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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 177 88 it is the complementary color RGB 215 78 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 177 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 177 88 shade: RGB 45 177 83, RGB 62 195 102, RGB 79 213 121, RGB 96 231 140 and RGB 113 249 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 177 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 177 88 shade: RGB 40 177 88, RGB 23 159 69, RGB 6 141 50, RGB 0 123 31 and RGB 0 105 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 177 88 shade: RGB 40 178 88, RGB 40 178 51, RGB 66 178 40, RGB 103 178 40 and RGB 141 178 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 177 88 shade: RGB 40 178 88, RGB 40 178 126, RGB 40 178 163, RGB 40 156 178 and RGB 40 119 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 177 88 shade matches the following richer shades: RGB 40 178 88, RGB 22 196 83 and RGB 5 214 78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 177 88 shade: RGB 40 178 88, RGB 58 160 94, RGB 76 143 99, RGB 93 125 104 and RGB 111 107 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 177 88 shade: RGB 65 178 40, RGB 40 178 52, RGB 40 178 88, RGB 40 178 125 and RGB 40 178 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 177 88 shade: RGB 25 111 55, RGB 32 145 72, RGB 40 178 88, RGB 51 208 106 and RGB 85 216 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 177 88 shade: RGB 40 177 88, RGB 40 102 178 and RGB 178 40 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 177 88 shade: RGB 40 177 88, RGB 88 40 178 and RGB 178 88 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 177 88 shade: RGB 40 177 88, RGB 40 102 178, RGB 178 40 130 and RGB 178 116 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 177 88 shade: RGB 40 177 88, RGB 40 61 178, RGB 178 40 130 and RGB 178 158 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 50 / 31

HEX #28B158

RGB 40 177 88

HSL 141.02, 0.63%, 0.43%

LAB 63.84, -55.09, 35.38

 

Complementary color

CMYK 0 / 64 / 22 / 16

HEX #D74EA7

RGB 215 78 167

HSL 321.02, 0.63%, 0.57%

LAB 54.75, 62.5, -20

 

CMYK 75 / 0 / 53 / 31

HEX #2DB153

RGB 45 177 83

HSL 137.27, 0.59%, 0.44%

LAB 63.86, -55.15, 37.92

 

CMYK 68 / 0 / 48 / 24

HEX #3EC366

RGB 62 195 102

HSL 138.05, 0.53%, 0.5%

LAB 70.19, -55.9, 36.39

 

CMYK 63 / 0 / 43 / 16

HEX #4FD579

RGB 79 213 121

HSL 138.81, 0.61%, 0.57%

LAB 76.46, -56.31, 34.92

 

CMYK 58 / 0 / 39 / 9

HEX #60E78C

RGB 96 231 140

HSL 139.56, 0.74%, 0.64%

LAB 82.66, -56.5, 33.53

 

CMYK 55 / 0 / 36 / 2

HEX #71F99F

RGB 113 249 159

HSL 140.29, 0.92%, 0.71%

LAB 88.81, -56.54, 32.22

 

CMYK 77 / 0 / 50 / 31

HEX #28B158

RGB 40 177 88

HSL 141.02, 0.63%, 0.43%

LAB 63.84, -55.09, 35.38

 

CMYK 86 / 0 / 57 / 38

HEX #179F45

RGB 23 159 69

HSL 140.29, 0.75%, 0.36%

LAB 57.47, -53.73, 37.03

 

CMYK 96 / 0 / 65 / 45

HEX #068D32

RGB 6 141 50

HSL 139.56, 0.92%, 0.29%

LAB 51.06, -51.63, 38.63

 

CMYK 100 / 0 / 75 / 52

HEX #007B1F

RGB 0 123 31

HSL 135.12, 1%, 0.24%

LAB 44.61, -48.42, 39.93

 

CMYK 100 / 0 / 89 / 59

HEX #00690C

RGB 0 105 12

HSL 126.86, 1%, 0.21%

LAB 38.07, -44.27, 40.17

 

CMYK 78 / 0 / 51 / 30

HEX #28B258

RGB 40 178 88

HSL 140.87, 0.63%, 0.43%

LAB 64.16, -55.45, 35.78

 

CMYK 78 / 0 / 71 / 30

HEX #28B233

RGB 40 178 51

HSL 124.78, 0.63%, 0.43%

LAB 63.78, -60.01, 52.09

 

CMYK 63 / 0 / 78 / 30

HEX #42B228

RGB 66 178 40

HSL 108.7, 0.63%, 0.43%

LAB 64.28, -56.02, 56.7

 

CMYK 42 / 0 / 78 / 30

HEX #67B228

RGB 103 178 40

HSL 92.61, 0.63%, 0.43%

LAB 65.65, -45.44, 58.49

 

CMYK 21 / 0 / 78 / 30

HEX #8DB228

RGB 141 178 40

HSL 76.09, 0.63%, 0.43%

LAB 67.77, -31.22, 61.23

 

CMYK 78 / 0 / 51 / 30

HEX #28B258

RGB 40 178 88

HSL 140.87, 0.63%, 0.43%

LAB 64.16, -55.45, 35.78

 

CMYK 78 / 0 / 29 / 30

HEX #28B27E

RGB 40 178 126

HSL 157.39, 0.63%, 0.43%

LAB 64.8, -48.13, 16.55

 

CMYK 78 / 0 / 8 / 30

HEX #28B2A3

RGB 40 178 163

HSL 173.48, 0.63%, 0.43%

LAB 65.7, -38.75, -2.57

 

CMYK 78 / 12 / 0 / 30

HEX #289CB2

RGB 40 156 178

HSL 189.57, 0.63%, 0.43%

LAB 59.38, -23.61, -20.45

 

CMYK 78 / 33 / 0 / 30

HEX #2877B2

RGB 40 119 178

HSL 205.65, 0.63%, 0.43%

LAB 48.08, -3, -38

 

CMYK 78 / 0 / 51 / 30

HEX #28B258

RGB 40 178 88

HSL 140.87, 0.63%, 0.43%

LAB 64.16, -55.45, 35.78

 

CMYK 89 / 0 / 58 / 23

HEX #16C453

RGB 22 196 83

HSL 141.03, 0.8%, 0.43%

LAB 69.66, -63.97, 44.83

 

CMYK 98 / 0 / 64 / 16

HEX #05D64E

RGB 5 214 78

HSL 140.96, 0.95%, 0.43%

LAB 75.25, -70.9, 53.44

 

CMYK 78 / 0 / 51 / 30

HEX #28B258

RGB 40 178 88

HSL 140.87, 0.63%, 0.43%

LAB 64.16, -55.45, 35.78

 

CMYK 64 / 0 / 41 / 37

HEX #3AA05E

RGB 58 160 94

HSL 141.18, 0.47%, 0.43%

LAB 58.83, -44.57, 25.94

 

CMYK 47 / 0 / 31 / 44

HEX #4C8F63

RGB 76 143 99

HSL 140.6, 0.31%, 0.43%

LAB 54.11, -31.68, 16.97

 

CMYK 26 / 0 / 17 / 51

HEX #5D7D68

RGB 93 125 104

HSL 140.63, 0.15%, 0.43%

LAB 49.49, -16.06, 7.78

 

CMYK 0 / 4 / 1 / 56

HEX #6F6B6E

RGB 111 107 110

HSL 315, 0.02%, 0.43%

LAB 45.66, 2.16, -1.13

 

CMYK 63 / 0 / 78 / 30

HEX #41B228

RGB 65 178 40

HSL 109.13, 0.63%, 0.43%

LAB 64.26, -56.25, 56.66

 

CMYK 78 / 0 / 71 / 30

HEX #28B234

RGB 40 178 52

HSL 125.22, 0.63%, 0.43%

LAB 63.79, -59.92, 51.71

 

CMYK 78 / 0 / 51 / 30

HEX #28B258

RGB 40 178 88

HSL 140.87, 0.63%, 0.43%

LAB 64.16, -55.45, 35.78

 

CMYK 78 / 0 / 30 / 30

HEX #28B27D

RGB 40 178 125

HSL 156.96, 0.63%, 0.43%

LAB 64.78, -48.36, 17.07

 

CMYK 78 / 0 / 9 / 30

HEX #28B2A2

RGB 40 178 162

HSL 173.04, 0.63%, 0.43%

LAB 65.67, -39.03, -2.06

 

CMYK 77 / 0 / 50 / 56

HEX #196F37

RGB 25 111 55

HSL 140.93, 0.63%, 0.27%

LAB 40.98, -38.29, 24.11

 

CMYK 78 / 0 / 50 / 43

HEX #209148

RGB 32 145 72

HSL 141.24, 0.64%, 0.35%

LAB 52.98, -47.25, 30.03

 

CMYK 78 / 0 / 51 / 30

HEX #28B258

RGB 40 178 88

HSL 140.87, 0.63%, 0.43%

LAB 64.16, -55.45, 35.78

 

CMYK 75 / 0 / 49 / 18

HEX #33D06A

RGB 51 208 106

HSL 141.02, 0.63%, 0.51%

LAB 74.1, -61.62, 39.27

 

CMYK 61 / 0 / 39 / 15

HEX #55D883

RGB 85 216 131

HSL 141.07, 0.63%, 0.59%

LAB 77.69, -54.55, 31.48

 

CMYK 77 / 0 / 50 / 31

HEX #28B158

RGB 40 177 88

HSL 141.02, 0.63%, 0.43%

LAB 63.84, -55.09, 35.38

 

CMYK 78 / 43 / 0 / 30

HEX #2866B2

RGB 40 102 178

HSL 213.04, 0.63%, 0.43%

LAB 43.02, 7.54, -46.05

 

CMYK 0 / 78 / 74 / 30

HEX #B2282F

RGB 178 40 47

HSL 356.96, 0.63%, 0.43%

LAB 39.89, 54.63, 30.93

 

CMYK 77 / 0 / 50 / 31

HEX #28B158

RGB 40 177 88

HSL 141.02, 0.63%, 0.43%

LAB 63.84, -55.09, 35.38

 

CMYK 51 / 78 / 0 / 30

HEX #5828B2

RGB 88 40 178

HSL 260.87, 0.63%, 0.43%

LAB 31.36, 52.27, -64.8

 

CMYK 0 / 51 / 78 / 30

HEX #B25828

RGB 178 88 40

HSL 20.87, 0.63%, 0.43%

LAB 47.75, 33.29, 43.21

 

CMYK 77 / 0 / 50 / 31

HEX #28B158

RGB 40 177 88

HSL 141.02, 0.63%, 0.43%

LAB 63.84, -55.09, 35.38

 

CMYK 78 / 43 / 0 / 30

HEX #2866B2

RGB 40 102 178

HSL 213.04, 0.63%, 0.43%

LAB 43.02, 7.54, -46.05

 

CMYK 0 / 78 / 27 / 30

HEX #B22882

RGB 178 40 130

HSL 320.87, 0.63%, 0.43%

LAB 42.15, 61.62, -17.69

 

CMYK 0 / 35 / 78 / 30

HEX #B27428

RGB 178 116 40

HSL 33.04, 0.63%, 0.43%

LAB 54.14, 17.97, 49.52

 

CMYK 77 / 0 / 50 / 31

HEX #28B158

RGB 40 177 88

HSL 141.02, 0.63%, 0.43%

LAB 63.84, -55.09, 35.38

 

CMYK 78 / 66 / 0 / 30

HEX #283DB2

RGB 40 61 178

HSL 230.87, 0.63%, 0.43%

LAB 31.81, 34.43, -64.2

 

CMYK 0 / 78 / 27 / 30

HEX #B22882

RGB 178 40 130

HSL 320.87, 0.63%, 0.43%

LAB 42.15, 61.62, -17.69

 

CMYK 0 / 11 / 78 / 30

HEX #B29E28

RGB 178 158 40

HSL 51.3, 0.63%, 0.43%

LAB 65.02, -5.16, 59.75

 

Description

Color code: RGB 40 177 88 | qconv.com Color code: RGB 40 177 88 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 177 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 177 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 50 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 50% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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