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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 66 196 it is the complementary color RGB 212 189 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 66 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 66 196 shade: RGB 48 66 191, RGB 65 84 210, RGB 82 102 229, RGB 99 120 248 and RGB 116 138 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 66 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 66 196 shade: RGB 43 66 196, RGB 26 48 177, RGB 9 30 158, RGB 0 12 139 and RGB 0 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 66 196 shade: RGB 43 66 196, RGB 61 43 196, RGB 102 43 196, RGB 144 43 196 and RGB 185 43 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 66 196 shade: RGB 43 66 196 and RGB 43 43 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 66 196 shade matches the following richer shades: RGB 43 66 196, RGB 23 52 215 and RGB 4 39 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 66 196 shade: RGB 43 66 196, RGB 62 79 177, RGB 81 93 157, RGB 101 106 138 and RGB 120 120 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 66 196 shade: RGB 43 150 196, RGB 43 109 196, RGB 43 68 196, RGB 58 43 196 and RGB 99 43 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 66 196 shade: RGB 28 43 128, RGB 35 54 162, RGB 43 66 196, RGB 67 89 213 and RGB 101 119 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 66 196 shade: RGB 43 66 196, RGB 196 43 191 and RGB 130 196 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 66 196 shade: RGB 43 66 196, RGB 196 43 68 and RGB 68 196 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 66 196 shade: RGB 43 66 196, RGB 196 43 191, RGB 196 170 43 and RGB 43 196 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 66 196 shade: RGB 43 66 196, RGB 196 43 145, RGB 196 170 43 and RGB 43 196 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 66 / 0 / 23

HEX #2B42C4

RGB 43 66 196

HSL 230.98, 0.64%, 0.47%

LAB 34.79, 38.07, -69.91

 

Complementary color

CMYK 0 / 11 / 72 / 17

HEX #D4BD3B

RGB 212 189 59

HSL 50.98, 0.64%, 0.53%

LAB 76.5, -5.76, 64.96

 

CMYK 75 / 65 / 0 / 25

HEX #3042BF

RGB 48 66 191

HSL 232.45, 0.6%, 0.47%

LAB 34.57, 36.77, -67.34

 

CMYK 69 / 60 / 0 / 18

HEX #4154D2

RGB 65 84 210

HSL 232.14, 0.62%, 0.54%

LAB 41.4, 34.2, -67.17

 

CMYK 64 / 55 / 0 / 10

HEX #5266E5

RGB 82 102 229

HSL 231.84, 0.74%, 0.61%

LAB 48.2, 31.99, -66.89

 

CMYK 60 / 52 / 0 / 3

HEX #6378F8

RGB 99 120 248

HSL 231.54, 0.91%, 0.68%

LAB 54.93, 30.12, -66.58

 

CMYK 55 / 46 / 0 / 0

HEX #748AFF

RGB 116 138 255

HSL 230.5, 1%, 0.73%

LAB 60.88, 24.75, -60.83

 

CMYK 78 / 66 / 0 / 23

HEX #2B42C4

RGB 43 66 196

HSL 230.98, 0.64%, 0.47%

LAB 34.79, 38.07, -69.91

 

CMYK 85 / 73 / 0 / 31

HEX #1A30B1

RGB 26 48 177

HSL 231.26, 0.74%, 0.4%

LAB 28.14, 41.14, -69.68

 

CMYK 94 / 81 / 0 / 38

HEX #091E9E

RGB 9 30 158

HSL 231.54, 0.89%, 0.33%

LAB 21.78, 44.19, -68.74

 

CMYK 100 / 91 / 0 / 45

HEX #000C8B

RGB 0 12 139

HSL 234.82, 1%, 0.27%

LAB 16.14, 46.17, -66.37

 

CMYK 100 / 100 / 0 / 53

HEX #000078

RGB 0 0 120

HSL 240, 1%, 0.24%

LAB 11.66, 45.35, -61.77

 

CMYK 78 / 66 / 0 / 23

HEX #2B42C4

RGB 43 66 196

HSL 230.98, 0.64%, 0.47%

LAB 34.79, 38.07, -69.91

 

CMYK 69 / 78 / 0 / 23

HEX #3D2BC4

RGB 61 43 196

HSL 247.06, 0.64%, 0.47%

LAB 31.13, 52.84, -75.92

 

CMYK 48 / 78 / 0 / 23

HEX #662BC4

RGB 102 43 196

HSL 263.14, 0.64%, 0.47%

LAB 35.08, 57.66, -69.27

 

CMYK 27 / 78 / 0 / 23

HEX #902BC4

RGB 144 43 196

HSL 279.61, 0.64%, 0.47%

LAB 40.64, 64.37, -59.96

 

CMYK 6 / 78 / 0 / 23

HEX #B92BC4

RGB 185 43 196

HSL 295.69, 0.64%, 0.47%

LAB 47.01, 71.97, -49.37

 

CMYK 78 / 66 / 0 / 23

HEX #2B42C4

RGB 43 66 196

HSL 230.98, 0.64%, 0.47%

LAB 34.79, 38.07, -69.91

 

CMYK 78 / 78 / 0 / 23

HEX #2B2BC4

RGB 43 43 196

HSL 240, 0.64%, 0.47%

LAB 29.98, 51.42, -77.86

 

CMYK 78 / 66 / 0 / 23

HEX #2B42C4

RGB 43 66 196

HSL 230.98, 0.64%, 0.47%

LAB 34.79, 38.07, -69.91

 

CMYK 89 / 76 / 0 / 16

HEX #1734D7

RGB 23 52 215

HSL 230.94, 0.81%, 0.47%

LAB 33.02, 51.82, -83.91

 

CMYK 98 / 83 / 0 / 8

HEX #0427EB

RGB 4 39 235

HSL 230.91, 0.97%, 0.47%

LAB 32.86, 64.13, -95.62

 

CMYK 78 / 66 / 0 / 23

HEX #2B42C4

RGB 43 66 196

HSL 230.98, 0.64%, 0.47%

LAB 34.79, 38.07, -69.91

 

CMYK 65 / 55 / 0 / 31

HEX #3E4FB1

RGB 62 79 177

HSL 231.13, 0.48%, 0.47%

LAB 37.46, 25.29, -54.34

 

CMYK 48 / 41 / 0 / 38

HEX #515D9D

RGB 81 93 157

HSL 230.53, 0.32%, 0.47%

LAB 41.24, 13.48, -36.35

 

CMYK 27 / 23 / 0 / 46

HEX #656A8A

RGB 101 106 138

HSL 231.89, 0.15%, 0.47%

LAB 45.51, 5.72, -18.23

 

CMYK 0 / 0 / 2 / 53

HEX #787876

RGB 120 120 118

HSL 60, 0.01%, 0.47%

LAB 50.37, -0.4, 1.09

 

CMYK 78 / 23 / 0 / 23

HEX #2B96C4

RGB 43 150 196

HSL 198.04, 0.64%, 0.47%

LAB 58.33, -14.02, -32.23

 

CMYK 78 / 44 / 0 / 23

HEX #2B6DC4

RGB 43 109 196

HSL 214.12, 0.64%, 0.47%

LAB 46.23, 10.3, -51.35

 

CMYK 78 / 65 / 0 / 23

HEX #2B44C4

RGB 43 68 196

HSL 230.2, 0.64%, 0.47%

LAB 35.27, 36.81, -69.13

 

CMYK 70 / 78 / 0 / 23

HEX #3A2BC4

RGB 58 43 196

HSL 245.88, 0.64%, 0.47%

LAB 30.91, 52.57, -76.29

 

CMYK 49 / 78 / 0 / 23

HEX #632BC4

RGB 99 43 196

HSL 261.96, 0.64%, 0.47%

LAB 34.73, 57.24, -69.85

 

CMYK 78 / 66 / 0 / 50

HEX #1C2B80

RGB 28 43 128

HSL 231, 0.64%, 0.31%

LAB 22.06, 26.22, -49.61

 

CMYK 78 / 67 / 0 / 36

HEX #2336A2

RGB 35 54 162

HSL 231.02, 0.64%, 0.39%

LAB 28.39, 32.55, -60.22

 

CMYK 78 / 66 / 0 / 23

HEX #2B42C4

RGB 43 66 196

HSL 230.98, 0.64%, 0.47%

LAB 34.79, 38.07, -69.91

 

CMYK 69 / 58 / 0 / 16

HEX #4359D5

RGB 67 89 213

HSL 230.96, 0.63%, 0.55%

LAB 42.98, 32.38, -66.32

 

CMYK 54 / 46 / 0 / 13

HEX #6577DD

RGB 101 119 221

HSL 231, 0.64%, 0.63%

LAB 53.15, 22.38, -54.36

 

CMYK 78 / 66 / 0 / 23

HEX #2B42C4

RGB 43 66 196

HSL 230.98, 0.64%, 0.47%

LAB 34.79, 38.07, -69.91

 

CMYK 0 / 78 / 3 / 23

HEX #C42BBF

RGB 196 43 191

HSL 301.96, 0.64%, 0.47%

LAB 48.54, 73.34, -43.91

 

CMYK 34 / 0 / 78 / 23

HEX #82C42B

RGB 130 196 43

HSL 85.88, 0.64%, 0.47%

LAB 72.5, -43.37, 64.48

 

CMYK 78 / 66 / 0 / 23

HEX #2B42C4

RGB 43 66 196

HSL 230.98, 0.64%, 0.47%

LAB 34.79, 38.07, -69.91

 

CMYK 0 / 78 / 65 / 23

HEX #C42B44

RGB 196 43 68

HSL 350.2, 0.64%, 0.47%

LAB 44.06, 60.07, 24.02

 

CMYK 65 / 0 / 78 / 23

HEX #44C42B

RGB 68 196 43

HSL 110.2, 0.64%, 0.47%

LAB 70.09, -61.52, 61.36

 

CMYK 78 / 66 / 0 / 23

HEX #2B42C4

RGB 43 66 196

HSL 230.98, 0.64%, 0.47%

LAB 34.79, 38.07, -69.91

 

CMYK 0 / 78 / 3 / 23

HEX #C42BBF

RGB 196 43 191

HSL 301.96, 0.64%, 0.47%

LAB 48.54, 73.34, -43.91

 

CMYK 0 / 13 / 78 / 23

HEX #C4AA2B

RGB 196 170 43

HSL 49.8, 0.64%, 0.47%

LAB 69.94, -3.45, 63.87

 

CMYK 78 / 0 / 76 / 23

HEX #2BC430

RGB 43 196 48

HSL 121.96, 0.64%, 0.47%

LAB 69.62, -65.48, 59.11

 

CMYK 78 / 66 / 0 / 23

HEX #2B42C4

RGB 43 66 196

HSL 230.98, 0.64%, 0.47%

LAB 34.79, 38.07, -69.91

 

CMYK 0 / 78 / 26 / 23

HEX #C42B91

RGB 196 43 145

HSL 320, 0.64%, 0.47%

LAB 46.32, 66.97, -20.13

 

CMYK 0 / 13 / 78 / 23

HEX #C4AA2B

RGB 196 170 43

HSL 49.8, 0.64%, 0.47%

LAB 69.94, -3.45, 63.87

 

CMYK 78 / 0 / 52 / 23

HEX #2BC45E

RGB 43 196 94

HSL 140, 0.64%, 0.47%

LAB 70.04, -60.37, 40.09

 

Description

Color code: RGB 43 66 196 | qconv.com Color code: RGB 43 66 196 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 66 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 66 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 66 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 66% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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