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Color name
RGB 43 150 78

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 150 78 it is the complementary color RGB 212 105 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 150 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 150 78 shade: RGB 48 150 73, RGB 65 168 92, RGB 82 186 111, RGB 99 204 130 and RGB 116 222 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 150 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 150 78 shade: RGB 43 150 78, RGB 26 132 59, RGB 9 114 40, RGB 0 96 21 and RGB 0 78 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 150 78 shade: RGB 43 150 78, RGB 43 150 49, RGB 66 150 43, RGB 94 150 43 and RGB 123 150 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 150 78 shade: RGB 43 150 78, RGB 43 150 107, RGB 43 150 135, RGB 43 135 150 and RGB 43 106 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 150 78 shade matches the following richer shades: RGB 43 150 78, RGB 27 165 73 and RGB 12 181 67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 150 78 shade: RGB 43 150 78, RGB 59 134 83, RGB 74 118 89, RGB 90 103 94 and RGB 106 87 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 150 78 shade: RGB 66 150 43, RGB 43 150 48, RGB 43 150 77, RGB 43 150 105 and RGB 43 150 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 150 78 shade: RGB 25 86 45, RGB 34 118 61, RGB 43 150 78, RGB 52 182 95 and RGB 73 202 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 150 78 shade: RGB 43 150 78, RGB 43 95 150 and RGB 150 43 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 150 78 shade: RGB 43 150 78, RGB 77 43 150 and RGB 150 77 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 150 78 shade: RGB 43 150 78, RGB 43 95 150, RGB 150 43 116 and RGB 150 98 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 150 78 shade: RGB 43 150 78, RGB 43 63 150, RGB 150 43 116 and RGB 150 130 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 48 / 41

HEX #2B964E

RGB 43 150 78

HSL 139.63, 0.55%, 0.38%

LAB 54.94, -46.36, 29.39

 

Complementary color

CMYK 0 / 50 / 17 / 17

HEX #D469B1

RGB 212 105 177

HSL 319.63, 0.55%, 0.62%

LAB 59.23, 50.87, -18.99

 

CMYK 68 / 0 / 51 / 41

HEX #309649

RGB 48 150 73

HSL 134.71, 0.52%, 0.39%

LAB 54.99, -46.24, 32.09

 

CMYK 61 / 0 / 45 / 34

HEX #41A85C

RGB 65 168 92

HSL 135.73, 0.44%, 0.46%

LAB 61.57, -46.61, 30.58

 

CMYK 56 / 0 / 40 / 27

HEX #52BA6F

RGB 82 186 111

HSL 136.73, 0.43%, 0.53%

LAB 68.06, -46.72, 29.16

 

CMYK 51 / 0 / 36 / 20

HEX #63CC82

RGB 99 204 130

HSL 137.71, 0.51%, 0.59%

LAB 74.48, -46.67, 27.83

 

CMYK 48 / 0 / 33 / 13

HEX #74DE95

RGB 116 222 149

HSL 138.68, 0.62%, 0.66%

LAB 80.81, -46.53, 26.58

 

CMYK 71 / 0 / 48 / 41

HEX #2B964E

RGB 43 150 78

HSL 139.63, 0.55%, 0.38%

LAB 54.94, -46.36, 29.39

 

CMYK 80 / 0 / 55 / 48

HEX #1A843B

RGB 26 132 59

HSL 138.68, 0.67%, 0.31%

LAB 48.31, -45.42, 31.03

 

CMYK 92 / 0 / 65 / 55

HEX #097228

RGB 9 114 40

HSL 137.71, 0.85%, 0.24%

LAB 41.6, -43.69, 32.68

 

CMYK 100 / 0 / 78 / 62

HEX #006015

RGB 0 96 21

HSL 133.13, 1%, 0.19%

LAB 34.84, -40.74, 33.96

 

CMYK 100 / 0 / 97 / 69

HEX #004E02

RGB 0 78 2

HSL 121.54, 1%, 0.15%

LAB 27.99, -36.38, 34.44

 

CMYK 71 / 0 / 48 / 41

HEX #2B964E

RGB 43 150 78

HSL 139.63, 0.55%, 0.38%

LAB 54.94, -46.36, 29.39

 

CMYK 71 / 0 / 67 / 41

HEX #2B9631

RGB 43 150 49

HSL 123.36, 0.55%, 0.38%

LAB 54.6, -50.35, 43.16

 

CMYK 56 / 0 / 71 / 41

HEX #42962B

RGB 66 150 43

HSL 107.1, 0.55%, 0.38%

LAB 55.22, -45.54, 46.53

 

CMYK 37 / 0 / 71 / 41

HEX #5E962B

RGB 94 150 43

HSL 91.4, 0.55%, 0.38%

LAB 56.45, -36.46, 48.19

 

CMYK 18 / 0 / 71 / 41

HEX #7B962B

RGB 123 150 43

HSL 75.14, 0.55%, 0.38%

LAB 58.22, -24.98, 50.56

 

CMYK 71 / 0 / 48 / 41

HEX #2B964E

RGB 43 150 78

HSL 139.63, 0.55%, 0.38%

LAB 54.94, -46.36, 29.39

 

CMYK 71 / 0 / 29 / 41

HEX #2B966B

RGB 43 150 107

HSL 155.89, 0.55%, 0.38%

LAB 55.47, -40.55, 14.16

 

CMYK 71 / 0 / 10 / 41

HEX #2B9687

RGB 43 150 135

HSL 171.59, 0.55%, 0.38%

LAB 56.16, -33.39, -0.78

 

CMYK 71 / 10 / 0 / 41

HEX #2B8796

RGB 43 135 150

HSL 188.41, 0.55%, 0.38%

LAB 51.89, -21.42, -15.82

 

CMYK 71 / 29 / 0 / 41

HEX #2B6A96

RGB 43 106 150

HSL 204.67, 0.55%, 0.38%

LAB 42.8, -5.04, -29.85

 

CMYK 71 / 0 / 48 / 41

HEX #2B964E

RGB 43 150 78

HSL 139.63, 0.55%, 0.38%

LAB 54.94, -46.36, 29.39

 

CMYK 84 / 0 / 56 / 35

HEX #1BA549

RGB 27 165 73

HSL 140, 0.72%, 0.38%

LAB 59.55, -54.78, 37.56

 

CMYK 93 / 0 / 63 / 29

HEX #0CB543

RGB 12 181 67

HSL 139.53, 0.88%, 0.38%

LAB 64.59, -61.9, 46.22

 

CMYK 71 / 0 / 48 / 41

HEX #2B964E

RGB 43 150 78

HSL 139.63, 0.55%, 0.38%

LAB 54.94, -46.36, 29.39

 

CMYK 56 / 0 / 38 / 47

HEX #3B8653

RGB 59 134 83

HSL 139.2, 0.39%, 0.38%

LAB 50.22, -35.37, 20.61

 

CMYK 37 / 0 / 25 / 54

HEX #4A7659

RGB 74 118 89

HSL 140.45, 0.23%, 0.38%

LAB 45.82, -22.01, 11.26

 

CMYK 13 / 0 / 9 / 60

HEX #5A675E

RGB 90 103 94

HSL 138.46, 0.07%, 0.38%

LAB 42.28, -6.91, 3.4

 

CMYK 0 / 18 / 6 / 58

HEX #6A5764

RGB 106 87 100

HSL 318.95, 0.1%, 0.38%

LAB 39.24, 10.27, -4.55

 

CMYK 56 / 0 / 71 / 41

HEX #42962B

RGB 66 150 43

HSL 107.1, 0.55%, 0.38%

LAB 55.22, -45.54, 46.53

 

CMYK 71 / 0 / 68 / 41

HEX #2B9630

RGB 43 150 48

HSL 122.8, 0.55%, 0.38%

LAB 54.59, -50.45, 43.58

 

CMYK 71 / 0 / 49 / 41

HEX #2B964D

RGB 43 150 77

HSL 139.07, 0.55%, 0.38%

LAB 54.93, -46.53, 29.9

 

CMYK 71 / 0 / 30 / 41

HEX #2B9669

RGB 43 150 105

HSL 154.77, 0.55%, 0.38%

LAB 55.43, -41, 15.23

 

CMYK 71 / 0 / 11 / 41

HEX #2B9686

RGB 43 150 134

HSL 171.03, 0.55%, 0.38%

LAB 56.14, -33.67, -0.25

 

CMYK 71 / 0 / 48 / 66

HEX #19562D

RGB 25 86 45

HSL 139.67, 0.55%, 0.22%

LAB 31.92, -29.77, 18.3

 

CMYK 71 / 0 / 48 / 54

HEX #22763D

RGB 34 118 61

HSL 139.29, 0.55%, 0.3%

LAB 43.7, -38.4, 24.27

 

CMYK 71 / 0 / 48 / 41

HEX #2B964E

RGB 43 150 78

HSL 139.63, 0.55%, 0.38%

LAB 54.94, -46.36, 29.39

 

CMYK 71 / 0 / 48 / 29

HEX #34B65F

RGB 52 182 95

HSL 139.85, 0.56%, 0.46%

LAB 65.76, -53.97, 34.29

 

CMYK 64 / 0 / 43 / 21

HEX #49CA73

RGB 73 202 115

HSL 139.53, 0.55%, 0.54%

LAB 72.82, -54.32, 33.24

 

CMYK 71 / 0 / 48 / 41

HEX #2B964E

RGB 43 150 78

HSL 139.63, 0.55%, 0.38%

LAB 54.94, -46.36, 29.39

 

CMYK 71 / 37 / 0 / 41

HEX #2B5F96

RGB 43 95 150

HSL 210.84, 0.55%, 0.38%

LAB 39.41, 1.78, -35.18

 

CMYK 0 / 71 / 65 / 41

HEX #962B34

RGB 150 43 52

HSL 354.95, 0.55%, 0.38%

LAB 34.92, 44.95, 20.54

 

CMYK 71 / 0 / 48 / 41

HEX #2B964E

RGB 43 150 78

HSL 139.63, 0.55%, 0.38%

LAB 54.94, -46.36, 29.39

 

CMYK 49 / 71 / 0 / 41

HEX #4D2B96

RGB 77 43 150

HSL 259.07, 0.55%, 0.38%

LAB 28.13, 41.23, -53.2

 

CMYK 0 / 49 / 71 / 41

HEX #964D2B

RGB 150 77 43

HSL 19.07, 0.55%, 0.38%

LAB 41.16, 27.76, 33.37

 

CMYK 71 / 0 / 48 / 41

HEX #2B964E

RGB 43 150 78

HSL 139.63, 0.55%, 0.38%

LAB 54.94, -46.36, 29.39

 

CMYK 71 / 37 / 0 / 41

HEX #2B5F96

RGB 43 95 150

HSL 210.84, 0.55%, 0.38%

LAB 39.41, 1.78, -35.18

 

CMYK 0 / 71 / 23 / 41

HEX #962B74

RGB 150 43 116

HSL 319.07, 0.55%, 0.38%

LAB 36.88, 51.53, -17.52

 

CMYK 0 / 35 / 71 / 41

HEX #96622B

RGB 150 98 43

HSL 30.84, 0.55%, 0.38%

LAB 46.17, 15.83, 38.87

 

CMYK 71 / 0 / 48 / 41

HEX #2B964E

RGB 43 150 78

HSL 139.63, 0.55%, 0.38%

LAB 54.94, -46.36, 29.39

 

CMYK 71 / 58 / 0 / 41

HEX #2B3F96

RGB 43 63 150

HSL 228.79, 0.55%, 0.38%

LAB 30.09, 23, -50.14

 

CMYK 0 / 71 / 23 / 41

HEX #962B74

RGB 150 43 116

HSL 319.07, 0.55%, 0.38%

LAB 36.88, 51.53, -17.52

 

CMYK 0 / 13 / 71 / 41

HEX #96822B

RGB 150 130 43

HSL 48.79, 0.55%, 0.38%

LAB 54.68, -2.41, 47.73

 

Description

Color code: RGB 43 150 78 | qconv.com Color code: RGB 43 150 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 150 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 150 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 48 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 48% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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