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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 132 111 it is the complementary color RGB 215 123 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 132 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 132 111 shade: RGB 45 132 106, RGB 62 150 125, RGB 79 168 144, RGB 96 186 163 and RGB 113 204 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 132 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 132 111 shade: RGB 40 132 111, RGB 23 114 92, RGB 6 96 73, RGB 0 78 54 and RGB 0 60 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 132 111 shade: RGB 40 132 111, RGB 40 132 86, RGB 40 132 62, RGB 44 132 40 and RGB 68 132 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 132 111 shade: RGB 40 132 111, RGB 40 128 132, RGB 40 104 132, RGB 40 79 132 and RGB 40 54 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 132 111 shade matches the following richer shades: RGB 40 132 111, RGB 26 146 119 and RGB 12 160 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 132 111 shade: RGB 40 132 111, RGB 54 118 104, RGB 68 104 96, RGB 82 90 88 and RGB 96 76 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 132 111 shade: RGB 40 132 62, RGB 40 132 86, RGB 40 132 111, RGB 40 129 132 and RGB 40 105 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 132 111 shade: RGB 21 69 58, RGB 31 101 85, RGB 40 132 111, RGB 50 164 138 and RGB 60 195 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 132 111 shade: RGB 40 132 111, RGB 40 43 132 and RGB 132 74 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 132 111 shade: RGB 40 132 111, RGB 111 40 132 and RGB 132 111 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 132 111 shade: RGB 40 132 111, RGB 40 43 132, RGB 132 40 62 and RGB 132 129 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 132 111 shade: RGB 40 132 111, RGB 65 40 132, RGB 132 40 62 and RGB 108 132 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 16 / 48

HEX #28846F

RGB 40 132 111

HSL 166.3, 0.53%, 0.34%

LAB 49.62, -32.04, 3.57

 

Complementary color

CMYK 0 / 43 / 33 / 16

HEX #D77B90

RGB 215 123 144

HSL 346.3, 0.53%, 0.66%

LAB 62.19, 38.1, 4.41

 

CMYK 66 / 0 / 20 / 48

HEX #2D846A

RGB 45 132 106

HSL 162.07, 0.49%, 0.35%

LAB 49.62, -32.46, 6.51

 

CMYK 59 / 0 / 17 / 41

HEX #3E967D

RGB 62 150 125

HSL 162.95, 0.42%, 0.42%

LAB 56.4, -32.63, 5.34

 

CMYK 53 / 0 / 14 / 34

HEX #4FA890

RGB 79 168 144

HSL 163.82, 0.36%, 0.48%

LAB 63.08, -32.65, 4.31

 

CMYK 48 / 0 / 12 / 27

HEX #60BAA3

RGB 96 186 163

HSL 164.67, 0.39%, 0.55%

LAB 69.65, -32.58, 3.37

 

CMYK 45 / 0 / 11 / 20

HEX #71CCB6

RGB 113 204 182

HSL 165.49, 0.47%, 0.62%

LAB 76.11, -32.47, 2.51

 

CMYK 70 / 0 / 16 / 48

HEX #28846F

RGB 40 132 111

HSL 166.3, 0.53%, 0.34%

LAB 49.62, -32.04, 3.57

 

CMYK 80 / 0 / 19 / 55

HEX #17725C

RGB 23 114 92

HSL 165.49, 0.66%, 0.27%

LAB 42.75, -31.37, 4.88

 

CMYK 94 / 0 / 24 / 62

HEX #066049

RGB 6 96 73

HSL 164.67, 0.88%, 0.2%

LAB 35.76, -30.18, 6.43

 

CMYK 100 / 0 / 31 / 69

HEX #004E36

RGB 0 78 54

HSL 161.54, 1%, 0.15%

LAB 28.68, -28.01, 8.33

 

CMYK 100 / 0 / 42 / 76

HEX #003C23

RGB 0 60 35

HSL 155, 1%, 0.12%

LAB 21.41, -25.08, 10.55

 

CMYK 70 / 0 / 16 / 48

HEX #28846F

RGB 40 132 111

HSL 166.3, 0.53%, 0.34%

LAB 49.62, -32.04, 3.57

 

CMYK 70 / 0 / 35 / 48

HEX #288456

RGB 40 132 86

HSL 150, 0.53%, 0.34%

LAB 49.04, -38.12, 17.22

 

CMYK 70 / 0 / 53 / 48

HEX #28843E

RGB 40 132 62

HSL 134.35, 0.53%, 0.34%

LAB 48.64, -42.6, 29.94

 

CMYK 67 / 0 / 70 / 48

HEX #2C8428

RGB 44 132 40

HSL 117.39, 0.53%, 0.34%

LAB 48.5, -44.58, 40.48

 

CMYK 48 / 0 / 70 / 48

HEX #448428

RGB 68 132 40

HSL 101.74, 0.53%, 0.34%

LAB 49.36, -37.91, 41.65

 

CMYK 70 / 0 / 16 / 48

HEX #28846F

RGB 40 132 111

HSL 166.3, 0.53%, 0.34%

LAB 49.62, -32.04, 3.57

 

CMYK 70 / 3 / 0 / 48

HEX #288084

RGB 40 128 132

HSL 182.61, 0.53%, 0.34%

LAB 48.95, -23.95, -9.74

 

CMYK 70 / 21 / 0 / 48

HEX #286884

RGB 40 104 132

HSL 198.26, 0.53%, 0.34%

LAB 41.24, -10.78, -21.48

 

CMYK 70 / 40 / 0 / 48

HEX #284F84

RGB 40 79 132

HSL 214.57, 0.53%, 0.34%

LAB 33.37, 4.82, -33.83

 

CMYK 70 / 59 / 0 / 48

HEX #283684

RGB 40 54 132

HSL 230.87, 0.53%, 0.34%

LAB 26.03, 21.83, -45.63

 

CMYK 70 / 0 / 16 / 48

HEX #28846F

RGB 40 132 111

HSL 166.3, 0.53%, 0.34%

LAB 49.62, -32.04, 3.57

 

CMYK 82 / 0 / 18 / 43

HEX #1A9277

RGB 26 146 119

HSL 166.5, 0.7%, 0.34%

LAB 54.14, -38.06, 5.42

 

CMYK 93 / 0 / 21 / 37

HEX #0CA07E

RGB 12 160 126

HSL 166.22, 0.86%, 0.34%

LAB 58.72, -43.21, 7.97

 

CMYK 70 / 0 / 16 / 48

HEX #28846F

RGB 40 132 111

HSL 166.3, 0.53%, 0.34%

LAB 49.62, -32.04, 3.57

 

CMYK 54 / 0 / 12 / 54

HEX #367668

RGB 54 118 104

HSL 166.88, 0.37%, 0.34%

LAB 45.28, -24.22, 1.47

 

CMYK 35 / 0 / 8 / 59

HEX #446860

RGB 68 104 96

HSL 166.67, 0.21%, 0.34%

LAB 41.17, -14.85, 0.4

 

CMYK 9 / 0 / 2 / 65

HEX #525A58

RGB 82 90 88

HSL 165, 0.05%, 0.34%

LAB 37.5, -3.58, 0.07

 

CMYK 0 / 21 / 16 / 62

HEX #604C51

RGB 96 76 81

HSL 345, 0.12%, 0.34%

LAB 34.5, 9.33, 0.24

 

CMYK 70 / 0 / 53 / 48

HEX #28843E

RGB 40 132 62

HSL 134.35, 0.53%, 0.34%

LAB 48.64, -42.6, 29.94

 

CMYK 70 / 0 / 35 / 48

HEX #288456

RGB 40 132 86

HSL 150, 0.53%, 0.34%

LAB 49.04, -38.12, 17.22

 

CMYK 70 / 0 / 16 / 48

HEX #28846F

RGB 40 132 111

HSL 166.3, 0.53%, 0.34%

LAB 49.62, -32.04, 3.57

 

CMYK 70 / 2 / 0 / 48

HEX #288184

RGB 40 129 132

HSL 181.96, 0.53%, 0.34%

LAB 49.27, -24.47, -9.25

 

CMYK 70 / 20 / 0 / 48

HEX #286984

RGB 40 105 132

HSL 197.61, 0.53%, 0.34%

LAB 41.56, -11.36, -20.99

 

CMYK 70 / 0 / 16 / 73

HEX #15453A

RGB 21 69 58

HSL 166.25, 0.53%, 0.18%

LAB 25.93, -19.24, 1.9

 

CMYK 69 / 0 / 16 / 60

HEX #1F6555

RGB 31 101 85

HSL 166.29, 0.53%, 0.26%

LAB 38.3, -25.87, 2.74

 

CMYK 70 / 0 / 16 / 48

HEX #28846F

RGB 40 132 111

HSL 166.3, 0.53%, 0.34%

LAB 49.62, -32.04, 3.57

 

CMYK 70 / 0 / 16 / 36

HEX #32A48A

RGB 50 164 138

HSL 166.32, 0.53%, 0.42%

LAB 60.84, -37.93, 4.33

 

CMYK 69 / 0 / 16 / 24

HEX #3CC3A4

RGB 60 195 164

HSL 166.22, 0.53%, 0.5%

LAB 71.33, -43.42, 5.12

 

CMYK 70 / 0 / 16 / 48

HEX #28846F

RGB 40 132 111

HSL 166.3, 0.53%, 0.34%

LAB 49.62, -32.04, 3.57

 

CMYK 70 / 67 / 0 / 48

HEX #282B84

RGB 40 43 132

HSL 238.04, 0.53%, 0.34%

LAB 23.15, 29.26, -50.32

 

CMYK 0 / 44 / 70 / 48

HEX #844A28

RGB 132 74 40

HSL 22.17, 0.53%, 0.34%

LAB 37.76, 21.49, 30.48

 

CMYK 70 / 0 / 16 / 48

HEX #28846F

RGB 40 132 111

HSL 166.3, 0.53%, 0.34%

LAB 49.62, -32.04, 3.57

 

CMYK 16 / 70 / 0 / 48

HEX #6F2884

RGB 111 40 132

HSL 286.3, 0.53%, 0.34%

LAB 30.79, 45.47, -37.55

 

CMYK 0 / 16 / 70 / 48

HEX #846F28

RGB 132 111 40

HSL 46.3, 0.53%, 0.34%

LAB 47.53, -0.18, 41.13

 

CMYK 70 / 0 / 16 / 48

HEX #28846F

RGB 40 132 111

HSL 166.3, 0.53%, 0.34%

LAB 49.62, -32.04, 3.57

 

CMYK 70 / 67 / 0 / 48

HEX #282B84

RGB 40 43 132

HSL 238.04, 0.53%, 0.34%

LAB 23.15, 29.26, -50.32

 

CMYK 0 / 70 / 53 / 48

HEX #84283E

RGB 132 40 62

HSL 345.65, 0.53%, 0.34%

LAB 31.28, 40.93, 8.6

 

CMYK 0 / 2 / 70 / 48

HEX #848128

RGB 132 129 40

HSL 58.04, 0.53%, 0.34%

LAB 52.68, -10.27, 46.43

 

CMYK 70 / 0 / 16 / 48

HEX #28846F

RGB 40 132 111

HSL 166.3, 0.53%, 0.34%

LAB 49.62, -32.04, 3.57

 

CMYK 51 / 70 / 0 / 48

HEX #412884

RGB 65 40 132

HSL 256.3, 0.53%, 0.34%

LAB 24.66, 35.34, -47.76

 

CMYK 0 / 70 / 53 / 48

HEX #84283E

RGB 132 40 62

HSL 345.65, 0.53%, 0.34%

LAB 31.28, 40.93, 8.6

 

CMYK 18 / 0 / 70 / 48

HEX #6C8428

RGB 108 132 40

HSL 75.65, 0.53%, 0.34%

LAB 51.66, -22.53, 44.77

 

Description

Color code: RGB 40 132 111 | qconv.com Color code: RGB 40 132 111 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 132 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 132 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 16 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 16% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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