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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 231 204 it is the complementary color RGB 212 24 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 231 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 231 204 shade: RGB 48 231 199, RGB 65 249 218, RGB 82 255 237, RGB 99 255 255 and RGB 116 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 231 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 231 204 shade: RGB 43 231 204, RGB 26 213 185, RGB 9 195 166, RGB 0 177 147 and RGB 0 159 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 231 204 shade: RGB 43 231 204, RGB 43 231 153, RGB 43 231 103, RGB 43 231 52 and RGB 85 231 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 231 204 shade: RGB 43 231 204, RGB 43 207 231, RGB 43 157 231, RGB 43 106 231 and RGB 43 56 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 231 204 shade matches the following richer shades: RGB 43 231 204 and RGB 24 250 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 231 204 shade: RGB 43 231 204, RGB 62 212 191, RGB 81 193 177, RGB 100 174 163 and RGB 119 155 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 231 204 shade: RGB 43 231 103, RGB 43 231 153, RGB 43 231 203, RGB 43 209 231 and RGB 43 159 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 231 204 shade: RGB 19 173 151, RGB 23 210 183, RGB 43 231 204, RGB 80 235 213 and RGB 118 239 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 231 204 shade: RGB 43 231 204, RGB 53 43 231 and RGB 231 128 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 231 204 shade: RGB 43 231 204, RGB 203 43 231 and RGB 231 203 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 231 204 shade: RGB 43 231 204, RGB 53 43 231, RGB 231 43 72 and RGB 222 231 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 231 204 shade: RGB 43 231 204, RGB 109 43 231, RGB 231 43 72 and RGB 165 231 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 12 / 9

HEX #2BE7CC

RGB 43 231 204

HSL 171.38, 0.8%, 0.54%

LAB 82.93, -50.25, 0.48

 

Complementary color

CMYK 0 / 89 / 76 / 17

HEX #D41833

RGB 212 24 51

HSL 351.38, 0.8%, 0.46%

LAB 45.48, 67.98, 36.72

 

CMYK 79 / 0 / 14 / 9

HEX #30E7C7

RGB 48 231 199

HSL 169.51, 0.79%, 0.55%

LAB 82.86, -51.11, 3.03

 

CMYK 74 / 0 / 12 / 2

HEX #41F9DA

RGB 65 249 218

HSL 169.89, 0.94%, 0.62%

LAB 88.89, -52, 1.87

 

CMYK 68 / 0 / 7 / 0

HEX #52FFED

RGB 82 255 237

HSL 173.76, 1%, 0.66%

LAB 91.43, -47.6, -4.25

 

CMYK 61 / 0 / 0 / 0

HEX #63FFFF

RGB 99 255 255

HSL 180, 1%, 0.69%

LAB 92.31, -40.42, -12.24

 

CMYK 55 / 0 / 0 / 0

HEX #74FFFF

RGB 116 255 255

HSL 180, 1%, 0.73%

LAB 92.77, -37.54, -11.49

 

CMYK 81 / 0 / 12 / 9

HEX #2BE7CC

RGB 43 231 204

HSL 171.38, 0.8%, 0.54%

LAB 82.93, -50.25, 0.48

 

CMYK 88 / 0 / 13 / 16

HEX #1AD5B9

RGB 26 213 185

HSL 171.02, 0.78%, 0.47%

LAB 76.87, -48.95, 1.74

 

CMYK 95 / 0 / 15 / 24

HEX #09C3A6

RGB 9 195 166

HSL 170.65, 0.91%, 0.4%

LAB 70.76, -47.29, 3.13

 

CMYK 100 / 0 / 17 / 31

HEX #00B193

RGB 0 177 147

HSL 169.83, 1%, 0.35%

LAB 64.6, -45.22, 4.67

 

CMYK 100 / 0 / 19 / 38

HEX #009F80

RGB 0 159 128

HSL 168.3, 1%, 0.31%

LAB 58.37, -42.81, 6.33

 

CMYK 81 / 0 / 12 / 9

HEX #2BE7CC

RGB 43 231 204

HSL 171.38, 0.8%, 0.54%

LAB 82.93, -50.25, 0.48

 

CMYK 81 / 0 / 34 / 9

HEX #2BE799

RGB 43 231 153

HSL 155.11, 0.8%, 0.54%

LAB 81.82, -62.16, 25.59

 

CMYK 81 / 0 / 55 / 9

HEX #2BE767

RGB 43 231 103

HSL 139.15, 0.8%, 0.54%

LAB 81.1, -70.61, 49.23

 

CMYK 81 / 0 / 77 / 9

HEX #2BE734

RGB 43 231 52

HSL 122.87, 0.8%, 0.54%

LAB 80.69, -75.61, 68.64

 

CMYK 63 / 0 / 81 / 9

HEX #55E72B

RGB 85 231 43

HSL 106.6, 0.8%, 0.54%

LAB 81.43, -69.41, 72.11

 

CMYK 81 / 0 / 12 / 9

HEX #2BE7CC

RGB 43 231 204

HSL 171.38, 0.8%, 0.54%

LAB 82.93, -50.25, 0.48

 

CMYK 81 / 10 / 0 / 9

HEX #2BCFE7

RGB 43 207 231

HSL 187.66, 0.8%, 0.54%

LAB 76.62, -31.76, -23.32

 

CMYK 81 / 32 / 0 / 9

HEX #2B9DE7

RGB 43 157 231

HSL 203.62, 0.8%, 0.54%

LAB 62, -5.58, -46.01

 

CMYK 81 / 54 / 0 / 9

HEX #2B6AE7

RGB 43 106 231

HSL 219.89, 0.8%, 0.54%

LAB 47.74, 25.47, -68.84

 

CMYK 81 / 76 / 0 / 9

HEX #2B38E7

RGB 43 56 231

HSL 235.85, 0.8%, 0.54%

LAB 36.2, 55.8, -87.78

 

CMYK 81 / 0 / 12 / 9

HEX #2BE7CC

RGB 43 231 204

HSL 171.38, 0.8%, 0.54%

LAB 82.93, -50.25, 0.48

 

CMYK 90 / 0 / 13 / 2

HEX #18FADA

RGB 24 250 218

HSL 171.5, 0.96%, 0.54%

LAB 88.75, -55.5, 1.6

 

CMYK 81 / 0 / 12 / 9

HEX #2BE7CC

RGB 43 231 204

HSL 171.38, 0.8%, 0.54%

LAB 82.93, -50.25, 0.48

 

CMYK 71 / 0 / 10 / 17

HEX #3ED4BF

RGB 62 212 191

HSL 171.6, 0.64%, 0.54%

LAB 77.2, -43.59, -0.92

 

CMYK 58 / 0 / 8 / 24

HEX #51C1B1

RGB 81 193 177

HSL 171.43, 0.47%, 0.54%

LAB 71.6, -35.64, -1.51

 

CMYK 43 / 0 / 6 / 32

HEX #64AEA3

RGB 100 174 163

HSL 171.08, 0.31%, 0.54%

LAB 66.23, -25.76, -1.58

 

CMYK 23 / 0 / 3 / 39

HEX #779B96

RGB 119 155 150

HSL 171.67, 0.15%, 0.54%

LAB 61.28, -13.45, -1.45

 

CMYK 81 / 0 / 55 / 9

HEX #2BE767

RGB 43 231 103

HSL 139.15, 0.8%, 0.54%

LAB 81.1, -70.61, 49.23

 

CMYK 81 / 0 / 34 / 9

HEX #2BE799

RGB 43 231 153

HSL 155.11, 0.8%, 0.54%

LAB 81.82, -62.16, 25.59

 

CMYK 81 / 0 / 12 / 9

HEX #2BE7CB

RGB 43 231 203

HSL 171.06, 0.8%, 0.54%

LAB 82.9, -50.51, 0.97

 

CMYK 81 / 10 / 0 / 9

HEX #2BD1E7

RGB 43 209 231

HSL 187.02, 0.8%, 0.54%

LAB 77.21, -32.72, -22.43

 

CMYK 81 / 31 / 0 / 9

HEX #2B9FE7

RGB 43 159 231

HSL 202.98, 0.8%, 0.54%

LAB 62.57, -6.71, -45.1

 

CMYK 89 / 0 / 13 / 32

HEX #13AD97

RGB 19 173 151

HSL 171.43, 0.8%, 0.38%

LAB 63.56, -41.62, 0.94

 

CMYK 89 / 0 / 13 / 18

HEX #17D2B7

RGB 23 210 183

HSL 171.34, 0.8%, 0.46%

LAB 75.88, -48.4, 1.38

 

CMYK 81 / 0 / 12 / 9

HEX #2BE7CC

RGB 43 231 204

HSL 171.38, 0.8%, 0.54%

LAB 82.93, -50.25, 0.48

 

CMYK 66 / 0 / 9 / 8

HEX #50EBD5

RGB 80 235 213

HSL 171.48, 0.79%, 0.62%

LAB 84.96, -45.39, -1.22

 

CMYK 51 / 0 / 7 / 6

HEX #76EFDE

RGB 118 239 222

HSL 171.57, 0.79%, 0.7%

LAB 87.42, -38.08, -2.22

 

CMYK 81 / 0 / 12 / 9

HEX #2BE7CC

RGB 43 231 204

HSL 171.38, 0.8%, 0.54%

LAB 82.93, -50.25, 0.48

 

CMYK 77 / 81 / 0 / 9

HEX #352BE7

RGB 53 43 231

HSL 243.19, 0.8%, 0.54%

LAB 34.51, 62.66, -90.57

 

CMYK 0 / 45 / 81 / 9

HEX #E7802B

RGB 231 128 43

HSL 27.13, 0.8%, 0.54%

LAB 63.84, 34, 59.84

 

CMYK 81 / 0 / 12 / 9

HEX #2BE7CC

RGB 43 231 204

HSL 171.38, 0.8%, 0.54%

LAB 82.93, -50.25, 0.48

 

CMYK 12 / 81 / 0 / 9

HEX #CB2BE7

RGB 203 43 231

HSL 291.06, 0.8%, 0.54%

LAB 52.06, 81.09, -61.15

 

CMYK 0 / 12 / 81 / 9

HEX #E7CB2B

RGB 231 203 43

HSL 51.06, 0.8%, 0.54%

LAB 81.77, -5.41, 75.54

 

CMYK 81 / 0 / 12 / 9

HEX #2BE7CC

RGB 43 231 204

HSL 171.38, 0.8%, 0.54%

LAB 82.93, -50.25, 0.48

 

CMYK 77 / 81 / 0 / 9

HEX #352BE7

RGB 53 43 231

HSL 243.19, 0.8%, 0.54%

LAB 34.51, 62.66, -90.57

 

CMYK 0 / 81 / 69 / 9

HEX #E72B48

RGB 231 43 72

HSL 350.74, 0.8%, 0.54%

LAB 50.9, 69.97, 31.62

 

CMYK 4 / 0 / 81 / 9

HEX #DEE72B

RGB 222 231 43

HSL 62.87, 0.8%, 0.54%

LAB 88.38, -23.06, 80.9

 

CMYK 81 / 0 / 12 / 9

HEX #2BE7CC

RGB 43 231 204

HSL 171.38, 0.8%, 0.54%

LAB 82.93, -50.25, 0.48

 

CMYK 53 / 81 / 0 / 9

HEX #6D2BE7

RGB 109 43 231

HSL 261.06, 0.8%, 0.54%

LAB 39.15, 67.37, -82.74

 

CMYK 0 / 81 / 69 / 9

HEX #E72B48

RGB 231 43 72

HSL 350.74, 0.8%, 0.54%

LAB 50.9, 69.97, 31.62

 

CMYK 29 / 0 / 81 / 9

HEX #A5E72B

RGB 165 231 43

HSL 81.06, 0.8%, 0.54%

LAB 84.65, -45.51, 76.21

 

Description

Color code: RGB 43 231 204 | qconv.com Color code: RGB 43 231 204 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 231 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 231 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 12 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 12% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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