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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 180 203 it is the complementary color RGB 212 75 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 180 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 180 203 shade: RGB 48 180 198, RGB 65 198 217, RGB 82 216 236, RGB 99 234 255 and RGB 116 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 180 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 180 203 shade: RGB 43 180 203, RGB 26 162 184, RGB 9 144 165, RGB 0 126 146 and RGB 0 108 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 180 203 shade: RGB 42 179 201, RGB 42 136 201, RGB 42 93 201, RGB 42 50 201 and RGB 78 42 201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 180 203 shade: RGB 42 179 201, RGB 42 136 201, RGB 42 93 201, RGB 42 50 201 and RGB 42 42 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 180 203 shade matches the following richer shades: RGB 42 179 201, RGB 23 193 221 and RGB 3 207 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 180 203 shade: RGB 42 179 201, RGB 62 164 182, RGB 82 150 162, RGB 102 136 142 and RGB 122 122 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 180 203 shade: RGB 42 201 138, RGB 42 201 180, RGB 42 180 201, RGB 42 138 201 and RGB 42 95 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 180 203 shade: RGB 28 118 133, RGB 35 148 167, RGB 42 179 201, RGB 70 194 215 and RGB 104 205 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 180 203 shade: RGB 43 180 203, RGB 95 42 201 and RGB 201 159 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 180 203 shade: RGB 43 180 203, RGB 201 42 180 and RGB 180 201 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 180 203 shade: RGB 43 180 203, RGB 95 42 201, RGB 201 64 42 and RGB 148 201 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 180 203 shade: RGB 43 180 203, RGB 143 42 201, RGB 201 64 42 and RGB 101 201 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 11 / 0 / 20

HEX #2BB4CB

RGB 43 180 203

HSL 188.63, 0.65%, 0.48%

LAB 67.63, -27.38, -21.81

 

Complementary color

CMYK 0 / 65 / 75 / 17

HEX #D44B34

RGB 212 75 52

HSL 8.63, 0.65%, 0.52%

LAB 51.01, 52.68, 42.17

 

CMYK 76 / 9 / 0 / 22

HEX #30B4C6

RGB 48 180 198

HSL 187.2, 0.61%, 0.48%

LAB 67.54, -28.44, -19.18

 

CMYK 70 / 9 / 0 / 15

HEX #41C6D9

RGB 65 198 217

HSL 187.5, 0.67%, 0.55%

LAB 73.88, -29.39, -19.9

 

CMYK 65 / 8 / 0 / 7

HEX #52D8EC

RGB 82 216 236

HSL 187.79, 0.8%, 0.62%

LAB 80.16, -30.11, -20.56

 

CMYK 61 / 8 / 0 / 0

HEX #63EAFF

RGB 99 234 255

HSL 188.08, 1%, 0.69%

LAB 86.36, -30.67, -21.17

 

CMYK 55 / 1 / 0 / 0

HEX #74FCFF

RGB 116 252 255

HSL 181.29, 1%, 0.73%

LAB 91.93, -36.16, -12.74

 

CMYK 79 / 11 / 0 / 20

HEX #2BB4CB

RGB 43 180 203

HSL 188.63, 0.65%, 0.48%

LAB 67.63, -27.38, -21.81

 

CMYK 86 / 12 / 0 / 28

HEX #1AA2B8

RGB 26 162 184

HSL 188.35, 0.75%, 0.41%

LAB 61.24, -25.94, -21.01

 

CMYK 95 / 13 / 0 / 35

HEX #0990A5

RGB 9 144 165

HSL 188.08, 0.9%, 0.34%

LAB 54.78, -24.07, -20.11

 

CMYK 100 / 14 / 0 / 43

HEX #007E92

RGB 0 126 146

HSL 188.22, 1%, 0.29%

LAB 48.26, -21.69, -19.08

 

CMYK 100 / 15 / 0 / 50

HEX #006C7F

RGB 0 108 127

HSL 188.98, 1%, 0.25%

LAB 41.62, -18.86, -17.94

 

CMYK 79 / 11 / 0 / 21

HEX #2AB3C9

RGB 42 179 201

HSL 188.3, 0.65%, 0.48%

LAB 67.24, -27.62, -21.3

 

CMYK 79 / 32 / 0 / 21

HEX #2A88C9

RGB 42 136 201

HSL 204.53, 0.65%, 0.48%

LAB 54.36, -4.4, -41.27

 

CMYK 79 / 54 / 0 / 21

HEX #2A5DC9

RGB 42 93 201

HSL 220.75, 0.65%, 0.48%

LAB 42.06, 22.4, -60.96

 

CMYK 79 / 75 / 0 / 21

HEX #2A32C9

RGB 42 50 201

HSL 236.98, 0.65%, 0.48%

LAB 31.79, 49.23, -77.8

 

CMYK 61 / 79 / 0 / 21

HEX #4E2AC9

RGB 78 42 201

HSL 253.58, 0.65%, 0.48%

LAB 32.9, 56.45, -75.87

 

CMYK 79 / 11 / 0 / 21

HEX #2AB3C9

RGB 42 179 201

HSL 188.3, 0.65%, 0.48%

LAB 67.24, -27.62, -21.3

 

CMYK 79 / 32 / 0 / 21

HEX #2A88C9

RGB 42 136 201

HSL 204.53, 0.65%, 0.48%

LAB 54.36, -4.4, -41.27

 

CMYK 79 / 54 / 0 / 21

HEX #2A5DC9

RGB 42 93 201

HSL 220.75, 0.65%, 0.48%

LAB 42.06, 22.4, -60.96

 

CMYK 79 / 75 / 0 / 21

HEX #2A32C9

RGB 42 50 201

HSL 236.98, 0.65%, 0.48%

LAB 31.79, 49.23, -77.8

 

CMYK 79 / 79 / 0 / 21

HEX #2A2AC9

RGB 42 42 201

HSL 240, 0.65%, 0.48%

LAB 30.32, 53.44, -80.23

 

CMYK 79 / 11 / 0 / 21

HEX #2AB3C9

RGB 42 179 201

HSL 188.3, 0.65%, 0.48%

LAB 67.24, -27.62, -21.3

 

CMYK 90 / 13 / 0 / 13

HEX #17C1DD

RGB 23 193 221

HSL 188.48, 0.81%, 0.48%

LAB 71.92, -29.43, -25.12

 

CMYK 99 / 14 / 0 / 5

HEX #03CFF1

RGB 3 207 241

HSL 188.57, 0.98%, 0.48%

LAB 76.68, -30.39, -28.64

 

CMYK 79 / 11 / 0 / 21

HEX #2AB3C9

RGB 42 179 201

HSL 188.3, 0.65%, 0.48%

LAB 67.24, -27.62, -21.3

 

CMYK 66 / 10 / 0 / 29

HEX #3EA4B6

RGB 62 164 182

HSL 189, 0.49%, 0.48%

LAB 62.47, -23.49, -17.96

 

CMYK 49 / 7 / 0 / 36

HEX #5296A2

RGB 82 150 162

HSL 189, 0.33%, 0.48%

LAB 58.24, -18.18, -12.98

 

CMYK 28 / 4 / 0 / 44

HEX #66888E

RGB 102 136 142

HSL 189, 0.16%, 0.48%

LAB 54.43, -10.39, -7.1

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 79 / 0 / 31 / 21

HEX #2AC98A

RGB 42 201 138

HSL 156.23, 0.65%, 0.48%

LAB 72.3, -54.23, 20.43

 

CMYK 79 / 0 / 10 / 21

HEX #2AC9B4

RGB 42 201 180

HSL 172.08, 0.65%, 0.48%

LAB 73.26, -44.01, -0.8

 

CMYK 79 / 10 / 0 / 21

HEX #2AB4C9

RGB 42 180 201

HSL 187.92, 0.65%, 0.48%

LAB 67.54, -28.11, -20.84

 

CMYK 79 / 31 / 0 / 21

HEX #2A8AC9

RGB 42 138 201

HSL 203.77, 0.65%, 0.48%

LAB 54.95, -5.57, -40.34

 

CMYK 79 / 53 / 0 / 21

HEX #2A5FC9

RGB 42 95 201

HSL 220, 0.65%, 0.48%

LAB 42.6, 21.1, -60.08

 

CMYK 79 / 11 / 0 / 48

HEX #1C7685

RGB 28 118 133

HSL 188.57, 0.65%, 0.32%

LAB 45.49, -19.99, -15.58

 

CMYK 79 / 11 / 0 / 35

HEX #2394A7

RGB 35 148 167

HSL 188.64, 0.65%, 0.4%

LAB 56.41, -23.63, -18.74

 

CMYK 79 / 11 / 0 / 21

HEX #2AB3C9

RGB 42 179 201

HSL 188.3, 0.65%, 0.48%

LAB 67.24, -27.62, -21.3

 

CMYK 67 / 10 / 0 / 16

HEX #46C2D7

RGB 70 194 215

HSL 188.69, 0.64%, 0.56%

LAB 72.75, -27.34, -20.52

 

CMYK 53 / 8 / 0 / 13

HEX #68CDDF

RGB 104 205 223

HSL 189.08, 0.65%, 0.64%

LAB 77.24, -24.54, -17.95

 

CMYK 79 / 11 / 0 / 20

HEX #2BB4CB

RGB 43 180 203

HSL 188.63, 0.65%, 0.48%

LAB 67.63, -27.38, -21.81

 

CMYK 53 / 79 / 0 / 21

HEX #5F2AC9

RGB 95 42 201

HSL 260, 0.65%, 0.48%

LAB 34.61, 58.44, -72.99

 

CMYK 0 / 21 / 79 / 21

HEX #C99F2A

RGB 201 159 42

HSL 44.15, 0.65%, 0.48%

LAB 67.56, 4.58, 62.23

 

CMYK 79 / 11 / 0 / 20

HEX #2BB4CB

RGB 43 180 203

HSL 188.63, 0.65%, 0.48%

LAB 67.63, -27.38, -21.81

 

CMYK 0 / 79 / 10 / 21

HEX #C92AB4

RGB 201 42 180

HSL 307.92, 0.65%, 0.48%

LAB 48.72, 72.99, -37.15

 

CMYK 10 / 0 / 79 / 21

HEX #B4C92A

RGB 180 201 42

HSL 67.92, 0.65%, 0.48%

LAB 77.07, -26.06, 70.09

 

CMYK 79 / 11 / 0 / 20

HEX #2BB4CB

RGB 43 180 203

HSL 188.63, 0.65%, 0.48%

LAB 67.63, -27.38, -21.81

 

CMYK 53 / 79 / 0 / 21

HEX #5F2AC9

RGB 95 42 201

HSL 260, 0.65%, 0.48%

LAB 34.61, 58.44, -72.99

 

CMYK 0 / 68 / 79 / 21

HEX #C9402A

RGB 201 64 42

HSL 8.3, 0.65%, 0.48%

LAB 47.3, 53.12, 43

 

CMYK 26 / 0 / 79 / 21

HEX #94C92A

RGB 148 201 42

HSL 80, 0.65%, 0.48%

LAB 74.97, -38.88, 67.42

 

CMYK 79 / 11 / 0 / 20

HEX #2BB4CB

RGB 43 180 203

HSL 188.63, 0.65%, 0.48%

LAB 67.63, -27.38, -21.81

 

CMYK 29 / 79 / 0 / 21

HEX #8F2AC9

RGB 143 42 201

HSL 278.11, 0.65%, 0.48%

LAB 40.76, 65.57, -62.69

 

CMYK 0 / 68 / 79 / 21

HEX #C9402A

RGB 201 64 42

HSL 8.3, 0.65%, 0.48%

LAB 47.3, 53.12, 43

 

CMYK 50 / 0 / 79 / 21

HEX #65C92A

RGB 101 201 42

HSL 97.74, 0.65%, 0.48%

LAB 72.7, -54.98, 64.49

 

Description

Color code: RGB 43 180 203 | qconv.com Color code: RGB 43 180 203 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 180 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 180 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 11 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 11% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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