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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 145 109 it is the complementary color RGB 215 110 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 145 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 145 109 shade: RGB 45 145 104, RGB 62 163 123, RGB 79 181 142, RGB 96 199 161 and RGB 113 217 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 145 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 145 109 shade: RGB 40 145 109, RGB 23 127 90, RGB 6 109 71, RGB 0 91 52 and RGB 0 73 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 145 109 shade: RGB 39 144 108, RGB 39 144 80, RGB 39 144 51, RGB 55 144 39 and RGB 83 144 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 145 109 shade: RGB 39 144 108, RGB 39 144 136, RGB 39 123 144, RGB 39 95 144 and RGB 39 67 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 145 109 shade matches the following richer shades: RGB 39 144 108, RGB 24 158 112 and RGB 9 173 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 145 109 shade: RGB 39 144 108, RGB 54 129 103, RGB 69 114 98, RGB 84 99 94 and RGB 98 84 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 145 109 shade: RGB 39 144 51, RGB 39 144 79, RGB 39 144 107, RGB 39 144 135 and RGB 39 124 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 145 109 shade: RGB 21 79 59, RGB 30 111 83, RGB 39 144 108, RGB 48 176 132 and RGB 63 202 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 145 109 shade: RGB 40 145 109, RGB 39 55 144 and RGB 144 65 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 145 109 shade: RGB 40 145 109, RGB 107 39 144 and RGB 144 107 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 145 109 shade: RGB 40 145 109, RGB 39 55 144, RGB 144 39 76 and RGB 144 128 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 145 109 shade: RGB 40 145 109, RGB 55 39 144, RGB 144 39 76 and RGB 128 144 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 25 / 43

HEX #28916D

RGB 40 145 109

HSL 159.43, 0.57%, 0.36%

LAB 53.82, -38.41, 10.71

 

Complementary color

CMYK 0 / 49 / 32 / 16

HEX #D76E92

RGB 215 110 146

HSL 339.43, 0.57%, 0.64%

LAB 59.59, 45.04, -0.52

 

CMYK 69 / 0 / 28 / 43

HEX #2D9168

RGB 45 145 104

HSL 155.4, 0.53%, 0.37%

LAB 53.82, -38.76, 13.58

 

CMYK 62 / 0 / 25 / 36

HEX #3EA37B

RGB 62 163 123

HSL 156.24, 0.45%, 0.44%

LAB 60.47, -39.02, 12.24

 

CMYK 56 / 0 / 22 / 29

HEX #4FB58E

RGB 79 181 142

HSL 157.06, 0.41%, 0.51%

LAB 67.02, -39.09, 11.05

 

CMYK 52 / 0 / 19 / 22

HEX #60C7A1

RGB 96 199 161

HSL 157.86, 0.48%, 0.58%

LAB 73.49, -39.04, 9.97

 

CMYK 48 / 0 / 17 / 15

HEX #71D9B4

RGB 113 217 180

HSL 158.65, 0.58%, 0.65%

LAB 79.86, -38.92, 8.97

 

CMYK 72 / 0 / 25 / 43

HEX #28916D

RGB 40 145 109

HSL 159.43, 0.57%, 0.36%

LAB 53.82, -38.41, 10.71

 

CMYK 82 / 0 / 29 / 50

HEX #177F5A

RGB 23 127 90

HSL 158.65, 0.69%, 0.29%

LAB 47.1, -37.64, 12.21

 

CMYK 94 / 0 / 35 / 57

HEX #066D47

RGB 6 109 71

HSL 157.86, 0.9%, 0.23%

LAB 40.3, -36.31, 13.95

 

CMYK 100 / 0 / 43 / 64

HEX #005B34

RGB 0 91 52

HSL 154.29, 1%, 0.18%

LAB 33.41, -33.99, 15.99

 

CMYK 100 / 0 / 55 / 71

HEX #004921

RGB 0 73 33

HSL 147.12, 1%, 0.14%

LAB 26.38, -30.9, 18.26

 

CMYK 73 / 0 / 25 / 44

HEX #27906C

RGB 39 144 108

HSL 159.43, 0.57%, 0.36%

LAB 53.45, -38.37, 10.76

 

CMYK 73 / 0 / 44 / 44

HEX #279050

RGB 39 144 80

HSL 143.43, 0.57%, 0.36%

LAB 52.9, -44.38, 25.68

 

CMYK 73 / 0 / 65 / 44

HEX #279033

RGB 39 144 51

HSL 126.86, 0.57%, 0.36%

LAB 52.53, -48.74, 39.94

 

CMYK 62 / 0 / 73 / 44

HEX #379027

RGB 55 144 39

HSL 110.86, 0.57%, 0.36%

LAB 52.85, -46.51, 45.55

 

CMYK 42 / 0 / 73 / 44

HEX #539027

RGB 83 144 39

HSL 94.86, 0.57%, 0.36%

LAB 53.95, -38.06, 47.04

 

CMYK 73 / 0 / 25 / 44

HEX #27906C

RGB 39 144 108

HSL 159.43, 0.57%, 0.36%

LAB 53.45, -38.37, 10.76

 

CMYK 73 / 0 / 6 / 44

HEX #279088

RGB 39 144 136

HSL 175.43, 0.57%, 0.36%

LAB 54.19, -30.83, -4.27

 

CMYK 73 / 15 / 0 / 44

HEX #277B90

RGB 39 123 144

HSL 192, 0.57%, 0.36%

LAB 47.77, -17.54, -18.6

 

CMYK 73 / 34 / 0 / 44

HEX #275F90

RGB 39 95 144

HSL 208, 0.57%, 0.36%

LAB 38.95, -1.1, -32.31

 

CMYK 73 / 53 / 0 / 44

HEX #274390

RGB 39 67 144

HSL 224, 0.57%, 0.36%

LAB 30.54, 17.39, -45.74

 

CMYK 73 / 0 / 25 / 44

HEX #27906C

RGB 39 144 108

HSL 159.43, 0.57%, 0.36%

LAB 53.45, -38.37, 10.76

 

CMYK 85 / 0 / 29 / 38

HEX #189E70

RGB 24 158 112

HSL 159.4, 0.74%, 0.36%

LAB 57.86, -45.04, 14.63

 

CMYK 95 / 0 / 32 / 32

HEX #09AD75

RGB 9 173 117

HSL 159.51, 0.9%, 0.36%

LAB 62.7, -50.68, 18.52

 

CMYK 73 / 0 / 25 / 44

HEX #27906C

RGB 39 144 108

HSL 159.43, 0.57%, 0.36%

LAB 53.45, -38.37, 10.76

 

CMYK 58 / 0 / 20 / 49

HEX #368167

RGB 54 129 103

HSL 159.2, 0.41%, 0.36%

LAB 48.84, -29.91, 7.18

 

CMYK 39 / 0 / 14 / 55

HEX #457262

RGB 69 114 98

HSL 158.67, 0.25%, 0.36%

LAB 44.49, -19.5, 4.01

 

CMYK 15 / 0 / 5 / 61

HEX #54635E

RGB 84 99 94

HSL 160, 0.08%, 0.36%

LAB 40.6, -6.84, 0.91

 

CMYK 0 / 14 / 9 / 62

HEX #625459

RGB 98 84 89

HSL 338.57, 0.08%, 0.36%

LAB 37.22, 6.72, -0.78

 

CMYK 73 / 0 / 65 / 44

HEX #279033

RGB 39 144 51

HSL 126.86, 0.57%, 0.36%

LAB 52.53, -48.74, 39.94

 

CMYK 73 / 0 / 45 / 44

HEX #27904F

RGB 39 144 79

HSL 142.86, 0.57%, 0.36%

LAB 52.89, -44.56, 26.2

 

CMYK 73 / 0 / 26 / 44

HEX #27906B

RGB 39 144 107

HSL 158.86, 0.57%, 0.36%

LAB 53.43, -38.61, 11.3

 

CMYK 73 / 0 / 6 / 44

HEX #279087

RGB 39 144 135

HSL 174.86, 0.57%, 0.36%

LAB 54.16, -31.12, -3.73

 

CMYK 73 / 14 / 0 / 44

HEX #277C90

RGB 39 124 144

HSL 191.43, 0.57%, 0.36%

LAB 48.08, -18.09, -18.12

 

CMYK 73 / 0 / 25 / 69

HEX #154F3B

RGB 21 79 59

HSL 159.31, 0.58%, 0.2%

LAB 29.58, -24.09, 6.48

 

CMYK 73 / 0 / 25 / 56

HEX #1E6F53

RGB 30 111 83

HSL 159.26, 0.57%, 0.28%

LAB 41.64, -31.35, 8.72

 

CMYK 73 / 0 / 25 / 44

HEX #27906C

RGB 39 144 108

HSL 159.43, 0.57%, 0.36%

LAB 53.45, -38.37, 10.76

 

CMYK 73 / 0 / 25 / 31

HEX #30B084

RGB 48 176 132

HSL 159.38, 0.57%, 0.44%

LAB 64.44, -44.89, 12.78

 

CMYK 69 / 0 / 24 / 21

HEX #3FCA9A

RGB 63 202 154

HSL 159.28, 0.57%, 0.52%

LAB 73.31, -48.32, 13.35

 

CMYK 72 / 0 / 25 / 43

HEX #28916D

RGB 40 145 109

HSL 159.43, 0.57%, 0.36%

LAB 53.82, -38.41, 10.71

 

CMYK 73 / 62 / 0 / 44

HEX #273790

RGB 39 55 144

HSL 230.86, 0.57%, 0.36%

LAB 27.23, 25.57, -51.11

 

CMYK 0 / 55 / 73 / 44

HEX #904127

RGB 144 65 39

HSL 14.86, 0.57%, 0.36%

LAB 37.58, 31.57, 31.34

 

CMYK 72 / 0 / 25 / 43

HEX #28916D

RGB 40 145 109

HSL 159.43, 0.57%, 0.36%

LAB 53.82, -38.41, 10.71

 

CMYK 26 / 73 / 0 / 44

HEX #6B2790

RGB 107 39 144

HSL 278.86, 0.57%, 0.36%

LAB 30.86, 47.63, -44.92

 

CMYK 0 / 26 / 73 / 44

HEX #906B27

RGB 144 107 39

HSL 38.86, 0.57%, 0.36%

LAB 47.74, 7.66, 42.22

 

CMYK 72 / 0 / 25 / 43

HEX #28916D

RGB 40 145 109

HSL 159.43, 0.57%, 0.36%

LAB 53.82, -38.41, 10.71

 

CMYK 73 / 62 / 0 / 44

HEX #273790

RGB 39 55 144

HSL 230.86, 0.57%, 0.36%

LAB 27.23, 25.57, -51.11

 

CMYK 0 / 73 / 47 / 44

HEX #90274C

RGB 144 39 76

HSL 338.86, 0.57%, 0.36%

LAB 33.78, 46.52, 3.3

 

CMYK 0 / 11 / 73 / 44

HEX #908027

RGB 144 128 39

HSL 50.86, 0.57%, 0.36%

LAB 53.51, -4.27, 48.03

 

CMYK 72 / 0 / 25 / 43

HEX #28916D

RGB 40 145 109

HSL 159.43, 0.57%, 0.36%

LAB 53.82, -38.41, 10.71

 

CMYK 62 / 73 / 0 / 44

HEX #372790

RGB 55 39 144

HSL 249.14, 0.57%, 0.36%

LAB 24.57, 38.02, -55.44

 

CMYK 0 / 73 / 47 / 44

HEX #90274C

RGB 144 39 76

HSL 338.86, 0.57%, 0.36%

LAB 33.78, 46.52, 3.3

 

CMYK 11 / 0 / 73 / 44

HEX #809027

RGB 128 144 39

HSL 69.14, 0.57%, 0.36%

LAB 56.76, -20.05, 50.77

 

Description

Color code: RGB 40 145 109 | qconv.com Color code: RGB 40 145 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 145 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 145 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 25 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 25% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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