0.67%, 0.38%

LAB 57.78, -54.73, 43.53

 

CMYK 80 / 0 / 64 / 24

HEX #27C245

RGB 39 194 69

HSL 131.61, 0.67%, 0.46%

LAB 69.07, -63.45, 50.45

 

CMYK 72 / 0 / 59 / 16

HEX #3CD759

RGB 60 215 89

HSL 131.23, 0.66%, 0.54%

LAB 76.24, -65.03, 49.92

 

CMYK 58 / 0 / 47 / 13

HEX #5EDE76

RGB 94 222 118

HSL 131.25, 0.66%, 0.62%

LAB 79.57, -57, 40.48

 

CMYK 79 / 0 / 64 / 24

HEX #28C245

RGB 40 194 69

HSL 131.3, 0.66%, 0.46%

LAB 69.09, -63.33, 50.47

 

CMYK 80 / 30 / 0 / 24

HEX #2787C2

RGB 39 135 194

HSL 202.84, 0.67%, 0.46%

LAB 53.66, -6.68, -38.41

 

CMYK 0 / 80 / 62 / 24

HEX #C22749

RGB 194 39 73

HSL 346.84, 0.67%, 0.46%

LAB 43.36, 60.93, 19.94

 

CMYK 79 / 0 / 64 / 24

HEX #28C245

RGB 40 194 69

HSL 131.3, 0.66%, 0.46%

LAB 69.09, -63.33, 50.47

 

CMYK 65 / 80 / 0 / 24

HEX #4427C2

RGB 68 39 194

HSL 251.23, 0.67%, 0.46%

LAB 30.82, 54.79, -75.24

 

CMYK 0 / 65 / 80 / 24

HEX #C24427

RGB 194 68 39

HSL 11.23, 0.67%, 0.46%

LAB 46.64, 48.97, 43.47

 

CMYK 79 / 0 / 64 / 24

HEX #28C245

RGB 40 194 69

HSL 131.3, 0.66%, 0.46%

LAB 69.09, -63.33, 50.47

 

CMYK 80 / 30 / 0 / 24

HEX #2787C2

RGB 39 135 194

HSL 202.84, 0.67%, 0.46%

LAB 53.66, -6.68, -38.41

 

CMYK 0 / 80 / 14 / 24

HEX #C227A6

RGB 194 39 166

HSL 310.84, 0.67%, 0.46%

LAB 46.54, 70.31, -32.39

 

CMYK 0 / 49 / 80 / 24

HEX #C26327

RGB 194 99 39

HSL 23.23, 0.67%, 0.46%

LAB 52.44, 33.99, 49.08

 

CMYK 79 / 0 / 64 / 24

HEX #28C245

RGB 40 194 69

HSL 131.3, 0.66%, 0.46%

LAB 69.09, -63.33, 50.47

 

CMYK 80 / 55 / 0 / 24

HEX #2758C2

RGB 39 88 194

HSL 221.03, 0.67%, 0.46%

LAB 40.09, 22.69, -60.1

 

CMYK 0 / 80 / 14 / 24

HEX #C227A6

RGB 194 39 166

HSL 310.84, 0.67%, 0.46%

LAB 46.54, 70.31, -32.39

 

CMYK 0 / 25 / 80 / 24

HEX #C29127

RGB 194 145 39

HSL 41.03, 0.67%, 0.46%

LAB 63.23, 8.98, 59.07

 

Description

Color code: RGB 40 194 69 | qconv.com Color code: RGB 40 194 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 194 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 194 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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