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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 90 149 it is the complementary color RGB 212 165 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 90 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 90 149 shade: RGB 48 90 144, RGB 65 108 163, RGB 82 126 182, RGB 99 144 201 and RGB 116 162 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 90 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 90 149 shade: RGB 43 90 149, RGB 26 72 130, RGB 9 54 111, RGB 0 36 92 and RGB 0 18 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 90 149 shade: RGB 43 90 150, RGB 43 62 150, RGB 53 43 150, RGB 82 43 150 and RGB 111 43 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 90 149 shade: RGB 43 90 150, RGB 43 62 150 and RGB 43 43 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 90 149 shade matches the following richer shades: RGB 43 90 150, RGB 27 89 165 and RGB 12 87 181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 90 149 shade: RGB 43 90 150, RGB 59 92 134, RGB 74 94 118, RGB 90 96 103 and RGB 106 97 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 90 149 shade: RGB 43 148 150, RGB 43 119 150, RGB 43 91 150, RGB 43 63 150 and RGB 52 43 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 90 149 shade: RGB 25 52 86, RGB 34 71 118, RGB 43 90 150, RGB 52 110 182 and RGB 73 130 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 90 149 shade: RGB 43 90 149, RGB 123 43 150 and RGB 134 150 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 90 149 shade: RGB 43 90 149, RGB 150 43 91 and RGB 91 150 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 90 149 shade: RGB 43 90 149, RGB 123 43 150, RGB 150 102 43 and RGB 70 150 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 90 149 shade: RGB 43 90 149, RGB 150 43 144, RGB 150 102 43 and RGB 43 150 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 40 / 0 / 42

HEX #2B5A95

RGB 43 90 149

HSL 213.4, 0.55%, 0.38%

LAB 37.83, 4.6, -37.08

 

Complementary color

CMYK 0 / 22 / 50 / 17

HEX #D4A56A

RGB 212 165 106

HSL 33.4, 0.55%, 0.62%

LAB 70.84, 10.17, 37.07

 

CMYK 67 / 38 / 0 / 44

HEX #305A90

RGB 48 90 144

HSL 213.75, 0.5%, 0.38%

LAB 37.76, 3.6, -34.17

 

CMYK 60 / 34 / 0 / 36

HEX #416CA3

RGB 65 108 163

HSL 213.67, 0.43%, 0.45%

LAB 44.93, 2.38, -34.13

 

CMYK 55 / 31 / 0 / 29

HEX #527EB6

RGB 82 126 182

HSL 213.6, 0.41%, 0.52%

LAB 51.94, 1.46, -34.13

 

CMYK 51 / 28 / 0 / 21

HEX #6390C9

RGB 99 144 201

HSL 213.53, 0.49%, 0.59%

LAB 58.8, 0.73, -34.16

 

CMYK 47 / 26 / 0 / 14

HEX #74A2DC

RGB 116 162 220

HSL 213.46, 0.6%, 0.66%

LAB 65.53, 0.14, -34.21

 

CMYK 71 / 40 / 0 / 42

HEX #2B5A95

RGB 43 90 149

HSL 213.4, 0.55%, 0.38%

LAB 37.83, 4.6, -37.08

 

CMYK 80 / 45 / 0 / 49

HEX #1A4882

RGB 26 72 130

HSL 213.46, 0.67%, 0.31%

LAB 30.56, 6.6, -37.1

 

CMYK 92 / 51 / 0 / 56

HEX #09366F

RGB 9 54 111

HSL 213.53, 0.85%, 0.24%

LAB 23.15, 9.43, -37.05

 

CMYK 100 / 61 / 0 / 64

HEX #00245C

RGB 0 36 92

HSL 216.52, 1%, 0.18%

LAB 15.67, 13.43, -36.77

 

CMYK 100 / 75 / 0 / 71

HEX #001249

RGB 0 18 73

HSL 225.21, 1%, 0.14%

LAB 8.25, 18.59, -35.97

 

CMYK 71 / 40 / 0 / 41

HEX #2B5A96

RGB 43 90 150

HSL 213.64, 0.55%, 0.38%

LAB 37.89, 4.98, -37.59

 

CMYK 71 / 59 / 0 / 41

HEX #2B3E96

RGB 43 62 150

HSL 229.35, 0.55%, 0.38%

LAB 29.81, 23.67, -50.58

 

CMYK 65 / 71 / 0 / 41

HEX #352B96

RGB 53 43 150

HSL 245.61, 0.55%, 0.38%

LAB 25.82, 37.35, -57.08

 

CMYK 45 / 71 / 0 / 41

HEX #522B96

RGB 82 43 150

HSL 261.87, 0.55%, 0.38%

LAB 28.7, 42.15, -52.25

 

CMYK 26 / 71 / 0 / 41

HEX #6F2B96

RGB 111 43 150

HSL 278.13, 0.55%, 0.38%

LAB 32.5, 48.06, -45.92

 

CMYK 71 / 40 / 0 / 41

HEX #2B5A96

RGB 43 90 150

HSL 213.64, 0.55%, 0.38%

LAB 37.89, 4.98, -37.59

 

CMYK 71 / 59 / 0 / 41

HEX #2B3E96

RGB 43 62 150

HSL 229.35, 0.55%, 0.38%

LAB 29.81, 23.67, -50.58

 

CMYK 71 / 71 / 0 / 41

HEX #2B2B96

RGB 43 43 150

HSL 240, 0.55%, 0.38%

LAB 25.09, 36.07, -58.32

 

CMYK 71 / 40 / 0 / 41

HEX #2B5A96

RGB 43 90 150

HSL 213.64, 0.55%, 0.38%

LAB 37.89, 4.98, -37.59

 

CMYK 84 / 46 / 0 / 35

HEX #1B59A5

RGB 27 89 165

HSL 213.04, 0.72%, 0.38%

LAB 38.01, 9.49, -46.41

 

CMYK 93 / 52 / 0 / 29

HEX #0C57B5

RGB 12 87 181

HSL 213.37, 0.88%, 0.38%

LAB 38.25, 16.29, -55.51

 

CMYK 71 / 40 / 0 / 41

HEX #2B5A96

RGB 43 90 150

HSL 213.64, 0.55%, 0.38%

LAB 37.89, 4.98, -37.59

 

CMYK 56 / 31 / 0 / 47

HEX #3B5C86

RGB 59 92 134

HSL 213.6, 0.39%, 0.38%

LAB 38.38, 1.1, -27.08

 

CMYK 37 / 20 / 0 / 54

HEX #4A5E76

RGB 74 94 118

HSL 212.73, 0.23%, 0.38%

LAB 39.19, -1.08, -15.99

 

CMYK 13 / 7 / 0 / 60

HEX #5A6067

RGB 90 96 103

HSL 212.31, 0.07%, 0.38%

LAB 40.44, -0.75, -4.78

 

CMYK 0 / 8 / 18 / 58

HEX #6A6157

RGB 106 97 87

HSL 31.58, 0.1%, 0.38%

LAB 41.69, 1.74, 7

 

CMYK 71 / 1 / 0 / 41

HEX #2B9496

RGB 43 148 150

HSL 181.12, 0.55%, 0.38%

LAB 55.98, -28.06, -9.64

 

CMYK 71 / 21 / 0 / 41

HEX #2B7796

RGB 43 119 150

HSL 197.38, 0.55%, 0.38%

LAB 46.86, -12.67, -23.53

 

CMYK 71 / 39 / 0 / 41

HEX #2B5B96

RGB 43 91 150

HSL 213.08, 0.55%, 0.38%

LAB 38.2, 4.34, -37.11

 

CMYK 71 / 58 / 0 / 41

HEX #2B3F96

RGB 43 63 150

HSL 228.79, 0.55%, 0.38%

LAB 30.09, 23, -50.14

 

CMYK 65 / 71 / 0 / 41

HEX #342B96

RGB 52 43 150

HSL 245.05, 0.55%, 0.38%

LAB 25.74, 37.22, -57.21

 

CMYK 71 / 40 / 0 / 66

HEX #193456

RGB 25 52 86

HSL 213.44, 0.55%, 0.22%

LAB 21.34, 2.32, -23.62

 

CMYK 71 / 40 / 0 / 54

HEX #224776

RGB 34 71 118

HSL 213.57, 0.55%, 0.3%

LAB 29.8, 3.68, -30.81

 

CMYK 71 / 40 / 0 / 41

HEX #2B5A96

RGB 43 90 150

HSL 213.64, 0.55%, 0.38%

LAB 37.89, 4.98, -37.59

 

CMYK 71 / 40 / 0 / 29

HEX #346EB6

RGB 52 110 182

HSL 213.23, 0.56%, 0.46%

LAB 45.99, 5.61, -43.62

 

CMYK 64 / 36 / 0 / 21

HEX #4982CA

RGB 73 130 202

HSL 213.49, 0.55%, 0.54%

LAB 53.65, 3.92, -42.9

 

CMYK 71 / 40 / 0 / 42

HEX #2B5A95

RGB 43 90 149

HSL 213.4, 0.55%, 0.38%

LAB 37.83, 4.6, -37.08

 

CMYK 18 / 71 / 0 / 41

HEX #7B2B96

RGB 123 43 150

HSL 284.86, 0.55%, 0.38%

LAB 34.27, 50.69, -42.97

 

CMYK 11 / 0 / 71 / 41

HEX #86962B

RGB 134 150 43

HSL 68.97, 0.55%, 0.38%

LAB 59.03, -20.28, 51.63

 

CMYK 71 / 40 / 0 / 42

HEX #2B5A95

RGB 43 90 149

HSL 213.4, 0.55%, 0.38%

LAB 37.83, 4.6, -37.08

 

CMYK 0 / 71 / 39 / 41

HEX #962B5B

RGB 150 43 91

HSL 333.08, 0.55%, 0.38%

LAB 35.92, 48.37, -3.12

 

CMYK 39 / 0 / 71 / 41

HEX #5B962B

RGB 91 150 43

HSL 93.08, 0.55%, 0.38%

LAB 56.3, -37.54, 47.98

 

CMYK 71 / 40 / 0 / 42

HEX #2B5A95

RGB 43 90 149

HSL 213.4, 0.55%, 0.38%

LAB 37.83, 4.6, -37.08

 

CMYK 18 / 71 / 0 / 41

HEX #7B2B96

RGB 123 43 150

HSL 284.86, 0.55%, 0.38%

LAB 34.27, 50.69, -42.97

 

CMYK 0 / 32 / 71 / 41

HEX #96662B

RGB 150 102 43

HSL 33.08, 0.55%, 0.38%

LAB 47.19, 13.53, 39.95

 

CMYK 53 / 0 / 71 / 41

HEX #46962B

RGB 70 150 43

HSL 104.86, 0.55%, 0.38%

LAB 55.37, -44.4, 46.73

 

CMYK 71 / 40 / 0 / 42

HEX #2B5A95

RGB 43 90 149

HSL 213.4, 0.55%, 0.38%

LAB 37.83, 4.6, -37.08

 

CMYK 0 / 71 / 4 / 41

HEX #962B90

RGB 150 43 144

HSL 303.36, 0.55%, 0.38%

LAB 38.24, 55.83, -32.72

 

CMYK 0 / 32 / 71 / 41

HEX #96662B

RGB 150 102 43

HSL 33.08, 0.55%, 0.38%

LAB 47.19, 13.53, 39.95

 

CMYK 71 / 0 / 68 / 41

HEX #2B9630

RGB 43 150 48

HSL 122.8, 0.55%, 0.38%

LAB 54.59, -50.45, 43.58

 

Description

Color code: RGB 43 90 149 | qconv.com Color code: RGB 43 90 149 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 90 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 90 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 40 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 40% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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