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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 241 120 it is the complementary color RGB 212 14 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 241 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 241 120 shade: RGB 48 241 115, RGB 65 255 134, RGB 82 255 153, RGB 99 255 172 and RGB 116 255 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 241 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 241 120 shade: RGB 43 241 120, RGB 26 223 101, RGB 9 205 82, RGB 0 187 63 and RGB 0 169 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 241 120 shade: RGB 44 241 120, RGB 44 241 67, RGB 73 241 44, RGB 127 241 44 and RGB 180 241 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 241 120 shade: RGB 44 241 120, RGB 44 241 174, RGB 44 241 227, RGB 44 202 241 and RGB 44 149 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 241 120 shade matches the following richer shades: RGB 44 241 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 241 120 shade: RGB 44 241 120, RGB 62 223 124, RGB 80 205 128, RGB 98 187 132 and RGB 116 168 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 241 120 shade: RGB 73 241 44, RGB 44 241 67, RGB 44 241 119, RGB 44 241 172 and RGB 44 241 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 241 120 shade: RGB 12 190 81, RGB 14 229 98, RGB 44 241 120, RGB 82 244 145 and RGB 121 246 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 241 120 shade: RGB 43 241 120, RGB 44 126 241 and RGB 241 44 47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 241 120 shade: RGB 43 241 120, RGB 119 44 241 and RGB 241 119 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 241 120 shade: RGB 43 241 120, RGB 44 126 241, RGB 241 44 165 and RGB 241 159 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 241 120 shade: RGB 43 241 120, RGB 44 67 241, RGB 241 44 165 and RGB 241 218 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 50 / 5

HEX #2BF178

RGB 43 241 120

HSL 143.33, 0.88%, 0.56%

LAB 84.37, -71.4, 45.29

 

Complementary color

CMYK 0 / 93 / 36 / 17

HEX #D40E87

RGB 212 14 135

HSL 323.33, 0.88%, 0.44%

LAB 47.05, 74.9, -12.69

 

CMYK 80 / 0 / 52 / 5

HEX #30F173

RGB 48 241 115

HSL 140.83, 0.87%, 0.57%

LAB 84.37, -71.64, 47.65

 

CMYK 75 / 0 / 47 / 0

HEX #41FF86

RGB 65 255 134

HSL 141.79, 1%, 0.63%

LAB 89.09, -71.42, 44.61

 

CMYK 68 / 0 / 40 / 0

HEX #52FF99

RGB 82 255 153

HSL 144.62, 1%, 0.66%

LAB 89.68, -65.85, 36.2

 

CMYK 61 / 0 / 33 / 0

HEX #63FFAC

RGB 99 255 172

HSL 148.08, 1%, 0.69%

LAB 90.39, -59.44, 27.73

 

CMYK 55 / 0 / 25 / 0

HEX #74FFBF

RGB 116 255 191

HSL 152.37, 1%, 0.73%

LAB 91.23, -52.31, 19.31

 

CMYK 82 / 0 / 50 / 5

HEX #2BF178

RGB 43 241 120

HSL 143.33, 0.88%, 0.56%

LAB 84.37, -71.4, 45.29

 

CMYK 88 / 0 / 55 / 13

HEX #1ADF65

RGB 26 223 101

HSL 142.84, 0.79%, 0.49%

LAB 78.42, -69.76, 46.91

 

CMYK 96 / 0 / 60 / 20

HEX #09CD52

RGB 9 205 82

HSL 142.35, 0.92%, 0.42%

LAB 72.45, -67.57, 48.51

 

CMYK 100 / 0 / 66 / 27

HEX #00BB3F

RGB 0 187 63

HSL 140.21, 1%, 0.37%

LAB 66.44, -64.72, 50

 

CMYK 100 / 0 / 74 / 34

HEX #00A92C

RGB 0 169 44

HSL 135.62, 1%, 0.33%

LAB 60.39, -61.23, 51.12

 

CMYK 82 / 0 / 50 / 5

HEX #2CF178

RGB 44 241 120

HSL 143.15, 0.88%, 0.56%

LAB 84.38, -71.3, 45.31

 

CMYK 82 / 0 / 72 / 5

HEX #2CF143

RGB 44 241 67

HSL 127.01, 0.88%, 0.56%

LAB 83.89, -77.34, 66.97

 

CMYK 70 / 0 / 82 / 5

HEX #49F12C

RGB 73 241 44

HSL 111.17, 0.88%, 0.56%

LAB 84.23, -74.82, 74.31

 

CMYK 47 / 0 / 82 / 5

HEX #7FF12C

RGB 127 241 44

HSL 94.72, 0.88%, 0.56%

LAB 85.81, -62.08, 76.33

 

CMYK 25 / 0 / 82 / 5

HEX #B4F12C

RGB 180 241 44

HSL 78.58, 0.88%, 0.56%

LAB 88.35, -44.2, 79.55

 

CMYK 82 / 0 / 50 / 5

HEX #2CF178

RGB 44 241 120

HSL 143.15, 0.88%, 0.56%

LAB 84.38, -71.3, 45.31

 

CMYK 82 / 0 / 28 / 5

HEX #2CF1AE

RGB 44 241 174

HSL 159.59, 0.88%, 0.56%

LAB 85.25, -61.32, 19.49

 

CMYK 82 / 0 / 6 / 5

HEX #2CF1E3

RGB 44 241 227

HSL 175.74, 0.88%, 0.56%

LAB 86.5, -48.23, -6.37

 

CMYK 82 / 16 / 0 / 5

HEX #2CCAF1

RGB 44 202 241

HSL 191.88, 0.88%, 0.56%

LAB 75.53, -26.07, -30.37

 

CMYK 82 / 38 / 0 / 5

HEX #2C95F1

RGB 44 149 241

HSL 208.02, 0.88%, 0.56%

LAB 60.23, 2.77, -54.32

 

CMYK 82 / 0 / 50 / 5

HEX #2CF178

RGB 44 241 120

HSL 143.15, 0.88%, 0.56%

LAB 84.38, -71.3, 45.31

 

CMYK 82 / 0 / 50 / 5

HEX #2CF178

RGB 44 241 120

HSL 143.15, 0.88%, 0.56%

LAB 84.38, -71.3, 45.31

 

CMYK 72 / 0 / 44 / 13

HEX #3EDF7C

RGB 62 223 124

HSL 143.11, 0.72%, 0.56%

LAB 79.19, -62.41, 36.86

 

CMYK 61 / 0 / 38 / 20

HEX #50CD80

RGB 80 205 128

HSL 143.04, 0.56%, 0.56%

LAB 74.14, -51.8, 28.31

 

CMYK 48 / 0 / 29 / 27

HEX #62BB84

RGB 98 187 132

HSL 142.92, 0.4%, 0.56%

LAB 69.33, -39.23, 19.8

 

CMYK 31 / 0 / 19 / 34

HEX #74A888

RGB 116 168 136

HSL 143.08, 0.23%, 0.56%

LAB 64.56, -24.14, 11.1

 

CMYK 70 / 0 / 82 / 5

HEX #49F12C

RGB 73 241 44

HSL 111.17, 0.88%, 0.56%

LAB 84.23, -74.82, 74.31

 

CMYK 82 / 0 / 72 / 5

HEX #2CF143

RGB 44 241 67

HSL 127.01, 0.88%, 0.56%

LAB 83.89, -77.34, 66.97

 

CMYK 82 / 0 / 51 / 5

HEX #2CF177

RGB 44 241 119

HSL 142.84, 0.88%, 0.56%

LAB 84.37, -71.45, 45.76

 

CMYK 82 / 0 / 29 / 5

HEX #2CF1AC

RGB 44 241 172

HSL 158.98, 0.88%, 0.56%

LAB 85.21, -61.75, 20.47

 

CMYK 82 / 0 / 7 / 5

HEX #2CF1E1

RGB 44 241 225

HSL 175.13, 0.88%, 0.56%

LAB 86.45, -48.77, -5.41

 

CMYK 94 / 0 / 57 / 25

HEX #0CBE51

RGB 12 190 81

HSL 143.26, 0.88%, 0.4%

LAB 67.65, -62.92, 43.36

 

CMYK 94 / 0 / 57 / 10

HEX #0EE562

RGB 14 229 98

HSL 143.44, 0.88%, 0.48%

LAB 80.19, -72.64, 50.36

 

CMYK 82 / 0 / 50 / 5

HEX #2CF178

RGB 44 241 120

HSL 143.15, 0.88%, 0.56%

LAB 84.38, -71.3, 45.31

 

CMYK 66 / 0 / 41 / 4

HEX #52F491

RGB 82 244 145

HSL 143.33, 0.88%, 0.64%

LAB 86.28, -63.23, 35.7

 

CMYK 51 / 0 / 31 / 4

HEX #79F6AA

RGB 121 246 170

HSL 143.52, 0.87%, 0.72%

LAB 88.39, -51.52, 26.13

 

CMYK 82 / 0 / 50 / 5

HEX #2BF178

RGB 43 241 120

HSL 143.33, 0.88%, 0.56%

LAB 84.37, -71.4, 45.29

 

CMYK 82 / 48 / 0 / 5

HEX #2C7EF1

RGB 44 126 241

HSL 215.03, 0.88%, 0.56%

LAB 53.82, 16.71, -64.59

 

CMYK 0 / 82 / 80 / 5

HEX #F12C2F

RGB 241 44 47

HSL 359.09, 0.88%, 0.56%

LAB 52.63, 71.53, 48.17

 

CMYK 82 / 0 / 50 / 5

HEX #2BF178

RGB 43 241 120

HSL 143.33, 0.88%, 0.56%

LAB 84.37, -71.4, 45.29

 

CMYK 51 / 82 / 0 / 5

HEX #772CF1

RGB 119 44 241

HSL 262.84, 0.88%, 0.56%

LAB 41.33, 70.58, -84.77

 

CMYK 0 / 51 / 82 / 5

HEX #F1772C

RGB 241 119 44

HSL 22.84, 0.88%, 0.56%

LAB 63.41, 42.54, 59.59

 

CMYK 82 / 0 / 50 / 5

HEX #2BF178

RGB 43 241 120

HSL 143.33, 0.88%, 0.56%

LAB 84.37, -71.4, 45.29

 

CMYK 82 / 48 / 0 / 5

HEX #2C7EF1

RGB 44 126 241

HSL 215.03, 0.88%, 0.56%

LAB 53.82, 16.71, -64.59

 

CMYK 0 / 82 / 32 / 5

HEX #F12CA5

RGB 241 44 165

HSL 323.15, 0.88%, 0.56%

LAB 55.3, 79.38, -17.59

 

CMYK 0 / 34 / 82 / 5

HEX #F19F2C

RGB 241 159 44

HSL 35.03, 0.88%, 0.56%

LAB 72.01, 21.9, 67.2

 

CMYK 82 / 0 / 50 / 5

HEX #2BF178

RGB 43 241 120

HSL 143.33, 0.88%, 0.56%

LAB 84.37, -71.4, 45.29

 

CMYK 82 / 72 / 0 / 5

HEX #2C43F1

RGB 44 67 241

HSL 232.99, 0.88%, 0.56%

LAB 39.41, 53.11, -88.13

 

CMYK 0 / 82 / 32 / 5

HEX #F12CA5

RGB 241 44 165

HSL 323.15, 0.88%, 0.56%

LAB 55.3, 79.38, -17.59

 

CMYK 0 / 10 / 82 / 5

HEX #F1DA2C

RGB 241 218 44

HSL 52.99, 0.88%, 0.56%

LAB 86.52, -8.71, 79.68

 

Description

Color code: RGB 43 241 120 | qconv.com Color code: RGB 43 241 120 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 241 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 241 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 50 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 50% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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