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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 242 18 it is the complementary color RGB 212 13 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 242 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 242 18 shade: RGB 48 242 13, RGB 65 255 32, RGB 82 255 51, RGB 99 255 70 and RGB 116 255 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 242 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 242 18 shade: RGB 43 242 18, RGB 26 224 0, RGB 9 206 0, RGB 0 188 0 and RGB 0 170 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 242 18 shade: RGB 42 242 17, RGB 103 242 17, RGB 164 242 17, RGB 224 242 17 and RGB 242 199 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 242 18 shade: RGB 42 242 17, RGB 17 242 53, RGB 17 242 113, RGB 17 242 174 and RGB 17 242 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 242 18 shade matches the following richer shades: RGB 42 242 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 242 18 shade: RGB 42 242 17, RGB 58 222 37, RGB 74 202 58, RGB 89 181 78 and RGB 105 161 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 242 18 shade: RGB 163 242 17, RGB 103 242 17, RGB 43 242 17, RGB 17 242 51 and RGB 17 242 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 242 18 shade: RGB 26 168 8, RGB 32 207 10, RGB 42 242 17, RGB 77 244 56 and RGB 112 246 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 242 18 shade: RGB 43 242 18, RGB 17 223 242 and RGB 242 17 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 242 18 shade: RGB 43 242 18, RGB 17 43 242 and RGB 242 17 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 242 18 shade: RGB 43 242 18, RGB 17 223 242, RGB 216 17 242 and RGB 242 36 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 242 18 shade: RGB 43 242 18, RGB 17 156 242, RGB 216 17 242 and RGB 242 103 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 93 / 5

HEX #2BF212

RGB 43 242 18

HSL 113.3, 0.9%, 0.51%

LAB 84, -80.11, 78.69

 

Complementary color

CMYK 11 / 95 / 0 / 7

HEX #D40DED

RGB 212 13 237

HSL 293.3, 0.9%, 0.49%

LAB 52.29, 88.25, -64.09

 

CMYK 80 / 0 / 95 / 5

HEX #30F20D

RGB 48 242 13

HSL 110.83, 0.9%, 0.5%

LAB 84.05, -79.67, 79.28

 

CMYK 75 / 0 / 87 / 0

HEX #41FF20

RGB 65 255 32

HSL 111.12, 1%, 0.56%

LAB 88.33, -80.7, 80.41

 

CMYK 68 / 0 / 80 / 0

HEX #52FF33

RGB 82 255 51

HSL 110.88, 1%, 0.6%

LAB 88.71, -77.15, 76.72

 

CMYK 61 / 0 / 73 / 0

HEX #63FF46

RGB 99 255 70

HSL 110.59, 1%, 0.64%

LAB 89.21, -72.63, 71.67

 

CMYK 55 / 0 / 65 / 0

HEX #74FF59

RGB 116 255 89

HSL 110.24, 1%, 0.67%

LAB 89.84, -67.18, 65.56

 

CMYK 82 / 0 / 93 / 5

HEX #2BF212

RGB 43 242 18

HSL 113.3, 0.9%, 0.51%

LAB 84, -80.11, 78.69

 

CMYK 88 / 0 / 100 / 12

HEX #1AE000

RGB 26 224 0

HSL 113.04, 1%, 0.44%

LAB 78.19, -76.97, 75.58

 

CMYK 96 / 0 / 100 / 19

HEX #09CE00

RGB 9 206 0

HSL 117.38, 1%, 0.4%

LAB 72.36, -73.02, 70.87

 

CMYK 100 / 0 / 100 / 26

HEX #00BC00

RGB 0 188 0

HSL 120, 1%, 0.37%

LAB 66.49, -68.54, 66.15

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 83 / 0 / 93 / 5

HEX #2AF211

RGB 42 242 17

HSL 113.33, 0.9%, 0.51%

LAB 83.99, -80.23, 78.79

 

CMYK 57 / 0 / 93 / 5

HEX #67F211

RGB 103 242 17

HSL 97.07, 0.9%, 0.51%

LAB 85.21, -69.72, 80.3

 

CMYK 32 / 0 / 93 / 5

HEX #A4F211

RGB 164 242 17

HSL 80.8, 0.9%, 0.51%

LAB 87.7, -51.13, 83.34

 

CMYK 7 / 0 / 93 / 5

HEX #E0F211

RGB 224 242 17

HSL 64.8, 0.9%, 0.51%

LAB 91.41, -27.97, 87.85

 

CMYK 0 / 18 / 93 / 5

HEX #F2C711

RGB 242 199 17

HSL 48.53, 0.9%, 0.51%

LAB 81.71, 0.83, 81.17

 

CMYK 83 / 0 / 93 / 5

HEX #2AF211

RGB 42 242 17

HSL 113.33, 0.9%, 0.51%

LAB 83.99, -80.23, 78.79

 

CMYK 93 / 0 / 78 / 5

HEX #11F235

RGB 17 242 53

HSL 129.6, 0.9%, 0.51%

LAB 83.9, -80.53, 71.35

 

CMYK 93 / 0 / 53 / 5

HEX #11F271

RGB 17 242 113

HSL 145.6, 0.9%, 0.51%

LAB 84.39, -74.45, 48.54

 

CMYK 93 / 0 / 28 / 5

HEX #11F2AE

RGB 17 242 174

HSL 161.87, 0.9%, 0.51%

LAB 85.34, -63.3, 19.58

 

CMYK 93 / 0 / 3 / 5

HEX #11F2EB

RGB 17 242 235

HSL 178.13, 0.9%, 0.51%

LAB 86.81, -47.82, -10.13

 

CMYK 83 / 0 / 93 / 5

HEX #2AF211

RGB 42 242 17

HSL 113.33, 0.9%, 0.51%

LAB 83.99, -80.23, 78.79

 

CMYK 83 / 0 / 93 / 5

HEX #2AF211

RGB 42 242 17

HSL 113.33, 0.9%, 0.51%

LAB 83.99, -80.23, 78.79

 

CMYK 74 / 0 / 83 / 13

HEX #3ADE25

RGB 58 222 37

HSL 113.19, 0.74%, 0.51%

LAB 78.04, -71.85, 70.28

 

CMYK 63 / 0 / 71 / 21

HEX #4ACA3A

RGB 74 202 58

HSL 113.33, 0.58%, 0.51%

LAB 72.23, -61.19, 58.43

 

CMYK 51 / 0 / 57 / 29

HEX #59B54E

RGB 89 181 78

HSL 113.59, 0.41%, 0.51%

LAB 66.31, -47.69, 43.57

 

CMYK 35 / 0 / 39 / 37

HEX #69A162

RGB 105 161 98

HSL 113.33, 0.25%, 0.51%

LAB 61.11, -31.19, 27.12

 

CMYK 33 / 0 / 93 / 5

HEX #A3F211

RGB 163 242 17

HSL 81.07, 0.9%, 0.51%

LAB 87.65, -51.48, 83.28

 

CMYK 57 / 0 / 93 / 5

HEX #67F211

RGB 103 242 17

HSL 97.07, 0.9%, 0.51%

LAB 85.21, -69.72, 80.3

 

CMYK 82 / 0 / 93 / 5

HEX #2BF211

RGB 43 242 17

HSL 113.07, 0.9%, 0.51%

LAB 84, -80.13, 78.8

 

CMYK 93 / 0 / 79 / 5

HEX #11F233

RGB 17 242 51

HSL 129.07, 0.9%, 0.51%

LAB 83.89, -80.65, 71.91

 

CMYK 93 / 0 / 54 / 5

HEX #11F26F

RGB 17 242 111

HSL 145.07, 0.9%, 0.51%

LAB 84.37, -74.73, 49.44

 

CMYK 85 / 0 / 95 / 34

HEX #1AA808

RGB 26 168 8

HSL 113.25, 0.91%, 0.35%

LAB 60.11, -61.05, 59.99

 

CMYK 85 / 0 / 95 / 19

HEX #20CF0A

RGB 32 207 10

HSL 113.3, 0.91%, 0.43%

LAB 72.86, -71.61, 70.31

 

CMYK 83 / 0 / 93 / 5

HEX #2AF211

RGB 42 242 17

HSL 113.33, 0.9%, 0.51%

LAB 83.99, -80.23, 78.79

 

CMYK 68 / 0 / 77 / 4

HEX #4DF438

RGB 77 244 56

HSL 113.3, 0.9%, 0.59%

LAB 85.28, -74.39, 72.06

 

CMYK 54 / 0 / 61 / 4

HEX #70F65F

RGB 112 246 95

HSL 113.25, 0.89%, 0.67%

LAB 87.09, -64.4, 60.07

 

CMYK 82 / 0 / 93 / 5

HEX #2BF212

RGB 43 242 18

HSL 113.3, 0.9%, 0.51%

LAB 84, -80.11, 78.69

 

CMYK 93 / 8 / 0 / 5

HEX #11DFF2

RGB 17 223 242

HSL 185.07, 0.9%, 0.51%

LAB 81.46, -37.3, -21.87

 

CMYK 0 / 93 / 45 / 5

HEX #F21185

RGB 242 17 133

HSL 329.07, 0.9%, 0.51%

LAB 52.92, 80.89, -2.11

 

CMYK 82 / 0 / 93 / 5

HEX #2BF212

RGB 43 242 18

HSL 113.3, 0.9%, 0.51%

LAB 84, -80.11, 78.69

 

CMYK 93 / 82 / 0 / 5

HEX #112BF2

RGB 17 43 242

HSL 233.07, 0.9%, 0.51%

LAB 34.51, 64.65, -96.84

 

CMYK 0 / 93 / 82 / 5

HEX #F2112B

RGB 242 17 43

HSL 353.07, 0.9%, 0.51%

LAB 51.21, 76.21, 48.98

 

CMYK 82 / 0 / 93 / 5

HEX #2BF212

RGB 43 242 18

HSL 113.3, 0.9%, 0.51%

LAB 84, -80.11, 78.69

 

CMYK 93 / 8 / 0 / 5

HEX #11DFF2

RGB 17 223 242

HSL 185.07, 0.9%, 0.51%

LAB 81.46, -37.3, -21.87

 

CMYK 11 / 93 / 0 / 5

HEX #D811F2

RGB 216 17 242

HSL 293.07, 0.9%, 0.51%

LAB 53.4, 89.26, -65.07

 

CMYK 0 / 85 / 93 / 5

HEX #F22411

RGB 242 36 17

HSL 5.07, 0.9%, 0.51%

LAB 52.04, 72.96, 60.79

 

CMYK 82 / 0 / 93 / 5

HEX #2BF212

RGB 43 242 18

HSL 113.3, 0.9%, 0.51%

LAB 84, -80.11, 78.69

 

CMYK 93 / 36 / 0 / 5

HEX #119CF2

RGB 17 156 242

HSL 202.93, 0.9%, 0.51%

LAB 61.92, -2.58, -52.22

 

CMYK 11 / 93 / 0 / 5

HEX #D811F2

RGB 216 17 242

HSL 293.07, 0.9%, 0.51%

LAB 53.4, 89.26, -65.07

 

CMYK 0 / 57 / 93 / 5

HEX #F26711

RGB 242 103 17

HSL 22.93, 0.9%, 0.51%

LAB 60.44, 50.04, 66.08

 

Description

Color code: RGB 43 242 18 | qconv.com Color code: RGB 43 242 18 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 242 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 242 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 93 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 93% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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