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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 65 206 it is the complementary color RGB 212 190 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 65 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 65 206 shade: RGB 48 65 201, RGB 65 83 220, RGB 82 101 239, RGB 99 119 255 and RGB 116 137 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 65 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 65 206 shade: RGB 43 65 206, RGB 26 47 187, RGB 9 29 168, RGB 0 11 149 and RGB 0 0 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 65 206 shade: RGB 43 65 206, RGB 65 43 206, RGB 109 43 206, RGB 153 43 206 and RGB 197 43 206

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 65 206 shade: RGB 43 65 206 and RGB 43 43 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 65 206 shade matches the following richer shades: RGB 43 65 206, RGB 23 50 226 and RGB 3 36 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 65 206 shade: RGB 43 65 206, RGB 63 80 185, RGB 84 95 165, RGB 104 109 145 and RGB 124 124 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 65 206 shade: RGB 43 154 206, RGB 43 111 206, RGB 43 68 206, RGB 62 43 206 and RGB 105 43 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 65 206 shade: RGB 29 43 138, RGB 36 54 172, RGB 43 65 206, RGB 74 93 216 and RGB 108 124 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 65 206 shade: RGB 43 65 206, RGB 206 43 198 and RGB 133 206 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 65 206 shade: RGB 43 65 206, RGB 206 43 68 and RGB 68 206 43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 65 206 shade: RGB 43 65 206, RGB 206 43 198, RGB 206 181 43 and RGB 43 206 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 65 206 shade: RGB 43 65 206, RGB 206 43 149, RGB 206 181 43 and RGB 43 206 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 68 / 0 / 19

HEX #2B41CE

RGB 43 65 206

HSL 231.9, 0.65%, 0.49%

LAB 35.5, 42.25, -74.58

 

Complementary color

CMYK 0 / 10 / 77 / 17

HEX #D4BE31

RGB 212 190 49

HSL 51.9, 0.65%, 0.51%

LAB 76.71, -6.7, 68.63

 

CMYK 76 / 68 / 0 / 21

HEX #3041C9

RGB 48 65 201

HSL 233.33, 0.61%, 0.49%

LAB 35.25, 40.93, -72.07

 

CMYK 70 / 62 / 0 / 14

HEX #4153DC

RGB 65 83 220

HSL 233.03, 0.69%, 0.56%

LAB 41.97, 38.3, -71.98

 

CMYK 66 / 58 / 0 / 6

HEX #5265EF

RGB 82 101 239

HSL 232.74, 0.83%, 0.63%

LAB 48.68, 35.99, -71.74

 

CMYK 61 / 53 / 0 / 0

HEX #6377FF

RGB 99 119 255

HSL 232.31, 1%, 0.69%

LAB 55.14, 33.01, -70.11

 

CMYK 55 / 46 / 0 / 0

HEX #7489FF

RGB 116 137 255

HSL 230.94, 1%, 0.73%

LAB 60.63, 25.34, -61.23

 

CMYK 79 / 68 / 0 / 19

HEX #2B41CE

RGB 43 65 206

HSL 231.9, 0.65%, 0.49%

LAB 35.5, 42.25, -74.58

 

CMYK 86 / 75 / 0 / 27

HEX #1A2FBB

RGB 26 47 187

HSL 232.17, 0.76%, 0.42%

LAB 29.01, 45.25, -74.19

 

CMYK 95 / 83 / 0 / 34

HEX #091DA8

RGB 9 29 168

HSL 232.45, 0.9%, 0.35%

LAB 22.88, 48.03, -73

 

CMYK 100 / 93 / 0 / 42

HEX #000B95

RGB 0 11 149

HSL 235.57, 1%, 0.29%

LAB 17.5, 49.5, -70.33

 

CMYK 100 / 100 / 0 / 49

HEX #000082

RGB 0 0 130

HSL 240, 1%, 0.25%

LAB 13.3, 48.04, -65.43

 

CMYK 79 / 68 / 0 / 19

HEX #2B41CE

RGB 43 65 206

HSL 231.9, 0.65%, 0.49%

LAB 35.5, 42.25, -74.58

 

CMYK 68 / 79 / 0 / 19

HEX #412BCE

RGB 65 43 206

HSL 248.1, 0.65%, 0.49%

LAB 32.5, 56.17, -79.49

 

CMYK 47 / 79 / 0 / 19

HEX #6D2BCE

RGB 109 43 206

HSL 264.29, 0.65%, 0.49%

LAB 36.81, 61.15, -72.23

 

CMYK 26 / 79 / 0 / 19

HEX #992BCE

RGB 153 43 206

HSL 280.49, 0.65%, 0.49%

LAB 42.7, 67.96, -62.37

 

CMYK 4 / 79 / 0 / 19

HEX #C52BCE

RGB 197 43 206

HSL 296.69, 0.65%, 0.49%

LAB 49.56, 75.89, -50.96

 

CMYK 79 / 68 / 0 / 19

HEX #2B41CE

RGB 43 65 206

HSL 231.9, 0.65%, 0.49%

LAB 35.5, 42.25, -74.58

 

CMYK 79 / 79 / 0 / 19

HEX #2B2BCE

RGB 43 43 206

HSL 240, 0.65%, 0.49%

LAB 31.11, 54.57, -81.83

 

CMYK 79 / 68 / 0 / 19

HEX #2B41CE

RGB 43 65 206

HSL 231.9, 0.65%, 0.49%

LAB 35.5, 42.25, -74.58

 

CMYK 90 / 78 / 0 / 11

HEX #1732E2

RGB 23 50 226

HSL 232.02, 0.82%, 0.49%

LAB 33.89, 56.49, -88.78

 

CMYK 99 / 85 / 0 / 4

HEX #0324F6

RGB 3 36 246

HSL 231.85, 0.98%, 0.49%

LAB 33.85, 68.52, -100.22

 

CMYK 79 / 68 / 0 / 19

HEX #2B41CE

RGB 43 65 206

HSL 231.9, 0.65%, 0.49%

LAB 35.5, 42.25, -74.58

 

CMYK 66 / 57 / 0 / 27

HEX #3F50B9

RGB 63 80 185

HSL 231.64, 0.49%, 0.49%

LAB 38.37, 27.65, -57.59

 

CMYK 49 / 42 / 0 / 35

HEX #545FA5

RGB 84 95 165

HSL 231.85, 0.33%, 0.49%

LAB 42.44, 15.52, -39.18

 

CMYK 28 / 25 / 0 / 43

HEX #686D91

RGB 104 109 145

HSL 232.68, 0.16%, 0.49%

LAB 46.88, 6.71, -20.28

 

CMYK 1 / 1 / 0 / 51

HEX #7C7C7D

RGB 124 124 125

HSL 240, 0%, 0.49%

LAB 52.04, 0.2, -0.55

 

CMYK 79 / 25 / 0 / 19

HEX #2B9ACE

RGB 43 154 206

HSL 199.14, 0.65%, 0.49%

LAB 59.96, -12.75, -35.3

 

CMYK 79 / 46 / 0 / 19

HEX #2B6FCE

RGB 43 111 206

HSL 214.97, 0.65%, 0.49%

LAB 47.42, 12.83, -55.18

 

CMYK 79 / 67 / 0 / 19

HEX #2B44CE

RGB 43 68 206

HSL 230.8, 0.65%, 0.49%

LAB 36.18, 40.4, -73.45

 

CMYK 70 / 79 / 0 / 19

HEX #3E2BCE

RGB 62 43 206

HSL 246.99, 0.65%, 0.49%

LAB 32.28, 55.92, -79.86

 

CMYK 49 / 79 / 0 / 19

HEX #692BCE

RGB 105 43 206

HSL 262.82, 0.65%, 0.49%

LAB 36.34, 60.61, -73.02

 

CMYK 79 / 69 / 0 / 46

HEX #1D2B8A

RGB 29 43 138

HSL 232.29, 0.65%, 0.33%

LAB 23.08, 30.17, -54.21

 

CMYK 79 / 69 / 0 / 33

HEX #2436AC

RGB 36 54 172

HSL 232.06, 0.65%, 0.41%

LAB 29.39, 36.33, -64.6

 

CMYK 79 / 68 / 0 / 19

HEX #2B41CE

RGB 43 65 206

HSL 231.9, 0.65%, 0.49%

LAB 35.5, 42.25, -74.58

 

CMYK 66 / 57 / 0 / 15

HEX #4A5DD8

RGB 74 93 216

HSL 231.97, 0.65%, 0.57%

LAB 44.58, 31.92, -65.42

 

CMYK 52 / 44 / 0 / 13

HEX #6C7CDF

RGB 108 124 223

HSL 231.65, 0.64%, 0.65%

LAB 55, 21.47, -52.49

 

CMYK 79 / 68 / 0 / 19

HEX #2B41CE

RGB 43 65 206

HSL 231.9, 0.65%, 0.49%

LAB 35.5, 42.25, -74.58

 

CMYK 0 / 79 / 4 / 19

HEX #CE2BC6

RGB 206 43 198

HSL 302.94, 0.65%, 0.49%

LAB 50.6, 76.39, -44.6

 

CMYK 35 / 0 / 79 / 19

HEX #85CE2B

RGB 133 206 43

HSL 86.87, 0.65%, 0.49%

LAB 75.64, -46.51, 67.45

 

CMYK 79 / 68 / 0 / 19

HEX #2B41CE

RGB 43 65 206

HSL 231.9, 0.65%, 0.49%

LAB 35.5, 42.25, -74.58

 

CMYK 0 / 79 / 67 / 19

HEX #CE2B44

RGB 206 43 68

HSL 350.8, 0.65%, 0.49%

LAB 46, 62.91, 26.87

 

CMYK 67 / 0 / 79 / 19

HEX #44CE2B

RGB 68 206 43

HSL 110.8, 0.65%, 0.49%

LAB 73.25, -64.8, 64.36

 

CMYK 79 / 68 / 0 / 19

HEX #2B41CE

RGB 43 65 206

HSL 231.9, 0.65%, 0.49%

LAB 35.5, 42.25, -74.58

 

CMYK 0 / 79 / 4 / 19

HEX #CE2BC6

RGB 206 43 198

HSL 302.94, 0.65%, 0.49%

LAB 50.6, 76.39, -44.6

 

CMYK 0 / 12 / 79 / 19

HEX #CEB52B

RGB 206 181 43

HSL 50.8, 0.65%, 0.49%

LAB 73.77, -4.85, 67.67

 

CMYK 79 / 0 / 75 / 19

HEX #2BCE33

RGB 43 206 51

HSL 122.94, 0.65%, 0.49%

LAB 72.82, -68.3, 61.28

 

CMYK 79 / 68 / 0 / 19

HEX #2B41CE

RGB 43 65 206

HSL 231.9, 0.65%, 0.49%

LAB 35.5, 42.25, -74.58

 

CMYK 0 / 79 / 28 / 19

HEX #CE2B95

RGB 206 43 149

HSL 320.98, 0.65%, 0.49%

LAB 48.28, 69.81, -19.37

 

CMYK 0 / 12 / 79 / 19

HEX #CEB52B

RGB 206 181 43

HSL 50.8, 0.65%, 0.49%

LAB 73.77, -4.85, 67.67

 

CMYK 79 / 0 / 51 / 19

HEX #2BCE64

RGB 43 206 100

HSL 140.98, 0.65%, 0.49%

LAB 73.27, -62.86, 41.15

 

Description

Color code: RGB 43 65 206 | qconv.com Color code: RGB 43 65 206 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 65 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 65 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 68 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 68% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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