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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 110 37 it is the complementary color RGB 215 145 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 110 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 110 37 shade: RGB 45 110 32, RGB 62 128 51, RGB 79 146 70, RGB 96 164 89 and RGB 113 182 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 110 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 110 37 shade: RGB 40 110 37, RGB 23 92 18, RGB 6 74 0, RGB 0 56 0 and RGB 0 38 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 110 37 shade: RGB 40 110 36, RGB 59 110 36, RGB 79 110 36, RGB 99 110 36 and RGB 110 102 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 110 37 shade: RGB 40 110 36, RGB 36 110 53, RGB 36 110 73, RGB 36 110 93 and RGB 36 108 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 110 37 shade matches the following richer shades: RGB 40 110 36, RGB 29 122 25, RGB 18 134 13 and RGB 7 146 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 110 37 shade: RGB 40 110 36, RGB 50 98 48, RGB 61 86 60, RGB 72 75 72 and RGB 83 63 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 110 37 shade: RGB 80 110 36, RGB 60 110 36, RGB 40 110 36, RGB 36 110 52 and RGB 36 110 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 110 37 shade: RGB 17 49 16, RGB 28 79 26, RGB 40 110 36, RGB 51 141 47 and RGB 62 172 57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 110 37 shade: RGB 40 110 37, RGB 36 99 110 and RGB 110 36 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 110 37 shade: RGB 40 110 37, RGB 36 40 110 and RGB 110 36 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 110 37 shade: RGB 40 110 37, RGB 36 99 110, RGB 107 36 110 and RGB 110 48 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 110 37 shade: RGB 40 110 37, RGB 36 77 110, RGB 107 36 110 and RGB 110 70 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 66 / 57

HEX #286E25

RGB 40 110 37

HSL 117.53, 0.5%, 0.29%

LAB 40.79, -37.39, 33.39

 

Complementary color

CMYK 1 / 33 / 0 / 15

HEX #D791DA

RGB 215 145 218

HSL 297.53, 0.5%, 0.71%

LAB 69.3, 38.12, -26.63

 

CMYK 59 / 0 / 71 / 57

HEX #2D6E20

RGB 45 110 32

HSL 110, 0.55%, 0.28%

LAB 40.92, -36.57, 35.89

 

CMYK 52 / 0 / 60 / 50

HEX #3E8033

RGB 62 128 51

HSL 111.43, 0.43%, 0.35%

LAB 47.88, -36.95, 34.83

 

CMYK 46 / 0 / 52 / 43

HEX #4F9246

RGB 79 146 70

HSL 112.89, 0.35%, 0.42%

LAB 54.72, -37.01, 33.55

 

CMYK 41 / 0 / 46 / 36

HEX #60A459

RGB 96 164 89

HSL 114.4, 0.3%, 0.5%

LAB 61.45, -36.91, 32.23

 

CMYK 38 / 0 / 41 / 29

HEX #71B66C

RGB 113 182 108

HSL 115.95, 0.34%, 0.57%

LAB 68.06, -36.72, 30.96

 

CMYK 64 / 0 / 66 / 57

HEX #286E25

RGB 40 110 37

HSL 117.53, 0.5%, 0.29%

LAB 40.79, -37.39, 33.39

 

CMYK 75 / 0 / 80 / 64

HEX #175C12

RGB 23 92 18

HSL 115.95, 0.67%, 0.22%

LAB 33.73, -36.34, 34.17

 

CMYK 92 / 0 / 100 / 71

HEX #064A00

RGB 6 74 0

HSL 115.14, 1%, 0.15%

LAB 26.55, -34.25, 34.05

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38 0

HSL 120, 1%, 0.07%

LAB 11.87, -22.75, 17.15

 

CMYK 64 / 0 / 67 / 57

HEX #286E24

RGB 40 110 36

HSL 116.76, 0.51%, 0.29%

LAB 40.78, -37.5, 33.85

 

CMYK 46 / 0 / 67 / 57

HEX #3B6E24

RGB 59 110 36

HSL 101.35, 0.51%, 0.29%

LAB 41.55, -31.72, 34.91

 

CMYK 28 / 0 / 67 / 57

HEX #4F6E24

RGB 79 110 36

HSL 85.14, 0.51%, 0.29%

LAB 42.67, -24.01, 36.46

 

CMYK 10 / 0 / 67 / 57

HEX #636E24

RGB 99 110 36

HSL 68.92, 0.51%, 0.29%

LAB 44.14, -15.25, 38.46

 

CMYK 0 / 7 / 67 / 57

HEX #6E6624

RGB 110 102 36

HSL 53.51, 0.51%, 0.29%

LAB 42.68, -5.63, 37.21

 

CMYK 64 / 0 / 67 / 57

HEX #286E24

RGB 40 110 36

HSL 116.76, 0.51%, 0.29%

LAB 40.78, -37.5, 33.85

 

CMYK 67 / 0 / 52 / 57

HEX #246E35

RGB 36 110 53

HSL 133.78, 0.51%, 0.29%

LAB 40.87, -36.09, 25.14

 

CMYK 67 / 0 / 34 / 57

HEX #246E49

RGB 36 110 73

HSL 150, 0.51%, 0.29%

LAB 41.23, -32.16, 14.12

 

CMYK 67 / 0 / 15 / 57

HEX #246E5D

RGB 36 110 93

HSL 166.22, 0.51%, 0.29%

LAB 41.72, -27.13, 2.84

 

CMYK 67 / 2 / 0 / 57

HEX #246C6E

RGB 36 108 110

HSL 181.62, 0.51%, 0.29%

LAB 41.57, -21.07, -7.67

 

CMYK 64 / 0 / 67 / 57

HEX #286E24

RGB 40 110 36

HSL 116.76, 0.51%, 0.29%

LAB 40.78, -37.5, 33.85

 

CMYK 76 / 0 / 80 / 52

HEX #1D7A19

RGB 29 122 25

HSL 117.53, 0.66%, 0.29%

LAB 44.59, -45.36, 42.31

 

CMYK 87 / 0 / 90 / 47

HEX #12860D

RGB 18 134 13

HSL 117.52, 0.82%, 0.29%

LAB 48.52, -51.51, 49.29

 

CMYK 95 / 0 / 99 / 43

HEX #079201

RGB 7 146 1

HSL 117.52, 0.99%, 0.29%

LAB 52.51, -56.39, 54.78

 

CMYK 64 / 0 / 67 / 57

HEX #286E24

RGB 40 110 36

HSL 116.76, 0.51%, 0.29%

LAB 40.78, -37.5, 33.85

 

CMYK 49 / 0 / 51 / 62

HEX #326230

RGB 50 98 48

HSL 117.6, 0.34%, 0.29%

LAB 37.16, -27.7, 23.41

 

CMYK 29 / 0 / 30 / 66

HEX #3D563C

RGB 61 86 60

HSL 117.69, 0.18%, 0.29%

LAB 33.93, -15.38, 12.18

 

CMYK 4 / 0 / 4 / 71

HEX #484B48

RGB 72 75 72

HSL 120, 0.02%, 0.29%

LAB 31.53, -1.89, 1.36

 

CMYK 1 / 25 / 0 / 67

HEX #533F54

RGB 83 63 84

HSL 297.14, 0.14%, 0.29%

LAB 29.5, 12.92, -9.27

 

CMYK 27 / 0 / 67 / 57

HEX #506E24

RGB 80 110 36

HSL 84.32, 0.51%, 0.29%

LAB 42.74, -23.6, 36.55

 

CMYK 45 / 0 / 67 / 57

HEX #3C6E24

RGB 60 110 36

HSL 100.54, 0.51%, 0.29%

LAB 41.59, -31.36, 34.98

 

CMYK 64 / 0 / 67 / 57

HEX #286E24

RGB 40 110 36

HSL 116.76, 0.51%, 0.29%

LAB 40.78, -37.5, 33.85

 

CMYK 67 / 0 / 53 / 57

HEX #246E34

RGB 36 110 52

HSL 132.97, 0.51%, 0.29%

LAB 40.86, -36.25, 25.67

 

CMYK 67 / 0 / 35 / 57

HEX #246E48

RGB 36 110 72

HSL 149.19, 0.51%, 0.29%

LAB 41.21, -32.38, 14.69

 

CMYK 65 / 0 / 67 / 81

HEX #113110

RGB 17 49 16

HSL 118.18, 0.51%, 0.13%

LAB 17.24, -20.05, 17.29

 

CMYK 65 / 0 / 67 / 69

HEX #1C4F1A

RGB 28 79 26

HSL 117.74, 0.5%, 0.21%

LAB 29.19, -29.07, 25.72

 

CMYK 64 / 0 / 67 / 57

HEX #286E24

RGB 40 110 36

HSL 116.76, 0.51%, 0.29%

LAB 40.78, -37.5, 33.85

 

CMYK 64 / 0 / 67 / 45

HEX #338D2F

RGB 51 141 47

HSL 117.45, 0.5%, 0.37%

LAB 51.79, -45.6, 41.02

 

CMYK 64 / 0 / 67 / 33

HEX #3EAC39

RGB 62 172 57

HSL 117.39, 0.5%, 0.45%

LAB 62.36, -53.43, 48.31

 

CMYK 64 / 0 / 66 / 57

HEX #286E25

RGB 40 110 37

HSL 117.53, 0.5%, 0.29%

LAB 40.79, -37.39, 33.39

 

CMYK 67 / 10 / 0 / 57

HEX #24636E

RGB 36 99 110

HSL 188.92, 0.51%, 0.29%

LAB 38.59, -16.16, -12.16

 

CMYK 0 / 67 / 36 / 57

HEX #6E2446

RGB 110 36 70

HSL 332.43, 0.51%, 0.29%

LAB 26.79, 36.2, -3.72

 

CMYK 64 / 0 / 66 / 57

HEX #286E25

RGB 40 110 37

HSL 117.53, 0.5%, 0.29%

LAB 40.79, -37.39, 33.39

 

CMYK 67 / 64 / 0 / 57

HEX #24286E

RGB 36 40 110

HSL 236.76, 0.51%, 0.29%

LAB 20.12, 22.49, -41.27

 

CMYK 0 / 67 / 64 / 57

HEX #6E2428

RGB 110 36 40

HSL 356.76, 0.51%, 0.29%

LAB 25.95, 33.1, 15.27

 

CMYK 64 / 0 / 66 / 57

HEX #286E25

RGB 40 110 37

HSL 117.53, 0.5%, 0.29%

LAB 40.79, -37.39, 33.39

 

CMYK 67 / 10 / 0 / 57

HEX #24636E

RGB 36 99 110

HSL 188.92, 0.51%, 0.29%

LAB 38.59, -16.16, -12.16

 

CMYK 3 / 67 / 0 / 57

HEX #6B246E

RGB 107 36 110

HSL 297.57, 0.51%, 0.29%

LAB 28.15, 41.81, -27.89

 

CMYK 0 / 56 / 67 / 57

HEX #6E3024

RGB 110 48 36

HSL 9.73, 0.51%, 0.29%

LAB 28.26, 26.54, 20.79

 

CMYK 64 / 0 / 66 / 57

HEX #286E25

RGB 40 110 37

HSL 117.53, 0.5%, 0.29%

LAB 40.79, -37.39, 33.39

 

CMYK 67 / 30 / 0 / 57

HEX #244D6E

RGB 36 77 110

HSL 206.76, 0.51%, 0.29%

LAB 31.37, -2.94, -23.3

 

CMYK 3 / 67 / 0 / 57

HEX #6B246E

RGB 107 36 110

HSL 297.57, 0.51%, 0.29%

LAB 28.15, 41.81, -27.89

 

CMYK 0 / 36 / 67 / 57

HEX #6E4624

RGB 110 70 36

HSL 27.57, 0.51%, 0.29%

LAB 33.61, 13.54, 27.16

 

Description

Color code: RGB 40 110 37 | qconv.com Color code: RGB 40 110 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 110 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 110 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 66 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 66% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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