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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 82 150 it is the complementary color RGB 212 173 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 82 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 82 150 shade: RGB 48 82 145, RGB 65 100 164, RGB 82 118 183, RGB 99 136 202 and RGB 116 154 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 82 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 82 150 shade: RGB 43 82 150, RGB 26 64 131, RGB 9 46 112, RGB 0 28 93 and RGB 0 10 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 82 150 shade: RGB 43 82 150, RGB 43 53 150, RGB 62 43 150, RGB 90 43 150 and RGB 119 43 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 82 150 shade: RGB 43 82 150, RGB 43 53 150 and RGB 43 43 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 82 150 shade matches the following richer shades: RGB 43 82 150, RGB 27 78 165 and RGB 12 73 181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 82 150 shade: RGB 43 82 150, RGB 59 86 134, RGB 74 90 118, RGB 90 95 103 and RGB 106 99 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 82 150 shade: RGB 43 139 150, RGB 43 111 150, RGB 43 82 150, RGB 43 54 150 and RGB 61 43 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 82 150 shade: RGB 25 47 86, RGB 34 64 118, RGB 43 82 150, RGB 52 100 182 and RGB 73 120 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 82 150 shade: RGB 43 82 150, RGB 132 43 150 and RGB 125 150 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 82 150 shade: RGB 43 82 150, RGB 150 43 82 and RGB 82 150 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 82 150 shade: RGB 43 82 150, RGB 132 43 150, RGB 150 111 43 and RGB 61 150 43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 82 150 shade: RGB 43 82 150, RGB 150 43 135, RGB 150 111 43 and RGB 43 150 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 45 / 0 / 41

HEX #2B5296

RGB 43 82 150

HSL 218.13, 0.55%, 0.38%

LAB 35.5, 10.21, -41.41

 

Complementary color

CMYK 0 / 18 / 50 / 17

HEX #D4AD69

RGB 212 173 105

HSL 38.13, 0.55%, 0.62%

LAB 72.83, 5.79, 40.08

 

CMYK 67 / 43 / 0 / 43

HEX #305291

RGB 48 82 145

HSL 218.97, 0.5%, 0.38%

LAB 35.41, 9.17, -38.5

 

CMYK 60 / 39 / 0 / 36

HEX #4164A4

RGB 65 100 164

HSL 218.79, 0.43%, 0.45%

LAB 42.64, 7.72, -38.34

 

CMYK 55 / 36 / 0 / 28

HEX #5276B7

RGB 82 118 183

HSL 218.61, 0.41%, 0.52%

LAB 49.7, 6.6, -38.23

 

CMYK 51 / 33 / 0 / 21

HEX #6388CA

RGB 99 136 202

HSL 218.45, 0.49%, 0.59%

LAB 56.61, 5.71, -38.15

 

CMYK 48 / 30 / 0 / 13

HEX #749ADD

RGB 116 154 221

HSL 218.29, 0.61%, 0.66%

LAB 63.38, 4.99, -38.12

 

CMYK 71 / 45 / 0 / 41

HEX #2B5296

RGB 43 82 150

HSL 218.13, 0.55%, 0.38%

LAB 35.5, 10.21, -41.41

 

CMYK 80 / 51 / 0 / 49

HEX #1A4083

RGB 26 64 131

HSL 218.29, 0.67%, 0.31%

LAB 28.18, 12.51, -41.55

 

CMYK 92 / 59 / 0 / 56

HEX #092E70

RGB 9 46 112

HSL 218.45, 0.85%, 0.24%

LAB 20.76, 15.68, -41.57

 

CMYK 100 / 70 / 0 / 64

HEX #001C5D

RGB 0 28 93

HSL 221.94, 1%, 0.18%

LAB 13.36, 19.97, -41.22

 

CMYK 100 / 86 / 0 / 71

HEX #000A4A

RGB 0 10 74

HSL 231.89, 1%, 0.15%

LAB 6.43, 24.26, -39.68

 

CMYK 71 / 45 / 0 / 41

HEX #2B5296

RGB 43 82 150

HSL 218.13, 0.55%, 0.38%

LAB 35.5, 10.21, -41.41

 

CMYK 71 / 65 / 0 / 41

HEX #2B3596

RGB 43 53 150

HSL 234.39, 0.55%, 0.38%

LAB 27.47, 29.68, -54.41

 

CMYK 59 / 71 / 0 / 41

HEX #3E2B96

RGB 62 43 150

HSL 250.65, 0.55%, 0.38%

LAB 26.6, 38.69, -55.77

 

CMYK 40 / 71 / 0 / 41

HEX #5A2B96

RGB 90 43 150

HSL 266.36, 0.55%, 0.38%

LAB 29.67, 43.7, -50.63

 

CMYK 21 / 71 / 0 / 41

HEX #772B96

RGB 119 43 150

HSL 282.62, 0.55%, 0.38%

LAB 33.67, 49.81, -43.97

 

CMYK 71 / 45 / 0 / 41

HEX #2B5296

RGB 43 82 150

HSL 218.13, 0.55%, 0.38%

LAB 35.5, 10.21, -41.41

 

CMYK 71 / 65 / 0 / 41

HEX #2B3596

RGB 43 53 150

HSL 234.39, 0.55%, 0.38%

LAB 27.47, 29.68, -54.41

 

CMYK 71 / 71 / 0 / 41

HEX #2B2B96

RGB 43 43 150

HSL 240, 0.55%, 0.38%

LAB 25.09, 36.07, -58.32

 

CMYK 71 / 45 / 0 / 41

HEX #2B5296

RGB 43 82 150

HSL 218.13, 0.55%, 0.38%

LAB 35.5, 10.21, -41.41

 

CMYK 84 / 53 / 0 / 35

HEX #1B4EA5

RGB 27 78 165

HSL 217.83, 0.72%, 0.38%

LAB 34.8, 16.83, -51.59

 

CMYK 93 / 60 / 0 / 29

HEX #0C49B5

RGB 12 73 181

HSL 218.34, 0.88%, 0.38%

LAB 34.35, 25.69, -61.85

 

CMYK 71 / 45 / 0 / 41

HEX #2B5296

RGB 43 82 150

HSL 218.13, 0.55%, 0.38%

LAB 35.5, 10.21, -41.41

 

CMYK 56 / 36 / 0 / 47

HEX #3B5686

RGB 59 86 134

HSL 218.4, 0.39%, 0.38%

LAB 36.57, 4.92, -29.93

 

CMYK 37 / 24 / 0 / 54

HEX #4A5A76

RGB 74 90 118

HSL 218.18, 0.23%, 0.38%

LAB 37.98, 1.39, -17.85

 

CMYK 13 / 8 / 0 / 60

HEX #5A5F67

RGB 90 95 103

HSL 216.92, 0.07%, 0.38%

LAB 40.14, -0.14, -5.23

 

CMYK 0 / 7 / 18 / 58

HEX #6A6357

RGB 106 99 87

HSL 37.89, 0.1%, 0.38%

LAB 42.27, 0.54, 7.82

 

CMYK 71 / 7 / 0 / 41

HEX #2B8B96

RGB 43 139 150

HSL 186.17, 0.55%, 0.38%

LAB 53.15, -23.51, -13.91

 

CMYK 71 / 26 / 0 / 41

HEX #2B6F96

RGB 43 111 150

HSL 201.87, 0.55%, 0.38%

LAB 44.35, -8.03, -27.42

 

CMYK 71 / 45 / 0 / 41

HEX #2B5296

RGB 43 82 150

HSL 218.13, 0.55%, 0.38%

LAB 35.5, 10.21, -41.41

 

CMYK 71 / 64 / 0 / 41

HEX #2B3696

RGB 43 54 150

HSL 233.83, 0.55%, 0.38%

LAB 27.72, 29.02, -54

 

CMYK 59 / 71 / 0 / 41

HEX #3D2B96

RGB 61 43 150

HSL 250.09, 0.55%, 0.38%

LAB 26.51, 38.53, -55.93

 

CMYK 71 / 45 / 0 / 66

HEX #192F56

RGB 25 47 86

HSL 218.36, 0.55%, 0.22%

LAB 19.69, 5.88, -26.24

 

CMYK 71 / 46 / 0 / 54

HEX #224076

RGB 34 64 118

HSL 218.57, 0.55%, 0.3%

LAB 27.61, 8.44, -34.29

 

CMYK 71 / 45 / 0 / 41

HEX #2B5296

RGB 43 82 150

HSL 218.13, 0.55%, 0.38%

LAB 35.5, 10.21, -41.41

 

CMYK 71 / 45 / 0 / 29

HEX #3464B6

RGB 52 100 182

HSL 217.85, 0.56%, 0.46%

LAB 43.1, 11.93, -48.23

 

CMYK 64 / 41 / 0 / 21

HEX #4978CA

RGB 73 120 202

HSL 218.14, 0.55%, 0.54%

LAB 50.82, 10, -47.39

 

CMYK 71 / 45 / 0 / 41

HEX #2B5296

RGB 43 82 150

HSL 218.13, 0.55%, 0.38%

LAB 35.5, 10.21, -41.41

 

CMYK 12 / 71 / 0 / 41

HEX #842B96

RGB 132 43 150

HSL 289.91, 0.55%, 0.38%

LAB 35.67, 52.72, -40.66

 

CMYK 17 / 0 / 71 / 41

HEX #7D962B

RGB 125 150 43

HSL 74.02, 0.55%, 0.38%

LAB 58.37, -24.14, 50.75

 

CMYK 71 / 45 / 0 / 41

HEX #2B5296

RGB 43 82 150

HSL 218.13, 0.55%, 0.38%

LAB 35.5, 10.21, -41.41

 

CMYK 0 / 71 / 45 / 41

HEX #962B52

RGB 150 43 82

HSL 338.13, 0.55%, 0.38%

LAB 35.64, 47.41, 2.24

 

CMYK 45 / 0 / 71 / 41

HEX #52962B

RGB 82 150 43

HSL 98.13, 0.55%, 0.38%

LAB 55.87, -40.65, 47.41

 

CMYK 71 / 45 / 0 / 41

HEX #2B5296

RGB 43 82 150

HSL 218.13, 0.55%, 0.38%

LAB 35.5, 10.21, -41.41

 

CMYK 12 / 71 / 0 / 41

HEX #842B96

RGB 132 43 150

HSL 289.91, 0.55%, 0.38%

LAB 35.67, 52.72, -40.66

 

CMYK 0 / 26 / 71 / 41

HEX #966F2B

RGB 150 111 43

HSL 38.13, 0.55%, 0.38%

LAB 49.53, 8.34, 42.43

 

CMYK 59 / 0 / 71 / 41

HEX #3D962B

RGB 61 150 43

HSL 109.91, 0.55%, 0.38%

LAB 55.05, -46.89, 46.3

 

CMYK 71 / 45 / 0 / 41

HEX #2B5296

RGB 43 82 150

HSL 218.13, 0.55%, 0.38%

LAB 35.5, 10.21, -41.41

 

CMYK 0 / 71 / 10 / 41

HEX #962B87

RGB 150 43 135

HSL 308.41, 0.55%, 0.38%

LAB 37.77, 54.37, -27.94

 

CMYK 0 / 26 / 71 / 41

HEX #966F2B

RGB 150 111 43

HSL 38.13, 0.55%, 0.38%

LAB 49.53, 8.34, 42.43

 

CMYK 71 / 0 / 62 / 41

HEX #2B9639

RGB 43 150 57

HSL 127.85, 0.55%, 0.38%

LAB 54.68, -49.43, 39.62

 

Description

Color code: RGB 43 82 150 | qconv.com Color code: RGB 43 82 150 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 82 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 82 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 45 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 45% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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