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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 172 18 it is the complementary color RGB 212 83 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 172 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 172 18 shade: RGB 48 172 13, RGB 65 190 32, RGB 82 208 51, RGB 99 226 70 and RGB 116 244 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 172 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 172 18 shade: RGB 43 172 18, RGB 26 154 0, RGB 9 136 0, RGB 0 118 0 and RGB 0 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 172 18 shade: RGB 42 170 17, RGB 83 170 17, RGB 125 170 17, RGB 166 170 17 and RGB 170 133 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 172 18 shade: RGB 42 170 17, RGB 17 170 34, RGB 17 170 75, RGB 17 170 116 and RGB 17 170 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 172 18 shade matches the following richer shades: RGB 42 170 17 and RGB 32 186 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 172 18 shade: RGB 42 170 17, RGB 53 155 33, RGB 63 140 48, RGB 73 124 63 and RGB 83 109 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 172 18 shade: RGB 124 170 17, RGB 84 170 17, RGB 43 170 17, RGB 17 170 33 and RGB 17 170 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 172 18 shade: RGB 24 96 10, RGB 33 133 14, RGB 42 170 17, RGB 52 208 21 and RGB 70 232 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 172 18 shade: RGB 43 172 18, RGB 17 165 170 and RGB 170 17 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 172 18 shade: RGB 43 172 18, RGB 17 43 170 and RGB 170 17 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 172 18 shade: RGB 43 172 18, RGB 17 165 170, RGB 145 17 170 and RGB 170 23 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 172 18 shade: RGB 43 172 18, RGB 17 119 170, RGB 145 17 170 and RGB 170 68 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 90 / 33

HEX #2BAC12

RGB 43 172 18

HSL 110.26, 0.81%, 0.37%

LAB 61.71, -59.69, 59.87

 

Complementary color

CMYK 11 / 65 / 0 / 7

HEX #D453ED

RGB 212 83 237

HSL 290.26, 0.81%, 0.63%

LAB 58.32, 70.88, -54.41

 

CMYK 72 / 0 / 92 / 33

HEX #30AC0D

RGB 48 172 13

HSL 106.79, 0.86%, 0.36%

LAB 61.79, -58.99, 60.84

 

CMYK 66 / 0 / 83 / 25

HEX #41BE20

RGB 65 190 32

HSL 107.47, 0.71%, 0.44%

LAB 68.06, -60.76, 62.54

 

CMYK 61 / 0 / 75 / 18

HEX #52D033

RGB 82 208 51

HSL 108.15, 0.63%, 0.51%

LAB 74.28, -61.96, 63

 

CMYK 56 / 0 / 69 / 11

HEX #63E246

RGB 99 226 70

HSL 108.85, 0.73%, 0.58%

LAB 80.45, -62.74, 62.71

 

CMYK 52 / 0 / 64 / 4

HEX #74F459

RGB 116 244 89

HSL 109.55, 0.88%, 0.65%

LAB 86.57, -63.23, 62

 

CMYK 75 / 0 / 90 / 33

HEX #2BAC12

RGB 43 172 18

HSL 110.26, 0.81%, 0.37%

LAB 61.71, -59.69, 59.87

 

CMYK 83 / 0 / 100 / 40

HEX #1A9A00

RGB 26 154 0

HSL 109.87, 1%, 0.3%

LAB 55.41, -57.1, 57.36

 

CMYK 93 / 0 / 100 / 47

HEX #098800

RGB 9 136 0

HSL 116.03, 1%, 0.27%

LAB 49.09, -53.36, 52.22

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 75 / 0 / 90 / 33

HEX #2AAA11

RGB 42 170 17

HSL 110.2, 0.82%, 0.37%

LAB 61.03, -59.26, 59.47

 

CMYK 51 / 0 / 90 / 33

HEX #53AA11

RGB 83 170 17

HSL 94.12, 0.82%, 0.37%

LAB 62.19, -49.68, 60.92

 

CMYK 26 / 0 / 90 / 33

HEX #7DAA11

RGB 125 170 17

HSL 77.65, 0.82%, 0.37%

LAB 64.28, -34.77, 63.51

 

CMYK 2 / 0 / 90 / 33

HEX #A6AA11

RGB 166 170 17

HSL 61.57, 0.82%, 0.37%

LAB 67.2, -17.43, 67.09

 

CMYK 0 / 22 / 90 / 33

HEX #AA8511

RGB 170 133 17

HSL 45.49, 0.82%, 0.37%

LAB 57.43, 4.15, 59.54

 

CMYK 75 / 0 / 90 / 33

HEX #2AAA11

RGB 42 170 17

HSL 110.2, 0.82%, 0.37%

LAB 61.03, -59.26, 59.47

 

CMYK 90 / 0 / 80 / 33

HEX #11AA22

RGB 17 170 34

HSL 126.67, 0.82%, 0.37%

LAB 60.77, -61.33, 54.91

 

CMYK 90 / 0 / 56 / 33

HEX #11AA4B

RGB 17 170 75

HSL 142.75, 0.82%, 0.37%

LAB 61.11, -57.02, 38.44

 

CMYK 90 / 0 / 32 / 33

HEX #11AA74

RGB 17 170 116

HSL 158.82, 0.82%, 0.37%

LAB 61.77, -49.36, 17.79

 

CMYK 90 / 0 / 8 / 33

HEX #11AA9D

RGB 17 170 157

HSL 174.9, 0.82%, 0.37%

LAB 62.76, -38.71, -3.58

 

CMYK 75 / 0 / 90 / 33

HEX #2AAA11

RGB 42 170 17

HSL 110.2, 0.82%, 0.37%

LAB 61.03, -59.26, 59.47

 

CMYK 83 / 0 / 99 / 27

HEX #20BA02

RGB 32 186 2

HSL 110.22, 0.98%, 0.37%

LAB 66.08, -65.79, 65.67

 

CMYK 75 / 0 / 90 / 33

HEX #2AAA11

RGB 42 170 17

HSL 110.2, 0.82%, 0.37%

LAB 61.03, -59.26, 59.47

 

CMYK 66 / 0 / 79 / 39

HEX #359B21

RGB 53 155 33

HSL 110.16, 0.65%, 0.37%

LAB 56.4, -51.41, 51.24

 

CMYK 55 / 0 / 66 / 45

HEX #3F8C30

RGB 63 140 48

HSL 110.22, 0.49%, 0.37%

LAB 51.87, -41.97, 40.77

 

CMYK 41 / 0 / 49 / 51

HEX #497C3F

RGB 73 124 63

HSL 110.16, 0.33%, 0.37%

LAB 47.22, -29.95, 27.92

 

CMYK 24 / 0 / 28 / 57

HEX #536D4E

RGB 83 109 78

HSL 110.32, 0.17%, 0.37%

LAB 43.25, -16.16, 14.3

 

CMYK 27 / 0 / 90 / 33

HEX #7CAA11

RGB 124 170 17

HSL 78.04, 0.82%, 0.37%

LAB 64.22, -35.16, 63.44

 

CMYK 51 / 0 / 90 / 33

HEX #54AA11

RGB 84 170 17

HSL 93.73, 0.82%, 0.37%

LAB 62.23, -49.37, 60.97

 

CMYK 75 / 0 / 90 / 33

HEX #2BAA11

RGB 43 170 17

HSL 109.8, 0.82%, 0.37%

LAB 61.05, -59.1, 59.49

 

CMYK 90 / 0 / 81 / 33

HEX #11AA21

RGB 17 170 33

HSL 126.27, 0.82%, 0.37%

LAB 60.76, -61.39, 55.21

 

CMYK 90 / 0 / 57 / 33

HEX #11AA49

RGB 17 170 73

HSL 141.96, 0.82%, 0.37%

LAB 61.09, -57.31, 39.38

 

CMYK 75 / 0 / 90 / 62

HEX #18600A

RGB 24 96 10

HSL 110.23, 0.81%, 0.21%

LAB 35.17, -38.14, 38.23

 

CMYK 75 / 0 / 89 / 48

HEX #21850E

RGB 33 133 14

HSL 110.42, 0.81%, 0.29%

LAB 48.42, -49, 49.08

 

CMYK 75 / 0 / 90 / 33

HEX #2AAA11

RGB 42 170 17

HSL 110.2, 0.82%, 0.37%

LAB 61.03, -59.26, 59.47

 

CMYK 75 / 0 / 90 / 18

HEX #34D015

RGB 52 208 21

HSL 110.05, 0.82%, 0.45%

LAB 73.48, -69.18, 69.48

 

CMYK 70 / 0 / 84 / 9

HEX #46E826

RGB 70 232 38

HSL 110.1, 0.81%, 0.53%

LAB 81.38, -72.87, 73.14

 

CMYK 75 / 0 / 90 / 33

HEX #2BAC12

RGB 43 172 18

HSL 110.26, 0.81%, 0.37%

LAB 61.71, -59.69, 59.87

 

CMYK 90 / 3 / 0 / 33

HEX #11A5AA

RGB 17 165 170

HSL 181.96, 0.82%, 0.37%

LAB 61.6, -32.47, -12.61

 

CMYK 0 / 90 / 39 / 33

HEX #AA1168

RGB 170 17 104

HSL 325.88, 0.82%, 0.37%

LAB 37.75, 62.1, -8.28

 

CMYK 75 / 0 / 90 / 33

HEX #2BAC12

RGB 43 172 18

HSL 110.26, 0.81%, 0.37%

LAB 61.71, -59.69, 59.87

 

CMYK 90 / 75 / 0 / 33

HEX #112BAA

RGB 17 43 170

HSL 229.8, 0.82%, 0.37%

LAB 26.01, 41.21, -69.01

 

CMYK 0 / 90 / 75 / 33

HEX #AA112B

RGB 170 17 43

HSL 349.8, 0.82%, 0.37%

LAB 36.22, 57.82, 28.7

 

CMYK 75 / 0 / 90 / 33

HEX #2BAC12

RGB 43 172 18

HSL 110.26, 0.81%, 0.37%

LAB 61.71, -59.69, 59.87

 

CMYK 90 / 3 / 0 / 33

HEX #11A5AA

RGB 17 165 170

HSL 181.96, 0.82%, 0.37%

LAB 61.6, -32.47, -12.61

 

CMYK 15 / 90 / 0 / 33

HEX #9111AA

RGB 145 17 170

HSL 290.2, 0.82%, 0.37%

LAB 36.6, 66.32, -51.13

 

CMYK 0 / 86 / 90 / 33

HEX #AA1711

RGB 170 23 17

HSL 2.35, 0.82%, 0.37%

LAB 36.37, 55.92, 43.31

 

CMYK 75 / 0 / 90 / 33

HEX #2BAC12

RGB 43 172 18

HSL 110.26, 0.81%, 0.37%

LAB 61.71, -59.69, 59.87

 

CMYK 90 / 30 / 0 / 33

HEX #1177AA

RGB 17 119 170

HSL 200, 0.82%, 0.37%

LAB 47.26, -8.07, -34.68

 

CMYK 15 / 90 / 0 / 33

HEX #9111AA

RGB 145 17 170

HSL 290.2, 0.82%, 0.37%

LAB 36.6, 66.32, -51.13

 

CMYK 0 / 60 / 90 / 33

HEX #AA4411

RGB 170 68 17

HSL 20, 0.82%, 0.37%

LAB 42.34, 39.58, 47.84

 

Description

Color code: RGB 43 172 18 | qconv.com Color code: RGB 43 172 18 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 172 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 172 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 90 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 90% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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