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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 67 242 it is the complementary color RGB 212 188 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 67 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 67 242 shade: RGB 48 67 237, RGB 65 85 255, RGB 82 103 255, RGB 99 121 255 and RGB 116 139 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 67 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 67 242 shade: RGB 43 67 242, RGB 26 49 223, RGB 9 31 204, RGB 0 13 185 and RGB 0 0 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 67 242 shade: RGB 44 67 241, RGB 73 44 241, RGB 126 44 241, RGB 179 44 241 and RGB 233 44 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 67 242 shade: RGB 44 67 241 and RGB 44 44 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 67 242 shade matches the following richer shades: RGB 44 67 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 67 242 shade: RGB 44 67 241, RGB 62 81 223, RGB 80 95 205, RGB 98 109 187 and RGB 116 122 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 67 242 shade: RGB 44 175 241, RGB 44 123 241, RGB 44 70 241, RGB 70 44 241 and RGB 123 44 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 67 242 shade: RGB 12 33 190, RGB 14 40 229, RGB 44 67 241, RGB 82 102 244 and RGB 121 136 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 67 242 shade: RGB 43 67 242, RGB 241 44 228 and RGB 149 241 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 67 242 shade: RGB 43 67 242, RGB 241 44 70 and RGB 70 241 44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 67 242 shade: RGB 43 67 242, RGB 241 44 228, RGB 241 215 44 and RGB 44 241 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 67 242 shade: RGB 43 67 242, RGB 241 44 169, RGB 241 215 44 and RGB 44 241 116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 72 / 0 / 5

HEX #2B43F2

RGB 43 67 242

HSL 232.76, 0.88%, 0.56%

LAB 39.48, 53.38, -88.59

 

Complementary color

CMYK 0 / 11 / 94 / 17

HEX #D4BC0D

RGB 212 188 13

HSL 52.76, 0.88%, 0.44%

LAB 76.06, -6.54, 76.21

 

CMYK 80 / 72 / 0 / 7

HEX #3043ED

RGB 48 67 237

HSL 233.97, 0.84%, 0.56%

LAB 39.17, 52.04, -86.27

 

CMYK 75 / 67 / 0 / 0

HEX #4155FF

RGB 65 85 255

HSL 233.68, 1%, 0.63%

LAB 45.42, 49, -86.05

 

CMYK 68 / 60 / 0 / 0

HEX #5267FF

RGB 82 103 255

HSL 232.72, 1%, 0.66%

LAB 50.35, 40.15, -77.93

 

CMYK 61 / 53 / 0 / 0

HEX #6379FF

RGB 99 121 255

HSL 231.54, 1%, 0.69%

LAB 55.63, 31.8, -69.32

 

CMYK 55 / 45 / 0 / 0

HEX #748BFF

RGB 116 139 255

HSL 230.07, 1%, 0.73%

LAB 61.13, 24.15, -60.42

 

CMYK 82 / 72 / 0 / 5

HEX #2B43F2

RGB 43 67 242

HSL 232.76, 0.88%, 0.56%

LAB 39.48, 53.38, -88.59

 

CMYK 88 / 78 / 0 / 13

HEX #1A31DF

RGB 26 49 223

HSL 232.99, 0.79%, 0.49%

LAB 33.44, 56.14, -87.8

 

CMYK 96 / 85 / 0 / 20

HEX #091FCC

RGB 9 31 204

HSL 233.23, 0.92%, 0.42%

LAB 27.84, 58.35, -86.13

 

CMYK 100 / 93 / 0 / 27

HEX #000DB9

RGB 0 13 185

HSL 235.78, 1%, 0.36%

LAB 22.97, 59.1, -83.06

 

CMYK 100 / 100 / 0 / 35

HEX #0000A6

RGB 0 0 166

HSL 240, 1%, 0.33%

LAB 19.03, 57.43, -78.22

 

CMYK 82 / 72 / 0 / 5

HEX #2C43F1

RGB 44 67 241

HSL 232.99, 0.88%, 0.56%

LAB 39.41, 53.11, -88.13

 

CMYK 70 / 82 / 0 / 5

HEX #492CF1

RGB 73 44 241

HSL 248.83, 0.88%, 0.56%

LAB 37.06, 66.33, -91.98

 

CMYK 48 / 82 / 0 / 5

HEX #7E2CF1

RGB 126 44 241

HSL 264.97, 0.88%, 0.56%

LAB 42.14, 71.4, -83.42

 

CMYK 26 / 82 / 0 / 5

HEX #B32CF1

RGB 179 44 241

HSL 281.12, 0.88%, 0.56%

LAB 49.17, 78.71, -71.63

 

CMYK 3 / 82 / 0 / 5

HEX #E92CF1

RGB 233 44 241

HSL 297.56, 0.88%, 0.56%

LAB 57.54, 87.69, -57.71

 

CMYK 82 / 72 / 0 / 5

HEX #2C43F1

RGB 44 67 241

HSL 232.99, 0.88%, 0.56%

LAB 39.41, 53.11, -88.13

 

CMYK 82 / 82 / 0 / 5

HEX #2C2CF1

RGB 44 44 241

HSL 240, 0.88%, 0.56%

LAB 35.38, 64.71, -94.82

 

CMYK 82 / 72 / 0 / 5

HEX #2C43F1

RGB 44 67 241

HSL 232.99, 0.88%, 0.56%

LAB 39.41, 53.11, -88.13

 

CMYK 82 / 72 / 0 / 5

HEX #2C43F1

RGB 44 67 241

HSL 232.99, 0.88%, 0.56%

LAB 39.41, 53.11, -88.13

 

CMYK 72 / 64 / 0 / 13

HEX #3E51DF

RGB 62 81 223

HSL 232.92, 0.72%, 0.56%

LAB 41.59, 40.21, -74.31

 

CMYK 61 / 54 / 0 / 20

HEX #505FCD

RGB 80 95 205

HSL 232.8, 0.56%, 0.56%

LAB 44.66, 27.9, -58.97

 

CMYK 48 / 42 / 0 / 27

HEX #626DBB

RGB 98 109 187

HSL 232.58, 0.4%, 0.56%

LAB 48.41, 17.13, -42.51

 

CMYK 31 / 27 / 0 / 34

HEX #747AA8

RGB 116 122 168

HSL 233.08, 0.23%, 0.56%

LAB 52.35, 8.75, -25.24

 

CMYK 82 / 27 / 0 / 5

HEX #2CAFF1

RGB 44 175 241

HSL 200.1, 0.88%, 0.56%

LAB 67.68, -11.99, -42.55

 

CMYK 82 / 49 / 0 / 5

HEX #2C7BF1

RGB 44 123 241

HSL 215.94, 0.88%, 0.56%

LAB 53.01, 18.58, -65.91

 

CMYK 82 / 71 / 0 / 5

HEX #2C46F1

RGB 44 70 241

HSL 232.08, 0.88%, 0.56%

LAB 40.03, 51.41, -87.11

 

CMYK 71 / 82 / 0 / 5

HEX #462CF1

RGB 70 44 241

HSL 247.92, 0.88%, 0.56%

LAB 36.84, 66.12, -92.34

 

CMYK 49 / 82 / 0 / 5

HEX #7B2CF1

RGB 123 44 241

HSL 264.06, 0.88%, 0.56%

LAB 41.79, 71.04, -84.01

 

CMYK 94 / 83 / 0 / 25

HEX #0C21BE

RGB 12 33 190

HSL 232.92, 0.88%, 0.4%

LAB 26.4, 53.2, -80.3

 

CMYK 94 / 83 / 0 / 10

HEX #0E28E5

RGB 14 40 229

HSL 232.74, 0.88%, 0.48%

LAB 32.41, 62.04, -92.96

 

CMYK 82 / 72 / 0 / 5

HEX #2C43F1

RGB 44 67 241

HSL 232.99, 0.88%, 0.56%

LAB 39.41, 53.11, -88.13

 

CMYK 66 / 58 / 0 / 4

HEX #5266F4

RGB 82 102 244

HSL 232.59, 0.88%, 0.64%

LAB 49.29, 37.06, -73.54

 

CMYK 51 / 45 / 0 / 4

HEX #7988F6

RGB 121 136 246

HSL 232.8, 0.87%, 0.72%

LAB 60.18, 24.19, -56.97

 

CMYK 82 / 72 / 0 / 5

HEX #2B43F2

RGB 43 67 242

HSL 232.76, 0.88%, 0.56%

LAB 39.48, 53.38, -88.59

 

CMYK 0 / 82 / 5 / 5

HEX #F12CE4

RGB 241 44 228

HSL 303.96, 0.88%, 0.56%

LAB 58.14, 87.23, -49.39

 

CMYK 38 / 0 / 82 / 5

HEX #95F12C

RGB 149 241 44

HSL 88.02, 0.88%, 0.56%

LAB 86.74, -55.17, 77.51

 

CMYK 82 / 72 / 0 / 5

HEX #2B43F2

RGB 43 67 242

HSL 232.76, 0.88%, 0.56%

LAB 39.48, 53.38, -88.59

 

CMYK 0 / 82 / 71 / 5

HEX #F12C46

RGB 241 44 70

HSL 352.08, 0.88%, 0.56%

LAB 52.89, 72.32, 35.64

 

CMYK 71 / 0 / 82 / 5

HEX #46F12C

RGB 70 241 44

HSL 112.08, 0.88%, 0.56%

LAB 84.17, -75.32, 74.23

 

CMYK 82 / 72 / 0 / 5

HEX #2B43F2

RGB 43 67 242

HSL 232.76, 0.88%, 0.56%

LAB 39.48, 53.38, -88.59

 

CMYK 0 / 82 / 5 / 5

HEX #F12CE4

RGB 241 44 228

HSL 303.96, 0.88%, 0.56%

LAB 58.14, 87.23, -49.39

 

CMYK 0 / 11 / 82 / 5

HEX #F1D72C

RGB 241 215 44

HSL 52.08, 0.88%, 0.56%

LAB 85.75, -7.21, 79.03

 

CMYK 82 / 0 / 76 / 5

HEX #2CF139

RGB 44 241 57

HSL 123.96, 0.88%, 0.56%

LAB 83.83, -78.06, 70.17

 

CMYK 82 / 72 / 0 / 5

HEX #2B43F2

RGB 43 67 242

HSL 232.76, 0.88%, 0.56%

LAB 39.48, 53.38, -88.59

 

CMYK 0 / 82 / 30 / 5

HEX #F12CA9

RGB 241 44 169

HSL 321.93, 0.88%, 0.56%

LAB 55.45, 79.81, -19.71

 

CMYK 0 / 11 / 82 / 5

HEX #F1D72C

RGB 241 215 44

HSL 52.08, 0.88%, 0.56%

LAB 85.75, -7.21, 79.03

 

CMYK 82 / 0 / 52 / 5

HEX #2CF174

RGB 44 241 116

HSL 141.93, 0.88%, 0.56%

LAB 84.33, -71.89, 47.13

 

Description

Color code: RGB 43 67 242 | qconv.com Color code: RGB 43 67 242 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 67 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 67 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 72 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 72% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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