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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 76 241 it is the complementary color RGB 212 179 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 76 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 76 241 shade: RGB 48 76 236, RGB 65 94 255, RGB 82 112 255, RGB 99 130 255 and RGB 116 148 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 76 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 76 241 shade: RGB 43 76 241, RGB 26 58 222, RGB 9 40 203, RGB 0 22 184 and RGB 0 4 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 76 241 shade: RGB 44 76 241, RGB 64 44 241, RGB 117 44 241, RGB 170 44 241 and RGB 224 44 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 76 241 shade: RGB 44 76 241 and RGB 44 44 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 76 241 shade matches the following richer shades: RGB 44 76 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 76 241 shade: RGB 44 76 241, RGB 62 89 223, RGB 80 101 205, RGB 98 113 187 and RGB 116 125 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 76 241 shade: RGB 44 182 241, RGB 44 129 241, RGB 44 76 241, RGB 63 44 241 and RGB 116 44 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 76 241 shade: RGB 12 41 190, RGB 14 50 229, RGB 44 76 241, RGB 82 109 244 and RGB 121 142 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 76 241 shade: RGB 43 76 241, RGB 241 44 234 and RGB 155 241 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 76 241 shade: RGB 43 76 241, RGB 241 44 76 and RGB 76 241 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 76 241 shade: RGB 43 76 241, RGB 241 44 234, RGB 241 208 44 and RGB 44 241 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 76 241 shade: RGB 43 76 241, RGB 241 44 175, RGB 241 208 44 and RGB 44 241 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 68 / 0 / 5

HEX #2B4CF1

RGB 43 76 241

HSL 230, 0.88%, 0.56%

LAB 41.27, 47.83, -85.06

 

Complementary color

CMYK 0 / 16 / 93 / 17

HEX #D4B30E

RGB 212 179 14

HSL 50, 0.88%, 0.44%

LAB 73.72, -1.85, 74.34

 

CMYK 80 / 68 / 0 / 7

HEX #304CEC

RGB 48 76 236

HSL 231.06, 0.83%, 0.56%

LAB 40.98, 46.45, -82.71

 

CMYK 75 / 63 / 0 / 0

HEX #415EFF

RGB 65 94 255

HSL 230.84, 1%, 0.63%

LAB 47.43, 43.65, -82.74

 

CMYK 68 / 56 / 0 / 0

HEX #5270FF

RGB 82 112 255

HSL 229.6, 1%, 0.66%

LAB 52.51, 34.69, -74.41

 

CMYK 61 / 49 / 0 / 0

HEX #6382FF

RGB 99 130 255

HSL 228.08, 1%, 0.69%

LAB 57.88, 26.37, -65.69

 

CMYK 55 / 42 / 0 / 0

HEX #7494FF

RGB 116 148 255

HSL 226.19, 1%, 0.73%

LAB 63.44, 18.84, -56.74

 

CMYK 82 / 68 / 0 / 5

HEX #2B4CF1

RGB 43 76 241

HSL 230, 0.88%, 0.56%

LAB 41.27, 47.83, -85.06

 

CMYK 88 / 74 / 0 / 13

HEX #1A3ADE

RGB 26 58 222

HSL 230.2, 0.79%, 0.49%

LAB 35.04, 50.93, -84.57

 

CMYK 96 / 80 / 0 / 20

HEX #0928CB

RGB 9 40 203

HSL 230.41, 0.92%, 0.42%

LAB 29.13, 53.86, -83.41

 

CMYK 100 / 88 / 0 / 28

HEX #0016B8

RGB 0 22 184

HSL 232.83, 1%, 0.36%

LAB 23.79, 55.89, -81.1

 

CMYK 100 / 98 / 0 / 35

HEX #0004A5

RGB 0 4 165

HSL 238.55, 1%, 0.32%

LAB 19.24, 56.03, -77.26

 

CMYK 82 / 68 / 0 / 5

HEX #2C4CF1

RGB 44 76 241

HSL 230.25, 0.88%, 0.56%

LAB 41.3, 47.9, -85.01

 

CMYK 73 / 82 / 0 / 5

HEX #402CF1

RGB 64 44 241

HSL 246.09, 0.88%, 0.56%

LAB 36.45, 65.74, -93.01

 

CMYK 51 / 82 / 0 / 5

HEX #752CF1

RGB 117 44 241

HSL 262.23, 0.88%, 0.56%

LAB 41.11, 70.36, -85.15

 

CMYK 29 / 82 / 0 / 5

HEX #AA2CF1

RGB 170 44 241

HSL 278.38, 0.88%, 0.56%

LAB 47.88, 77.34, -73.79

 

CMYK 7 / 82 / 0 / 5

HEX #E02CF1

RGB 224 44 241

HSL 294.82, 0.88%, 0.56%

LAB 56.09, 86.11, -60.12

 

CMYK 82 / 68 / 0 / 5

HEX #2C4CF1

RGB 44 76 241

HSL 230.25, 0.88%, 0.56%

LAB 41.3, 47.9, -85.01

 

CMYK 82 / 82 / 0 / 5

HEX #2C2CF1

RGB 44 44 241

HSL 240, 0.88%, 0.56%

LAB 35.38, 64.71, -94.82

 

CMYK 82 / 68 / 0 / 5

HEX #2C4CF1

RGB 44 76 241

HSL 230.25, 0.88%, 0.56%

LAB 41.3, 47.9, -85.01

 

CMYK 82 / 68 / 0 / 5

HEX #2C4CF1

RGB 44 76 241

HSL 230.25, 0.88%, 0.56%

LAB 41.3, 47.9, -85.01

 

CMYK 72 / 60 / 0 / 13

HEX #3E59DF

RGB 62 89 223

HSL 229.94, 0.72%, 0.56%

LAB 43.5, 35.25, -71.19

 

CMYK 61 / 51 / 0 / 20

HEX #5065CD

RGB 80 101 205

HSL 229.92, 0.56%, 0.56%

LAB 46.2, 24.13, -56.48

 

CMYK 48 / 40 / 0 / 27

HEX #6271BB

RGB 98 113 187

HSL 229.89, 0.4%, 0.56%

LAB 49.49, 14.67, -40.81

 

CMYK 31 / 26 / 0 / 34

HEX #747DA8

RGB 116 125 168

HSL 229.62, 0.23%, 0.56%

LAB 53.18, 6.97, -23.97

 

CMYK 82 / 24 / 0 / 5

HEX #2CB6F1

RGB 44 182 241

HSL 197.97, 0.88%, 0.56%

LAB 69.71, -15.76, -39.38

 

CMYK 82 / 46 / 0 / 5

HEX #2C81F1

RGB 44 129 241

HSL 214.11, 0.88%, 0.56%

LAB 54.64, 14.86, -63.27

 

CMYK 82 / 68 / 0 / 5

HEX #2C4CF1

RGB 44 76 241

HSL 230.25, 0.88%, 0.56%

LAB 41.3, 47.9, -85.01

 

CMYK 74 / 82 / 0 / 5

HEX #3F2CF1

RGB 63 44 241

HSL 245.79, 0.88%, 0.56%

LAB 36.38, 65.68, -93.12

 

CMYK 52 / 82 / 0 / 5

HEX #742CF1

RGB 116 44 241

HSL 261.93, 0.88%, 0.56%

LAB 41, 70.25, -85.33

 

CMYK 94 / 78 / 0 / 25

HEX #0C29BE

RGB 12 41 190

HSL 230.22, 0.88%, 0.4%

LAB 27.8, 49.13, -77.98

 

CMYK 94 / 78 / 0 / 10

HEX #0E32E5

RGB 14 50 229

HSL 229.95, 0.88%, 0.48%

LAB 34.05, 57.23, -90.23

 

CMYK 82 / 68 / 0 / 5

HEX #2C4CF1

RGB 44 76 241

HSL 230.25, 0.88%, 0.56%

LAB 41.3, 47.9, -85.01

 

CMYK 66 / 55 / 0 / 4

HEX #526DF4

RGB 82 109 244

HSL 230, 0.88%, 0.64%

LAB 50.99, 32.78, -70.77

 

CMYK 51 / 42 / 0 / 4

HEX #798EF6

RGB 121 142 246

HSL 229.92, 0.87%, 0.72%

LAB 61.71, 20.65, -54.54

 

CMYK 82 / 68 / 0 / 5

HEX #2B4CF1

RGB 43 76 241

HSL 230, 0.88%, 0.56%

LAB 41.27, 47.83, -85.06

 

CMYK 0 / 82 / 3 / 5

HEX #F12CEA

RGB 241 44 234

HSL 302.13, 0.88%, 0.56%

LAB 58.45, 88.09, -52.25

 

CMYK 36 / 0 / 82 / 5

HEX #9BF12C

RGB 155 241 44

HSL 86.19, 0.88%, 0.56%

LAB 87.03, -53.15, 77.87

 

CMYK 82 / 68 / 0 / 5

HEX #2B4CF1

RGB 43 76 241

HSL 230, 0.88%, 0.56%

LAB 41.27, 47.83, -85.06

 

CMYK 0 / 82 / 68 / 5

HEX #F12C4C

RGB 241 44 76

HSL 350.25, 0.88%, 0.56%

LAB 52.98, 72.58, 32.23

 

CMYK 68 / 0 / 82 / 5

HEX #4CF12C

RGB 76 241 44

HSL 110.25, 0.88%, 0.56%

LAB 84.29, -74.29, 74.39

 

CMYK 82 / 68 / 0 / 5

HEX #2B4CF1

RGB 43 76 241

HSL 230, 0.88%, 0.56%

LAB 41.27, 47.83, -85.06

 

CMYK 0 / 82 / 3 / 5

HEX #F12CEA

RGB 241 44 234

HSL 302.13, 0.88%, 0.56%

LAB 58.45, 88.09, -52.25

 

CMYK 0 / 14 / 82 / 5

HEX #F1D02C

RGB 241 208 44

HSL 49.95, 0.88%, 0.56%

LAB 83.96, -3.66, 77.51

 

CMYK 82 / 0 / 79 / 5

HEX #2CF132

RGB 44 241 50

HSL 121.83, 0.88%, 0.56%

LAB 83.8, -78.49, 72.17

 

CMYK 82 / 68 / 0 / 5

HEX #2B4CF1

RGB 43 76 241

HSL 230, 0.88%, 0.56%

LAB 41.27, 47.83, -85.06

 

CMYK 0 / 82 / 27 / 5

HEX #F12CAF

RGB 241 44 175

HSL 320.1, 0.88%, 0.56%

LAB 55.68, 80.47, -22.85

 

CMYK 0 / 14 / 82 / 5

HEX #F1D02C

RGB 241 208 44

HSL 49.95, 0.88%, 0.56%

LAB 83.96, -3.66, 77.51

 

CMYK 82 / 0 / 55 / 5

HEX #2CF16D

RGB 44 241 109

HSL 139.8, 0.88%, 0.56%

LAB 84.25, -72.87, 50.27

 

Description

Color code: RGB 43 76 241 | qconv.com Color code: RGB 43 76 241 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 76 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 76 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 68 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 68% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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