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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 40 108 23 it is the complementary color RGB 215 147 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 40 108 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 40 108 23 shade: RGB 45 108 18, RGB 62 126 37, RGB 79 144 56, RGB 96 162 75 and RGB 113 180 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 40 108 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 40 108 23 shade: RGB 40 108 23, RGB 23 90 4, RGB 6 72 0, RGB 0 54 0 and RGB 0 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 40 108 23 shade: RGB 40 109 23, RGB 63 109 23, RGB 86 109 23, RGB 109 108 23 and RGB 109 85 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 40 108 23 shade: RGB 40 109 23, RGB 23 109 29, RGB 23 109 52, RGB 23 109 75 and RGB 23 109 98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 40 108 23 shade matches the following richer shades: RGB 40 109 23, RGB 34 120 12 and RGB 27 130 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 40 108 23 shade: RGB 40 109 23, RGB 46 98 33, RGB 53 87 44, RGB 59 77 55 and RGB 66 66 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 40 108 23 shade: RGB 86 109 23, RGB 63 109 23, RGB 40 109 23, RGB 23 109 28 and RGB 23 109 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 40 108 23 shade: RGB 15 41 8, RGB 27 75 15, RGB 40 109 23, RGB 53 143 30 and RGB 65 177 37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 40 108 23 shade: RGB 40 108 23, RGB 23 109 109 and RGB 109 23 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 40 108 23 shade: RGB 40 108 23, RGB 23 40 109 and RGB 109 23 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 40 108 23 shade: RGB 40 108 23, RGB 23 109 109, RGB 92 23 109 and RGB 109 23 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 40 108 23 shade: RGB 40 108 23, RGB 23 83 109, RGB 92 23 109 and RGB 109 49 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 79 / 58

HEX #286C17

RGB 40 108 23

HSL 108, 0.65%, 0.26%

LAB 39.98, -37.95, 38.61

 

Complementary color

CMYK 7 / 37 / 0 / 9

HEX #D793E8

RGB 215 147 232

HSL 288, 0.65%, 0.74%

LAB 70.27, 39.73, -32.84

 

CMYK 58 / 0 / 83 / 58

HEX #2D6C12

RGB 45 108 18

HSL 102, 0.71%, 0.25%

LAB 40.13, -36.89, 40.59

 

CMYK 51 / 0 / 71 / 51

HEX #3E7E25

RGB 62 126 37

HSL 103.15, 0.55%, 0.32%

LAB 47.08, -37.58, 40.45

 

CMYK 45 / 0 / 61 / 44

HEX #4F9038

RGB 79 144 56

HSL 104.32, 0.44%, 0.39%

LAB 53.91, -37.86, 39.54

 

CMYK 41 / 0 / 54 / 36

HEX #60A24B

RGB 96 162 75

HSL 105.52, 0.37%, 0.46%

LAB 60.64, -37.9, 38.37

 

CMYK 37 / 0 / 48 / 29

HEX #71B45E

RGB 113 180 94

HSL 106.74, 0.36%, 0.54%

LAB 67.25, -37.82, 37.12

 

CMYK 63 / 0 / 79 / 58

HEX #286C17

RGB 40 108 23

HSL 108, 0.65%, 0.26%

LAB 39.98, -37.95, 38.61

 

CMYK 74 / 0 / 96 / 65

HEX #175A04

RGB 23 90 4

HSL 106.74, 0.91%, 0.18%

LAB 32.93, -36.52, 38.06

 

CMYK 92 / 0 / 100 / 72

HEX #064800

RGB 6 72 0

HSL 115, 1%, 0.14%

LAB 25.78, -33.57, 33.36

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 63 / 0 / 79 / 57

HEX #286D17

RGB 40 109 23

HSL 108.14, 0.65%, 0.26%

LAB 40.33, -38.34, 38.95

 

CMYK 42 / 0 / 79 / 57

HEX #3F6D17

RGB 63 109 23

HSL 92.09, 0.65%, 0.26%

LAB 41.3, -30.91, 40.24

 

CMYK 21 / 0 / 79 / 57

HEX #566D17

RGB 86 109 23

HSL 76.05, 0.65%, 0.26%

LAB 42.73, -21.42, 42.11

 

CMYK 0 / 1 / 79 / 57

HEX #6D6C17

RGB 109 108 23

HSL 59.3, 0.65%, 0.26%

LAB 44.29, -10.26, 44.24

 

CMYK 0 / 22 / 79 / 57

HEX #6D5517

RGB 109 85 23

HSL 43.26, 0.65%, 0.26%

LAB 37.5, 3.14, 37.83

 

CMYK 63 / 0 / 79 / 57

HEX #286D17

RGB 40 109 23

HSL 108.14, 0.65%, 0.26%

LAB 40.33, -38.34, 38.95

 

CMYK 79 / 0 / 73 / 57

HEX #176D1D

RGB 23 109 29

HSL 124.19, 0.65%, 0.26%

LAB 39.93, -41.5, 35.97

 

CMYK 79 / 0 / 52 / 57

HEX #176D34

RGB 23 109 52

HSL 140.23, 0.65%, 0.26%

LAB 40.19, -38.35, 24.77

 

CMYK 79 / 0 / 31 / 57

HEX #176D4B

RGB 23 109 75

HSL 156.28, 0.65%, 0.26%

LAB 40.62, -33.54, 12.05

 

CMYK 79 / 0 / 10 / 57

HEX #176D62

RGB 23 109 98

HSL 172.33, 0.65%, 0.26%

LAB 41.22, -27.26, -0.95

 

CMYK 63 / 0 / 79 / 57

HEX #286D17

RGB 40 109 23

HSL 108.14, 0.65%, 0.26%

LAB 40.33, -38.34, 38.95

 

CMYK 72 / 0 / 90 / 53

HEX #22780C

RGB 34 120 12

HSL 107.78, 0.82%, 0.26%

LAB 43.94, -44.47, 45.62

 

CMYK 79 / 0 / 99 / 49

HEX #1B8201

RGB 27 130 1

HSL 107.91, 0.98%, 0.26%

LAB 47.24, -49.5, 50.63

 

CMYK 63 / 0 / 79 / 57

HEX #286D17

RGB 40 109 23

HSL 108.14, 0.65%, 0.26%

LAB 40.33, -38.34, 38.95

 

CMYK 53 / 0 / 66 / 62

HEX #2E6221

RGB 46 98 33

HSL 108, 0.5%, 0.26%

LAB 36.79, -31.05, 30.92

 

CMYK 39 / 0 / 49 / 66

HEX #35572C

RGB 53 87 44

HSL 107.44, 0.33%, 0.26%

LAB 33.47, -21.83, 21.1

 

CMYK 23 / 0 / 29 / 70

HEX #3B4D37

RGB 59 77 55

HSL 109.09, 0.17%, 0.26%

LAB 30.67, -12.01, 10.81

 

CMYK 0 / 0 / 0 / 74

HEX #424242

RGB 66 66 66

HSL 0, 0%, 0.26%

LAB 27.97, 0, -0

 

CMYK 21 / 0 / 79 / 57

HEX #566D17

RGB 86 109 23

HSL 76.05, 0.65%, 0.26%

LAB 42.73, -21.42, 42.11

 

CMYK 42 / 0 / 79 / 57

HEX #3F6D17

RGB 63 109 23

HSL 92.09, 0.65%, 0.26%

LAB 41.3, -30.91, 40.24

 

CMYK 63 / 0 / 79 / 57

HEX #286D17

RGB 40 109 23

HSL 108.14, 0.65%, 0.26%

LAB 40.33, -38.34, 38.95

 

CMYK 79 / 0 / 74 / 57

HEX #176D1C

RGB 23 109 28

HSL 123.49, 0.65%, 0.26%

LAB 39.92, -41.6, 36.39

 

CMYK 79 / 0 / 53 / 57

HEX #176D33

RGB 23 109 51

HSL 139.53, 0.65%, 0.26%

LAB 40.18, -38.52, 25.31

 

CMYK 63 / 0 / 80 / 84

HEX #0F2908

RGB 15 41 8

HSL 107.27, 0.67%, 0.1%

LAB 13.86, -17.91, 16.68

 

CMYK 64 / 0 / 80 / 71

HEX #1B4B0F

RGB 27 75 15

HSL 108, 0.67%, 0.18%

LAB 27.57, -28.85, 29.25

 

CMYK 63 / 0 / 79 / 57

HEX #286D17

RGB 40 109 23

HSL 108.14, 0.65%, 0.26%

LAB 40.33, -38.34, 38.95

 

CMYK 63 / 0 / 79 / 44

HEX #358F1E

RGB 53 143 30

HSL 107.79, 0.65%, 0.34%

LAB 52.39, -47.32, 48.38

 

CMYK 63 / 0 / 79 / 31

HEX #41B125

RGB 65 177 37

HSL 108, 0.65%, 0.42%

LAB 63.92, -56.1, 57.29

 

CMYK 63 / 0 / 79 / 58

HEX #286C17

RGB 40 108 23

HSL 108, 0.65%, 0.26%

LAB 39.98, -37.95, 38.61

 

CMYK 79 / 0 / 0 / 57

HEX #176D6D

RGB 23 109 109

HSL 180, 0.65%, 0.26%

LAB 41.57, -23.83, -7.1

 

CMYK 0 / 79 / 32 / 57

HEX #6D174A

RGB 109 23 74

HSL 324.42, 0.65%, 0.26%

LAB 24.82, 41.78, -9.38

 

CMYK 63 / 0 / 79 / 58

HEX #286C17

RGB 40 108 23

HSL 108, 0.65%, 0.26%

LAB 39.98, -37.95, 38.61

 

CMYK 79 / 63 / 0 / 57

HEX #17286D

RGB 23 40 109

HSL 228.14, 0.65%, 0.26%

LAB 19.24, 20.15, -42.08

 

CMYK 0 / 79 / 63 / 57

HEX #6D1728

RGB 109 23 40

HSL 348.14, 0.65%, 0.26%

LAB 23.73, 38.3, 12.31

 

CMYK 63 / 0 / 79 / 58

HEX #286C17

RGB 40 108 23

HSL 108, 0.65%, 0.26%

LAB 39.98, -37.95, 38.61

 

CMYK 79 / 0 / 0 / 57

HEX #176D6D

RGB 23 109 109

HSL 180, 0.65%, 0.26%

LAB 41.57, -23.83, -7.1

 

CMYK 16 / 79 / 0 / 57

HEX #5C176D

RGB 92 23 109

HSL 288.14, 0.65%, 0.26%

LAB 23.65, 43.38, -34.58

 

CMYK 0 / 79 / 79 / 57

HEX #6D1717

RGB 109 23 23

HSL 0, 0.65%, 0.26%

LAB 23.42, 37.3, 23.32

 

CMYK 63 / 0 / 79 / 58

HEX #286C17

RGB 40 108 23

HSL 108, 0.65%, 0.26%

LAB 39.98, -37.95, 38.61

 

CMYK 79 / 24 / 0 / 57

HEX #17536D

RGB 23 83 109

HSL 198.14, 0.65%, 0.26%

LAB 32.86, -9.25, -20.37

 

CMYK 16 / 79 / 0 / 57

HEX #5C176D

RGB 92 23 109

HSL 288.14, 0.65%, 0.26%

LAB 23.65, 43.38, -34.58

 

CMYK 0 / 55 / 79 / 57

HEX #6D3117

RGB 109 49 23

HSL 18.14, 0.65%, 0.26%

LAB 28.14, 24.77, 28.42

 

Description

Color code: RGB 40 108 23 | qconv.com Color code: RGB 40 108 23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 108 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 108 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 79 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 79% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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