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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFD025 it is the complementary color #002FDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFD025. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFD025 shade: #FFD020, #FFE233, #FFF446, #FFFF59 and #FFFF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFD025. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFD025 shade: #FFD025, #EEBE12, #DDAC00, #CC9A00 and #BB8800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFD025 shade: #FFCF23, #FF9423, #FF5923 and #FF2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFD025 shade: #FFCF23, #F3FF23, #B8FF23, #7CFF23 and #41FF23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFD025 shade matches the following richer shades: #FFCF23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFD025 shade: #FFCF23, #EDC535, #DBBB47, #C9B158 and #B8A76A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFD025 shade: #FF5A23, #FF9523, #FFCF23, #F4FF23 and #B9FF23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFD025 shade: #D0A300, #F9C300, #FFCF23, #FFD84C and #FFE176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFD025 shade: #FFD025, #27FF23 and #7723FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFD025 shade: #FFD025, #23FFCF and #CF23FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFD025 shade: #FFD025, #27FF23, #2353FF and #FB23FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFD025 shade: #FFD025, #23FF61, #2353FF and #FF23C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 85 / 0

HEX #FFD025

RGB 255 208 37

HSL 47.06, 1%, 0.57%

LAB 85.25, 2.1, 80.85

 

Complementary color

CMYK 100 / 78 / 0 / 15

HEX #002FDA

RGB 0 47 218

HSL 227.06, 1%, 0.43%

LAB 32.02, 54.98, -87.3

 

CMYK 0 / 18 / 87 / 0

HEX #FFD020

RGB 255 208 32

HSL 47.35, 1%, 0.56%

LAB 85.24, 2, 81.91

 

CMYK 0 / 11 / 80 / 0

HEX #FFE233

RGB 255 226 51

HSL 51.47, 1%, 0.6%

LAB 89.81, -6.63, 81.14

 

CMYK 0 / 4 / 73 / 0

HEX #FFF446

RGB 255 244 70

HSL 56.43, 1%, 0.64%

LAB 94.48, -14.81, 79.65

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 18 / 85 / 0

HEX #FFD025

RGB 255 208 37

HSL 47.06, 1%, 0.57%

LAB 85.25, 2.1, 80.85

 

CMYK 0 / 20 / 92 / 7

HEX #EEBE12

RGB 238 190 18

HSL 46.91, 0.87%, 0.5%

LAB 79.07, 3.78, 78.9

 

CMYK 0 / 22 / 100 / 13

HEX #DDAC00

RGB 221 172 0

HSL 46.7, 1%, 0.43%

LAB 72.81, 5.65, 75.71

 

CMYK 0 / 25 / 100 / 20

HEX #CC9A00

RGB 204 154 0

HSL 45.29, 1%, 0.4%

LAB 66.48, 7.77, 70.51

 

CMYK 0 / 27 / 100 / 27

HEX #BB8800

RGB 187 136 0

HSL 43.64, 1%, 0.37%

LAB 60.04, 9.98, 65.22

 

CMYK 0 / 19 / 86 / 0

HEX #FFCF23

RGB 255 207 35

HSL 46.91, 1%, 0.57%

LAB 85, 2.57, 81.09

 

CMYK 0 / 42 / 86 / 0

HEX #FF9423

RGB 255 148 35

HSL 30.82, 1%, 0.57%

LAB 71.26, 33.18, 70.1

 

CMYK 0 / 65 / 86 / 0

HEX #FF5923

RGB 255 89 35

HSL 14.73, 1%, 0.57%

LAB 60.36, 60.89, 61.41

 

CMYK 0 / 86 / 86 / 0

HEX #FF2323

RGB 255 35 35

HSL 0, 1%, 0.57%

LAB 54.64, 76.79, 56.85

 

CMYK 0 / 19 / 86 / 0

HEX #FFCF23

RGB 255 207 35

HSL 46.91, 1%, 0.57%

LAB 85, 2.57, 81.09

 

CMYK 5 / 0 / 86 / 0

HEX #F3FF23

RGB 243 255 35

HSL 63.27, 1%, 0.57%

LAB 96.28, -26.04, 89.74

 

CMYK 28 / 0 / 86 / 0

HEX #B8FF23

RGB 184 255 35

HSL 79.36, 1%, 0.57%

LAB 92.5, -48.93, 85.07

 

CMYK 51 / 0 / 86 / 0

HEX #7CFF23

RGB 124 255 35

HSL 95.73, 1%, 0.57%

LAB 89.83, -68.26, 81.74

 

CMYK 75 / 0 / 86 / 0

HEX #41FF23

RGB 65 255 35

HSL 111.82, 1%, 0.57%

LAB 88.34, -80.6, 79.87

 

CMYK 0 / 19 / 86 / 0

HEX #FFCF23

RGB 255 207 35

HSL 46.91, 1%, 0.57%

LAB 85, 2.57, 81.09

 

CMYK 0 / 19 / 86 / 0

HEX #FFCF23

RGB 255 207 35

HSL 46.91, 1%, 0.57%

LAB 85, 2.57, 81.09

 

CMYK 0 / 17 / 78 / 7

HEX #EDC535

RGB 237 197 53

HSL 46.96, 0.84%, 0.57%

LAB 80.85, 0.56, 71.96

 

CMYK 0 / 15 / 68 / 14

HEX #DBBB47

RGB 219 187 71

HSL 47.03, 0.67%, 0.57%

LAB 76.71, -1.12, 60.67

 

CMYK 0 / 12 / 56 / 21

HEX #C9B158

RGB 201 177 88

HSL 47.26, 0.51%, 0.57%

LAB 72.61, -2.38, 48.02

 

CMYK 0 / 9 / 42 / 28

HEX #B8A76A

RGB 184 167 106

HSL 46.92, 0.35%, 0.57%

LAB 68.66, -2.51, 33.75

 

CMYK 0 / 65 / 86 / 0

HEX #FF5A23

RGB 255 90 35

HSL 15, 1%, 0.57%

LAB 60.51, 60.49, 61.53

 

CMYK 0 / 42 / 86 / 0

HEX #FF9523

RGB 255 149 35

HSL 31.09, 1%, 0.57%

LAB 71.47, 32.67, 70.27

 

CMYK 0 / 19 / 86 / 0

HEX #FFCF23

RGB 255 207 35

HSL 46.91, 1%, 0.57%

LAB 85, 2.57, 81.09

 

CMYK 4 / 0 / 86 / 0

HEX #F4FF23

RGB 244 255 35

HSL 63, 1%, 0.57%

LAB 96.36, -25.63, 89.83

 

CMYK 27 / 0 / 86 / 0

HEX #B9FF23

RGB 185 255 35

HSL 79.09, 1%, 0.57%

LAB 92.56, -48.57, 85.14

 

CMYK 0 / 22 / 100 / 18

HEX #D0A300

RGB 208 163 0

HSL 47.02, 1%, 0.41%

LAB 69.19, 4.71, 72.57

 

CMYK 0 / 22 / 100 / 2

HEX #F9C300

RGB 249 195 0

HSL 46.99, 1%, 0.49%

LAB 81.38, 5.75, 82.99

 

CMYK 0 / 19 / 86 / 0

HEX #FFCF23

RGB 255 207 35

HSL 46.91, 1%, 0.57%

LAB 85, 2.57, 81.09

 

CMYK 0 / 15 / 70 / 0

HEX #FFD84C

RGB 255 216 76

HSL 46.93, 1%, 0.65%

LAB 87.43, -0.62, 70.67

 

CMYK 0 / 12 / 54 / 0

HEX #FFE176

RGB 255 225 118

HSL 46.86, 1%, 0.73%

LAB 90.05, -2.53, 55.48

 

CMYK 0 / 18 / 85 / 0

HEX #FFD025

RGB 255 208 37

HSL 47.06, 1%, 0.57%

LAB 85.25, 2.1, 80.85

 

CMYK 85 / 0 / 86 / 0

HEX #27FF23

RGB 39 255 35

HSL 118.91, 1%, 0.57%

LAB 88, -83.54, 79.45

 

CMYK 53 / 86 / 0 / 0

HEX #7723FF

RGB 119 35 255

HSL 262.91, 1%, 0.57%

LAB 41.76, 76.69, -91.93

 

CMYK 0 / 18 / 85 / 0

HEX #FFD025

RGB 255 208 37

HSL 47.06, 1%, 0.57%

LAB 85.25, 2.1, 80.85

 

CMYK 86 / 0 / 19 / 0

HEX #23FFCF

RGB 35 255 207

HSL 166.91, 1%, 0.57%

LAB 90.04, -59.67, 9.18

 

CMYK 19 / 86 / 0 / 0

HEX #CF23FF

RGB 207 35 255

HSL 286.91, 1%, 0.57%

LAB 53.69, 87.5, -71.92

 

CMYK 0 / 18 / 85 / 0

HEX #FFD025

RGB 255 208 37

HSL 47.06, 1%, 0.57%

LAB 85.25, 2.1, 80.85

 

CMYK 85 / 0 / 86 / 0

HEX #27FF23

RGB 39 255 35

HSL 118.91, 1%, 0.57%

LAB 88, -83.54, 79.45

 

CMYK 86 / 67 / 0 / 0

HEX #2353FF

RGB 35 83 255

HSL 226.91, 1%, 0.57%

LAB 43.89, 48.08, -88.59

 

CMYK 2 / 86 / 0 / 0

HEX #FB23FF

RGB 251 35 255

HSL 298.91, 1%, 0.57%

LAB 60.72, 94.46, -60.24

 

CMYK 0 / 18 / 85 / 0

HEX #FFD025

RGB 255 208 37

HSL 47.06, 1%, 0.57%

LAB 85.25, 2.1, 80.85

 

CMYK 86 / 0 / 62 / 0

HEX #23FF61

RGB 35 255 97

HSL 136.91, 1%, 0.57%

LAB 88.32, -79.37, 60.22

 

CMYK 86 / 67 / 0 / 0

HEX #2353FF

RGB 35 83 255

HSL 226.91, 1%, 0.57%

LAB 43.89, 48.08, -88.59

 

CMYK 0 / 86 / 25 / 0

HEX #FF23C0

RGB 255 35 192

HSL 317.18, 1%, 0.57%

LAB 58.29, 87.02, -28.48

 

Description

Color code: HEX #FFD025 | qconv.com Color code: HEX #FFD025 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 208 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 208 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 85 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 85% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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